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Art Deco, a walnut dining suite comprising:a dining table,c.1930s, the top over a curved base,184cm long91cm wide82.5cm high, six dining chairs,each upholstered in mustard velvet with a walnut back,45cm wide54.5cm deep88.5cm high, seat 47cm high, anda sideboard,the central section with two bow-front doors, opening to reveal a bank of three drawers with brass handles, flanked by two cupboards with scalloped doors opening to three shelves each side, raised on a plinth,153cm wide53cm deep111cm high (9)
Émile Gallé (French, 1846-1904), an Art Nouveau walnut, rosewood and marquetry side table, c.1900, the shaped rectangular top with floral marquetry, above a conforming undertier, marquetry 'Gallé' signature,79cm wide50cm deep73.5cm highCondition ReportStructurally sound. There has been some sun staining to the wood. Some loses to the marquetry in places. Some light marks, scuffs, and very light scratches.
Illum Wikkelsø (Danish, 1919-1999) for Niels Eilersen, a pair of ziricote armchairs, 1960s, each with leather upholstery, 68cm wide68cm deep68cm high, seat 40cm high, together with an accompanying footstool,61cm wide61cm deep49cm high, anda side table (4)Provenance: Alto Stile, London, 2021.
A Regency rosewood and brass inlaid games table, with a hinged top, lacking rest, pulling out to reveal a backgammon board, the underside with a chess board, the demi lune side compartments, hinged, on lyre shaped supports, on brass feet and castors, 70cm wide 40.5cm deep72cm highCondition ReportSome colour change. Restoration and repolished.
The British War Medal issued in gold awarded to Lieutenant-Colonel His Highness Sir R. Vibhaji. Maharaja of Navanagar - the legendary cricketer affectionately known as 'Ranji', the first person of colour to play Test Cricket for England in a most successful career of over 300 First Class MatchesBritish War Medal 1914-20, gold issue (37g) (Lt. Col. H.H. Sir R. Vibhaji. Maharaja of Navanagar.), extremely fineThe cataloguer could happily spill litres of ink on the printing press on the remarkable life of Colonel Kumar Sri Sir Ranjitsinhji Vibhaji II, Jam Sahib Maharaja of Nawanagar, and urges the reader to delve into the numerous online and printed references. Thankfully the Open University have been called upon to offer an abridged version:'Ranjitsinhji was a cricketer for England and a Prince of Nawanagar State in India, known as 'Ranji' to his cricketing fans. As a child, he was chosen as heir to a distant relative, Vibhaji, the Jam Sahib of Navanagar, but then discarded. He studied at the Rajkumar College in Rajkot and then in 1888, at sixteen, Ranjitsinhji went to Britain. He joined Trinity College, Cambridge, in 1889. It was not until 1893, having played in the meantime for local clubs on 'Parker's Piece', that Ranji gained a place in the Cambridge University cricket team. He was the first Indian to win a cricket Blue. In 1895, Ranji began to play regularly for Sussex. Having faced opposition to his inclusion into the University side, there was now a growing public debate as to whether Ranji should be allowed to play for the England national side. In 1896, Ranji made his debut for England against Australia at Old Trafford. In 1897, Ranjitsinhji produced a book on the evolution of cricket in England called The Jubilee Book of Cricket. In the winter of 1897-8, Ranji toured Australia with the England team.In 1904, Ranji returned to India as he was no longer playing for England and could not financially support himself in Britain. However, he continued to return to England at regular intervals and play for Sussex. In 1906, the new Jam Sahib of Navanagar, the son of Vibhaji, died and with no other formal heir, Ranjitsinhji assumed the throne. When war broke out in 1914, Ranji helped the imperial effort, by converting his house in Staines into a hospital for wounded soldiers, by donating troops from Navanagar and going to the Western Front himself. Ranji also had a lakeside castle at Ballynahinch, on the west coast of Ireland. In August 1915, he lost his right eye in a shooting accident in Yorkshire, and played his last game for Sussex in 1920. As an Indian Prince, Ranjitsinhji took up many political responsibilities: he represented India twice at the League of Nations, and was a delegate to the Round Table Conference sessions in 1930. He died in 1933 in one of his palaces in Jamnagar.'A few lines must be mentioned on his cricketing credentials and remarkable records that stand to this day. He played in 307 first class matches and scored a shade under 25,000 runs at 56.37, including 72 centuries and a top score of 285 not out. Some feat in the era of uncovered pitches. That average puts him above names like Wally Hammond, Ricky Ponting and Rahul Dravid of the former players and above all of 'Fab Four' in the current game, these being Joe Root, Virat Kohli, Kane Williamson and Steve Smith. He was also the first person of colour to play for England.His contribution to the Great War should also not be forgotten, they were clearly considered worthy of the praise of his being issued the British War Medal in gold.…SALE 25001 NOTICE:Tests as 96% gold under XRF gun, with no obvious evidence of plating. Only destructive testing would give further detail.
