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 MUSIC - BOOK COLLECTION ROCK AND ROLL, ATLANTIC RECORDS & FIFTIES MUSIC Dust wrapper poor on The Rise of Rock and Roll, otherwise good.

Records : UK Soul/Motown 45s inc Tamla, Stax, Atlantic labels inc Redding (Demo), Lewis, Wells etc (28)

Seven: Private G. A. Rutter, Manchester Regiment, later Stoker First Class, Royal Navy and Royal Fleet Reserve British War and Victory Medals (54471 Pte. G. A. Rutter. Manch. R.); 1939-45 Star; Atlantic Star; Defence and War Medals 1939-45; Royal Fleet Reserve L.S. & G.C., G.V.R., 2nd issue (S.S. 120428 (Ch. B. 18562) G. A. Rutter. Sto. 1 R.F.R.) a few light marks, generally very fine (7) £80-£100 --- George Arthur Rutter, was born on 17 September 1898, at Shepherds Bush, London. He attested for the Manchester Regiment and served in the 2nd/8th and 2nd/5th Battalions during the Great War, before transferring to the Royal Navy as an Acting Stoker First Class, H.M.S. Pembroke II, on 28 April 1919. He subsequently served in H.M.S. Erebus, being confirmed in his rate on 4 October 1920, and then in H.M.S. Titania and H.M.S. Pembroke II. He was discharged on 27 April 1924, time expired, and joined the Royal Fleet Reserve. He was awarded his Long Service and Good Conduct Medal in June 1936. A note on his Royal Navy service records indicates that he could not count prior military service, due to his conduct being recorded as only inferior to very good. Curiously he also appears on the Royal Navy medal rolls for the British War Medal and Victory Medal, despite having only commenced naval service in April 1919.

THE VELVET UNDERGROUND/THE DOORS - 7". Select pack of 5 x 7" including a top rarity from the Velvets... Titles are The Velvet Underground - Who Loves The Sun c/w Sweet Jane (super scarce original 1971 UK copy on Atlantic 2091-088 - please note the record is visually graded as G+,still fine and glossy, there is a noted scratch on the A side - this however causes no issues on playback which is at least VG!) and The Doors - Hello, I Love You (double pack K 12215 - Ex records/Ex), Riders Of The Storm (EKR 131 - VG/VG+) and Light My Fire (inc. p/s and jukebox copy EKR 125, both VG condition).

BLUES-ROCK/ROCK - LPs. Extremely well presented collection of 12 x classic LPs largely comprising of original/early UK pressings. Artists/titles are Led Zeppelin - 'IV' (early UK plum Atlantic 2401012, Kinney/Superhype credits both labels, no Peter Grant credit, A3/B4 PORKY/PECKO DUCK - Ex condition super clean record with a couple of very light surface hairline marks on side 1, side 2 grading as Ex+/with Ex+ condition original Peter Grant credit inner/Ex+ superb condition sleeve showing only slight wear), Groundhogs - Thank Christ For The Bomb (blue Liberty label original, LBS 83295 - Ex+ fantastic condition record/Ex+ very clean sleeve too), Fleetwood Mac inc. The Pious Bird Of Good Omen (UK Blue Horzion stereo S 7-63215 - VG+/Ex+), The Rolling Stones (x3) inc. Sticky Fingers (UK COC 59100 A4/B3 - Ex/Ex with insert and inner), Grease Band (SHVL 790 - Ex+/Ex+), Deep Purple - Who Do We Think We Are! (TPSA 7508 - Ex+/Ex+), Canned Heat (x3) - Boogie With (mono blue label og LBL 83103 - Ex+/Ex+), Living The Blues (LDL 84001, blue label og - Ex+ records/VG+) and Cook Book (LBS 83303 - Ex+/Ex). Condition elsewhere is primarily Ex to Ex+. Lovely.

1995 Lincoln Town Car Auto LHDMake: Lincoln Model: Town CarYear: 1995Mileage: 0VIN: 1LNLM81W5SY740498Configuration: Left Hand DriveRegistration: M109BNOTransmission: automatic Lincoln's Town Car was a luxury saloon range built from 1981 to 2011 by Ford's prestige US arm, running to three generations over 30 model years. As such, the Town Car served as Ford's flagship model, intended to compete with GM's Cadillacs. This second generation 4.6-litre example was first registered in the USA in 1995, but came to the UK in 2006, being registered here in June of that year. The mileage is recorded as 129,088 by the digital odometer, and the car is MoT'd until October 2022. The V5C records one former registered keeper since the vehicle came to Britain. Included in the paperwork file are the current V5C plus some past ones, along with MoT certifcates from 2006 to, 2017 and 2019 to 2021. There's also a large stack of UK invoices from 2006, showing lots of money spent and care lavished. The most recent bill is for a new battery fitted in June 2021. The only bit of paperwork from the car's life over the other side of the Atlantic is the registration document from Virginia, USA. Also in the folder is an original sales brochure, owner's manual, warranty information booklet and service booklet (albeit unmarked) plus a Chilton (the US arm of Haynes) workshop manual.

A small collection of signed books including Unbelievable by Michael Winner with signed sketch, two music history books on Virgin Records and The Atlantic Story both with dedications from the editor Perry Richardson etc.

