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A Hallmarked Silver Oval Lidded Trinket Box, (lid detached) plush lined, raised on four slender feet, 8.5cm wide; together with hallmarked silver and piqué work brushes, a plated hat pin stand, a hallmarked silver and piqué lidded turned wood (later) dressing table box, glass tidy jar etc :- One Tray
Good and unusual French ormolu small mantel clock timepiece, the movement signed Papillon, Abbeville, the 2.5" white enamel dial within a triangular case applied with ribbons and swags and draped with various implements, surmounted by a ball finial and upon a rectangular stand with matted panels, 8" high
French ormolu two train pillar clock, the 3.5" white chapter ring signed Grignon-Meusnier á Paris and enclosing a skeletonised centre, the movement back plate also signed and stamped no. 3071, with outside countwheel and striking on a bell, supported upon an ornate ormolu rococo style stand and circular stepped base, under a glass dome, 12.5" high overall (pendulum and key)
French ormolu two train mantel clock, the 2.75" white dial signed Pepin á Paris below six o'clock, the Vincenti movement with outside countwheel, silk suspension and striking on a bell also signed Pepin á Paris, within a rococo style case pierced with scrolling foliage and upon a fixed stand, 13.25" high (pendulum)
Contemporary novelty clock, the movement contained within a globe on an upright stand with horizontal chapter ring, over a singing bird in a wirework cage, suspended on a chrome stand supported upon a grey circular marble base, 11" high; also The Boehm 'Mayflower Clock' made by K.J. Bradford, Clockmaker, Chelmsford, England, ser. no. 216 inscribed on the top plate over two horizontal chapter rings indicating the time and countries of the world, supported upon a wooden stand, 5.5" high (2)
A Chinese yellow jade cat, Qing, the stone a uniform colour throughout, standing upon a carved stone stand, 7.5cm overall; and a Chinese enamel water dropper, in the form of a hexagonal teapot, the panels painted with flowers, apocryphal four character Qianlong mark, 6.5cmBoth cats ears are chipped, it is also missing its tail and front right leg. The front left leg has been bruised and is lighter in colour though does not appear to be broken. The stand is in good condition. The water dropper is missing its handle, the join has been ground flat and smooth. One panel has a small chip to the shoulder.
A Chinese porcelain anhua bitong, of cylindrical form, anhua decorated with dragons chasing flaming pearls between moulded bands, on three short feet, 18.5cm dia, 16.8cm high, on a wood stand, 28cm high overallSome surface scratches throughout, otherwise no obvious chips, cracks or signs of restoration.
A Chinese blue & white dragon vase, Qing, 19th/20th century, with flaring rim above a long neck and compressed baluster body, painted with two scaly dragons, each writhing amongst clouds chasing a flaming pearl, on a slightly inverted tapering circular foot, 27.5cm, on wood stand 32.5c overallPierced in the centre of the base, some light surface scratches, otherwise in good condition with no obvious chips, cracks or signs of restoration. The stand missing a slither from the rim, some age cracks.
A Chinese Yongzheng style famille rose jardiniere, painted with two Fenghuang, with rockwork, tree peony and chrysanthemums, 23cm dia, 17.3cm high, on a wood stand 25.2cm overallIn good condition throughout. No obvious chips, cracks or signs of restoration.The stand is complete but requires tightening up.
A Chinese double gourd vase, huluping, with a deep blue/purple glaze, 17cm, on wood stand 22cm overall, a blush rose vase with six character Guangxu mark, 13.8cm; a turquoise glaze vase, 18.5cm ; and a liuyeping shape vase (A/F), with six character Kangxi mark, on wood stand 17.3cm overallAll but the liuyeping vase in good condition.
A George IV figured rosewood tray topped pedestal wash stand with pierced gallery above a single frieze drawer above a two-door cupboard below. On squared supports. 61 cm wide x 46 cm deep x 79 cm overall height.A private London residence.In need of restoration. The top is water stained. The drawer has a handle missing. Age cracks and old repairs throughout. The additional online images give a clear indication to the current condition of this piece.
After Gianbologna (Italian 1529- 1608) A pair of patinated bronze figures of Mercury and Ceres, 20th century. He stands on a zephyrs billowing mask with caduceus in hand she with shears emblematic of harvest bounty both stand on figure moulded columns over square socles. 85 cm high and 74 cm
A Leica III G 35 mm camera body (No 858578) fitted a 35mm Summicron 1:2 lens, together with further lenses and equipment including Summaron 35mm 1:2.8, Elmarit 90mm 1:2.8, Elmar 90mm 1:4, Summicron 50mm 1:2, Summaron 28mm 1:5.6 lenses, boxed "Boowu" copy stand, boxed tabletop tripod, and a Soviet-era Kristall 35 mm camera body. and other items.shutter cocking and releasing as expected, lenses clean and bright apertures seem to work.I have been through the lenses and checked for fungus and scratches and am happy to say they are all fungus and scratch-freeThe apertures all work as they should and the lenses seem functionally fault-free.
A Chinese export blue & white chestnut basket and stand, Qing, late 18th century, painted with watery landscapes with buildings, trees and mountains, the basket sides and the stand border with pierced decoration, the basket 27cn dia, 10cm high, the stand 28.5cm diaGenerally, both pieces are in good condition, although both with minor fritting to the rims, but no signs of hairlines cracks or restoration.
A mid 19th Century W.H, B & J Richardson clear cut crystal covered bowl and stand, the circular bowl with flared scalloped rim and domed cover with hollow blown finial, raised to an everted under plate, the whole cut with a deep mitre cut line radial diamond design, height 19cm. Provenance - William Haden Richardson and thence by descent.
A 1930s Gray-Stan clear crystal pedestal tazza in the 18th Century taste with a circular stand and upstand rim, raised to a hollow blown fluted stem, height 19cm. Provenance ? From the family collection of the late James Manning, senior glass blower and designer for Elizabeth Graydon Stannus of Gray-Stan Glass.
A 1930s Gray-Stan clear crystal glass figure, modelled as a stylised swan with applied clear crystal details, height 10cm, together with another clear crystal glass figure modelled as a stylised bird on a pedestal base, also a glass ring stand with a clear glass branch raised to a fluted dish in pale blue. (3) Provenance ? From the family collection of the late James Manning, senior glass blower and designer for Elizabeth Graydon Stannus of Gray-Stan Glass.

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456583 item(s)/page