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George V silver finger purse Birmingham 1918, another with foliate engraving and blank cartouche Birmingham 1907, silver mounted address book and a small collection of silver handled button hooks, gross weight of two purses 60z 197gm

Vienna Powder Box, rectangular, with lid, silver with blue enamel, in the centre cartouche with painted Boucher scene (damaged), hallmarked around 1900, 9 x 6cm.

Mother of Pearl Relief, holy family with three kings, engraved one hole Baroque cartouche shape, South Europe 18th century, 13,5 cm.

A mahogany walking stick stand, with turned finials vacant brass cartouche, of demi lune form, 93cm high.

Silver plated wares, comprising a silver plated cigarette box, with engine turned decoration and vacant cartouche, an EPBM plated coffee pot with swag decoration, 21cm high, and a six piece cruet, and a silver handled shoe horn. (4)

Silk or satin white and blue tallits or prayer shawls with knotted tzitzit and silk embroidered flowers and stars. The largest tallit has sewn patches with Hebrew text, a domed temple printed in green on each corner, and an unadorned navy blue pouch. The smaller tallit has an embroidered cartouche-like pattern with a prayer in Hebrew and a navy blue pouch with bright gold embroidery. Includes one burgundy-colored velvet kippah with silver hand-embroidered patterns. Largest tallit: 63"L x 34"W. Condition: Age related wear and stains.

Karte, Schwaben"Circulus Sueviae continens Ducatum Wirtenbergensem". Kupferstichkarte, J.B. Homann, Nürnberg, um 1720, partiell grenz- und flächenkoloriert. Detaillierte Schilderung der gesamten schwäbischen Lande um das Herzogtum Württemberg, zwischen Lothringen und dem Ammersee sowie Nürnberg und Vaduz. Figürliche Titelkartusche mit Flussgottheiten und einer Allegorie auf den Weinbau. Im Passepartout. 52 x 58,5 cm (Bl), 60 x 67 cm (PP). Guter Zustand, dezente Einmalungen in Blei und Rotstift. Map of Swabia. Copper plate engraving, partially coloured, by JB Homann, Nuremberg, around 1720. Large area around the Duchy of Wurttemberg. Figurative title cartouche with rivergods and allegorical figures. Mounted in passepartout. Good condition, decent drawings by pencil and red crayon.

Karte, Kleve"Nova et Accurata Ducatus Cliviae et Comitatus Marchiae". Kupferstichkarte, Matthäus Seutter, Augsburg, um 1740, partiell grenz- und flächenkoloriert. Schilderung der niederrheinischen Gebiete des Herzogtums Kleve. Figürliche Titelkartusche mit Allegorien auf den Rhein und die Jagd sowie drei Wappen. Im Passepartout. 53 x 61 cm (Bl), 60 x 67 cm (PP). Guter Zustand. Map of the Duchy of Cleve. Copper plate engraving, partially coloured, by Mattheus Seutter, Augsburg, around 1740. Lower Rhine regions. Figurative title cartouche with coat of arms and allegories. Mounted in passepartout. Good condition.

Kleiner Silberbecher, Paris, um 1840.Silber, Innenwand vergoldet, glockenförmige Wandung mit abgesetztem Fuß. Florale gravierte Ranke und vakante Kartusche. Fußunterseite min. Lötspuren. Garantiestempel mehrfach, Meistermarke "LB" (Louis-Alexandre Bruneau, Paris 1839-1843). H. 5 cm, G. ca. 16,8 g. Small silver cup with inside gilding, engraved decoration with cartouche, hallmarks: Paris, Louis-Alexandre Bruneau, 1839-1843. H. 5 cm, weight in total ca. 16,8 g.

Verspielter Rokoko-Spiegel, 18. Jh.Holz, geschnitzt, vergoldet. Geschweifte Kartuschenform mit Voluten-Ornamenten, Palmettenbekrönung und gedoppeltem Giebel. Umriss durchbrochen. Ein Blattarm mit Kerzentülle über Blattmanschette. Spiegelglas wohl erneuert. Orig. Holz-Rückwand. Im unteren Abschluss-Ornament Risse. H. 71 cm, B. 44 cm. Rococo carved wooden mirror, cartouche shape, golden. Mirror glass renewed. Candleholder. Wooden back. 18th ct. H. 71 cm, w. 44 cm.