Four: Petty Officer Cook H. E. Arnold, Royal Navy, who was serving aboard H.M.S. Broke from August 1916, taking part in the celebrated ‘Swift and Broke’ action of April 1917 1914-15 Star (M.3084, E. H. Arnold. Ck. Mte., R.N.); British War and Victory Medals (M.3084 E. H. Arnold. L. Ck. Mte. R.N.); Royal Navy L.S. & G.C., G.V.R., 2nd issue, fixed suspension (M.3084 E. H. Arnold. L. Ck. H.M.S. Lucia.) note initials ‘E. H.’ on all medals, mounted for wearing, contact marks, nearly very fine (4) £180-£220 --- Harry Edwin Arnold was born in Portsmouth on 6 July 1891, and enlisted into the Royal Navy as an Officer’s Steward 3rd Class on 28 May 1910, with number L.1914. In the following year he changed his naval trade to that of ‘cook’, engaging for 12 years’ service and being allocated a new number, M.3084. His service record has been amended from ‘Edwin Harry Arnold’ to read ‘Harry Edwin Arnold’ at some point after the issue of his medals. Over the following years he served at Portsmouth naval base and in the battleship Renown. Upon the outbreak of war he was serving in the cruiser Sappho on patrol duties off the Orkney and Shetland Islands. In August 1916 he was drafted into the Blake depot ship of the 11th Destroyer Flotilla, and assigned to the Broke, which had recently completed repairs to severe damage received at the battle of Jutland. On the night of 20 April 1917, six German destroyers left their bases on the Flanders coast and made a raid on Dover. At 0045 the destroyers H.M.S. Swift and Broke, just east of the Goodwins, sighted ships approaching on an opposite course. The Germans opened fire, and scored several hits on Swift. Swift turned to ram but missed, passed through the German line and scored some hits too. She then fired a torpedo which hit G.85. Swift had been sorely hit, had wireless out of action, damage to bridge and 4 ft of water in the stokers mess-deck, 1 crew killed and 4 wounded. She turned to follow the Germans but couldn't keep up, so made her way home. At the start of the fight Broke also opened fire with guns and torpedo, but failed to score. She then rammed G.42 amidships at 27 kts. Locked together, Broke's sailors had to repel German borders in hand to hand fighting while Broke's guns poured fire into G.42 at point blank range. While this battle was going on the last two German torpedo boats in the line sailed past and fired into Broke. Broke managed to break clear of G.42 and started limping eastwards after Swift. Broke had suffered damage to her boiler rooms with steam dropping, half of the bridge was on fire and the decks had been swept by gunfire. As she sailed away both G.85 and G.42 fired on Broke. Broke then turned back and fired on both German destroyers, silencing their guns. The battle ended at 0115. Both German destroyers sank shortly after. At this point Broke's engines stopped and she drifted until taken under tow by H.M.S. Lydiard, who along with H.M.S. Mentor and Lucifer had come out of Dover to help, but arrived too late. In April 1919 Arnold was drafted to the Theseus, depot ship at Batum Georgia, on the eastern shores of the Black Sea. From Batum there was a railway line across the Caucasus to Baku on the Caspian Sea, where a Royal Navy contingent manned a motley collection of requisitioned merchant ships in a confrontation with Bolshevik forces. The log of Theseus for that period records the despatch of men and stores to the Caspian and taking custody of prisoners. Arnold went on to serve in the minesweepers Heliotrope, Tring and Newark, and ashore at Portsmouth and Portland. In January 1925 he joined Lucia, depot ship of the 2nd Submarine Flotilla, attached to the Atlantic Fleet. In August of that year he was awarded his L.S. & G.C. medal. This was followed by service at Vernon where he was advanced to Petty Officer Cook. Arnold then signed an agreement to serve in New Zealand for three years from 28 August 1928, and was initially assigned to the destroyer Diomede. In November 1928 he went ashore to Philomel at Devonport, Auckland, and in May 1930 he was drafted to the destroyer Dunedin. This ship assisted in the suppression of the Mau rebellion in Samoa, and in February 1931 provided relief to the devastated towns of Napier and Hastings in Hawkes Bay after being struck by an earthquake. He returned to England in 1931, and was drafted to the gunnery training establishment Excellent for the final months of his service, before retiring in May 1932. Arnold was recalled to service in December 1939, and in 1940 was serving in Collingwood, a training establishment for special reservists at Fareham. He was released from service in September 1945, and died in July 1979. Sold with copied record of service and detailed resumé of his career.

PUNK/WAVE/INDIE/SYNTH/COOL POP - 7" COLLECTION. Another super smart collection of 7" with around 89 x included here. Artists/titles include Rae Morris - Do You Even Know? (Atlantic Records, no cat. number - Ex+/Ex+), Elbow - McGreggor and Charge, Microdisney, Nadine Shah, The Jack Rubies, This Mortal Coil, The Damned/Captain Sensible, Gang Of Four, The The, Skat, New Age, Penetration, Luddites - The Strength Of Your Cry EP, Keith John Adams, TRB, Dr. Feelgood, Dr. Calculus, Red Guitars, The Jesus And Mary Chain, Violent Femmes, The Lucy Show, The Monochrome Set - The Jet Set Junta (CHERRY 60), The Cravats, Aztec Camera, Champion Doug Veitch, Tracy Thom, Shop Assistants, 70 Gwen Party, Billy Bragg, Bill Nelson and Blondie. Condition is often lovely Ex to Ex+.

EPHEMERA, SUNDRIES & RECORDS, two boxes and loose containing entertainment programmes (Elton John and Billy Joel, Katherine Jenkins, Torvill and Dean, pantomime, The Beatles 'By Royal Command') a book of world stamps, a Royal scrapbook, miscellaneous magazine, framed prints, a framed embroidery sampler dated 1844 and a box of approximately forty-eight 45rpm single records, labels include Columbia, Decca, London, Capitol, Brunswick, RCA, Atlantic and others, no original record sleeves

Alice Cooper Memorabilia, ten Alice Cooper items comprising Lace & Whiskey 1977 LP promo poster, a large 1970's b/w photo contact sheet with 36 shots of Alice performing on stage, an original Atlantic Records b/w publicity photo, 1989 Trash Tour sticker, Trash Envelope, a Backstage Press Pass, All Access Pass and Video Crew Pass, a Post Gig Party Invite from the Trash Tour and a 1990 Alice Cooper comic Vol 1 #18 - all in very good condition

141 Northern Soul / Motown 45rpm 7” singles (half with centres removed), the majority being Motown Records, but also includes Island, Stax, Atlantic, London and other labels. Artists to include: Smokey Robinson & The Miracles, The Supremes, Percy Sledge, Marvin Gaye, Four Tops, The Velvelettes, Martha & The Vandellas, The Temptations and many more. Condition varies.

