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19th c. carved oak daybed with carved Cupid to back & having cane-work seat upon barley-twist stretcher

VICTORIAN DAYBED, barley twist framework with Victorian needlework panels and original castors, 54" length

A Victorian style daybed upholstered in buttoned green leather, length 170cm, width 70cm, height 82cm

An Indian mid century mango wood swing sofa come daybed, the open and panelled back set with mirrors and painted floral glass panels, the arms set with painted floral glass panels, internally with pictures of Jawaharlal Nehru, the first Prime Minister of India, on a three plank solid seat, over cabriole legs, 167cm width, 60cm depth approx.

A French style painted Daybed with double caned head and footboard, scrolled ends with carved pattern raised on fluted supports 6ft 9in x 3ft, some damage to cane

A REGENCY MAHOGANY DAYBED EARLY 19TH CENTURY of sleigh form, later upholstered with laurel leaf damask silk fabric, with downswept arms, on a lattice base, with turned column and cup and cover supports 105cm high, 155.5cm long, 60.8cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

A CHINESE CARVED BLACKWOOD DAYBED Elaborately carved with dragons amongst clouds, on cabriole supports and claw feet 54cm high x 210cm wide x 65cm deep

A Victorian beechwood daybed upholstered in floral covers on turned legs and white ceramic castors, 165 cm long

Peter Hvidt and Orla Molgaard-Nielsen for France & Son, a mid 20th century teak-framed settee / daybed,with woven rattan panelled sides, falling with catch-release mechanism, raised on tapering legs.163cm wide, 73cm deep, 61cm high

An unusual Victorian stained beech fold out chaise longue daybed with scroll button ends and fold out gallery rail back, raised on turned supports (84cm x 184cm x closed: 61cm and open: 114cm)

A gilt gesso French style daybed, the ends with a carved fruit and leaf top rail and upholstered panels, each end board is 85 x 110cm and the bed section 190 x 38 x 83cm, sold unassembled with joints requiring mortise and tenon repairs, (a/f)

19th c. carved oak daybed with carved Cupid to back and having canework seat upon barleytwist stretcher

Lucian Ercolani - Ercol - Model 355 - Studio Couch - A retro vintage 1970's striped beech and elm three seat sofa settee / daybed having spindle and hooped armrests and wide panel back with large foam and upholstered cushion all raised on short tapering legs. Condition; webbing appears slight worn, structurally sound, overall good. Measures 58cm x 203cm x 75cm.

Lucian Ercolani - Ercol - Model 355 - Studio Couch - A retro vintage 1970's blonde beech and elm three seat sofa settee / daybed having spindle and hooped armrests and wide panel back with large foam and cream upholstered cushion all raised on short tapering legs. Condition; no visible damage, a great example. Measures approx; 77cm x 208cm x 77cm. 

Daybed "Diesis". Entwurf: 1979 für B&B Italia. Gestell aus Aluminium und Stahl, schwarzes Lederpolster. 110x130x76 cm.- Guter Zustand. Minime Alters- und Gebrauchsspuren.

VINTAGE STYLE DAYBED WITH DROP END ARMS with a large quantity of upholstery fabric, the daybed upholstered in red velour, curved to the front, 57cms H, 147cms W, 66cms max D

A daybed/ottoman for restoration.

A 1960s/70s East Indian rosewood daybed, with chequered and upholstered back, on elastic slates with rosewood framing, unstamped, 55cm high, 195cm wide, 80cm deep.

A French beech daybed, early 20th c, in Louis XVI style, with adjustable, detachable ends on fluted feet, seat height 33cm Localised worm, structurally sound, upholstery in good condition save for tape detached in places

B&B Italia Maxalto purple upholstered Febo daybed /chaise, with one large scatter cushion, 86 x 152 x 86cm

B&B Italia Maxalto green upholstered daybed /chaise, designed by Antonio Citterio, 64 x 160 x 80cm

A Scandanavian teak daybed frame

An antique late 19th Century Victorian English mahogany chaise lounge / daybed having a scroll button back head / backrest with decorative show wood carved detailing. The chaise upholstered in a floral decorated fabric with all being raised on turned supports upon thick brass castors. Measures approx; 76cm x 180cm x 72cm.    