Fußbecher, 2. H. 19. Jh.Silber. Konische Wandung maschinenbossiert, ovale vakante Kartusche. Feingehaltsmarke auf dem Fuß. H. 13 cm, G. ca. 100 g. Silver goblet with ornamental engraving and cartouche. 2nd half 19th ct. H. 13 cm, weigth in total ca. 100 g.

A set of four North Italian giltwood girandoles, Veneto, second quarter 18th century, each later cartouche-shaped plate within a pierced frame carved with scrolling foliage and a rocaille cresting, minor variations in carving, lacking candle branches, 87 x 47cm (4)Provenance: Christie's, London, The Niall Hobhouse Collection, 22 May 2008, lot 98.                      Christie's, London, Wilton Crescent: A Robert Kime Interior, 23 July 2020, lot 91.Photographs: © Christie's Images

A silver and enamel combination cigarette case with concealed erotic scene and mirror, late 19th / early 20th century, unmarked, the exterior engraved vacant oval cartouche, the gilded interior with double hinged gilt-metal compartment with an oval plaque with a nude female leaning against a column to one side and a mirror to the other, 9.3 high, 7.8cm wide  

A silver and enamel cigarette case with concealed erotic scene, with import marks for Birmingham, 1910, Marks & Cohen (Walter Henry Marks & Samuel Tobias Cohen), the exterior with a vacant shield cartouche, the interior with hinged central panel with a nude leaning on a chair and looking at herself in the mirror, 9.1 high, 8.3cm wide 

An 18-inch terrestrial globe on stand, by W & T M Bardin, early 19th century, the cartouche printed To the Rt. Honorable / SIR JOSEPH BANKS BAR. K. B. / President of the Royal Society / This New British Terrestrial Globe / Containing all the latest Discoveries and Communications, from the most / correct and authentic Observations and Surveys, to the year 1799 / by Captn. Cook and more recent Navigators. Engraved from / an accurate Drawing by Mr. Arrowsmith, Geographer / Additions to 1807 / Respectfully Dedicated / by his most obedient hble. Servants / W. & T.M. Bardin / Manufactured & Sold Wholesale & Retail W. & T. M. BARDIN / in Salisbury Square, Fleet Street, London, with two sets of twelve-coloured gores applied to the sphere mounted in a brass meridian, the horizon ring with engraved paper calendar and zodiac scale, supported on four later quadrants on a mahogany tripod base and brass castors, approx. 107cm highCondition Report: There is water damage to the globe and horizon ring, especially to Atlantic ocean from North to South Pole which also has bruises to the gores.  Further damage and restoration around the equator, particularly in the Pacific ocean.  Numerous scuffs, abrasions and small losses overall, including to horizon ring.  Cracks to top and bottom where globe attaches to brass meridian.  There is discolouration to the globe throughout and to the horizon ring.  The quadrants are later replacements and one has repaired break to lower section.  The attachment of the globe to the stand at the top of the pedestal is off-centre and there are visible holes from previous screws.  Typical wear and tarnishing to brass fixtures.  The base with scratches and knocks to edges, one foot with loss to back of tapering foot above the castor.  Cracks to underside of base and with vacant screw holes where bracket would have formerly been positioned. 

A pair of Italian reverse-etched girandoles, 20th century, each with silvered bronze twin branches, 63cm high; together with a pair of Dutch silvered metal repousse wall lights, late 19th / early 20th century, of cartouche shape, 37cm high, 28 cm wide (4)Provenance: Christie's, London, Gloria: Property from the late Dowager Countess Bathurst, lot 95.Photograph: © Christie's Images

