Ian Dury & Dr Feelgood - Ian Dury and the Blockheads ticket stubs for the Town and Country Club, Highgate Road and Brixton Academy, both circa 1990; together with 'New Boots and Panties' vinyl album and an Ian Dury keyring; also Dr Feelgood 'Private Practice' vinyl LP with a concert programme and pin badge
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Chris Rea - selection of ephemera relating to Chris Rea including 'La Passione' CD and DVD box set, 'Blue Guitars' CD and DVD box set, 'Chris Rea Presents the Return of the Fabulous Hofner Blue Tones' CD and vinyl box set, 'Road Songs for Lovers' vinyl LP, a 'The Return of the Fabulous Hofner Blue Tones' 2008 tour programme and a 'God's Great Banana Skin' 1993 tour programme with ticket stub for the NEC Arena and official tour pin badge
Dire Straits - good selection of Dire Straits ephemera to include a ticket stub for Dire Straits at Deeside Leisure Centre, Thursday 12th December 1985, a 'Sultans of Swing' fabric patch, four Dire Straits pin badges, 'Down Under - the Life Story of a History-Making Band' Dire Straits magazine and seven vinyl to include 'Brothers in Arms' special edition picture disc, 'So Far Away' live album, 'Making Moves', 'Brothers in Arms' full length version, 'Money for Nothing' full length version, 'Walk of Life' and 'Money for Nothing'
A Dark Day in GAA & Irish History'Bloody Sunday' Ticket An original Admission Ticket to Croke Park, Great Challenge Match (Football), Tipperary v. Dublin, Sunday November 21,1920. Pink card, 3 ins x 4 ¼ ins, vertical fold mark with slight tear, number written rear in ms.It was at this match that British soldiers opened fire on the pitch and crowd, killing a player and twelve spectators. This followed Michael Collins' operation against British secret service agents earlier that morning, in which fourteen British officers were shot dead. (1)The period 1918 - 1920 was a turbulent and dangerous period in Irish History. Martial Law was enforced in many areas, and the activities of the G.A.A. and other Sporting Organisations were severely curtailed. The behaviour of the British Forces in Ireland forced many young men to join the Irish Volunteers, and other Republican Organizations despite having no background in the movement. Especially in Tipperary, many young men of the time, and particularly those involved in Gaelic Games joined in the struggle for Irish Independence. With such exciting events as the Rescue of Sean Hogan at Knocklong Railway Station in May 1919, several of the country's leading Footballers became involved in the War of Independence. By early March 1920 the number of Gaelic Games played almost came to a standstill. This trend continued into the early summer when normally the volume of activity should have been increasing. In October there came a sudden and brief revival of Inter-County Fixtures. However, the following month was to have a tragic outcome. In early October, approximately five thousand spectators who had so far that year had little exciting fare were entertained by a rousing Challenge Football Match in Croke Park, between Dublin and Kildare, which Dublin won. Soon afterwards, the Tipperary County Board issued a challenge to Dublin. A match was arranged for 2.45 p.m. on Sunday November 21st, again at Croke Park. The game was well organised, and advertised as The G.A.A. Challenge Match. It was intended that the money raised from the match would help the Association for the Dependents of the I.R.A. who had been killed or imprisoned.The events which occurred at that game, now known as "Bloody Sunday," followed the early morning assassination of eleven British Intelligence Agents, "The Cairo Gang," in an operation organized by Michael Collins. When the British retaliated later that day, it was to Croke Park that the Military and Auxiliary Forces came, recognizing that the Stadium was the centre and symbol of Irish Nationalism and Nationalistic Aspirations. "Then suddenly and without any warning, Croke Park was the scene of a holocaust??" They fired into the crowd indiscriminately, killing twelve people and wounding about sixty, "On the field Michael Hogan, one of the Tipperary backs (and one of only two Irish Volunteer Officers on the Tipperary Team) lay mortally wounded, while within seconds a dozen spectators were dead or dying, many more seriously wounded." This was Bloody Sunday.Nothing more strikingly illustrates the close connections between the G.A.A. and the Republican Movement between 1916 and 1922, than "Bloody Sunday." (1)