Poul KjærholmDaybed, model no. PK 80, produced 1957-1981Leather, stainless steel, painted plywood, rubber.32 x 192 x 81.5 cm Manufactured by E. Kold Christensen A/S, Copenhagen, Denmark. Frame impressed with manufacturer's mark.Footnotes:ProvenancePrivate collection, the Netherlands, 1960sAcquired from the above, 1973Thence by descent to the present ownerLiteratureFrederik Sieck, Contemporary Danish Furniture Design: A Short Illustrated Review, Copenhagen, 1990, p. 149Christoffer Harlang, Keld Helmer-Petersen and Krestine Kjærholm, eds., Poul Kjærholm, Copenhagen, 1999, pp. 104-105, 177Michael Sheridan, Poul Kjærholm: Furniture Architect, exh. cat., Louisiana Museum of Modern Art, exh. cat., Esberg, 2006, pp. 9, 14-15, 77, 144, 162-163Michael Sheridan, The Furniture of Poul Kjærholm: Catalogue Raisonné, New York, 2007, pp. 104-105This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A large scroll shape daybedWith polychrome painted frame, 180cm long; 98cm high

A 1950's Greaves & Thomas sofabed/daybed with teak sculptural arms, upholstered seat, teak backrail and tapering legs*Sold subject to our Soft Furnishings Policy https://www.peacockauction.co.uk/wp-content/uploads/2020/01/Mid-Century-Design-Soft-Furnishings-Policy.docx CONDITION REPORT: Depth 70 cm. Height of back 67 cm. Height of seat 37 cm. Length 138 to 182 cm.

DAYBED, Chinese elm and rattan, 82cm H x 203cm x 87cm.

DAVID SEYFRIED DAYBED, 160cm W.

A Chinese blue and white 'erotic' gu vase,Kangxi (1662-1722), of square section form with a tall trumpet neck and a splayed lower section, the central section painted with scenes from The Romance of the Western Chamber, between panels of birds and flowers enclosed by ribbed flanges, a swastika diaper border to the rim and foot rim, the base with an amorous pair locked in an embrace on a daybed,26.2cm high清康熙 青花春宫图方觚Condition report: Glaze frits and burst bubbles to edges and corners. Rim chipped and cracked. Firing cracks to foot rim. Signs of overspray to the interior. The upper section and one panel of the central section fully restored.

A Chinese blue and white box and cover, of circular form, the cover painted with a literatus seated on a daybed, surrounded by attendants and precious objects in a living room, the box with literati seated in a landscape, 16.6cm diameter (2)Condition report: Surface scratches. Small frits to foot rim.

