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Lot 2748
Biedermeier-Kloßlöffel Silber. Große, ovale Laffe, übergehend in hoch gebogten Griff mit flachem, rechteckigem Heft. Gest. 13 Lot, Stadtmarke, Meister Johann Samuel Schoenberg (wird Meister vor 1805). Gew. ca. 120 g. L. 34 cm.Vgl. Kat. Germanisches Nationalmuseum, Bd. I, Teil 1, MZ 812 a, BZ 52 d, FZ 13b.A Nuremberg parcel-gilt Biedermeier serving spoon by Johann Samuel Schoenberg (master before 1805). City and master´s mark.Nürnberg. 1850-1852.
Lot 2749
Biedermeier-Vorlegelöffel Silber, teilvergoldet. Spitzovale Laffe, übergehend in flachen Griff mit passig geschweiftem Heft. Gest., Stadtmarke, Meister Johann Michael Wolfgang Riedel (wird Meister 1850). Gew. ca. 70 g. L. 28 cm.Vgl. Kat. Germanisches Nationalmuseum, Bd. I, Teil 1, MZ 724. BZ 52 g.A Nuremberg parcel-gilt Biedermeier serving spoon by Johann Michael Wolfgang Riedel (master since 1850). City and master´s mark.Nürnberg. 1850-1868.
Lot 314
An antique 19th Century Victorian English mahogany spoon back armchair / low easy lounge chair having a mahogany wood frame with green fabric button back upholstery to the backrest and seat. Carved detailing with all raised on shaped carved legs upon barss and white ceramic castors. Measures approx; 101cm x 70cm x 59cm.
Lot 423
An antique 19th Century Victorian English rosewood and walnut nursing chair / bedroom chair of low spoon back form having a decorative arched backrest with carved floral decoration atop. Tapestry floral upholstery throughout raised on carved cabriole supports with ceramic castors. Measures approx 101cm x 55cm x 60cm.
Lot 543
An antique 19th Century political satirical hand coloured engraving print entitled ' Bonne Farte raising a Southerly Wind. Depicts the Straits of Dover: Bonaparte (left) stands on the one side, stooping down with bared posteriors, from which fly through the air balloons, parachutes, infantry, cavalry, artillery, tents, and wagons. A tiny guillotine is towed and pushed towards England. The sky is sprinkled with these invaders, the largest object being a balloon whose basket bristles with tiny guns; from this an anchor hangs on a rope. Bonaparte stoops down, his hands on his knees, while an officer stands beside him feeding him with a spoon with 'Parched Peas' from the former's large cocked hat, which is on the ground, the crown filled with peas. Bonaparte says: "Oh Berthier - Berthier - I can't go through with it I fear." Berthier answers: "That's your sort my Boy. The Directory will give us Imortal Honer for this, its a new way of raising the Wind. \ come a few more they are Nice and Hot."In the sea a giant raft with one sail makes for England; guns project from its sides, and troops are indicated by flags and bayonets. On the English coast are cliffs. A huge sea monster has reached the shore and soldiers are landing from its open jaws. An English Jacobin wearing a bonnet-rouge embraces the leader, who steps ashore; he says: "My dear Monge you'r right welcom you have had a dreadful voyage". Men with fixed bayonets follow Monge. On the cliff immediately above the monster stand Sheridan and Fox, welcoming the aerial army; Horne Tooke sits at their feet; they say: "How fragrant is this Southern Breeze". Lauderdale, very small, wearing Highland dress, stands beside Fox, saying: "Hoot Mon this reminds me of sweet Edinburgh." Beneath the title: 'Or a Sketch of the Intended Invincible Invasion found at the door of Brooks's in St James's Street'. 20 February 1798 [or 10 February 1798]Framed and glazed. Measures approx; 46cm x 56cm.
Lot 606
An antique 19th Century Victorian English button back Chesterfield type spoon back nursing chair / low easy lounge chair having a shaped spoon back with button down duck egg teal paisley upholstery. Overstuffed seat with shaped sides all raised on turned baluster legs with brass castors. Measures approx; 82cm x 60cm x 60cm.