* Jazz & Blues Records. Collection of approximately 325 jazz and blues records, comprising of approximately 300 LPs and two dozen 10" records, example LPs include Elvin Jones "Dear John C." with Charlie Mariano, Hank Jones, Richard Davis and Roland Hanna (HMV CSD 3508, first HMV pressing), Bud Johnson "Blues á la Mode" with Ray Bryant, Al Sears and others (original 1958 LP, Felsted Records FAJ 7007), John Dankworth "The Zodiac Variations" (autographed LP, Fontana TL 5229), "Sonny Rollins" with Jay Jay Johnson, Thelonious Monk, Paul Chambers, Horace Silver and Art Blakey (1985 re-issue of Blue Note BST 81558), Bruce Turner Jump Band "Jumpin' at the NFT" (77 Records, 77 LEU 12-2), Anthony Braxton "Creative Orchestra Music 1976" (Arista Records AL 4080), Lee Konitz "Abstractions" (Atlantic Special 590020), Duke Ellington "Such Sweet Thunder" (Philips BBL 7203), The Coleman Hawkins Sextet "Desafinado" (HMV CLP 1630), Ry Cooder "Paradise and Lunch" (Reprise Records REP 44260), "Salute to Newport" featuring Pee Wee Russell (1978 promo 2-LP, ABC Impulse IA-9359), Keith Jarrett "Mysteries" (Japanese pressing, MCA Records VIM-4603), Benny Carter with the Oscar Peterson Quartet "Alone Together" (Verve 2304512) and Yoska Nemeth "Nuit Tzigane" (Festival FLD 145 S, French pressing), example 10" records include "Johnny Dodds Vol. 4" (10" London AL 3560), Lennie Niehaus "Vol. 1, The Quintet" (10" UK Vogue LDC 120 with Contemporary & Vogue yellow label), Coleman Hawkins "Tenor Sax Stylings Vol. 1" (10" Brunswick BL 58030), Muggsy Spanier "This Is Jazz" (10" UK Vogue LDE 015), "The Great Blues Singers" (10" London AL 3530, UK 1st) and "Louis Armstrong Plays the Blues" (10" London AL 3501, UK 1st)Qty: (2 cartons)

* Jazz & Blues Records. Collection of approximately 350 jazz and blues records / LPs, examples include The Basie-ites "How High The Moon" with Billy Mitchell, Frank Foster, Frank Wess, Joe Newman and others (Jubilee Records JGM 5004), Clark Terry - Bob Brookmeyer Quintet "The Power of Positive Swinging" (Fontana TL 5290), The Jimmy Giuffre Trio "The Train and the River" with Jim Hall (Atlantic Special 590011), Richard Rodney Bennett "Piano Concerto" with Stephen Bishop on piano and The London Symphony Orchestra conducted by Alexander Gibson (Philips 6500 301), Panama Francis and his Savoy Sultans "Gettin' in the Groove" (Black & Blue 2-LP 33-320/1, French pressing), "Jazz Goes to B'Way, Morey Feld's Straight-Ahead Six" (1955, Kapp Records KL-1007), "The Happy Horns of Clark Terry" (Impulse A-64), "The Legendary Jack Teagarden" (2-LP Roulette 2682-034), Billy Strayhorn & His Orchestra "Cue For Saxophone" (Master Jazz Recordings MJR 8116), Ralph Sutton "Partners in Crime" (Limited Edition audiophile 180g LP, Serial No 868, Analogue Productions APJ 018), Tampa Red "Bottleneck Guitar 1928-1937" (Yazoo L-1039 Stereo, original red label), "Strike Up The Band" with Bobby Hackett, Zoot Sims, Bucky Pizzarelli, Hank Jones, Mel Lewis & Richard Davis (RCA SF 8424), "Django Reinhardt & Stephane Grappelly with The Quintet of the Hot Club of France" (Ace of Clubs ACL 1158), The Dave Brubeck Quartet "Gone With The Wind" (Fontana TFL 5071), "This is Hampton Hawes, Vol. 2 The Trio" (Contemporary / Vogue LAC 12081) and many other quality recordings by popular artists, including approximately 30 on the Pablo record label, together with 4 CD box sets: The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh (Mosaic MD6-174) The Complete H.R.S. Sessions (Mosaic MD6-187) The Complete Brunswick and Vocalion Recordings of Louis Prima and Wingy Manone 1924-1937 (Mosaic MD6-217) The Savory Collection 1935-1940 (Mosaic MD6-266)Qty: (3 cartons)

* 7" Singles. Collection of approximately 1000 singles / 45rpm records from the 1960s to the 1990s, covering all genres, examples include Dandy "Puppet on a String" (Giant GN5A, 1967, reggae), Adrian Belew & David Bowie "Pretty Pink Rose" (Atlantic A7904, 1990), The Typhoons "You Really Got Me" (Embassy WB 650, 1964), Harry J. All Stars "Liquidator" (Harry TR675, 1969), Freddie & The Dreamers "What A Crazy World" (Columbia EP, SEG 8287, 1964), Don Fardon "Indian Reservation" (Young Blood YB 1015, 1970), The Who "Pictures of Lily / Doctor Doctor" (Track Records 604002, 1967), Dee Robb "Bye Bye Baby" (Argo 5439), Roman Stewart "Cassanova" (Hungry Town ED 0178), The Simpsons "Deep, Deep Trouble" (Geffen Records GEF88, 1991), Hawkwind "Silver Machine" (UAR UP 35381), Elvis Costello & The Attractions "Oliver's Army" (ADA 31), The Coasters "Three Cool Cats / Charlie Brown" (ATCO 45-6132), The Bunburys "We're The Bunburys" produced by Barry Gibb (LBW 1), plus artists such as Bob Dylan, Wee Papa Girl Rappers, Creedence Clearwater Revival, Shirley Ellis, The Jam, The Boomtown Rats, Pluto Shervington, Alice Cooper, Procol Harum, Japan, Elvis Presley, Sammy Davis Jr, Roxy Music, The Stranglers, Lisa Stansfield, Donna Summer, Gladys Night & The Pips, Van McCoy, Bachman-Turner Overdrive, Roger Daltrey, The Four Tops, Culture Club, Chic, Alison Moyet, Rod Stewart, Madonna, The Maisonettes, The Art of Noise, John Paul Young, Rose Royce, The Four Seasons, Gary Puckett and The Union Gap, Styx, Billy Joel, The Osmonds, Jimmy Ruffin, The Lightning Seeds, Norman Greenbaum, Middle of the Road, The Easybeats, Boz Scaggs, Gloria Gaynor, The Sweet, Ian Dury & The Blockheads, The Pogues, Sister Sledge, O' Jays, Bonnie Tyler, The Flying Pickets, The Style Council, Little Richard, Status Quo, Duran Duran, David Dundas, Feargal Sharkey, The Shamen, Animotion, Sonny & Cher, Chaka Khan, Charlie Rich, Ike & Tina Turner, , The Ventures, The Chantays, Soft Cell, Madness, P.J. Proby, Lesley Gore, Chickory Tip, Bobby Vee, Ched Atkins, The Everley Brothers, The Bar-Kays, Michael Jackson, Blondie, Laurie Anderson, The Cuff-Links, Robert Plant, Phil Collins, UB40, Thin Lizzy, Neil Diamond, Aretha Franklin and many othersQty: (approx. 1000)

