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Click here to subscribeA George III silver Sauce Ladle, by Samuel Godbehere, Edward Wigan & James Boult, hallmarked London 1803, Old English pattern, initialled, 17cm long, together with an Edwardian silver preserve spoon, by Thomas Henry Blake, hallmarked Sheffield 1909, with corresponding butter knife, a Victorian silver egg spoon and a small quantity of silver plated flatware etc., weighbale silver 3.3ozt (a lot)
A Norwegian silver (830 grade) sifter Spoon, by H. Moller, Trondheim, 19cm long, together with a Norwegian silver table spoon, by Brodrene Mylius, with circular bowl and foliate pierced finial, a pair of American sterling silver table spoons, an American sterling silver strainer, a small quantity of other Norwegian and American silver flatware, some with weighted handles etc., weighable approx. 14.7ozt
An Elizabeth II silver Tastevin, by Philip Kydd, hallmarked London 1986, 6.5cm diameter, together with an oval silver pin tray, Sheffield, 1996, a small oval dish, Birmingham 1989, a small quantity of silver flatware a silver topped glass jar etc., weighable silver 5.8ozt, a silver plate mounted glass cocktail shaker, and a pair of modern pewter easel frames with velvet reverses (a lot)
A Canadian sterling silver Flatware Service, by Birks, six place setting comprising forks, dessert spoons, cake forks, teaspoons, pickle forks, soup spoons, two serving spoons, approx. total weight 53ozt, knives, fish eaters and butter knives all with weighted handles and stainless steel blades / tines (a lot)
Decorative Household Ceramics and Glass, including Minton Haddon Hall and Aragon tea wares, Paragon, Masons, Ringtons and other blue and white, silver plate apothecary bottles, cranberry glass, flatware, table globe, Victorian dinner wares including Royal Worcester, Doulton Lambeth stoneware jardiniere stand, prints etc (ten boxes)
COLLECTION OF SILVER FLATWARE, ALONG WITH FURTHER SILVER AND WHITE METAL WARE the silver flatware including teaspoons, butter knives, tongs and a fork, along with a silver and enamel lid, a silver pepper pot, a silver hand mirror, silver thimbles and a silver egg cup, along with white metal items including a large serving spoon, a vesta case and further flatwareQty: the weighable silver 338g gross
A collection of silver spoons, various dates and makers, to include; a cased set of twelve silver teaspoons with plated sugar tongs, Sheffield 1923, a cased set of six silver coffee spoons with hardstone 'bean' terminals, a pair of silver coffee spoons with stylised shotgun handles, a small collection of American spoons, a pair of Kings pattern shell back teaspoons etc, together with a small collection of plated flatware and a silver thimble and miniature purse and a collection of paste necklaces, total weight of silver approx 39.5oz (a lot)
A collection of various pieces of silver flatware, comprising; a pair of George III tablespoons, London 1815, a set of four bright cut engraved teaspoons, London 1802, a Irish silver fish knife, 1833, a pair of silver sugar tongs, a silver sugar sifter spoon, six further silver spoons, a silver toddy spoon with whalebone turned handle, a further silver fish knife with mother of pearl handle, a silver mounted button hook and a white metal letter opener, total weighable silver approx 12.4oz (19)
A collection of loose and cased silver cutlery, comprising; a cased set of six silver handled side knives, a cased set of six silver teaspoons, a single cased silver spoon, six silver handled pistol grip side knives, two further silver knives, a set of nine silver teaspoons, a pair of silver tea tongs, a sugar sifter spoon, a preserve spoon, a pair of sugar tongs, a set of six late 18th century teaspoons, a commemorative caddy spoon, further loose flatware etc, total weighable silver approx 18.5oz (a lot)
A large collection of jewellery and costume jewellery, to include; a gold plated mounted banded agate pendant with snake embellishment, various earrings, an Art Deco paste set bracelet, a marcasite and enamel bird brooch, Victorian pendants and brooches, cufflinks, various jewellery boxes, silver plated flatware etc (a lot) (two trays)
Twenty items of 19th century silver flatware, various patterns, dates and makers, including five honeysuckle pattern table spoons and four dessert spoons by George Adams, London, 1852, 45.5oz. Fairly well used condition, including surface scratches, wear to the fork tines and spoon tips etc.