AN IMPORTANT AND EXCEEDINGLY RARE HUANGHUALI RECTANGULAR DAY-BED, TACirca 1550-1600The well-proportioned bed with a moulded frame of standard miter, mortise and tenon construction enclosing a soft-mat platform with five bowed stretchers underneath, above square-section corner legs ending in inward-turning hoof feet and joined by humpback stretchers. 213cm (83 7/8in) long x 63cm (24 7/8in) deep x 54cm high (21 2/in).Footnotes:約1550-1600年 黃花梨榻Provenance: Ming Furniture Ltd., New York, 1991David S. Utterberg (1947-2020) and Nayda Utterberg, Seattle Sotheby's New York, 16 March 2016, lot 227An important European private collectionPublished and Illustrated: S.Handler, 'Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections', Orientations, January 1993, fig.4.S.Handler, Ming Furniture in the Light of Chinese Architecture, Berkeley, 2005, p.101.來源：1991年，前藏家購自紐約古董商明代家具有限公司美國西雅圖David S. Utterberg（1947-2020）及Nayda Utterberg伉儷舊藏紐約蘇富比，2016年3月16日，拍品編號227歐洲重要私人收藏出版著錄：S.Handler，〈Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections〉，《Orientations》，1993年1月刊，香港，編號4S.Handler，《Ming Furniture in the Light of Chinese Architecture》，美國伯克利，2005年，頁101Classical and elegant in its linearity and simplicity, the present daybed is an exceptionally early and rare example fashioned from a single huanghuali plank of unusually large size. Due to its simple design and light weight, the raised platform was used since the earliest historical phases of Chinese history. It was a highly versatile piece of furniture, elevated above the draughts and dampness of the floor, and thus easily suited for both indoor and outdoor purposes. Platforms could be large enough to accommodate a group of people of just the right size for one, such as the present example. Unencumbered by railings, canopies and having to stay in one place, platforms (unlike couchbeds, canopy beds or even kang tables) are probably the very best and most classical examples of the elemental form of Chinese furniture. The oldest platforms in China appear to date to the Anyang period of the Shang dynasty (13th-11th BC). They were made in marble and bronze and supported precious bronze ritual vessels. By the Han dynasty, platforms indicated social status and served as seats for dignitaries. Numerous depictions of banquet scenes, in burials dating to around this period, show the most significant figures seated on raised platforms; see for example Wang Zengxin, 'Liaoyangshi Bangtaizi er hao bihua mu (Wall painting in tomb no.2, Bangtaizi, Liaoyang)', Kaogu, 1, 1960, p.22.By the Ming dynasty, platforms supported on four legs (as opposed to the more typical box-like construction of earlier periods) became highly popular and were constructed in various sizes. Platforms supported on four legs could be larger and heavier structures which were no longer easily moved. At this time, platforms were often referred to as 'Single-Sleeps' Dushui, which the Ming connoisseur Wen Zhenheng mentioned in his 'Treatise on Superflous Things' Zhang Wu Zhi. See Wen Zhenheng, Treatise on Superfluous Things, Nanjing, 1984, p.241. Although Chinese beds such as the present example have been referred to as 'day-beds' in the West, they were used for both daytime sitting and night-time sleeping. Paintings and woodblock prints dating to the Ming dynasty often depict scholars or court ladies sitting on their daybeds in garden settings or along riverbanks. See for example, 'Reclining on An Incense Fumigator' by Chen Hongshou (1599-1652), in the Shanghai Museum. Here, a lovesick court lady is depicted sitting on a platform with slender horse-hoof feet, appearing to converse with a parrot looking down from his elegant metal pedestal. In addition, a woodblock illustration by Ding Yunpeng (1547-c.1621) depicts a scholar joyfully ensconced with his book and scroll on a large platform. Leaning on a semi-circular armrest, he appears to be waiting for the refreshments being carried by his attendant. Finally, 'Waves on the Bank', a handscroll by Shen Zhou (1427-1509) shows a contemplative scholar seated on a platform in front of a large single-panel screen before the open door of his country retreat overlooking a small stream; see S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, p.117, fig.8.15, p.118, fig.8.18 and p.121, fig.8.22. The patrons of Ming furniture makers preferred simple lines and structural simplicity to elaborate carving and sumptuous decoration. In addition, at the time, the strength rather than the grain of the wood, was considered the most important feature of platforms, so they were often constructed with the wood obtained from the centre of the tree, which was less prone to warping if it had been aged and cured for a long time. See a related huanghuali single-bed, Ming dynasty, late 16th/early 17th century, displaying a waisted frame and lacking the side stretchers, illustrated by G.Ecke, Chinese Domestic Furniture, London, 1962, pl.19.15. Two other examples are illustrated by S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley and Los Angeles, 2001, p.116 and by R.H.Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties, New York, 1971, no.38, p.146. Finally, a pottery miniature figure of a platform exhibiting a similar frame to the present example, in the Shanghai Museum, Shanghai, was unearthed from the Ming dynasty tomb of Pan Yuan Zheng (1589), illustrated by Wang Shixiang, Connoisseurship of Chinese Furniture, Hong Kong, 1990, vol.1, pl.1.3a.Furniture made of exceptionally large single-planks of huanghuali wood would have been extremely rare and expensive to make at the time, and is still highly expensive today. See, for example, a magnificent and very rare massive huanghuali plank-top pedestal table, 17th/18th century, which was sold at Christie's New York, 22 March 2013, lot 1323.榻為四面平式，羅鍋棖，有馬蹄，榻面鑲籐編軟屜，以五根硬木穿帶支承，結構簡練，工藝精巧。明式的榻，現存者多為有束腰式，如本例無束腰且以方材製作者，殊為罕有。床無圍曰「榻」。由於... This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

DAYBED, 1960's Conran style scarlet leather hide with buttoned seat and raised cushion end, 185cm x 85cm D x 75cm H.