IRISH HOSPITAL SWEEPSTAKES A small Archive assembled by a long-time Sweepstakes Worker including:-An extensive collection of original Sweeps tickets (mostly unissued), 1930-64, 1969-74 neatly mounted in two albums;-A bound volume of Sweeps Draw programmes 1936-37 in a leather bound album, apparently Vol. VII of a larger collection;-A collection of related ephemera and publications sponsored by or associated with the Sweeps, including three paperbacks issued by the Good Luck Club (two by Spencer Freeman), three Good Luck lapel badges, a Hospital Trust sports club ticket, a menu for the cold buffet at the Irish Sweeps Derby 1962, a folder of photographs relating to Donegal Carpets (then owned by the Sweeps), a typed report relating to Waterford Glass and a few other items.As a collection, w.a.f. (1)
Of Plymouth Argyle FC an original seat from Home Park Grandstand. Proceeds from this lot will go direct to St.Lukes Hospice, Plymouth.Martin York was a big sports fan but during his working life as an architect did not have time to attend football games. In 2017 not long after he moved to Plymouth, he was diagnosed with advanced terminal prostate cancer. He was 55.He went to see Argyle play Liverpool - and was hooked! He became a season ticket holder and this was his seat in the old Home Park Grandstand. Watching Argyle and being part of the Green Army was a great distraction from his gruelling treatment.Martin gave a talk to the Argyle players about the symptoms of prostate cancer - and then stared to volunteer with the fitness coach and the grounds team. He was well recognised by the players and the Home Park staff at all levels. He sadly died at St Luke's on 15 January this year.
An Admission ticket for the Funeral of the Late Field Marshal The Duke of Wellington, inviting a Mr Mashin, also inscribed Centre Area Choir/Under the Dome, signed by the Dean, also inscribed verso 'Admission at the South East Gate', blind stamped for the Earl Marshal of England, and a framed engraving of the elderly statesman.
A ships log book dating from 1795 for the Brigantine Mary, and later Brigantine Martha, detailing various cargoes from Whitehaven to Dublin, Liverpool, Belfast etc. together with bills of sale for various vessels including the Brig "Delight", a Merchant Seaman's pension ticket, Shipping Registers, Indentures etc.
Football Related: An Interesting Collection Of Programmes And Booklets including FA Amateur Cup: Crook Town v Hounslow (Final 1962) two programmes and community singing lyric sheet, Crook Town v Enfield (Final 1964) Programme, Barnet v Crook Town (Semi-Final, 1964) Programme and two ticket stubs for 1962 Final; FA Cup Final Programmes for 1950 and 1951, both with a pair of ticket stubs; Sunderland 1898-1948 Souvenir Handbook; Gateshead v Oldham A. (3rd Division Northern 1950; Blackburn v Newcastle FA Cup Semi Final Replay 1952; 18 late 1940's Middlesbrough and Sunderland Programmes and one Newcastle; various 1950's and 1960's programmes including a International League Game Football League v Scottish League March 1950; Sport Team Picture Books 1-5 (1949-50), Famous Footballers by Mickey Durling album and other publications
Collection of Mainly 19th century Maps, Map of India shewing Civil and Military Stations, James Wyld 1852 (large linen map in slipcase. New & Imperial Map of India, Major James Rennell, 1831, large folding map in green slipcase. Coronation Durbar Military Scheme Delhi December 1911 Schemes and Orders for Military Arrangements at Delhi.. Maps and Appendices as called for apart from one issued separately, (red leather binding, together with original ticket "Admit one Person Enclosure B.", The Circuiten No 1 London 1850 Guide for Cab Fares, Fredericks & Salisbury Plain 1914 (5)
