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Lot 1017
A Clarice Cliff Original Bizarre Athens shape jug. Circa 1929, painted with red, blue and green diamond and triangle patterns, printed Newport Pottery mark, height 20cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024 Cracked. There is a long crack running from above the handle down to almost the bottom of the jug, however, the jug is stable. See extra images.
Lot 1028
A Clarice Cliff Fantasque Gardenia pattern octagonal plate. Circa 1930, printed Wilkinson mark, diameter 22cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
Lot 1026
A Clarice Cliff Fantasque Gardenia pattern inkwell. Circa 1932, of cube form, shape number 458, printed Newport Pottery mark, height 5.5cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024 There is no damage and no restoration.
Lot 1004
A Clarice Cliff Fantasque Sunrise pattern fruit bowl. Circa 1929, hand painted, printed Wilkinson pottery marks, height 9cm, diameter 20.5cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
Lot 509
A collection of ceramics comprising a pair of Clews & Co Chameleon Ware bottle vases, 15.5cm high; small group of Royal Doulton 'Bunnykins' comprising two bowls and two mugs, with a Wedgwood 'Peter Rabbit' saucer; an Aynsley trio of teacup, saucer and sideplate printed and hand-coloured with flowers including pink Cabbage Rose, printed J.A. Bailey signature, with gilt rims and exterior, sideplate, 18.5cm diameter; a Coalport demitasse coffee cup and saucer and a Clarice Cliff Newport Pottery 'Celtic Leaf and Berry' jug and fruit bowl, 20cm diameter (group) Condition:Some scratches to Bunnykins Minor scratches to exterior gilt on the Aynsley cup, but no cracks, chips, damages or repairs. Not repainted Some crazing to Coalport saucer Clarice Cliff fruit bowl stained and crazed Clarice Cliff jug crazed No damages or repairs
Lot 507
A Clarice Cliff for Newport Pottery Bizarre toast rack in the Crocus pattern, circa 1928-30s of rectangular form with three divisional sections, painted in coloured enamels, printed marks, 12.5cm wide and 8.5cm highCondition:The painted flowers remain in good condition with no damages or repairs. There are no obvious scratches or rubbing. The underside has a small firing fissure crack alongside the expected scratches to the surface commensurate with age and general use.
Lot 511
A group of ceramics comprising a Clarice Cliff for Newport Pottery 'Crocus' cylindrical preserve pot, lacking cover, 7.5cm high; a William Moorcroft salt-glazed mustard yellow circular tureen and cover, with a matching pair of salts, impressed 'Potter to H.M the Queen' markings; with another similar plate, unmarked, together with a Coalport unfinished batwing plate (group)
Lot 1103
Art Deco Clarice Cliff Fantasque Bizarre 'Blue Autumn' pattern teapot with hand painted decoration, 11cmSmall chip to base of spout (see additional images), interior of teapot is a little discoloured (see image). Some minor scratches to painted decoration. No other damage or restoration noted.
Lot 318
TWO LIMITED EDITION WEDGWOOD BRADFORD EXCHANGE SUNRAY 'CLARICE CLIFF' VASES, comprising 'Orange Roof Cottage' number 991 with certificate of authenticity, height 21cm and 'Caravan', together with a boxed limited edition 'Etna' charger, based upon an original Clarice Cliff centenary 1899-1999, number 288/1999, diameter 31cm (3) (Condition Report: dusty, no obvious damage)
Lot 485
Beswick model of a terrier dog, W.8.5cm; Crown Staffordshire model of a Scarlet Tanager, signed John Bromley; Clarice Cliff style plate, Royal Crown Derby letter knife, boxed; Poole bowl, Coalport and Doulton figures, Surrey Ceramics 3 piece cruet, black basalt jug, millefiori paperweight and another floral paperweight, 2 cut glass wine glasses, and 2 vases, one with glass flowers. (a lot)
Lot 164
A Clarice Cliff Crocus pattern preserve jar and cover, together with a Clarice Cliff jug (2)Condition is basically complete. The jug has a large flat chip mostly to the underside of the foot, not very visible from the side, a small chip to the side of the foot and worn paint. Jar has wear to the p[ainted decoration and a small chip to the isde of the lid, not visible when it is on the base.
Lot 540
Clarice Cliff - Two Pieces, comprising Crocus pattern jug, Athens shape jug circa 1929, hand painted with Crocus sprays between green and brown banding, measures 6.75" high, Crocus pattern vase 6" high, together with an Art Deco Silver Jubilee King George V and Queen Mary Jug 8" high marked 9958 Pilot Gibsons England Reg. No. 787685A with Edward VIII commemorative transfer print (chip to rim).
Lot 923
A rare Clarice Cliff 'Inspiration Persian' charger, circa 1930, signed to verso, painted in shades of turquoise, blue and yellow within brown-lined borders, three suspension holes to the footrim, with brown hand-painted mark to the reverse 'Inspiration Bizarre Clarice Cliff NEWPORT POTTERY BURSLEM ENGLAND', 34cms diameter.
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39899 item(s)/page