Mies van der Rohe Knoll International Barcelona DaybedLudwig Mies van der RoheKnoll InternationalDesign 1930Barcelona Daybed / Liege. Entwurf 1930. Schwarzes, kapitoniertes Leder, schwarz lackiertes Holz, Lederriemen, verchromtes Metall. 42 + 18 x 196 x 96 cm. Unterseitig Aufkleber des Herstellers.Literatur: Gerd Hatje & Karl Kaspar, Neue Möbel Bd. 8, Stuttgart 1966, Abb. S. 11. Mies van der Rohe Knoll International Barcelona DaybedLudwig Mies van der RoheKnoll InternationalDesign 1930Barcelona daybed / lounger. Designed in 1930. Black tufted leather, black lacquered wood, leather straps, chromed metal. 42 + 18 x 196 x 96 cm. Manufacturer label on the underside.Literature: Gerd Hatje & Karl Kaspar, Neue Möbel Bd. 8, Stuttgart 1966, Abb. S. 11.

Mies van der Rohe Knoll International Barcelona DaybedLudwig Mies van der RoheKnoll InternationalDesign 1930Barcelona Daybed / Liege. Entwurf 1930. Schwarzes, kapitoniertes Leder, Holz, Lederriemen, verchromtes Metall. 42 + 18 x 196 x 96 cm. Unterseitig Aufkleber des Herstellers, Unterstoff bezeichnet.Literatur: Gerd Hatje & Karl Kaspar, Neue Möbel Bd. 8, Stuttgart 1966, Abb. S. 11. Mies van der Rohe Knoll International Barcelona DaybedLudwig Mies van der RoheKnoll InternationalDesign 1930Barcelona daybed / lounger. Designed in 1930. Black tufted leather, wood, leather straps, chromed metal. 42 + 18 x 196 x 96 cm. Manufacturer label on the underside.Literature: Gerd Hatje & Karl Kaspar, Neue Möbel Bd. 8, Stuttgart 1966, Abb. S. 11.

Johannes Spalt, Wittmann, Daybed ConstanzeJohannes SpaltWittmannDesign 1961Sofa / Daybed Modell Constance. Entwurf von 1961. Verchromtes Metall, abgestepptes Leder, Rückenlehne klappbar. 73 x 198 x 74 cm, (ausgeklappt 41 x 198 x 108 cm). Johannes Spalt, Wittmann, Daybed ConstanzeJohannes SpaltWittmannDesign 1961Sofa / daybed model Constance. Designed 1961. Chromed metal, quilted leather, foldable backrest. 73 x 198 x 74 cm, (unfolded 41 x 198 x 108 cm).

A large and impressive contemporary Danish influenced daybed sofa settee of elongated rectangular form upholstered in a grey fabric. The daybed having one long removable barrel cushion backrest with two smaller barrel cushion. All being raised on beach tapering supports. Measures approx 50cm x 186cm x 82cm.  

An Art Deco bird's-eye maple daybed,with cream calico upholstery, with a raised end with arms, tapering supports with veneered sabots, 186cm long70cm deep70cm high, seat 45cm high approximatelyCondition report: Needs reuphostery, chips and losses to the veneers and apron and supports, Tears revealing inner material - a project.

A 19th Century Biedermeier style walnut daybed

An early 20th Century stained oak framed metamorphic armchair/daybed with slatted sides and remains of original upholstery

An Art Deco style daybed (French), in the manner of Andre Arbus Late 20th Century With scrolling ends, uupholstered in cream velvet and silk, with loose seat cushion and two bolster cushions, on giltwood base with fluted ovoid feet 67cm high, 207cm wide, 82cm wide                 Please refer to department for condition report

Walter Knoll (German 1876-1971), a two seater sofa daybed c.1950 With brown velvet upholstered folding seats, on beech frame with tapering supports 76cm high, 164cm wide, 70cm deepPlease refer to department for condition report

An Ercol Blonde model 355 elm and beech studio couch/daybed

A 19th Century Biedermeier style walnut daybed, scrolled mounts to arms, gold silk upholstery, outswept scroll feet a/f stained, 200cm long

A large 19th century walnut daybed, with deep buttoned upholstered back and loose cushions, with faceted front columns. Height 130 cm, width 202 cm, depth 74 cm (see illustration).