A mid 19th century Italian micro mosaic plaque, circa 1850, possibly from the workshop of Michelangelo Barberi, the oval panel of a King Charles spaniel lying on grass in a landscape, in a black glass surround, 3.5cm x 4.5cm, in a fitted red leather case with a glass over the micromosaic Provenance: loose ticket stating P. F. £22 June 1966 Portobello. Condition Report: No cracks, chips or damage to the micromosaic or the domed glazed cover which appears original to the case, there are some small chips to the corners of the black glass setting. The case has some general wear commensurate with age and use, but still in good conditionCondition Report Disclaimer
WILLIAM & SON, LONDON A FINE DAMASCUS DROP-POINT HUNTING KNIFE WITH FOSSILISED MAMMOTH-TUSK HILT, ref. WR001535, serial no. 0403, recent, with 4in. Bran damascus blade etched to enhance patterning, secret signature to left face, full tang with polished fossilised mammoth-tusk moulded scales held with twin polished pins and integral polished steel cushion pommel, in its maker's bolstered leather scabbard with belt-loop to reverse, unused with original swing ticket. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
WILLIAM & SON, LONDON A FINE DAMASCUS DROP-POINT HUNTING KNIFE WITH FOSSILISED MAMMOTH-TUSK HILT, ref. WR001534, serial no. 0102, recent, with 4in. Bran damascus blade etched to enhance patterning, secret signature to left face, full tang with polished fossilised mammoth-tusk moulded scales held with twin polished pins and complete in its maker's bolstered leather scabbard with belt-loop to reverse, unused with original swing ticket. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
[OO GAUGE]. A MISCELLANEOUS COLLECTION comprising a Tri-ang Hornby diesel Pullman dummy motor car, blue and white livery, boxed; blue Pullman intermediate coach, blue and white livery, in incorrect box; three locomotives (all two-rail), all unboxed; two Tri-ang suburban coaches, maroon livery, unboxed; and two Tri-ang buildings, comprising a No.R60, Ticket Office and No.R66K, Porters Room with Kiosk, each boxed, (9).
NO RESERVE Stowe.- Forster (Henry Rumsey) The Stowe Catalogue Priced and Annotated, mezzotint frontispiece of Rembrandt's 'Unmerciful Servant', title in red & black and with wood-engraved vignette, lists of subscribers & purchasers, 16 steel-engraved plates, 22pp. advertisements at end, offsetting to title, plates foxed, occasional spotting, small engraved armorial book ticket of W.B. Redfern to front pastedown (a Redfern is listed as a buyer), contemporary blind-stamped cloth, rebacked in calf, spine rather worn, but holding firm, rubbed, 4to, 1848.
AN EDWARDIAN TRAVELLING STATIONERY BOX with gilt metal carrying handle to each side, with Bramah type lock and key, the top opening to reveal satinwood lined interior, with stationery rack and compartments housing blotter, letter book, cash account and diary, above three drawers and spring loaded drawer fitted with pair of travelling inkwells, the fall front opening to gilt tooled leather lined writing surface, complete with ivorine Army & Navy ticket for Captain [later Colonel] P D McCandlish, 43cm wide 25cm deep 30cm high Provenance: by family descent
Losverkäufer und Spiritushändler aus der Serie der "Pariser Ausrufer" Losverkäufer und Spiritushändler aus der Serie der "Pariser Ausrufer" Meissen, nach Modell von J. J. Kändler Porzellan. Farb- und Goldstaffage. Auf Rocaillesockel stehend. Blaue Schwertermarken, Mod.-Nr. 60236 und 60240. H. 14,5 cm. Provenienz: Privatsammlung Österreich. Losverkäufer und Spiritushändler aus der Serie der "Pariser Ausrufer" A lottery ticket seller and spirits seller from the "Cris de Paris" series Meissen, after the model by J. J. Kändler Porcelain. Coloured and gold decoration. Blue crossed swords marks, model numbers 60236 and 60240. Height 14.5 cm.
