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Ruskin Pottery - Four assorted roundels of varying form, each decorated with a high fired glaze, all with impressed marks together with a high fired roundel mounted to a sterling silver brooch pin and a small green roundel, all contained within a silver plated box and cover, believed to be A.E Jones, stamped 2208/C to the base (7)
A Ruskin high-fired flambé coffee pot and cover, 1927, with red and white glaze, impressed marks to underside 18.50cm (7in) Literature: Paul Atterbury and John Henson Ruskin Pottery, Baxendale, page 112 this actual coffee pot illustrated. Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A good Ruskin high-fired flambé vase, 1910, the inverted baluster form with banded red-purple flambé glaze, shape 353, impressed mark and exhibition label to underside 30cm (12in) Exhibited: Taylor Made Birmingham City Museum and Art Gallery, 1976 no. B.7 Literature: Paul Atterbury and John Henson Ruskin Pottery, Baxendale, page 63 this actual vase illustrated. Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired soufflé glaze jar and cover, 1908, the ovoid body with mottled green soufflé glaze, shape 227, impressed oval mark 23cm (9in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired flambé bowl, 1924, the circular bowl with slightly flared rim raised on a foot with clouded red-purple flambé glaze on ivory ground, impressed marks 7.50 x 20.50cm (3 x 8in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired flambé stem cup, the circular bowl with slightly flared rim raised on a spreading foot, all over purple-green and red flambé glaze on ivory ground, impressed marks 8.50 x 10cm (3 x 4in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired flambé stem cup, the circular bowl with slightly flared rim raised on a spreading foot, with all over purple-green and red flambé glaze on ivory ground, impressed marks 8.50 x 10cm (3 x 4in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A small Ruskin high-fired flambé bowl, with a mottled and speckled red-purple flambé glaze on an ivory ground, impressed marks 6.50 x 9cm (3 x 4in) Exhibited: Ruskin Pottery Ferneyhough Collection Ex. W. Howson Taylor Collection Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A RUSKIN POTTERY STONEWARE LAMP BASE, modelled as a ginger jar and lid on a square base, covered in a white graduating to brown crystalline glaze, impressed marks to the base, fitted with a modern lamp holder, height approximately 37cm, together with a Ruskin Pottery square crystalline glaze lamp base decorated in a streaked brown to green glaze, height approximately 27cm (condition: the ginger jar has some glaze loss to the corners of the base, the square vase has a large chip and cracks to the base, fitted with a modern lamp holder)
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4201 item(s)/page