1954 Austin-Healey 100 RoadsterRegistration no. Not UK RegisteredChassis no. BN1L/157601Odometer reading: 2,145MOT: Exempt *Triumph TR4 engine and gearbox*An older restoration*Imported into the UK earlier this yearDonald Healey's stylish Austin-Healey 100 caused a sensation when it debuted at the 1952 London Motor Show. Intended as a low-cost high-performance sports car and aimed at the US market, which took almost 100% of production initially, the Austin-Healey 100 sourced its major components from the Austin Atlantic saloon. Low-revving and torquey, the latter's 2,660cc four-cylinder engine produced an unremarkable 90bhp but when installed in the lighter and more streamlined Healey the result was a genuine 100mph-plus car capable of reaching 60mph in under 11 seconds. A three-speed gearbox equipped with overdrive on the top two ratios was an unusual feature of the original BN1, which was superseded by the short-lived, conventional four-speed BN2 for 1956. In 1953 a team of drivers including Donald Healey and George Eyston set a host of international and AMA speed records at Utah's Bonneville Salt Flats driving two Healey 100s. Highlights including a maximum speed of 143.626mph and 1,000 kilometres at an average of 127.00mph achieved by the tuned car and 24 hours at an average of 104.3mph set by the AMA-selected 'off-the-showroom-floor' example. A muscular sports car to delight the purist, the 100 was not bettered by its six-cylinder successors in terms of outright performance until the introduction of the Austin-Healey 3000 in 1959. The vendor purchased this Austin-Healey 100 from a friend in the Lebanon. An older restoration, the Healey has at some time been fitted with a 2.1-litre Triumph TR4 engine and gearbox. The car was imported into the UK earlier this year and is running and driving well, how ever the gearbox is noisy.Footnotes:Vendor Score Total: 62/100Bidders should note that the automated 100-point Seller's Assessment is provided by each Seller at the point of consignment using the guidelines below, and is not provided, assessed or verified by Bonhams MPH. Accordingly Customers (Bidders) are on notice that each vehicle is offered 'as is / as seen' subject to the Conditions of Sale for the auction, and Customers (Bidders) are strongly recommended to view the Lot(s) being offered, before bidding, in order to satisfy themselves as to their condition; Bonhams MPH will not entertain disputes over Sellers' Assessments.Key for sellers' assessments:1/5 POOR. A project vehicle | Requires urgent attention | Damaged | Parts missing2/5 AVERAGE. Useable condition | Requires some attention | Light damage3/5 GOOD. Drive away | Presents well | Good history file | Drives well4/5 VERY GOOD. Well restored | Running and driving with no noticeable faults | Sound throughout5/5 EXCELLENT. Concours condition | Beautifully presented | Driving very wellEXTERIOR TOTAL: 15/25Body Work: 3Paint:3Glass:3Chrome/Plastics/Trim:3Wheels/Tyres:3RUNNING GEAR TOTAL: 12/20Gearbox/Clutch:3Axles:3Suspension:3Brakes:3INTERIOR TOTAL:14/20Seats:4Dashboard/Door cards/Carpets:4Headlining:3Trim:3ELECTRICAL TOTAL: 6/10Main components:3Ancillary components:3ENGINE TOTAL: 14/20Starting:4Running:4Under Bonnet:3Mechanical components:3Car History File: 1For further information on this lot please visit Bonhams.com

A signed Crosby, Stills, Nash & Young So Far LP, with Joni Mitchell designed cover, Atlantic Records, 1974, signed by all three members in black ink to the front of cover

Rock / Pop - A collection of 15+ long play LP vinyl record albums of varying artists to include Status Quo Live (Stereo Vertigo 6641 580), The Beatles - Rubber Soul (Mono Parlophone PMC 1267), Steve Harley Cockney Rebel - The Best Years Of Our Lives (Stereo EMI EMC 3068), Crosby, Stills, Nash & Young - A Way Street (Atlantic 2657 004), Wizzard Brew (Stereo Harvest SHSP 4025), U.F.O - Space Metal (Stereo Nva 6.28 363-2), Jon Anderson - Olias Of Sunhillow (Stereo K50261), Whirlwinds - Deodato (MCA Records MCA-410), Ralph McTell - Spiral Staircase (Transatlantic TRA 177), Emerson Lake & Palmer (Island Records ILPS 9132), Ian Dury And The Blockheads - Greatest Hits (Stereo Stiff FA 3031), Santana - Moonflower (CBS 88272) and more. 

Rock / Pop / Blues / Soul etc - A selection of approx; 50 45rpm 7" vinyl singles of varying artists and genres to include Joe White - This Is My Time (BIG BG301), Sam Cooke - Farewell, My Darling (RCA 1817), The Rascals - Carry Me Back (Atlantic 584292), Peaches & Herb - Satisfy My Hunger (Direction S-58-4909), Bobbie Gentry - Ode To Billy Joe (Capitol CL15511), Lol - Naughty Nola (Columbia DB9009), Paul Rich - Fools Rush In (Embassy WB600), Dave Berry - Moving On Turn Around (CBS S 7780), Sam & Dave - Sleep good Tonight (Atlantic 584064), Royal Family - Tour De France (Jet Records JET 152), The Sugar Lumps - Sugar Sugar (JayBoy BOY16), Howlin' Wolf - Smokestack Lightnin' (PYE International 7N.25244), First Class - This Is It (All Platinum AP-2368), Love Affair - Let Me Know (CBS 3994), The Vanilla Fudge - You Keep Me Hanging On (Atlantic 584123), The Beatles - Twist And Shout P/S EP (Parlophone GEP8882), Fontella Bass - Rescue Me (Chess CRS8023), Anthony Newley - Strawberry Fair (Decca 11295), Andy Capp - Popatop (Treasure Isle TI-7052), Winston Samuels - Be Prepared (Ska Beat JB196), Pat Kelley - How Long Will It Take (Gas 115), High Roy And Tommy McCook - Behold (Treasure Isle TI-7062), King Crimson - Cat Food (Island WIP-6080) and many more. 

