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An Ercol daybed with shaped plank back, arched spindle sides with loose cushions, 208cm wide

A LARGE ORIENTAL CARVED DAYBED OR LOW CENTRE TABLE WITH INSET RATTAN TOP. L.225 x H.55 x D.114cms.

Diecast Dolls' House Items, Tootsietoys - cabinet gramophone and blue bedroom set comprising bed, daybed, dressing table and stool, standard lamp; Fairylite laundry basket and other items (F-G)

NINA CAMPBELL 'MABEL' DAYBED, buttoned back in wildcat skin patterned upholstery, 180cm L.

An unusual mid century French leather daybed - sofa settee. The simple form base of ebonised square tubed metal supporting a good tan brown leather large cushion on vintage webbed underside.

ARTHUR KAUFMANN (GERMAN-AMERICAN 1888-1971)Girl Reading on a Daybed, 1945oil on canvas71 x 112 cm (28 x 44 in.)signed and dated upper rightPROVENANCEGifted by the artist to the present owner in 1945 LOT NOTESArthur Kaufmann was an important figure in the Neue Sachlichkeit [New Objectivity] art movement. He was also a founding member of the Junge Rheinland group in 1919, whose members including other notable artists such as Gert Wollheim and Otto Dix. A Jewish artist, Kauffman was dismissed from his teaching post at the Dusseldorf School of Applied Arts in 1933. Fleeing Germany, Kaufmann relocated to the United States with the help of an affidavit from the composer George Gershwin, the portrait of whom by Kaufmann is at the National Portrait Gallery in Washington, D.C. In the United States, Kaufmann specialized in portrait painting, many of which happened to be portraits of leading Jewish figures of the time (including Albert Einstein). The present lot being sold, Girl Reading on a Daybed, is actually a portrait, painted from life, of the present owner, and as remained in the family until now. Lot 109 in the sale, sold by the same owner, is a portrait of her mother painted by Kaufmann at the same time.

CHINESE DAYBED, early/mid 20th century lacquered with ornate architectural, foliate, figural and landscape decoration, 133cm W x 126.5cm H x 94cm D. (with faults)

A modern purple upholstered daybed, on tapering legs

A 1970s style cream leather and chrome daybed in the style of Pieff, 183 cm long approx.

A 19th century French Neoclassical design painted sleigh form daybed, the top panels carved with classical urns, flanked by hand painted swags, upholstered in blue velour, 90 x 180 x 80cm.

A late Victorian daybed, upholstered in green velour, raised on turned mahogany supports, 82 x 78 x 155cm.

An Edwardian upholstered double drop arm sofa/daybed on square tapered legs to brass caps and castors, he floral upholstery in the manner of William Morris CONDITION REPORTS Areas of wear and fading to the upholstery, especially to the arms where the front of the arms are diwcoloiured and dirty and slightly faded. The legs have dents nd losses of varnish and scratches. The dimensions are length 148 cm x height 78 cm x depth 80 cm approximately

Hans Wegner for Getama, a beech and upholstered daybed, the rear with a storage compartment, over the loose cushion, on square legs CONDITION REPORT: Structurally sound, some minor wear

A 1960's day two-section button upholstered daybed on teak tapering legs CONDITION REPORT: May benefit from reuphosltery

A 1970's teak framed daybed with cream speckled upholstery, the arms of organic form, by Greaves and Thomas CONDITION REPORT: Structurally sound, normal wear and minor marks

An Edward VII Ellistons of Oxford upholstered daybed/ottoman

An Ercol settee/daybed,with a detachable back and buff cushions,208cm wide

SIMON HORN DAYBED, Louis XVI style, with acorn shaped finials, a double caned back and top sides, green bolster cushions and a pull out trundle beneath, the frame 200cm x 100cm H x 93cm D. (slight faults to frame and mattress)

A retro mid century Guy Rogers ' Manhatten ' sofa / daybed having show wood angular teak frame with with swept arms with removable cushions and adjustable back rest. All raised on turned legs. Matching armchair  in lot 970

A retro mid century Guy Rogers ' Manhatten ' armchair having show wood angular teak frame with with swept arms with removable cushions raised on turned legs. Matching sofa daybed in lot 960

A Chinese 20th century Zhejaing province cypress wood opium daybed of red laquered form with rattan panel seat and scrolled back rest. Carved with dragon panels being pierced to the the scrolled armrest rear, raised on shaped carved legs with details centres and apron. Measures 82cms x 21cms x 69cms.