A contemporary upholstered daybed, raised on tapering supports, length 160cm

A collection of fine Queen Anne needlework panels, mostly first quarter 18th century, likely part of the same suite, each in gros and petit point, the central fields worked with figural scenes, including a nobleman holding a baton, possibly Charles II, the panel 50 x 46cm excluding later cushion; a scene of a lady, possibly Queen Anne, lying on a daybed surrounded by attendants and animals, approximately 52 x 46 excluding later cushion; two mythologically themed panels of Diana and Endymion and Venus and Cupid respectively, approximately 53cm long; another with a courtly couple in a garden; and three further, smaller, with animals, one of which mounted to a cushion; each scene contained within a floral and strapwork reserveProvenance: Private Collection, The Manor House, Stanford in the Vale, OxfordshireCondition Report: The panels are very vibrant in colour and overall quite well preserved, aside from some slight fading to skin, costume and sky tones in some of the panels.Some of the edges have slightly unravelled, and two of the panels mounted to cushions (standing nobleman and dog seated in landscape) have areas of slight tearing. Some have residue to reverse likely from having been previously attached to something else.For reference to condition of individual panels, please refer to additional lot images.Condition Report Disclaimer

A Swedish upholstered daybed,c.1890, with arched back and sides, palm leaf finials and twist carved column uprights to the front and back, on fluted turned legs,204cm wide99cm deep90cm high Condition report: Beautifully presented with very clean fabric upholstery and no apparent damages to the show wood or legs.

Daybed 1960er Jahre, wohl Dänemark, das Gestell aus organisch gerundetem Teakholz, klappbare Sitzfläche und Rückenlehne, ungemarkt, LxHxT: ca. 200/73/78 cm. Alters- und Gebrauchsspuren.

Ingmar Relling & Harold Vik - Ekornes - Svane - A retro vintage mid Century 1960's Danish Scandinavian teak wood daybed / sofa / settee. The sofa having green velour upholstered seat cushions and triangular cushions for the backrest the frame extended to onside having a lift up mechanised lidded sewing box all raised on short tapering legs. Stamped Svane to the underside. Measures approx 77cm x 193cm x 75cm.

A retro vintage 20th Century teak wood daybed sofa settee having a metamorphic folding action backrest and seat rest. The seat rest lifts up to reveal storage space within. The daybed with flat wide topped sweeping teak wood arms and the sofa in a floral upholstery raised on boomerang type supports. Measures approx 80cm x 198cm x 72cm. 

An Ercol light elm finish daybed sofa frame, (a/f). 206cm x 82cm x 77cm

A VICTORIAN BIRCH FRAMED AND CANE DAYBED, BY LEVESON & SONS 170 cm long (open) (some small damage to cane) a similar invalid's back rest, and a folding butler's tray stand (3)

DAYBED, Louis XVI style gilt framed with black velvet upholstery and two bolster cushions on short fluted turned supports, 192cm L x 92cm H x 60cm D.

DAYBED, contemporary design, with storage under seat and bolster cushion, 42cm x 182cm x 65cm.

A B&B Italia Cloud daybed, by Naoto Fukasawa of contemporary minimalist design, in light brown leather, with impressed maker's marks to leather, and label to underside.The daybed is in nice overall condition. There is a repaired split to one facing side and obvious visible surface scratches and marks to the leather. There is a bit of rubbing on the corners and edges consistent with use. On the underside of both ends there are two screw holes but there is nothing with the day bed that fits into them. Two of the small white plastic feet are missing. B&B Italia label to the underside. Length 200cm Height 37cm Depth 82cm 

A French painted and double bergere panelled daybed, L190cm, H102cm, D90cm

A VICTORIAN CHAISE LONGUE OR DAYBED, C1870, THE STUFFED OVERSEAT, SCROLLING ARM AND LOOSE CUSHION UPHOLSTERED IN FLORAL COTTON PRINTED FABRIC ON TURNED LEGS, LATER FITTED SHEPHERD CASTORS, 188CM L, 74CM W Condition report Later castors, scuffing and wear to legs, upholstery in generally good condition

CONTINENTAL WALNUT FRAMED DAYBED/SALON COUCH on Carolean style supports and cross stretchers, re-upholstered in classically style satin, 98cms H, 180cms approx overall L, 59cms W Condition Report: Some edge tears and wear, slight old worm evidence

ERCOL SURFBOARD DAYBED SOFA, Ercolani elm and beech bentwood with orange cushion, 208cm W.

A GEORGE III MAHOGANY DAYBED FRAME, circa 1800, with outscrolled ends and panelled fields, the rails below on six tapering legs; for re-upholstering, height: 80cm, length: 206cm, width: 76cm