A small collection of material relating to the progressive rock band Yes, including two seven inch single records, sheet music and a tour programme, 'The Age of Atlantic featuring Iron Butterfly and Special Guests Yes'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Records: A small selection (20+) of soul 45's Atlantic, Stax etc incl. Redding, Patty Labelle, Booker T etc.

Records: Jazz - Charlie Mingus Workshop - Pithecanthropus Erectus album - Atlantic 1237 Mono 1956 sleeve/vinyls both super conditions - slight foxing back cover

Records: (3) Pink Floyd Obscured by clouds . Fleetwood Mac Rumours White Vinyl, Rod Stewart Atlantic Crossing orange vinyl all fine and collectable albums

The ex-David Shale, Tony Lanfranchi, Arthur Carter1955 Austin-Healey 100S Sports-Racing Two-SeaterRegistration no. EVV 106Chassis no. AHS 3509•One of only four UK-supplied examples•Extensive in-period competition history•Extensively documented from new•Part of the Arthur Carter Collection for 42 years•Present ownership since 2014Footnotes:'The prime motive of all our competition motoring was to generate publicity that would increase sales of the production model, the '100'... We were under pressure from distributors, particularly in America, to build specially prepared cars to meet demands from customers.' – Geoffrey Healey, The Healey Story. Thus was born the fabled 100S, one of the rarest and most highly sought after of all Austin-Healey sports cars. Donald Healey's stylish Austin-Healey 100 had caused a sensation when it debuted at the 1952 London Motor Show. Intended as a low-cost, high-performance, limited production sports car and aimed at the US market, which took almost 100% of production initially, the Austin-Healey 100 sourced its major components from the Austin Atlantic saloon. In fact, the car first appeared at Earls Court badged as a 'Healey Hundred' and was re-badged 'Austin-Healey' while still on its stand after Austin boss Leonard Lord bought the rights to the design. It was just as well that he did, for Healey would take over 3,000 orders during the Show yet his company had never made more than 200 cars in a single year!Lord had been happy to agree to supply Austin Atlantic components as the model had not been selling well in its intended market - the USA - and was scheduled for deletion. Low-revving and torquey, the Atlantic's 2,660cc four-cylinder engine produced an unremarkable 90bhp but when installed in the lighter and more streamlined Healey the result was a genuine 100mph-plus car capable of reaching 60mph in under 11 seconds. A three-speed gearbox equipped with overdrive on the top two ratios was an unusual feature of the original BN1, which was superseded by the short-lived, conventional four-speed BN2 for 1956. In 1953 a team of drivers including Donald Healey and George Eyston set a host of international and AMA speed records at Utah's Bonneville Salt Flats driving two Healey 100s. Highlights including a maximum speed of 143.626mph and 1,000 kilometres at an average of 127.00mph achieved by the tuned car and 24 hours at an average of 104.3mph set by the AMA-selected 'off-the-showroom-floor' example. A muscular sports car to delight the purist, the 100 was not bettered by its six-cylinder successors in terms of outright performance until the introduction of the Austin-Healey 3000 in 1959. The project that would culminate in the 100S model began in 1953 when the factory began preparing the Austin-Healey 100 for competition. Dunlop disc brakes were one of the first important upgrades, followed in 1954 by the adoption of a Weslake-designed, 'single-port', aluminium cylinder head. Instead of the three-speed overdrive gearbox of the standard production model, the 100S was fitted with the new C-series four-speed unit. Healey's body suppliers, Jensen, built the 100S bodies in aluminium, the slightly different frontal treatment with its smaller oval radiator intake having been arrived at during development. There was no weather equipment, merely a low Perspex windscreen, while another of the model's distinctive features was its seats with their vertically slotted backs. A 20-gallon fuel tank filled the boot. Weighing 2,960lb (891kg) and with a claimed 132bhp on tap from its tuned engine, the 100S was good for a top speed of around 130mph (210km/h). When a prototype driven by Lance Macklin and George Huntoon finished an excellent 3rd overall at the Sebring 12-Hour Race in March 1954, it seemed only logical that the competition version should be called the 100S. The new car was premiered at the London Motor Show in October 1954 with deliveries commencing in February '55. Austin-Healey's contemporary advertising made much of the recent successful speed record attempt at Bonneville, Utah where a prototype had run for 24 hours, averaging 132.2mph. Excluding prototypes and 'Special Test Cars' to 100S specification, only 55 production versions were made, all being completed during 1955 and all with right-hand drive, most of which were despatched new to the USA. At most only 38 are believed to survive today.During the 1950s the Austin-Healey 100S was most accessible, most appealing and in many cases the most successful club-racing car available to any aspiring racing driver. This particularly appealing, and highly successful in period, Austin-Healey 100S is a shining example of the type. It has an outstanding record as a club-racing contender over a seven-year period from 1955 to 1962. 'EVV 106' was distinguished almost from new by two distinctive features. Firstly – as required by first owner David Shale – the car was equipped with an Aston Martin gearbox during production. And within days of its delivery to David Shale in February 1955 he had its paintwork changed from the standard Old English White over Lobelia Blue to British Racing Green, a colour that it wears to this day. The car was first UK road registered on 2nd March 1955, and evidence of its early paint change survives in a photograph of the car taken at one of its maiden outings in Mr Shale's hands, at the British Empire Trophy meeting at Oulton Park in April 1955.From 1955 to the present day, 'EVV 106' has had only seven owners: David Shale (1955-57), Mike Kellett (1957-58), the future multiple British club-racing champion Tony Lanfranchi (1958-1960), and the last of its great club-racing owners Derek Buller-Sinfield (1961-62). The retired warhorse was then acquired by Norfolk farmer-cum-noted Austin-Healey collector Arthur Carter, in whose hands it was preserved and maintained for the following 42 years, before being acquired by the immediately preceding owner in 2004. Furthermore, 'EVV 106' is one of only four 100S models originally sold and raced in the UK home market, and has the distinction of being domiciled in the UK since new.David Shale drove the car in its club racing debut outing at Goodwood Motor Circuit on 26th March 1955, finishing 2nd, and on 30th May 1956 took a 3rd place at the short-lived Davidstow aerodrome circuit in Cornwall. After failing to finish in the higher-level British Empire Trophy race meeting in April, he recorded four fine race wins, the first at Aintree and subsequently three at Silverstone. Never averse to compiling many road miles on the way to (and from) club race meetings around the British mainland he also achieved 2nd-place finishes at Brands Hatch in Kent, Mallory Park in Leicestershire, Snetterton in Norfolk and Davidstow. He also added a 3rd place at Brands Hatch and two more at Silverstone to the car's growing list of club race laurels. David Shale finished the season as runner-up in the 1956 Autosport Championship.The car was then acquired by second owner Mike Kellett, in whose hands a 2nd place was achieved at Croft in September 1957 and a 3rd at Marston Moor, followed in 1958 by 2nd and 4th-place results at Full Sutton, the very fast Yorkshire aerodrome circuit. Overall, it was raced at least 18 times in his ownership and remained a competitive contender against newer opposition.Tony Lanfranchi, from Huddersfield, then acquired the car and learned much about his chosen sport in it before going on to become one of the most colourful characters of the British and international motor racing scene. In 'EVV 106' he won the 1959 Catterick hill-climb, and 3rd places in the Burton Sprint and at the Mallory Park circuit. Derek Buller-Sinfield continued the Healey's regular competition career into 1962, at which time it was acquired as one of the foun... For further information on this lot please visit Bonhams.com