A large antique daybed

Mid 20th Century Daybed

A 1950s GREAVES & THOMAS TEAK DAYBED / SETTEE with open sides & shaped arms raised over turned supports, 204cms wide Provenance: Estate of Helen Zienkiewicz Deceased (1926-2016) late wife of Olgierd Cecil Zienkiewicz CBE FREng, FRS (1921 - 2009) acclaimed Polish-British mathematician & civil engineer https://en.wikipedia.org/wiki/Olgierd_ZienkiewiczLength – 203cmsHeight – 80cmsWidth – 95cms

A Victorian walnut and upholstered daybed , late 19th century, in pink upholstery, with one drop end above turned legs and castors, 96cm high, 183cm long, 72cm deep

‘Shah Jahan in the Time of Youth’ ascribed to GovardhanIndia, Mughal, c.1630-1640opaque watercolour with gold on paper, inscribed at lower left '…dhan' (the second half of [Govar]dhan), inner blue border, outer gold-flecked cream border, inscribed in the lower border 'shabihi shah jahan dar ‘alam juwani ‘amal-i govardhan', 'a picture of Shah Jahan in the time of youth the work of Govardhan'; reverse with a letter dated 1846 relating to the provenance (see below)miniature: 23.8 x 14.2cmvisible area: 29.5 x 19.5cmProvenance:In the possession of an East Anglian collector, probably in or near Bury St. Edmunds, before 1846. A handwritten letter from R E Lofft dated 18th July 1846 describing the painting and giving interpretations of the inscription is pasted to the reverse of the frame.This is an important and rare painting of a Mughal prince seated with his consort in a palace chamber. There is a later inscription in the lower border describing the scene as 'a picture of Shah Jahan in the time of youth…' and naming the artist as Govardhan, one of the leading Mughal royal painters of the first half of the seventeenth century. This attribution is apparently confirmed by a short inscription at the lower left of the painted area which reads '…dhan' - the second half of the name Govardhan. It is not clear why only the final letters of the name survive in this inscription, but it may simply be due to localised loss of pigment and subsequent retouching, of which there is evidence at the lower left corner.The style of the painting is very close to Govardhan’s, in particular the subdued, brownish palette, the precisely drawn facial features of the two figures, the romance and palpable intimacy of the scene, and the candid gaze that the princess directs outwards towards the viewer. There are several works signed by or attributed to Govardhan that provide comparisons, of which the following are the most relevant: a scene of a prince (possibly Parviz) and his consort on a terrace, a scene of Jahangir celebrating Holi in the women’s quarters, and a scene of a gathering of princes in a garden (all three in the Chester Beatty Library, Dublin, see E Wright, Muraqqa’, Imperial Mughal albums from the Chester Beatty Library, Alexandria VA, 2008, nos. 39, 41, 44, pp. 302-303, 310-311, 322-323); two ladies on a daybed (Seitz Collection, see J Seyller, 'Mughal and Deccani Paintings', Zurich, 2010, no. 11, p. 55); a prince and consort (probably Jahangir and Nur Jahan) embracing on a terrace (Los Angeles County Museum of Art, see P Pal, 'Indian Painting', Los Angeles, 1993, no.71, pp. 259-261); a portrait of Jabha (see J Seyller, ‘Govardhan’, in Beach, Fischer and Goswamy, 'Masters of Indian Painting 1100-1650', Artibus Asiae Suppl. 48-1, Zurich, 2011, p. 369, fig. 13). In terms of the general style and subject matter, there are several further works of the 1630s and 1640s that relate to the present painting, including a scene of Jahangir with Sultan Khurram

An Indian hardwood daybed

DAYBED, late 19th century ottoman design beechwood in original green plush carpet covers with raised bolster end 85cm W x 190cm L. (with faults)

A light Ercol daybed with floral cushions with panel back and side spindles, 209cm wide This item is offered for sale as a work of art. it may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling

Mid century Ercol daybed 206 cms long

A 1960/70's oak framed daybed with a loose mattress and back rest CONDITION REPORT: Structurally sound, wear and discolouration, may require reupholstery.Some nibbles to edges of frame.Height 80 cm. Depth 81 cm. Length 200 cm.