Lot 7
A VERY RARE ARCHAIC BRONZE FOOD VESSEL, YULate Shang Dynasty, 13th-12th century BCThe deep rounded sides crisply cast in high relief with four large taotie masks separated by vertical notched flanges, separating confronted birds on the pedestal foot, the pairs of similar birds below the everted rim divided by small animal masks, all reserved on leiwen bands, with a mottled milky-green patina and some buff earth encrustation, the base cast with two pictograms reading Jiran 己冉. 25.5cm (10in) diam.Footnotes:商晚期 青銅饕餮紋己冉盂Provenance: Kaikodo, New York, Autumn 2001A European private collectionChristie's New York, 21 September 2004, lot 153An important European private collectionPublished: Kaikodo Journal, New York, Autumn 2001, no.52, pp.184-185 and 332-335.來源：美國紐約古董商懷古堂，2001年秋歐洲私人舊藏紐約佳士得，2004年9月21日，拍品編號153歐洲重要私人收藏出版著錄：《懷古堂圖錄》，紐約，2001年秋，編號52，頁184-185及332-335This vessel has an inscription cast in the interior with two characters reading Jiran 己冉, which relates to the powerful clan for which the vessel was produced. The present piece is notable and rare for its exceptionally large size, the swelling volume and the crisp decoration of taotie masks beneath a band of bovine heads interspersed in relief amidst kui dragons.Archaic bronze food vessels, yu are among the most highly prized and technically sophisticated objects manufactured in Bronze Age China. Reserved for use by the most powerful families of the time, they carried offerings of grain and vegetables presented to the ancestors during the performance of elaborate rituals and were often accompanied in burials by tripod vessels, ding. The role of these elaborate bronze vessels was fundamental in ensuring the continuity of family lines, as it was believed that ancestors were active participants in the life of their living offspring, which they could positively influence if provided with continuous nourishment.The extant number of skilfully-made vessels in ancient China testifies to a highly-organised bronze casting industry at the time. Hundreds of men were employed in mining, smelting and transporting metal from mining areas to the capital and the workshops. In addition, the large quantities of material required and the many stages involved in the casting process depended upon subdividing the tasks among a large number of workmen. No single craftsman contributed to every stage in the production of a particular vessels. Workshops were therefore large in size and specialised mould-makers, casters and finishers were required to make the vessels; see J.Rawson, 'Bronze Metal Circulation in China' in Antiquity, vol.91, issue 357, 2017, pp.674-687.Yu vessels were popular during the late Shang dynasty, particularly during the Yinxu period (circa 13th-11th centuries BC). The physical form of the yu, consisting of a round body rising from a splayed foot, may have derived from a pottery prototype. Unlike the food vessels gui that were prevalent during the succeeding Western Zhou dynasty, yu do not have ring handles. Oracle-bone inscriptions dating to the Shang dynasty depict the yu vessel as a pictograph depicting a food container with a hand holding a spoon, and according to research, this vessel was used specifically for making offering of grains and vegetables, and was often paired with the tripod ding vessels storing cooked meat of various kinds.Bronze vessels dating to the Shang dynasty were often cast with pictograms, such as the present example. These symbols included birds, weapons or humanoid figures, and usually referred to the names of either the aristocratic owners who commissioned the vessels, or the ancestors to whom the vessel was dedicated.The three basic designs employed on the present vessel, comprising alternating bands decorated with taotie and kui dragons interspersed with bovine heads, are often found on vessels belonging to the highest-ranking members of society, dating to the later phases of the Shang dynasty. The tomb of Fu Hao (d.circa 1200 BC), favourite consort of the Shang emperor Wu Ding, for example, yielded a bronze yu vessel decorated with similar schemes to the present example, and is illustrated by J.So, Shang Ritual Bronzes in the Arthur M. Sackler Collections, Washington DC, 1987, p.499, fig.96.5. A related bronze yu vessel, Shang dynasty, formerly in the collection of Dr.A.F. Philips, was sold at Sotheby's New York, 22 March 2011, lot 14.器內鑄「己冉」二字銘文。己應為日名，冉則為族徽文字，表明器主所在的族氏。盂為青銅禮器中的盛食器，多見侈口深腹圈足，有獸首耳或附耳，少量無耳，器形似簋而大。中英文世界對此類器物定名不一，此處沿用盂的叫法。「盂」字自甲骨文起就以像形造字，形似一手持勺於食物容器之上。學者研究認為，盂一般用於存放黍稷等穀物和蔬菜，常與盛放肉類的鼎搭配使用。盂最早出現於商晚期前段，流行於西周，春秋時期尚有所見。此例直口寬唇無耳，屬商晚期典型器型。深腹，近底內斂，下有高圈足外撇。頸部與圈足均飾相對變形夔紋，腹部主體紋飾為饕餮紋，怒目圓睜，與頸部中心的高浮雕牛首相輔相成。整體紋飾以雷紋填底，多層次的淺浮雕線條勁利，渾然天成。本例的獨特紋飾，即器身交替出現的饕餮和夔紋飾帶，以及中心的浮雕牛首裝飾，常見於商代晚期高級貴族之用具。商王武丁之寵... For further information on this lot please visit Bonhams.com
Lot 29
Early 19th century English teaware to include a Chamberlain's Worcester spirally moulded part tea and coffee service, painted with sepia flower sprays enriched with gilding, black script inscription to underside of teapot lid, teapot 17.5cms high; a part tea set with pink raceme decoration, pale blue bands with gilt detailing, unmarked but numbered 2/106; a bat printed sugar bowl and similar teapot (quantity). Provenance: Berwick House, Shropshire Condition Report: All will benefit from a clean; Chamberlains- cracks and damage to teapot body, sugar bowl, spoon tray, 2 plates Pink raceme service majority damaged Both bat printed items cracked and damaged Condition Report Disclaimer