Three albums of sets and part sets of cigarette cards including Ogden's - Smugglers and Smuggling; Ogden's - The Blue Riband of the Atlantic; Ogden's - Records of the World; Players - Celebrated Bridges and others etc.

JAZZ - LP COLLECTION. A smashing selection of around 94 jazz LPs. Artists/ titles include Art Blakey And The Jazz Messengers inc Olympia Concert (TFL5116), A Night At Bird Land Vol1 (BNS40007). Miles Davis - In A Silent Way, Richard Groove Holmes - Pacific Jazz Records, Keith Jarrett - The Koln Concert, The Jazz Couriers - In Concert, The Jazz Crusaders - The Young Rabbits, John Coltrane - The Atlantic Years Vol1, Memphis Slim - S/T, Lester Young - Vol.3, Mike Gibbs, Charlie Parker - The Best Of, Jimmy Smith Live - Root Down, Oliver Nelson - Nocturne, The Buddy Rich Big Band inc Big Swing Face, Singin New, Are You Ready For This. Rodney Jones - Articulation, A Hero Ain't Nothin But A Sandwich, David Paquette, Jazz In A Penthouse, Ben Webster, The Tenor Sax Album, Louis Armstrong. Condition is generally VG to Ex.

LED ZEPPELIN - THE 10 LEGENDARY SINGLES 7" (BOX SET). Here we have a superb 7" box set release of 10 singles by Led Zeppelin (1989 New Zealand release on Atlantic/ Swan Song. Titles include Good Times Bad Times, Living Loving Maid, Immigrant Song, Black Dog, Rock And Roll, Over The Hills And Far Away, The Crunge Trampled Under Foot, Royal Orleans, Fool In The Rain. All come in WEA company replica sleeves. Records are all superb Ex/ Ex+ condition. The box has some light creasing and a small tape mark at the top of the rear, VG+).

LED ZEPPELIN - LP PACK. A fantastic pack of 5 LPs by Led Zeppelin, includes UK original pressings. Titles include IV (2401012, UK plum/ red Atlantic label. A//3 PECKO DUCK/ B//4 PORKY matrix. Printed inner sleeve. The record is superb Ex/ the gatefold sleeve is also wonderful Ex), Physical Graffiti (SSK 89400, original UK pressing. A1/ B5/ C1/ D1 matrix. Printed inner sleeves. The records are both stunning Ex/ the sleeve with insert is Ex), Houses Of The Holy (K50014, UK pressing. A2/ B2 matrix. Printed inner sleeve. The record is stunning Ex/ the sleeve is also wonderful Ex), Presence (SSK 59402. UK pressing. A2/ B2 matrix. Printed inner. Record is Ex/ sleeve with embossed lettering is VG+) & S/T (588171, original UK pressing on plum/ red label. Side 1 is lovely VG+, side 2 has a feelable scratch on track 1, G. Laminated sleeve with a grey stripe along the bottom edge of the cover Ex).