A Victorian coromandel vanity case, mid-19th century, the hinged lid with monogrammed cartouche enclosing a removable mirror, the fitted interior with lift-out compartment and fitted with various silver-gilt topped glass boxes, bottles and containers, with floral chasing and central monogrammed cartouches to lids, marked London, 1854, maker's mark JH, one circular lid is replaced, London, 1849, Halstaff & Hannaford (William Halstaff & Thomas Charles Hannaford), with partially fitted tray with manicure items and propelling pencils and pen, above a gilt-tooled tray, the lock mechanism marked S. MORDAN & Co. LONDON and PATENT with crown stamp, the front with flush push-release drawer below with hinged leather writing surface enclosing fitted jewellery compartments, 19cm high, 32cm wide, 25cm deep   Condition Report: This case and the contents within are in overall good condition and present well. The exterior: some wear including scratches and deep marks, cracks to sections of coromandel, and tarnished brass mounts, the underside has green felt lining. The case locks and unlocks smoothly with a push-release mechanism, opens smoothly, and locks into place on brass sliding hinges.The interior: the mirror plate is in good condition with only a couple of light scratches, the fitted interior has some light marks and losses of leather, the lift-out compartment has two small brass ringlets which lift the tray easily from its compartment. The glass containers and bottles with general surface dirt in the grooves of the hobnails and minor nibbles to edges and some minor damage to glass including one cylindrical tall bottle with a cracked base, the other cylindrical bottle with minor chip to rim, one small rectangular container with chip to base, and the thinner rectangular container with chip to side rim and chips to corners. The silver-gilt tops are in good condition with light tarnishing, the silver-gilt beaker has moderate tarnishing in concentrated areas and is slightly misshapen to rim, the leather tray to the interior has smart gilt tooling which has not faded. The various manicure items have considerable tarnishing and some rust especially to the pliers and scissors, and there are associate pen and pencil holders. The vesta case has damage to the green enamel interior.  The push-release drawer: the mechanism is functional, the leather top has some creasing and marks, and lifts out easily to reveal a fitted compartment interior with some general wear to the leather and lining. 

A LATE 19TH CENTURY CITRINE BROOCH The oval cut citrine within a gold cannetille work cartouche, three vacant pendant loops, unmarked Size/dimensions: 4.0cm wide Gross weight: 8.4g

FATTORINI & SONS, BRADFORD A SILVER OPEN FACE POCKET WATCH, NO. 311366, CIRCA 1898 Movement: Bimetallic split balance, flat balance spring, lever escapement, dust cover Case: Silver three piece hinged case, the back cover with engine turned decoration and a vacant cartouche, hallmarked Chester 1898 Dial: White enamel Size: 54mm Signed: Dial, movement Accessories: None   Together with another silver open face pocket watch, 38mm  

A Mid-19th Century West Riding Constabulary Hanger, the 59cm broad fullered single edge steel blade double edged for the last 18cm, the back edge numbered 41, one side etched WRC within a square cartouche, the steel stirrup hilt with sprung catch and ribbed leather grip, with steel mounted leather scabbard, the locket engraved WRC, with leather frog, 76cmBlade with some scratching and fine orange rust pitting. Steel hilt and scabbard mounts with orange peel pitting. Some wear to the leather grip and sword frog.

A Pair of 19th Century Dutch Bronze Signal/Salute Cannons in the 17th Century Style, each with 42cm ringed multi stage barrel with foliate banded muzzle, a pair of stylised dolphin handles and a shaped cartouche panel cast M IAN GLUMMER ANNO 1617 before the touch hole, with ringed cascabel and baluster boss, the cylindrical trunnions numbered 1 on one cannon and 2 on the other, on an oak carriage with four solid wheels, 63cmOne barrel blocked with wadding. One carriage with a horizontal split to a side panel.

A Victorian Marine Police Truncheon, with ebonised walnut main body painted in colours and gilt with a Victorian crown over the Royal Coat of Arms, with a cartouche pendant from two fouled anchors and enclosing MARINE POLICE, with ribbed grip, 47.5cmThere is a 19cm split running through the grip and lower part of the body, and a further fine split running from the top to the upper side of the coat of arms. There is minor wear through one of the anchors, but generally the coloured and gilt decoration is good. There is wear to the black background.

