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Taxidermy: A Pair of Victorian Cased Mallard Ducks (Anas platyrhynchos), two full mount drakes, both stood upon faux rocks amongst a natural setting of tall grasses reeds and moss, set against a wash painted back board, enclosed within a period three-glass table display case with gilt moulding, 63.5cm by 21cm by 56cmcracks to lower area of side glass panel on either side, 16/01/19
^ A Mahogany Table Timepiece, signed Sparrow, London, early 19th century, arched pediment with carrying handle, side glass panels, 3-3/4-inch silvered dial, signed in a cartouche above 12, dummy central alarm disc, blued hands, single fusee movement, (alarm work missing), bob pendulum, 31.5cm high over handle 03.04.19. Top side of the pediment with small cracks and dents in parts, right hand side with chips around the glass panel aperture, glass with small chips to the edges, back door with some later veneers, possibly later feet, dial with silvering rubbed in parts and with scratches, dummy alarm disc, alarm work is missing, movement backplate with signs of plugged holes for the alarm work, movement looks clean.
A Walnut Quarter Striking Table Clock, later 19th century, caddied pediment with applied gilt metal mounts, bevelled glass side panels, 6-1/2-inch brass dial with a silvered Roman numeral chapter ring twin barrel movement with ting-tang quarter striking on two gongs, movement backplate stamped RMS and numbered 3773, 48cm high 01.04.19. Topside of the pediment with the caddy joints slightly separating, case slightly faded in parts, dial slightly discoloured, movement is dirty and needs cleaning, one of the hammers with signs of a glue repair, with pendulum.
A Mahogany Chiming Table Clock, later 19th century, arched pediment, pierced side panels, stop brass fluted inset front columns, 8-inch arched brass dial with a silvered Roman numeral chapter ring, three dials in the arch for chime on eight bells/Westminster chime, fast/slow and chime/silent, triple fusee movement with an anchor escapement, quarter chiming on a nest of eight bells or four gongs and striking a further larger gong for the hours, 46cm high 01.04.19. Case has faded in parts, front door slightly bowed, back door knob is missing, pediment with cracks to both sides, two strips of moulding/beading missing to both sides, side frets with splits to back silks, movement is dirty and needs cleaning, with pendulum.
^ An Oak Dropleaf Side Table, of rectangular form with single frieze drawer, the single dropleaf above a pivoting gateleg with block feet, early 18th century in part, 63cm by 30cm by 69cm; and A Carved Oak Footstool, covered in pink close-nailed fabric above a guilloche carved frieze and turned legs, 47cm by 30cm by 28cm (2)
~ A Two-Drawer Oak Writing Table, the later green and gilt leather skiver above two frieze drawers, on cabriole legs with pad feet, 106cm by 55cm by 76cmCosmetically good and previously restored. Top with small natural? split to right side of leather top. Leather top in good condition and of recent date. Left hand moulded section with two natural? splits to the left of the leather. 211118
~ A George III Mahogany Side Table, early 19th century, with two short over one long drawer, on square form legs, 76cm by 46cm by 71cmStructurally ok. Moulding missing around left hand side panel and the front. Drawers. Oak lined. Top with minor shrinkage split back right hand corner. Left hand section natural splitting/lifting to veneers. Front right hand corner with section of veneer replaced. 211118
A George III Mahogany Pedestal Writing/Architect's Table, after a model by Gillows, early 19th century, the pivoting top supported by an adjustable ratchet above a deep secretaire drawer with five dummy drawers and fall front enclosing a sliding mechanism with a green and gilt leather writing surface with six lidded compartments below each pedestal with three drawers, the opposing side with dummy drawers, on a plinth base with castors, 127cm by 67cm by 96cm See illustration For a similar private or secret drawer see Stuart (Susan E) Gillows of Lancaster and London 1730-1840, Vol 1, pg.281, pl.295Top section and front are cosmetically good. Top section scratched, some deep. The secretaire drawer the sliding writing section is rather stiff. Recent green and gilt leather which is in good cosmetic condition. Hinged lidded compartments - labelled 8D. End section of moulding missing. Compartment R - V the base is split. Cockbeading on arch has small damage. All drawers are open but no key. Verso which are dummy drawers have various slits to drawer fronts.
Royal Crown Derby - a first quality collection of 103 pieces, comprising meat plates 2, dinner plates 9, cups 11, saucers small 20, saucers large 11, tea pot with lid, coffee pot with lid, side plates 19, soup bowls 12, sandwich plates 2, 4 gravy boats and 2 saucers, serving bowls 2 and 1 lid, 1 sugar bowl and 1 further bowl, 1 tureen and lid of ceramic table ware by Royal Crown Derby, decorated in the Royal Antoinette pattern with crinkled edges [qty] Est £1000 - £1500. Firsts Quality - One saucer has a crack running through the middle. All other items appear are fine with no rubbing to the gilding and no chips or cracks
ENGLISH SCHOOL, CIRCA 1613 'The Tower Portrait' of Sir Walter Raleigh (Ralegh) standing three-quarter length holding a book in his left hand and resting his right hand on a table covered in a green cloth, with an astronomical compendium to one side, inscribed with a Greek citation, the date '1613' and "AE SVA 59", oil on canvas, 108cm x 85cm Provenance: Possibly the painting referred to by Aubrey in 'Brief Lives' with a suggested line of descent from Dr. Robert Burhill, passed to his widow, passed to her second husband Mr. Tussell and then left to her step-son, John Tussell, Aubrey's attorney, who mentioned the painting to Aubrey himself. The painting was lost from sight until 2012 Private Collection, Switzerland This enigmatic portrait of a Jacobean gentleman is a subject of a detailed article published in the British Art Journal, Volume XVI, no. 3, published Winter 2015/16, pp.60-67, in which the author presents a convincing ar-gument to support the assertion that this portrait represents Sir Walter Raleigh during his incarceration in the Tower of London.

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105163 item(s)/page