Three Second World War Diaries belonging to a Royal Air Force casualty, the details of the owner are a little vague giving only name and rank but by cross referencing entries in the diaries with 'Commonwealth War Graves Commission' and marriage records we were able to ascertain that they belonged to Pilot Officer Eric Moore, of 59 Squadron, the diaries cover 14th - 29th January 1940, 5th December -  16th December 1940, and 3rd January - 30th January 1941, there must have been other diaries written by Eric Moore but these three give a fascinating insight into the feelings of an RAF Bomber crew member in the dark days after Dunkirk, the hand written detailed daily entries reveal his fears, hopes and aspirations for the future, obvious dedication to his wife, and reflections on how the war will develop, there are entries on raids on French ports (a long way from the 1000 bomber raids of the later years) detailing the routes out and back, anti aircraft fire and results, not always positive, relief at raids being cancelled, and frustration when, due to weather conditions, they can't make any at all, aircraft accidents, and deaths of friends and colleagues, he details his thoughts and regrets on the prospect of his own death in action, he describes everyday life in between operations, lectures, training, drinks in the mess, some riotous!, he mentions many other air crew by name and his interactions with them, critical of some, periods of leave with Elsie, his wife, visits to the local town, Emsworth, from R.A.F. Thorney Island where he was based, he is clearly very enthusiastic about cars and describes in detail his own experience buying and, unfortunately, repairing his own, the third diary, covering January, is where he is at his most reflective, possibly because the weather is so bad he is able to take part in only one raid,  the reading of the diaries is a poignant experience because 79752 Pilot Officer Eric Moore, Observer, Royal Air Force Volunteer Reserve was Killed in Action on the 22nd March 1941 with P/O Date (pilot) and Sgt. Watkins (Air Gunner), when his Bleheim IV Bomber aircraft, T2433, squadron code TR-X, was shot down off Katwijk by a Me109 Fighter of JG1 flown by Oberleutnant Paul Stolte, the beginning of each of the three diary's states that it should be given to his wife Elsie, gives the address where his last Will and Testament is held and that 'In it I leave everything that I possess to my wife', photos of Eric Moore can be seen on the number 59 Squadron website which also mentions his relationship with other aircrew which is detailed in the diaries, some entries are detailed below to give an indication of contents. Monday 14th October 1940: '..again detailed for L'Orient this evening, I don't feel half so jittery now when I hear such news, I think we had the worst we're likely to get on our last show..', 17/10/40: raid on Brest, describes take off, flight to target, weather condition, FLAK and bomb run, '..then, after a few seconds I let the two incendiaries off too. I was relieved to get rid of them and anxious to get out to sea..' , debrief in ops room, describes attack on 'enemy' destroyers earlier in the day by aircraft operating out of St Eval, '..the lads came back and found they had been attacking the British Navy!..', 20/10/40:description of drunken antics in Mess, '..throwing glasses, ash trays etc at the inoffensive wireless set at the end of the room..heaving arm chairs and tables in the centre of the room and executing a war dance around the pile with lamp shades on their heads..', 22/10/40: description of raid on L'Orient, '..sensation of impending disaster..' armourer hadn't plugged in the 'Mickey Mouse' (bomb release button) so bombs not released!, 24/10/40: '..also that the Coastal Command has done so well in smashing the invasion threat that we are to get ten days leave every 40 days in future..', 26/10/40: on standby for raid on Brest, Ops room for briefing, one aircraft has to drop out so required to take place, '..when Mac called through, 'I am landing, the air speed indicator is not registering, I gave a cheer and went and sat beside him for landing..', 27/10/40 raid on L'Orient, '..we came in at 4,500 feet for our attack. Running South over the town I caught a glimpse of the river which I recognised, had Mac turn 180 degrees and picking up a series of long roofs let go my stick of bombs. Beams promptly picked us up and evasive tactics prevented us seeing the results of our bombs..Mac twisted and turned making his manoeuvres more violent..he over shot the angle and and looking through the cabin roof I saw the searchlights pointed up at us, we were upside down!..I shall never understand how we failed to get hit..', 29/10/40: description of new bomb designed to set alight oil which had flowed onto water from tanks burst by Bomber Command, very crude and amateurish, deployed by hand!, 5/12/40 continued description of raid on L'Orient, disagreement with pilot over prospective factory targets, '..Mac replies 'We are sent to bomb L'Orient not a French factory making tits for babies milk bottles' quoth he..', thoughts on being killed in action, on return discovers that the 'Mickey Mouse' was unconnected to the circuit (again) so bombs still on board!, '..attended funeral of Heinman who crashed last Sunday morning..' description of funeral and grief of relatives, description of Dining in night in Officers Mess, 7/12/40: depression at thought of another week of flights, missing Elsie, description of aircraft from 53 Sqn crashing into trees on landing in poor weather, pilot, Weatherby, and Observer killed, 8/12/40: told by Flight Commander Ropy Palmer he is flying with him on raid as he is testing the Observers, Moore concerned he is under specific observation (correct), description of raid on L'Orient, gunner reports guns jammed and belly gun firing only single shots and front gun not working!, requests change of pilot and finds out he had already been complained about hence the 'test' by Palmer who declares his confidence in Moore, promises to see what he can do, 12/12/40: description of raid on Brest, heavy Flak, HMS Queen Elizabeth with destroyer screen leaves Portsmouth, no radio contact only signal lights to avoid discovery by enemy, 16/12/40: photo recce mission with Wing Commander to German aerodrome on Guernsey, spot two Dornier 18 Flying boats and a convoy of 5 ships, 4/1/41: '..a day full of tension and excitement..', description of scene at Thorney Island as Blenheims from 53 & 59 Squadrons are detailed to bomb a Hipper Class cruiser  (actually the Hipper herself) in a raid on Brest, Moore not detailed as on standby but describes excitement, apprehension, and in some, depression, at having to attack in daylight, describes damage to one of returned aircraft '..completely riddled yet none of the crew touched!..', 5/4/41: description of aircraft from 'A' and 'B' Flights 59 Sqn sent on another daylight raid on Brest, as given by colleagues, 10/12/40: description of loss of aircraft and crew when their TR91 radio packed up and they couldn't receive bearings to get back from a raid, believed to have crashed into Atlantic, '..another crew joined the limbo of those whose bones strew the floor of the sea bottom around these shores..', 16/1/41: 24 hrs leave with Elsie, '..hopes for our Junior were unfounded this time..have decided to wait until May before trying again. By that time the invasion attempt should be made &, I hope, frustrated. In effect, the war should be well on the way to victory for us by mid summer..', 17/1/41: description of attack on a German convoy by 6 aircraft of 59 Sqn, McCurdy's aircraft hit by a shell, '..he was damned lucky to get away with it..', 19/1/41: fed up with continuous grounding due to wet weather, criticism of some for 'wrong spirit', 21/1/40: walks into Emsworth and discovers church down side road, goes in and sits alone, very reflective, very sombre

The Rolling Stones: Three hand-coloured door signs used on tour,1978,each sign painted in gouache or coloured with felt-tip pen, all for different rooms backstage, these being Dressing Room, Make-Up Room and Tuning Room, now housed in plastic box frames, accompanied by a letter of provenance and three business cards from Art Collins, former Executive Vice President for Rolling Stones Records 1979 to 1986, 14in x 11in (35.5cm x 28cm) each, (3)Footnotes:Provenance:Art Collins started work at Atlantic Records in the promotion department in 1975 before joining Rolling Stones Records. According to the letter of provenance, these were acquired by Art Collins after the band's show in Denver, Colorado in 1978, most likely referring to the band's concert in Boulder at the Folsom Field Stadium on the 16th July 1978.For further information on this lot please visit Bonhams.com

Various records 33rpm, etc., Dexys Midnight Runners, Too-Rye-Ay, Hall and Oates, Private Eyes, Roxy Music 1973-1980, other popular music, The Beatles Red Album, Simon and Garfunkel, Greatest Hits, Billy Connolly, Atlantic Bridge, etc., with sleeves. (a quantity)

Four: Trooper D. E. R. Silcock, 13th/18th Royal Hussars, late Royal Navy 1939-45 Star; Atlantic Star; War Medal 1939-45; General Service 1918-62, 1 clasp, Malaya, G.VI.R. (22539714 Tpr. D. E. Silcock. 13/18 H.) good very fine, and believed to be the only member of the 13th/18th Royal Hussars to have been awarded the Atlantic Star (4) £200-£240 --- Dennis Ernest Reginals Silcock was born in New Denham, Buckinghamshire, on 19 September 1925 and joined the Royal Navy as a Ordinary Seaman on 29 March 1943, serving during the Second World War borne exclusively on the books of carious shore based establishments, including H.M.S. Copra, the Combined Operations Pay Records and Accounts shore base. He was shore released on 6 September 1946, and was discharged on 1 October 1950. He attested for the 13th/18th Hussars at Acton the following day and served with ‘C’ Squadron in Malaya from 14 February 1951 to 21 January 1954. He transferred to the Reserve on 2 October 1955, and was discharged on 1 October 1962, after 12 years’ service. Sold with the recipient’s original Parchment Certificate of Service in the Royal Navy; Gunnery History Sheet; and Regular Army Certificate of Service Red Book.