George V silver cigarette case of slightly curved form, chased and engraved with scrolls around an initialled cartouche, hallmarked Birmingham 1919, makers mark I.C, 97gms

Mixed Lot: An Art Deco silver cigarette case of rectangular cushion form, overall engine turned decorated around a corner cartouche, Birmingham 1927, Henry Williamson Ltd, a silver mustard and liner of oval form, an Edwardian 20th Century silver serviette ring, Sheffield 1919, John Henry Potter, together with a decorative metal caddy spoon with a shovel shaped bowl and floral twist stem, silver weight 145gms

Mixed Lot: An Edwardian silver dressing table tray of rectangular form, elaborately embossed with masks, foliate scrolls, around a central vacant cartouche, having a raised fluted border, hallmarked Birmingham 1901, makers mark for Walker & Hall, 350gms, 30 x 21cm, eight various glass jars/scent bottles, each will hallmarked silver lids, a late Victorian silver mounted dressing table mirror decorated with cherubs, London 1897, makers mark for William Commyns & Sons together with a silver trinket box lid, silver fronted prayer book, silver backed clothes brush, small Victorian circular pill box and cover, marked for Birmingham 1888, makers mark for George Unite

A Victorian burr walnut jewellery or work box, the hinged top with central pictorial cartouche illustrating a Classical scene of a mother and child, within foliate inkwork borders, opening to reveal an arrangement of open compartments, over a pair of similarly decorated panel doors, enclosing two short and two long drawers, on a bracket base, 33cms wide.

A Continental white metal beaker of tapered cylindrical form with embossed scrolling foliate decoration enclosing a cartouche inscribed "GMM" 8.5 cm high, 3.94 oz

A Victorian burr walnut Tunbridge ware marquetry inlaid folding writing slope, mother-of-pearl central hexagonal cartouche, 35cm wide, c,1870; A Victorian burr walnut work box, domed cover inlaid with central brass shield shape cartouche, the interior refitted in red velvet, with a key; a Victorian mahogany work box, mother-of-pearl inlaid; three other boxes (6)

Medallions, various – re-purposed knife canteen containing: 1867 Pope Pius IX AR, ann. XXII rev. Rome 44mm GVF; 1873, Pius IX sovereign/pontiff, rev. date Souvenir of the Catholic Congress of Malinas, AE 60mm edge knock; Pope John Paul II, rev. Ora pro nobis AR, mounted as a key ring 35mm GEF; 1846 Free Trade WM rev. conjoined cartouche portraits of Cobden, Bright, Pelham & Wilson, 44.5mm AVF; 1888 Melbourne (Australia) AR Centennial International Exhibition, Queen Victoria, Artibus Dignis/Honor Insignis, 51mm; 1895, Leamington Trinity Schools, WM 51mm edge knocks; Earl Grey’s competition medal, AE Pistrucci St. George in exergue, Quo Fata Vocant, no date (earlier C19th), 51mm in John Pinches case of issue; 1903 Edward VII coronation AE, 55mm GEF; 1907 Cardiff AE Visit of Edward VII, Queen Alexandra and Princess Victoria, opening of Queen Alexandra dock 13/7/1907, 52mm, EF (9)

A silver cigar case, engraved and chased with foliate scrolls, vacant cartouche to centre

A white metal aide memoire, the rectangular case with engraved floral detail and vacant cartouche, opening to reveal pink interior with mirror and pen, stamped 'sterling' 9cm long

A 19th century mahogany brass bound stationery box, applied with a shaped brass cartouche, banding, inset swing handles and spandrels, opening to a writing slope and stationery compartments, 18cm H x 46cm W x 25cm D

A coromandel police truncheon, 20th century, with engraved crown over L.C.C, the markings for Lancashire County Constabulary, with 925 verso, with leather wrist strap to turned wooden handle, 39cm long, together with a base metal mounted horn, the body with a vacant cartouche below an antlers head, 30cm long (2)

An Edwardian silver ring dish, James Wakely and Frank Clarke Wheeler, Dublin 1904, the circular dish with continuous openwork decoration depicting woman amongst sheep, cow and bird, with young man playing pipe, with vacant cartouche and associated blue glass liner, 12cm diameter, 3ozt (without liner)

A collection of four Victorian tortoiseshell and mother-of-pearl card cases, each 10.5 x 8 x 1.5cm; together with a tortoiseshell spectacle case with applied and engraved cartouche and with spectacles within 14.5cm; two tortoiseshell snuff boxes and a miniature novelty tortoiseshell guitar (8)