DUMAS ALEXANDRE Père: (1802-1870) French Writer whose works include The Three Musketeers. A.L.S., A. Dumas, two pages, small 8vo, n.p., n.d., to Monsieur Porcher, in French. Dumas writes to his editor, and as usual requests payments as he cannot attend his expenses and threatens with stop writing, stating `Horesni has come to tell me that I must leave and empty the place with the excuse that he needs his room on the 14th. If am not paid I must stop. I refuse therefore to pay…Be so kind to write to me at the head of Horseni´s letter. Not being paid, I cannot pay..´ With blank integral leaf. One very small hole not affecting the signature and only affecting one word at the heading. About VG Jean Baptiste Porcher (1792-1864) and his wife were Theatrical Agents who used to purchase copyrights and ticket passes for their authors, later reselling them at the entrance doors of theatres.
[REYNOLDS JOSHUA]: (1723-1792) English Portrait Painter. A scarce original engraved ticket for the funeral of Reynolds in St. Paul's Cathedral, London, 3rd March 1792, one page, oblong 4to, with an engraving to the centre by Francesco Bartolozzi after Edward Francis Burney, the image depicting a woman in mourning, leaning on a stone casket, with an infant standing at her feet. A panel to the centre of the side of the casket bears the Latin words Succedet Fama, Vivusque Per Ora, Feretur and, at the base appears further text, in full, 'The Executors & Family of Sir Joshua Reynolds return thanks for the tribute of respect paid to departed Genius & Virtue, by your attendance at the funeral of that illustrious painter & most amiable man, in St. Paul's Cathedral, on Saturday, March 3rd 1792'. With the name of William Weddel (sic) in ink to the lower margin and the address Upper Brook Street to the lower left corner. Some light creasing and age wear to the borders and a few tears and areas of paper loss to the upper left corner, G Edward Francis Burney (1760-1848) English Artist who studied at the Royal Academy Schools from 1776, receiving encouragement from Sir Joshua Reynolds. Francesco Bartolozzi (1727-1815) Italian Engraver whose most productive period was spent in London where he lived for almost forty years. Bartolozzi was elected as a founding member of the Royal Academy despite their bylaws specifically excluding engravers. The present ticket would appear to have been granted for William Weddell (1736-1792) British Politician who created a notable collection of antiquities. Weddell had purchased a townhouse at number 6 Upper Brook Street in 1772 which was to be re-designed by Robert Adam.
PICASSO PABLO: (1881-1973) Spanish Painter, a co-founder of the Cubist movement. A rare slim small 8vo colour printed admittance ticket to a bullfight signed by Picasso, the event taking place at the Plaza Toros de Nimes on Sunday, 24th May 1953 and the ticket (marked Premiere B, Rang 1) featuring a colour illustration to the centre of two toreros. Signed (‘Picasso’) by Picasso in blue ink to the upper border and dated 24th May 1953 in his hand. The signature is a little light in places although perfectly legible. Very slightly irregularly torn to the lower edge and right corner with the loss of only a few letters of printed text, G Signed souvenirs by Picasso related to his great passion for bullfighting are rare and desirable and, as Paloma Alarco of Madrid’s Thyssen-Bornemisza Museo Nacional so accurately observed, ‘The close relationship between the world of bullfighting and Picasso’s oeuvre is unquestionable. From his childhood days in Malaga, where his father often took him to the bullring, he was greatly fascinated by the national sport. In addition to the artistic possibilities of the bullfight…..Picasso regarded it as an expression of Spanishness’. Picasso regularly attended the Plaza Toros at Nimes from the autumn of 1947 until 1955, quite often with the bullfighting chronicler Andre Castel, as well as Picasso’s lover at the time, Francoise Gilot, the surrealist writer Michel Leiris, and his friend Jean Cocteau.