Lot 611
19th Century rosewood and mother-of-pearl inlaid sarcophagus tea caddy, the interior with cut glass sugar bowl, compartments and George III silver caddy spoon, 32cm wide, together with a similar plain example Condition: Both pieces showing signs of light scratches and discolouration in places, the plain tea caddy missing its lock and side hooped handles, glass sugar bowl having some chips to the base, hinge of one compartment lid has broken and the lid is loose, please check extra images provided which may show some condition issues or contact the department prior to bidding for more information. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 83
Cased set of twelve John Pinches spoon collection for the RSPB, London 1975, 320g approx Condition: **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 85
Collection of silver and silver plated items to include; part George V silver backed manicure set, Birmingham 1935, Georgian teaspoons, plated caddy spoon, etc, 155g weighable silver Condition: Manicure set and teaspoon set are incomplete, boxes are both broken - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 96
Set of five Victorian silver Fiddle pattern dessert spoons, London 1853, 255g approx Condition: Each spoon has the initial P engraved to the handle, some wear and rubbing and small dents, etc - **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 3340
A collection of assorted cigarette cards to include: Cope’s, Golfers, 2: 13. Mr Crawford and 48. A Long Spoon; Cadle’s, Rugby, 4; Turf Cigarettes, Sports, 23; Mobil: The Story of Grand Prix Motor Racing, 36; Churchman, Sporting Trophies, 25; set; Victoria Gallery, Boxing Champions, 20, set; John Player, Golf, 25, set; C. Britton, Golf Courses of the British Isles, 24, set; Gameplan, Open Champions, 25, set; The Dormy Collection, Golf – The Modern Era, 25, set; John Player, Tennis, 50, set; and Craven Black Cat, Sport Fish, 50, set; all contained within one album.
Lot 36
A collection of silver flatware to include: a pair of Old English pattern sauce ladles, by George Adams, London, 1875; a William IV OEP table spoon, by WE (William Eley) London, 1831; George III fiddle and thread pattern sugar nippers, London, 1810; an early Victorian fiddle pattern caddy spoon, with shovel shaped bowl, by CS, London, 1838 together with further flatware, two mother-of-pearl and silver butter knives; button hook, various dates and makers, weighable silver 15.91 ozt (1 bag)
Lot 94
A collection of silver and white metal jewellery to include: a silver bangle with engraved details hinged, a silver buckle ring, size X, silver filigree flower brooch, a continental white metal miniature spoon marked 830S, along with two white metal charm bracelets (one suspending two silver charms) vintage brooches and a ladies Summit watch face (1 bag)
Lot 168
A George III Scottish silver Old English pattern dessert spoon, maker James McKay, Edinburgh 1809, together with a matched spoon, maker John Zeigler, Edinburgh 1811, monogrammed S, an Irish silver fiddle pattern tablespoon, maker Christopher Cummins (senior), Dublin 1817, crested and monogrammed, and a cased silver christening spoon, maker Cooper Brothers & Sons Ltd, Sheffield 1927, 4.9oz
Lot 172
A pair of George III silver Old English bead pattern tablespoons, maker Thomas Chawner, London 1777, together with a set of three similar dessert spoons, makers John & Henry Lias, London 1845, a set of four fiddle pattern teaspoons, maker Thomas Sewell I, Newcastle 1854, with other fiddle pattern teaspoons, four condiment spoons, a berry spoon, and a set of four coffee spoons 18.8oz
Lot 179
A George III Old English pattern silver dessert spoon, maker John Lambe, London 1782, with four similar spoons, all London hallmarks: Solomon Hougham, Solomon Royes & John East Dix, 1818; Richard Crossley & George Smith IV, 1808; Thomas Wilkes Barker, 1807 and 1809, all monogrammed, together with a pair of silver sauce ladles, maker Joseph Rodgers & Sons, Sheffield 1915, 10.8oz
Lot 185
A Scottish George III silver fiddle pattern dessert spoon, maker John Zeigler, Edinburgh 1811; a silver fiddle pattern dessert spoon, maker Thomas Hayter, London 1811; a silver fiddle pattern dessert spoon, maker Thomas Wallis II, London 1807; a silver Old English pattern sauce ladle, maker possibly William Edwards, London 1806; a silver fiddle pattern sauce ladle, maker William Chawner II, London 1829; and three other silver fiddle pattern dessert spoons: John Harris IV, London 1827; Robert Wallis, London 1836; Charles Boyton, London 1847, all monogrammed or crested, 11oz
Lot 191
A set of three George III silver Old English pattern teaspoons, maker Solomon Hougham, London 1800, together with a matched later spoon 1802, a set of three similar teaspoons, maker Cooper Brothers & Sons Ltd, Sheffield 1921, and three other George III and later similar silver teaspoons, 4.5oz
Lot 196
A set of three George III silver Old English pattern dessert spoons, makers William Eley & William Fearn, London 1801, a matched spoon 1816, a pair of similar spoons, maker Robert Rutland, London 1813, and another similar spoon, together with a set of three silver teaspoons, maker Josiah & George Piercy, London 1812, with two similar teaspoons, a fiddle pattern fork and other items, 13.9oz
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153406 item(s)/page