A group of three tortoiseshell boxes, 19th century, the largest of plain square form 6.5 x 25.5 x 25.5cm; another of similar form 10 x 17 x 12cm; and the smallest decorated with wire and ivory stringing and bearing a vacant rectangular cartouche to the centre 5 x 11 x 8.5cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref. No. WRM4HSME

A gilt carved armorial cartouche, 17th or 18th century, the cartouche beneath a crown and flanked by two putti53 x 63cmMultiple areas of restorationNoticeably the high points of the crown, the scrolling banner below the crown, the limbs of the putti and the floral edges of the left and right flankHistorical wood worm in various areasGilt heavily rubbedSee images

A giltwood and gesso wall mirror, 19th century, the cartouche shaped plate within a naturalistic scrolling leaf frame98 x 93cm

A George III tortoiseshell tea caddy, of bombe outline and inlaid with mother-of-pearl foliate sprigs, raised on squashed bun feet and the top bearing a vacant cartouche, the hinged lid opening to reveal twin lidded canisters each fitted with ivory handles 12.5 x 19 x 12cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref. No. QEECCPPC In good overall condition, with no apparent damages or repairs, no key present.

A George III silver wine goblet. London, c.1818, Marks rubbed. The plain body to a stem with beaded knop spreading to a lobed, circular foot, 15cm high.The goblet together with a continental silver beaker, stamped 800, on a stepped circular foot, engraved with cartouche and initials to side, 10.8cm high, total weight approx. 7.5ozt (2)Condition Report: Date letter partially rubbed and no maker's mark visible to goblet

A George III silver bowl. John Parker I & Edward Wakelin, London, 1766. Of circular form and raised on a shallow circular foot, the fluted bowl designed with a scalloped rim and later decorated with scrolling floral and foliate motifs, engraved with cartouche and monogram to one side, 14.5cm dia., approx. weight 9.7ozt  

A George V Irish silver dish ring. Weir & Sons, Dublin, 1917. The pierced and chased silver ring decorated with wild animals among foliage and flowers to a vacant scroll-bordered cartouche, with blue plastic liner, base dia. 21.6cm, 12cm high, weighable weight approx. 12.5oztProvenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.

A silver hip flask. J. B. Chatterley & Sons, Birmingham, 1968. Of curved rectangular form, with engine turned design to body and vacant cartouche to one side, designed with a screw cap, 9 x 13.5cm approx. weight 7.7ozt Condition Report: The hip flask is in good condition commensurate with age. Some general surface scratching and nicking but no damage or repairs noted. Some minor bruising in places commensurate with light use. When tested with water, no leaks to body but when shaken vigorously some small drops escaping from under cap. Cork is present inside cap but shows some wear and minor losses which may be the cause of the minor leak. Small ding to cap. Cap opens and closes securely and snugly. Hinge in good condition. Some scratching to panel beneath cap. Hallmarks generally clear, with only date letter slightly rubbed. Overall a nice hip flask in good condition. Further images available to download via this link: https://we.tl/t-z2qaNxGPI6 

An Arts and Crafts silver plated tumbler cup. Duchess of Sutherland Cripples Guild, c.1910. Of circular form with a hammered finish, stamped to the underside with mark of D.S.C.G. beneath a ducal coronet, 7.8cm dia., 4.8cm high. Together with a Victorian silver pepper shaker, London, 1888, Charles Stuart Harris, the urn-shaped body engraved with scrolling foliate motifs and a vacant cartouche, raised on a stepped circular foot, gilding to interior, 9.5cm high, total weighable silver approx. 1.3ozt (2)Footnotes: The Duchess of Sutherland Cripples Guild was formed by Lady Millicent Fanny St. Clair-Erskine, Duchess of Sutherland, in 1900. The aim of the Guild was to raise funds for disabled children from the Staffordshire Potteries. Working conditions in the potteries were harsh and Millicent, nicknamed 'Meddlesome Millie' by the manufacturers, used her influence to improve those conditions,  campaigning, for example, against the use of lead in the industry. Another aim of the Guild was to teach children craft skills so that they could make a living for themselves.The Guild began to produce metalwork, as well as other objects, and was an influential part of the British Arts & Crafts movement. Most items were made in copper or silver plate, but some fine examples of silver work were also produced. From 1907, the Guild began to create replicas of 16th -18th century pieces from the collections of private owners or museums. It also started to add the mark of D.S.C.G. under a ducal coronet to its pieces. A shop was opened up on New Bond Street, London and the Guild was successful at selling its creations to a very wealthy clientele, including the King and Queen. The Guild was impacted by the First World War and began to produce items in support of the conflict. By the early 1920s tastes were changing and the Guild was closed.Condition Report: The silver plated tumbler cup is not included in the weighable silver. Tumbler cup approx. weight 3ozt 