Ephemera, greetings cards (approx. 50) to include red cross, anthropomorphic, silk, Gollys, die cut, deckle edged, smoking, military, Snow White, Father Christmas, golf etc., a scrap book containing 17 pages of cards, letters, tickets and cuttings from the 1950s including a programme and ticket for an All American U.S. Air Force Baseball game at The White City Stadium on August 6th 1954 and a 1956 Esther Williams programme etc. (mixed condition fair/gd)(qty)
Cricket scorecards, a collection of approx. 90 scorecards, mostly 1960's onwards inc. Hampshire v South Africa 1965, England v Australia 28 July 1951 (with match ticket attached), Oxford University v Middlesex 1954, MCC v Yorkshire 1953, MCC v West Indies 1957, MCC v Pakistan 1954, Oxford v Cambridge 1949, Gentlemen of England v Australians 1953, 1961 etc (most with annotations, fair/vg)
Cartography - Gray (George Carrington), Gray's New Book of Roads, The Tourist and Traveller's Guide to the Roads of England and Wales, and Part of Scotland, on an Entirely New Plain [...], London: Printed for Sherwood, Jones, and Co., 1824, pp: [2] (blank), [iv], fold-out hand-coloured engraved map frontispiece, v, [3], 86, [7], 49 maps (some fold-out), [28] (index) [4] (blanks), 20th century brown morocco gilt over marbled boards by Graham Bloodworth, Leicester, his ticket, marbled endpapers en suite, square 8vo, [1] Provenance: 1) Edmund Fitz Moore of Lincoln's Inn and Albany, his c. 1840 Seal Armorial bookplates; 2) then William Garnett of Bleasdale and Quernmore Park, Lancashire, his slightly later 19th century Plain Armorial bookplates.
Cartography - [Toms (William Henry) & Badeslade (Thomas), Chorographia Brittaniæ., Or, A Set of All the Maps of the Counties in England and Wales [...]], first edition, [London: W.H. Toms, 1742], copperplate printed, lacking title-page, pp: engraved dedication double-page, 46 b/w double-page maps and 5 double-page tables, 20th century crimson morocco gilt over marbled boards by Graham Bloodworth, Leicester, his ticket, marbled endpapers en suite, spine incorrectly dated 1741, 8vo, [1]Provenance: James Wyld, Junior (1812-1887), the British geographer and map-seller, best known for Wyld's Great Globe. His Plain Armorial bookplate to recto pastedown.
Football, World Cup, selection of items inc. World Cup Final (Line-up page blank, some slight marks) & Tournament programmes 1966, scarce North East 1966 guide 'World Cup Year N.E. 1966', ticket information leaflet, Daily Express souvenir magazine 1966, plus a few other magazines, 1960's/70's (fair/vg) (10)
A golden ticket and set of five Wonka bars from Tim Burton's family comedy Charlie and The Chocolate Factory. Five lucky children were given a tour of Willy Wonka's (Johnny Depp) factory after they won a global competition to find elusive golden tickets hidden in Wonka bar wrappers.Printed on gold-coloured foil paper, the ticket displays an embossed stamp and text printed in black. Four of the Wonka bars are covered in silver foil and colourful wrappers, which feature printed seals and nutritional information. The unwrapped bar is made of brown plastic with a "Wonka" logo imprinted on each segment. Light creasing is present on the wrappers, and the ticket and bar display minor surface scratches from production use. Dimensions (ticket): 8 cm x 18 cm (3 1/4" x 7"); (each wrapped bar): 9.5 cm x 18.5 cm x 1 cm (3 3/4" x 7 1/4" x 1/2")Estimate: £2,000 - 3,000 †Δ
Production and promotional materials made for Jim Henson and Frank Oz's fantasy adventure The Dark Crystal. This lot consists of an opened paper envelope addressed to the film's marketing consultant, Craig Miller; three cardstock tickets to the film's premiere; one small ticket to the afterparty; two fold-out colour premiere programmes ; a paper envelope containing an RSVP form; a plastic spiral-bound promotional book containing production art and images; and a letter featuring the printed autographs of Henson, Oz, and producer Gary Kurtz. It is in excellent overall condition with some creasing and weathering throughout and rough edges on one of the envelopes from being opened. Dimensions (largest): 30.5 cm x 23 cm (12" x 9"); (smallest): 4.5 cm x 10.25 cm (1.75" x 4")Estimate: £600 - 800 Ω