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A part canteen of early Victorian silver flatware, by Robert Wallis, double struck with an unusual pattern with entwined cornucopia and a raised star terminal, comprising seven dessert spoons, six dessert forks and a table/serving spoon, London, 1838, 30oz. Wear to all the fork tines and some of the spoon bowl tips. Minor surface scratches in places. Decoration still crisp and hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A harlequin part canteen of Edwardian and later silver Old English pattern flatware, various dates and makers, comprising thirty table forks (twelve by William Hutton & Sons, London, 1909 and twelve by Alexander Clark Manufacturing Co, Sheffield, 1909), twenty three dessert forks, eighteen table spoons and eleven dessert spoons, with engraved crest, 172oz. Signs of general use including tarnish, surface scratches and minor wear to some fork tines and spoon tips.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A COLLECTION OF VICTORIAN QUEEN'S PATTERN FLATWARE SAMUEL HAYNE & DUDLEY CATER, LONDON 1857 Comprising, six tablespoons, six table forks, six dessert spoons, six dessert forks, four teaspoons all of Queen's pattern, initial engraved to terminal; together with six butter knives and eleven table knives, presented in a two-tier mahogany lift-out canteen (45) 64.4oz (weighable silver)
A COLLECTION OF 1950s KING'S PATTERN FLATWARE VINER'S, LTD., SHEFFIELD 1955/ 1956 Comprising, a pair of serving spoons, a silver-handled knife sharpener, three tablespoons, twelve dessert spoons, twelve soup spoons, twelve table forks, twelve dessert forks; twelve table knives and twelve side knives; eleven fruit forks and nine fruit knives, all of King's pattern, italic R engraved to terminal; together with a pair of toddy ladles, James Crichton, Glasgow 1846, of single struck King's pattern, italic R engraved to terminal (qty) Weighable silver: 135oz
A COLLECTION OF LATE 19TH CENTURY CONTINENTAL FLATWARE AND PLATED FLATWARE VARIOUS MAKERS AND MARKS Comprising; a serving spoon, six tablespoons, six teaspoons; together with silver plated examples of a similar pattern comprising six dessert spoons; four dessert forks, and eight fish knives, all of a Fiddle and Thread variant pattern (qty) Weighable silver: 17.4oz
CALCUTTA - AN INDIAN TWIN-HANDLED BUTTER COOLER WITH LID HAMILTON & CO. OF CALCUTTA, CIRCA 1820 Of tapered form, reeded borders, raised on for paw feet, the pull off cover with finial 16cm high, 23.4oz Hamilton & Co are amongst the most recognisable names in Indian Colonial silver and were making many of the finest examples still extant of this fascinating period. Their style very much follows that of the British forms they left behind and while they do integrate and meld with local craftsmen and decoration it is there classically George III simple silver that is most commonly encountered. The business was initially set up by Robert Hamilton who had arrived in India and set up as a Jeweller in Tank Square by 1808. He enters into partnership with Henry Glazbrook (who had arrived in 1810) and James Glazbrook (who had arrived in 1811) in 1811 creating what would become on of the most successful silversmith business in the Empire.Robert’s hands on work with the business appears short and by 1817 had ceased to have an interest in the firm. Why his connection is so short is unknown but he had returned to England as early as 1812. His connection to the country doesn’t cease however as he stands guarantor for various other Brits who would be connected with the trade in India. His business interest had made him a rich man and in 1819 he purchased the thirty room Bloomfield Hall (now demolished) in surrey, which housed his impressive art collection. His art collection, long dispersed, included such names as Rubens, Holbein and Vaelazquez.The business of Hamilton & Co would not only survive but thrive having three branches. The original branch in Calcutta (1811 – 1971) followed by those in Bombay (originally opened in 1830) and Simla (opened 1865). The partnership has many changes in partners which show the movement of makers, people and business throughout the century with there being no fewer than thirty different incarnations of partners between 1811 and 1947!They were a business with vision and not only are making the standard silver wares but also are recorded importing items from Rundell Bridge & Rundell in London, no doubt large and impressive pieces. They also are likely the main producer of flatware in India as have imported a ‘powerful English stamping press’ which allows them to produce the much more elaborate die struck flatware patterns than their competitors.Their success does not just lie in importing and replicating English silver as in 1838 they announce their invention of a ‘Toffee’ pot. Not perhaps a long-lived invention, and perhaps one over looked now, of a combination tea and coffee pot.As with William Honey Twentyman their marks for many years were confused with those of Scottish makers. In early publications they are often seen in the Inverness section as the elephant punch was mistaken for an Inverness town mark. Not as fanciful as it may seem being the camel supporter had been used as mark earlier in the century so why not the armorials other supporter, the elephant, used in the same way.
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