A Victorian silver tray. William Gibson & John Langman, London, 1897. Of rectangular form, the base engraved with foliate and floral motifs including roses, bluebells and irises, the oval cartouche with presentation engraving dated 1900, on two bun feet (two deficient), 28.5cm wide, 19.8cm deep, approx. weight 16.3ozt Condition Report: Two feet detached and missing. 

Five bright-cut Irish pointed Old English pattern tablespoons. John Shiels, Dublin, 1787. The terminals engraved with crest within cartouche above a linear foliate swag, 24cm long, total weight approx. 10.7ozt (5)

A late Victorian blue glass lined silver vase. William Comyns, London, 1899. Pierced and repousse decorated with scrolls, flowers and trelliswork, with vacant cartouche to front, 23cm high.The vase together with: a small bottle coaster raised on four bracket feet, stamped 925, 9.5cm dia.; a rectangular white metal trinket box, indistinct marks to base, the hinged lid decorated with winged cherubs, 3.5 x 8.5cm; a pair of small Victorian silver easel back photo frames, London, 1887 and 1888, one William Comyns, one without maker's mark, 7.7cm high; and a vanity set comprising: two vanity bottles, a glass jar, two brushes and a hand mirror; all stamped 925, together with several matched silver plated items (two small trays and a comb), total weighable silver approx. 15.1ozt  (a lot)Condition Report: Weight comprises W. Comyns vase, rectangular trinket box and bottle coaster only 

A group of silver and metalware including three silver plated 'seashell' paperweights. Christofle. The group comprising: a Columbian astray, stamped 910,  decorated with applied Mayan figures, 10cm wide; a tray, stamped 925, of rectangular form, engraved with initials to base, with scrolling foliate motifs applied along the rim, 21cm wide; a Mexican pin tray, stamped 925, of oval shaped form, 14.2cm wide; a silver napkin ring, Birmingham, 1931, S. Blanckensee & Son, with engine turned design and vacant cartouche to side; an ashtray, stamped 925, decorated with applied branches and birds to sides; a small Colombian vase, stamped 900, of baluster form, on a circular foot, 9.5cm high; a small Colombian bowl, stamped 900, with shaped rim, on a spreading circular foot, 6.5cm dia.; a silver plated Colombian ashtray, unmarked, of circular form, with gadrooned rim, 9.5cm dia.; two electroplated dishes, of octagonal shaped form, both decorated along the rim with scrolling floral and foliate motifs and scenes of figures dancing and drinking in a tavern setting, the larger dish 29cm wide, the other dish 23.5cm wide; a white metal twin handled Colombian bowl, of circular form, with initial engraved to side, 11.5cm wide; a white metal Colombian pin tray, unmarked, of oval form, pierced and decorated along the rim, 14.8cm wide; a bell, stamped 925 to interior, decorated with scrolling floral and foliate motifs; and a Continental metal bowl, stamped ARG 1000 to interior, of squared shaped form, with presentation engraving to base, 11cm wide; total weighable silver approx. 19.7ozt (a lot)   Condition Report: Weighable silver includes the Colombian squared ashtray, the rectangular tray stamped 925, the oval pin try stamped 925, the napkin ring, the ashtray stamped 925, the baluster vase stamped 900 and the bowl stamped 900. Twin handled white metal bowl weight: 1.5ozt 