American Classical Carved Mahogany Daybed, early 19th c., cylindrical crests, paneled head and foot board, foliate-carved uprights, bulbous-turned feet, h. 33 in., w. 71 1/2 in., d. 27 1/4 in

A Victorian stained beech daybed, 160cm

A collection of late Victorian/Edwardian and later dolls house furniture to include a range cooker, a daybed, dressing table etc.

An Edwardian carved walnut framed and button back upholstered parlour suite comprising; daybed and pair of tub armchairs (3)

Early 20th century Chinese carved red painted and gilt wood panel, carved with bats and auspicious objects, 61.5cm x 97cm, (probably a panel from a daybed),.

A brown leather daybed

DAYBED, early 19th century Chinese Shanxi Province elm with inset rattan top, 56cm H x 199cm L x 72cm W.

DAYBED, in a geometric upholstery with pink cushions from Colefax & Fowler, 60cm D x 71cm H x 175cm L.

A 19th Century walnut daybed in the 17th Century manner, the top rail carved with crown and acanthus leaf with caned back and seat panels raised on turned supports united by turned stretchers

AN EARLY 19TH CENTURY ANGLO-INDIAN CARVED HARDWOOD DAYBED, the double scroll ends in the form of leaping fish, the framed carved with rosette banding, raised on winged paw feet

A late 19th century oak sofa daybed with three button-back panelled seat backs, brown upholstery, length approx 180cm.

A VICTORIAN CAMPAIGN TYPE FOLDING DAYBED WITH CANE PANELS.

A VICTORIAN OTTOMN-DAYBED, ATTRIBUTED TO HOWARD OF BERNERS ST, C1900 with adjustable buttoned back, the lid with brass PARKER'S PATENT hinges, 77cm h; 60 x 160cm ++Horsehair upholstery probably original with later yellow buttoned fabric covering that is stained and torn. The back action apparently operative. The unusual Parker securing hinges of 'bullet' form

DAYBED, 19th century French grey painted with arched moulded end and tufted linen upholstery and cushion, 80cm H x 78cm x 190cm W.

DAYBED, with brown flecked fabric on a wooden support, 191cm L.

DAYBED/SOFA, striped, 195cm W x 100cm D x 67cm D.

A French daybed, Toulouse; shipment stamps to inside base

A 1960/70's upholstered daybed with an unattached button upholstered back rest on teak legs CONDITION REPORT: Requires re-upholstery, structurally sound

Hans J. Wegner for Getama, a beech and upholstered daybed on square feet, the backrest lifting up to allow for use as a twin bed and to reveal a storage area CONDITION REPORT: Structurally sound but with wear throughout, may benefit from reupholstery

A modern, wrought iron daybed, 13h, 79 1/4 l

Lloyd Loom daybed lounge & side table 170cm x 90cm and 82cm x 54cm respectively

A Victorian turned beech and upholstered 'drop-end' sofa, one arm hinged to form a daybed, 175cm wide overall

BRIGHT CHAIR 'ELANA' DAYBED, with contrasting bolster cushion, cost £3117 new, 90cm D x 200cm L. (with faults)

1970's teak daybed (drop arms)

DAYBED, Vintage leaf brown stitched leather upholstered rectangular with raised cushion end, 84cm x 165cm.

Unusual Campaign? daybed in mahogany bears lable Leveson and sons London upholstered with large spoked brass casters

AN UPHOLSTERED DAYBED with loose cover on moulded legs

A modern small daybed 140cm length

An unusual Chinese carved wood small casket, of daybed form, 28cm wide.