A 9ct gold lapis lazuli, diamond and sapphire ring and a 9ct gold malachite and prasiolite ring, the lapis lazuli, diamond and sapphire ring with a central kite shaped lapis lazuli, bezel set to a surround of eight cut diamonds with a table cut sapphire to either side, into tapered shoulders and a D profile shank, Birmingham 2005,and a 9ct gold malachite and prasiolite ring, a cushion shaped malachite cabochon, double claw set and flanked by a cushion cut prasiolite to either side, into a D profile shank, Birmingham 2007, 5.54g total (2)Ring size L, MCondition ReportMinor marks and scratches to mounts.
A 9ct gold topaz ring, a central oval cut topaz, 9mm x 7mm, four claw set to shoulders set with a trefoil of eight cut diamonds to each side, into a tapered D profile shank, 2.62g Ring size LBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportTopaz showing small scratches to table. Small chips and abrasions to facet junctions. All visible by 10x magnification. Setting with a little dirt. Would benefit from being cleaned gently.
AN ARTS AND CRAFTS OAK OCTAGONAL BOOK OR OCCASIONAL TABLE IN THE STYLE OF HEALSwith two parallel side doors (each with key) secured by copper strapwork hinges, each flanked by two tiers of shelving, decorated with eight carved panels of flowers and fruiting vines, terminating on canted plinth base, 69cm high x 68.5cm wide x 68cm deep
AN ARTS AND CRAFTS OCTAGONAL OAK TABLE WITH INBUILT COPPER OIL LAMP SUPERSTRUCTUREin the manner of Shapland & Petter Ltd. of Barnstaple, supported by four uprights decorated with stylised entwined rose heads, with two tiers of shelves either side, terminating on plinth base, table height 54cm high (136cm high including lamp top) x 78.5cm wide x 72cm deep (including handle width)
IL GIORNO & LA NOTTE (ITALIAN) PAIR OF SIDE TABLES, SECOND HALF 20TH CENTURY Oak, circular table tops, raised on three crossed legs Retailer/manufacturer label to underside 70.5cm high, table top - 60cm diameter Condition Report: Marks, knocks and abrasions consistent with age and use. Please see additional images.Condition Report Disclaimer
PIERRE JEANNERET (SWISS, 1896-1967) COFFEE TABLE; CIRCA 1960 Teak, glass; painted to side 'Chd.M C.016' 41cm high, 117cm wide, 45 cm deep Provenance: Private collection, London Inherited in the late 1980s from a family member, who had previously lived in Chandigarh, India Chandigarh, named after the Hindu goddess of power, 'Chandi', was built as a symbol of a free and modern India. Pierre Jeanneret supervised numerous construction sites there, including the Governer's Palace, the Parliament Building, the High Court and the Secretariat. He, alongside Maxwell Frey and Jane Drew, were the principal architects for a vast number of civic and private structures, housing, administrative buildings, education facilities, libraries, shops and even a cinema. Jeanneret worked and lived in India for around 15 years, during which time he was appointed Chief Architect of the State of Punjab and Director of the Chandigarh School of Architecture. In order to furnish the numerous private and public building of Chandigarh, Jeanneret developed, with the help of young Indian assistants, a complete range of minimalist, elegant and seemingly simple interior pieces, entitled 'Low Cost Furniture'. These works were made from local materials, primarily teak, either left in their natural colour or dyed. The seats and backs were made with traditional cane work or upholstered in cotton. Jeanneret's designs effectively conjoined the inspiration of local craftsmanship with his previous approach, developed in France, while working with Le Corbusier, Charlotte Perriand and Jean Prouvé. Jeanneret left Chandigarh in 1965, due to poor health, he told the people "I am leaving my home and going to a foreign country." He died in Geneva two years later, and according to his wishes, his ashes were brought back to Chandigarh and scattered over Lake Shukhna Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe glass top is removable, it fits into a channelled grove to the sides, it has a loss to one corner The undertier is wooden and has some marks and signs of age and useThe surface has grain visible, it has not been too over polishedThe joints are all solid and stablePlease see additional images for visual reference to condition Condition Report Disclaimer