An early George I silver punch bowl. Robert Timbrell & Joseph Bell I, London, 1714. Designed with two rows of fluted bands to the circular body and raised on a fluted, circular foot, the cartouches with chased scale borders within scroll frames, one engraved with arms, possibly a variant of Enys impaling Nicholas (of Lazy Hill, Dublin), the other vacant, the underside scratch engraved with the initials E over IE, 1732 and the scratch weight 34=12, 25.2cm dia., 15cm high, approx. weight 34.1oztFootnotes:  Arms: on a fess embattled 3 cinquefoils between and within 3 birds all within a bordure IMPALING on a chevron a crescent between and within 3 cross crosslets fitchy.  Families: possibly a variant of Enys (with a bordure) IMPALING Nicholas (of Lazy Hill, Dublin). (With thanks to Pursuivant Research)cf: For a similar example by the same maker (albeit with Monteith rim) see Christie's New York, lot 587, French Furniture, 30th March 2011: https://www.sothebys.com/en/auctions/ecatalogue/2011/french-furniture-n08743/lot.587.html?locale=en Condition Report: The bowl is in good condition commensurate with age. Some general surface scratching, nicking and minor pitting noted. Heavier nicking and scratching to base inside the bowl.  A ding to the lobed lower section of the body. Some other small dings and bruising noted to body and foot. Some dark marks and tarnish noted. Foot pushing in slightly and a small split beginning to form in one area where it has pushed in. Both cartouches look to have been applied with a layer/patch of silver over the original cartouches - some solder visible at edges. Possible erasure to the vacant cartouche. Engraved coat of arms to other cartouche is crisp (later). Some solder above the engraved cartouche which obscures some of the decoration. Hallmarks to underside of foot are clear. Wobbles slightly on foot. Some wear to decoration commensurate with age. Rim very slightly out of round. Overall an attractive punch bowl in good condition commensurate with age. Further images available to download via this link: https://we.tl/t-OGOjPrCZyR 

A large Victorian silver cigarette case. Colen Hewer Cheshire, Chester, 1897. Of rectangular form, the engine turned body chased with foliate scrolls and engraved with crest to central cartouche, approx. 10 x12cm, together with an enamelled Continental cigarette case with cabochon gem thumbpiece and striated, engine-turned design to blue and white enamelled body, stamped 935, total weight approx. 10.3ozt (2)   

Three Georgian silver cream jugs. Various dates and makers. The group comprising: a George III example, London, 1799, possibly John Merry (maker mark IM), with scrolling handle, engraved with garlands bordering a cartouche and with decorative banding to rim, 11cm high (inc. handle); a George IV example, London, 1820, maker's mark rubbed, with reeded banding to body and raised on four ball feet, 8.7cm high (inc. handle); and a third example, London, marks rubbed, raised on a circular foot, with scrolling handle and reeded banding to body, 7.5cm high (inc. handle), total weight approx. 10.6ozt (3)Condition Report: The first cream jug of the catalogue description with one small dent near the footrim. The underside is dented on one area: this doesn't affect the balance of the piece. Scratches and minor nicks to underside. The engraving in good overall condition. The maker's mark is slightly rubbed off while the other marks are clear. The second cream jug with minor dings to the body. Minor signs of tarnishing and some general wear, including to the ball feet. Small scratches to handle. Marks slightly rubbed off. The third jug with general wear and minor signs of tarnishing. One dent in one area of the upper section of the reeded banding. Other minor dings and scratches to the body. Marks rubbed off. 

Of Masonic interest. A group of items including a silver match box. A. C. Bloxham, Birmingham, 1926. Of rectangular form, with enamelled crest for West Smithfield Lodge No. 1623 and Masonic emblem applied to side, 6cm long, 2cm high, 4cm deep. The match box together with: a Masonic silver pendant jewel, Birmingham, 1929, George Kenning & Son, engraved with Masonic emblems and with presentation by the West Smithfield Lodge No. 1623, dated 1949 -1950; a silver waiter, Sheffield, 1998, Carr's of Sheffield, of circular form, with scalloped rim, on a flat base, 15.3cm dia.; a rectangular silver cigarette box, Birmingham, 1936, marks rubbed, with engine turned design and cartouche with presentation engraving to the hinged cover, the interior with wood lining,10x13x4.5cm; a silver napkin ring, Birmingham, 1923, maker's mark rubbed, engraved with initials; a silver plated cocktail stirrer, 13.5cm long; an electroplated spoon with enamelled terminal, 12.3cm long; and a silver plated spoon with figural terminal, 11.5cm long, total weighable silver approx. 8.6ozt (a lot) Footnotes: West Smithfield Lodge No.1623 was founded in 1876 and is part of the United Grand Lodge of England, which is the governing body of Freemasonry in England and Wales. West Smithfield Lodge No. 1623 is one of the oldest lodges in London and is named after its original meeting place in West Smithfield, a historic area in central London. Condition Report: The cigarette box, the two spoons and the cocktail stirrer are not included in the weighable silver.  