Harrison Ford's autograph, a crew cap and a pair of screening tickets from the production and promotion of Steven Spielberg's action -adventure Raiders of the Lost Ark. The autograph was originally obtained while on location in Tunisia and features a personalised message inscribed to "James" in black ink. Manufactured by The Thinking Cap Co., the cap is made of beige cotton with mesh panels, and a Raiders of the Lost Ark embroidered patch adorns the front. The two yellow card tickets feature details for a special preview screening held at Empire, Leicester Square. Minor fold lines are present on the autograph and one of the tickets. The cap exhibits minimal wear and the lot comes with a letter of authenticity. Dimensions (autograph): 15 cm x 20.5 cm (6" x 8"); (one ticket): 9.5 cm x 17 cm (3 3/4" x 6 3/4")Estimate: £300 - 500 M
A crew cap autographed by Steven Spielberg, a collector's album, a call sheet and a screening ticket from the production and promotion of Steven Spielberg's action adventure Raiders of the Lost Ark. Manufactured by The Thinking Cap Co., the beige cotton cap features mesh panels and a Raiders of the Lost Ark embroidered patch. Its peak is autographed by Spielberg in blue marker. The collector's album comprises 64 pages of behind-the-scenes material; the call sheet is production-used and dated "Tuesday, 5th August, 1980", covering scenes set in the Raven bar; and the ticket is for a special preview screening, which was held at Leicester Square. There are minor signs of wear, including light creases, fold lines from storage and pin holes, on the album cover, and the autograph ink has bled slightly on the cap. Dimensions (album): 27.5 cm x 21 cm x 0.5 cm (10 3/4" x 8 1/4" x 1/4"); (call sheet): 33 cm x 20.5 cm (13" x 8"); (ticket): 9.5 cm x 17 cm (3 3/4" x 6 3/4")Estimate: £800 - 1,200 M
Jareth's (David Bowie) crystal ball, autographed photos, a collection of tickets and a card from the production of Jim Henson's fantasy film Labyrinth. Crystal balls were used by the Goblin King throughout the film, their mystical powers allowing him to change form and conjure illusions. Jareth twirled crystal balls in his hands as he attempted to distract Sarah (Jennifer Connelly) from rescuing her baby brother Toby (Toby Froud). These complex flourishes were achieved by contact juggler Michael Moschen, who had to kneel behind Bowie and perform blind. This crystal ball was obtained after filming by a senior crew member. Made of transparent resin, it comes with a ring-shaped holder. The lot is accompanied by a promotional still of David Bowie autographed in green ink; a still of Connelly in the role of Sarah, autographed in gold-coloured ink; one screening ticket featuring director Jim Henson's autograph on the back; a signed "Season's Greetings" card; and three wrap party tickets. The crystal ball displays minor scuffs from production use, and the photographs exhibit light scratching. Dimensions (ball, displayed): 8 cm x 8 cm x 10 cm (3 1/4" x 3 1/4" x 4"); (larger still): 20.5 cm x 25.5 cm (8" x 10")Estimate: £10,000 - 15,000 M
A train ticket from Robert Zemeckis' animated adventure film The Polar Express. Tickets were carried by the children who travelled as passengers aboard the Polar Express, and had to be punched by the Conductor (Tom Hanks). Physical props were used by live-performing actors, who dressed in Lycra suits covered in sensors for the purposes of motion capture. The actors and the props they held, like this ticket, were then overlaid with computer-generated 3D models. Numbered "0001225", the ticket is made of card and displays an image of the train on one side, and the words "Round Trip" above an image of a bell on the other. The word "Believe" - which featured on the Hero Boy's ticket - is printed on both sides, as if it has been punched into the ticket. There is minor wear present around the edges, and the lot comes with a letter of authenticity from a senior crew member and four premiere tickets, two for the New York premiere and two for the premiere afterparty. Dimensions: 4.5 cm x 12 cm x 0.2 cm (1 3/4" x 4 3/4" x 1/4")Estimate: £3,000 - 5,000 M