MARCEL BREUER (HUNGARIAN/AMERICAN, 1902-1981) SET OF THREE NESTING TABLES, DESIGNED 1936, MADE BY VENESTA FOR ISOKON; LATE 1930s Birch plywood Each branded MADE IN ESTONIA to underside Smallest; 33.5cm high, 61cm wide, 39cm deep Largest; 37cm high, 61cm wide, 45.5cm deep Provenance: Private collection, Ellington Court, London Thence by descent Literature: Wilk, Marcel Breuer: Furniture and Interiors, pg. 134 Condition Report: In good overall condition. They present really well. There are multiple light scratches and abrasions to the surfaces of the tables, most are very minor, and it is hard to capture them all, they are in line with age and light use. There are a few splits in the surface, only obvious in certain lights. The smallest table is slightly warped, not to look at, but there is a slight lift of two feet off the ground, and two very shallow longish losses at the edge on one side. The middle/medium table has a small loss to one layer of the veneer, to the inside of the foot (out of view). The largest table has a slight split between the layers on the underside, it has long crease lines to the underside, from the making. All the feet are darkened/scratched in line with age and use. The tables have likely had one re-buff/re-polish/re-finish in their lifetime as the overall look is so good.Condition Report Disclaimer
BETTY JOEL (BRITISH, 1894-1985) A SIDE TABLE; MADE BY TOKEN WORKS, 1934 Walnut; rectangular form, curved edge Paper label with 'TOKEN HAND MADE FURNITURE/Designed by Betty Joel (facsimile stamp)/Made by J Roberts/at Token Works, Portsmouth, June 1934' 74cm high, 106cm wide, 60cm deep"I personally began to design furniture because I despaired of trying to adapt old furniture to the needs of my own entirely modern house" ~ Betty Joel in 1932An impressive business woman, and talented (perhaps occasionally overlooked) female furniture, textile and interior designer active in England during the interwar years. Joel epitomised the elegance and innovation of early 20th century furniture design. Her works are known for their distinct art deco style; the designs were modern yet functional, using high-quality woods and detailed joinery; examples can be found in the V&A and Geffrye museums in London. Her great-nephew Clive Stewart-Lockhart has published, this year (2025), a new biography on Joel to mark the 40th year of her passing - showcasing her design, vision and ever-lasting impact on British furniture design.
JOSEF HOFFMANN (AUSTRIAN, 1870-1956) AN OCCASIONAL TABLE; PRODUCED BY J&J KOHN; EARLY 20TH CENTURY Beech, stained dark brown Remnants of J&J KOHN paper label 54.5cm high, 47.8cm diameter Literature: Adrián Prieto and Christian Witt-Dörring, 'Josef Hoffmann: Falling for Beauty', Hannibal Publishers, 2025, p.63 for the Fledermaus chair - model no.738 by J&J. Kohn, with the same balls used; also p.123 illustrating the chair designed by Hoffman for the Sanatorium Westend, Purkersdorf, 1904, with the same balls placed in the same way, either side of each leg. Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, some scuffs to the legs, some small chips and lossesThe label is fragmentary - it is pasted to the inside of the rails, Some marks and unevenness to the polished surface, the varnish is pooling in places - including to the spheres, these are attached with dome-headed flat-head screws, these appear to be the originals and holding securely Please see additional images for visual reference to condition Condition Report Disclaimer
A GEORGE III MAHOGANY PEMBROKE TABLE the drop flap top with rounded corners and moulded edge over a single frieze drawer to one side and a faux drawer to the other, on tapered square legs terminating in brass toes and castors, 72cm high x 51cm wide (flaps down) x 86cm deepProvenance: The Bond Family, Holme Priory.