A Polish silver beaker. Izrael A. Goldman, Warsaw, c.1880. Engraved with a foliate scroll band to body, 7.1cm high, approx. weight 2.3ozt Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Condition Report: Good overall condition commensurate with age. Some general surface scratching, pitting and nicking noted. Some dings and bruising, particularly towards base. Some deeper scratches in places including to cartouche. Decoration in good condition. Hallmarks heavily stamped to underside. Underside with deep scratches running across it. Further images available to download via this link: https://we.tl/t-8SEIgDmtL0 

A pair of George III silver candle snuffers. Wilkes Booth, London, 1791. Designed with openwork scissor handles and sprung action, the box engraved with the initials 'ED' within cartouche, 16cm long, approx. weight 2.9ozt  Condition Report: The snuffers are in good condition commensurate with age. Some general surface scratching, minor pitting and nicking noted. A couple of deeper nicks/pits to feet. Some wear to the box at high points commensurate with age. A small split noted to outer (upper) edge of box. Small split forming (or box simply lifting slightly) at base by pointed ends of snuffers.  Sprung mechanism works well. Hallmarks clear. Handles do not meet but this may be as per the original design. Overall a nice pair of snuffers in good condition commensurate with age. Further images available to download via this link: https://we.tl/t-oNXXJ3qXU4 

A Victorian silver collapsible beaker in fitted case. Thomas Johnson I, London, 1866. Of tapering cylindrical form, the four engine-turned sections to a moulded circular foot, the top section engraved with crest, initials and the motto Vivre Vivement within an oval cartouche, possibly for Wauch, the underside with retailers mark for Jenner & Knewstub, in fitted case with blue velvet lining, beaker 9cm high, approx. weight 4.6ozt  

A pair of George III silver waiters. Maker's mark IC, probably John Carter II, London, 1768. Of shaped, circular form with Chippendale borders, each raised on three pad feet and engraved with coat of arms within a foliate scroll cartouche, 18.9cm dia. total weight approx. 19.1ozt (2)  Footnotes: The arms are those of Howard quartering Brotherton, Warren and Mowbray impaling Maxwell of Nithsdale, quartering Maxwell of Terregles quartering Herries, quartering Constable and Haggerston, presumably for Philip John Canning Howard (d.1934) of Corby Castle and his wife Alice Clare (d.1941), daughter of Peter Constable Constable-Maxwell, whom he married in 1875.

A George II silver cream boat. George Greenhill Jones, London, 1746. With punch beaded rim and flying C-scroll handle, on three outswept pad feet, 13cm wide. Together with a George II silver cream jug, London, 1749, Thomas Jeanes, of baluster form with scrolling handle, the body repousse decorated with a bird among scrolling floral and foliate motifs, vacant cartouche to front, on three outswept pad feet, 9.8cm high, total weight approx. 6.5ozt (2)  

Victorian open faced silver dial pocket watch in a sterling silver case, hallmarked London 1882, key wound, hinged front and back cases, with a blank shield and banner cartouche engraved to the back case.Condition Report: Gross weight 131.2 grams.With wear consistent with age and use including light scuffs/scratches to the metal, and patina. Ewbanks do not guarantee the working order or accuracy of any lots sold.

An Edward VII silver Vesta case, with engine engraved design and a vacant shield cartouche, Birmingham 1908, 0.50z.

A set of mahogany and brass scales with central column, the base with vacant cartouche above a drawer enclosing various weights, 51cm wide.