A collection of autographed promotional stills and screening tickets from the production and promotion of the Star Wars prequel trilogy. The five stills feature George Lucas, Ewan McGregor, Hayden Christensen, Natalie Portman and producer Rick McCallum, each of whom has autographed their photo in either black or gold-coloured marker. The lot also includes eight tickets for various screenings of The Phantom Menace, Attack of the Clones and Revenge of the Sith, all featuring the locations, dates and times for each event. Completing the lot is a Revenge of the Sith wrap party invitation and a black tag featuring the name of the production's prop master. The photographs exhibit light surface scratches and the tickets display minor edge wear. Dimensions (larger photographs): 30 cm x 20.5 cm (11 3/4" x 8"); (largest ticket): 19 cm x 12.5 cm (7 1/2" x 5"); (invitation): 26.5 cm x 21 cm (10 1/2" x 8 1/4")Estimate: £400 - 600 †Δ
A collection of items from the production of the original Star Wars trilogy. Originally obtained from set decoration assistant Harold Fryer, this lot consists of six behind-the-scenes photographs showing miniature models and part of the Echo Base set; a still autographed by Anthony Daniels; two white Empire Strikes Back crew T-shirts (both size M); a Polaroid featuring the droid R3-A2; a thank-you letter from set decorator Michael Ford; a "Vader in Flames" embroidered crew patch; a cast-and-crew credits programme; an "Empire Day Special" newspaper article; a pair of Empire Strikes Back crew screening tickets; and a screening ticket for a special preview of Return of the Jedi. Several items display discolouration and signs of wear, including small rips on the newspaper and surface wear on the autographed photo. Dimensions (newspaper): 39.5 cm x 30 cm (15 1/2" x 11 3/4"); (programme): 28 cm x 21.5 cm (11" x 8 1/2"); (each still): 25.5 cm x 20.5 cm (10" x 8")Estimate: £300 - 500 M
A collection of tickets and invitations from the production and promotion of various Star Wars movies. The lot consists of a faux-silver invitation to a principal photography wrap party held at Elstree Studios; a screening ticket for The Empire Strikes Back; a special preview screening ticket for Return of the Jedi; and a wrap-party invitation for The Phantom Menace. All four pieces are printed on card and feature the locations, dates and times for each event. The lot displays minor crease lines in multiple corners, light edge wear and notable dirt marks on the Empire Strikes Back screening ticket. Dimensions (largest invitation): 14 cm x 20.5 cm (5 1/2" x 8")Estimate: £200 - 300 M
A script, a set of storyboards, two black-and-white stills and a crew screening ticket from the production of Robert Zemeckis' Oscar®-winning detective comedy Who Framed Roger Rabbit.The fourth-draft script features the original working title "Who Shot Roger Rabbit", is dated "October 15, 1986" and comprises 137 pages. A red stamp reading "Lapin, UK, 4 126" adorns each page. The script is accompanied by 30 printed storyboards for several Acme Factory scenes, including the moment a ton of bricks fell on Roger Rabbit's head. Also included in the lot is a still showing Jessica Rabbit and Marvin Acme (Stubby Kaye) playing "Patty Cake" a still of Judge Doom (Christopher Lloyd), and a ticket for a cast-and-crew screening. The lot displays light wear and minor marks from use, while the back page of the script displays a notable fold line and is torn under the clip. Dimensions (script): 28 cm x 21.5 cm x 2 cm (11" x 8 1/2" x 3/4"); (each storyboard): 21 cm x 30 cm (8 1/4" x 11 3/4"); (each still): 20.5 cm x 25.5 cm (8" x 10"); (ticket): 9 cm x 14 cm (3 1/2" x 5 1/2")Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: £600 - 800 M
Christopher Cazenove & Angharad Rees Signed 8 x 6 inch b/w promo photo from Ticket to Ride, both dedicated to Michael. Condition 7/10. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A Mulberry black leather 'Lloyd' tote, gold tone hardware, dual handles, detachable shoulder strap, zip-top closure opening to internal zip and slip pocket, serial number 592517, with dust bag, 35cm wide, 10cm deep, 42cm highCondition report: No obvious faults. Original purchase ticket attached.

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33617 item(s)/page