A 19th Century mahogany bow fronted chest, the plain top over two short and three long graduated drawers and a shaped apron to splayed bracket feet, 106 cm wide x 54 cm deep x 105 cm high, a Victorian mahogany wall cabinet with two shelves flanked by fretwork carved side panels over two panelled cupboard doors, 59.5 cm wide x 15 cm deep x 59.5 cm high and an early 19th Century mahogany drop-leaf Pembroke table, the plain top with moulded edge over a single end drawer on square tapered legs to brass caps and castors, 86.5 cm wide x 104 cm deep x 71 cm high
A Sheesham teak coffee table with two drawers on heavy square supports, 110 cm wide x 61 cm deep x 46 cm high, together with an oak side cabinet with plain top over a carved drawer and two cupboard doors, on turned legs to block feet, united by stretchers, 81 cm wide x 43 cm deep x 78 cm high a Grange mahogany bedside table, 41 cm wide x 35 cm deep x 76 cm high, a similar bedside table in limed oak effect and a folding director's chair with leather seat and back (5)
A collection of various, mainly modern, furniture to include two painted pine three drawer chests, 81 cm wide x 46 cm deep x 92 cm high and 91 cm wide x 46.5 cm deep x 92 cm high respectively, a painted single door pot cupboard, pine two tier side table of small proportions, Victorian painted pine washstand, modern beech framed bentwood hat and coat rack, two towel rails and a 19th Century pitch pine hanging corner cupboard
A collection of various furniture to include a reproduction mahogany two drawer side table, three Victorian balloon back dining chairs, late Victorian carved mahogany framed salon chair, butler's tray stand, two oval mirrors, white painted wall shelf unit in the Classical style, Edwardian Sheraton Revival salon chair, carved mahogany framed dining chair, Scandinavian style coffee table, oak hanging corner cupboard, an oak three drawer side table in the 17th Century style, a painted floral design rectangular wall mirror in oak frame, a Sellex four section Globe Wernicke style bookcase, a circa 1900 mahogany and caned commode armchair and a mahogany pie crust occasional table in the George III manner on carved cabriole legs to claw and ball feet (being sold on behalf of Great Western Air Ambulance charity)
A modern mahogany framed three-quarter snooker / billiard table with five section slate bed, on heavy square chamfered supports CONDITION REPORTS Appears to be complete. Two side rails, two end sections each with two legs attached, two separate legs, one central support, six cushion sections, four slates, two further larger supports and two further sections possibly ball carriers and a two piece cue stand. No pockets or pocket holders. There are twenty-one wooden hole finials/buttons where it looks as though there should be thirty. Several washers are missing. Please see image for details of screws etc. Unsure which bits for which. Baize is present but needs replacing, very moth eaten. Appears generally sound in pieces. See images for more details
A pair of Ercol beech and elm yoke and stick back elbow chairs on splayed legs, 52 cm wide, a pair of hoop and stick back dining chairs, 42.5 cm wide and a low stick back chair, 42 cm wide CONDITION REPORTS Are worn to the varnish throughout, particularly on the top of the back rail and the are between the sticks at the back. The legs have some water marks and wear to the finish, etc., getting worse towards the feet. Missing their cushions. The two hoop back chairs have lines / wear to the hoops as though they have been constantly hit against a table, etc. Again, missing cushions and legs are in a similar state. There are some heavier bashes to either side of the front legs on both chairs. The low chair is again in a similar condition but the seat is more worn. All five are missing their cushions. Otherwise general wear and tear conducive with age and use. In need of a good clean. See images for further detail.

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105156 item(s)/page