A signed Graham Nash and David Crosby LP, Atlantic Records, 1972, signed by both to the front cover in white pen

Records : Collection of 8 rock / prog Lp's inc YES, Southern Comfort (no emi), A. Cooper, Faust etc - inc original UK Atlantic red/plum Woodstock - conditions vg & better

60s GARAGE - 7" UK RARITIES. Absolutely blistering collection of 5 x monster original UK (pressing) 7". Titles are The Seeds - Can't Seem To Make You Mine (Vocalion V-N 9287 - very clean Ex condition with the playing surfaces Ex+, a very light edge warp that doesn't affect playback/clean og company sleeve), The Deviants - You've Got To Hold On (Stable Records STA 5601 - solid VG with some light surface marks, a very light edge warp that doesn't affect playback), (The) Shadows Of Knight - Gloria (Atlantic demo AT 4085 - VG+ with a few light surface marks, a very light edge warp that doesn't affect playback) and Bad Little Woman (Atlantic stock 584045 - VG with some surface marks/scuffs) and The Wheels - Gloria (DB 7682 - G+ with a number of surface marks/scuffs, centre missing).

LED ZEPPELIN - LP RARITIES. A wonderful pack of 3 studio LPs by Led Zeppelin. All original UK pressings. Titles include S/T (588 171, UK pressing on plum/ red Atlantic labels. A1/ B1 matrix. Record has some light paper surface marks, VG+/ laminated sleeve with grey strip along the front bottom edge is VG+), II (588198, UK press on plum/ red Atlantic label. A5/ B4 matrix. Record has light surface marks, VG/ sleeve some shelf wear and tape around the edges. VG) & Physical Graffiti (SSK 89400. Original UK pressing with printed inner sleeves and insert. A1/ B4/ C1/ D1 matrix. Records Ex/ sleeve is strong VG+).

ROCKABILLY/ROCK 'N' ROLL - CD COLLECTION. More quality R&R/Rockabilly CDs with 58 x albums with some hard to find box sets . Artists/titles include Carl Perkins - The Sun Era Outtakes (5 x CD set, BCD 17240), Stranger Than Fiction - Rockabilly RUles Again, Texas Tornados, In The Shadow Of Sun, It's A Saturday Night, Dirty Boogie (Fortune Records), Tell Me What'd I Say - The Atlantic Story, Hank Williams, Jimmy Edwards, Smiley Lewis, Robert Gordon, Jimmy Clanton, Jimmy Leggins, Johnny Bond, Johnny Horton, Dale Watson and Billy Riley. Please see image of the complete list. Many appear in excellent condition.

Great War & WW2 Naval Long Service Medal Group of Five HMS Cumberland, consists of British War medal “J69527 G. E. SLAUGHTER O.TEL R.N.”, Atlantic star, Defence medal, War medal 1939-45 (the 3 unnamed as issued), Royal Navy Long Service and Good Conduct Medal (GV, coinage head) “J69527 G. E. SLAUGHTER H.M.S. CUMBERLAND”. Also with Admiralty named condolence slip EDWARD GEORGE SLAUGHTER, confirming the issue of 3 medals. Also entitled to a Victory medal records indicate his medals were originally returned to the mint with duplicates being issued in December 1940. George Edward Slaughter was born in Enfield, London on 14 April 1900. He entered the Royal Navy as a Boy II in April 1917 and having been awarded his long service medal in July 1933 he continued to serve into the Second World war receiving his pension in April 1940. Eventually invalided out of the service in in February 1943 he died in October 1946 before his WW2 medals could be issued. Group in sold with a newspaper cutting and correspondence with Commonwealth War Graves Commission regarding the death and commemoration of Flying Officer Donald Jack Slaughter who was killed in action with 410 (R.C.A.F.) Squadron on 18/7/43 and is buried in the Dieppe Canadian War Cemetery, Hautot-sur-Mer, France.

30x 12" vinyl records of mainly 1960s/70s/80s mainstream rock and pop including: Strawbs; From the Witchwood. Buddy Holly 20 Golden Greats. Manfred Mann; Mann Made. Steve Miller Band; Fly Like An Angel. Rod Stewart; Atlantic Crossing. Dionne Warwick; Golden Hits (I & II), etc. Generally GC-VGC. £20-40

Vinyl - Northern Soul / Soul - 15 Soul singles on Atlantic Records, including, The Soul Clan (with picture sleeve), Billy Bland, Aretha Franklin, Arthur Conley, Rufus Thomas, King Curtis, Wilson Pickett, Joe Tex, Otis Redding, Eddie Floyd and others. Various years and conditions

Vinyl - The Allman Brothers Band 2 LP's to include At The Fillmore East (SD2-802) Capricorn Records on spine, Atlantic plum / orange labels, some dings to sleeve openings Ex/Ex and Eat A Peach (Capricorn Records ? K 67501) gatefold with loose insert Sleeve Ex, Vinyl Vg+

Vinyl - Two rare original Jazz records to include Ornette Coleman The Shape Of Jazz To Come (Atlantic UK Mono 587022) Vg+/Ex and John Coltrane My Favourite Things (1967 Italian pressing Atlantic ATL LP 09046) Vg+/Vg+ with one non-feelable mark on side B.

Registration No: DLW 654Chassis No: B191HMMOT: ExemptSupplied new to Miss Durand of London and more recently part of a large, private collection for three decadesThe subject of a chassis-up, bare metal, photographically documented restoration during the early 1990sStructurally very sound, cosmetically imperfect and in need of further mechanical recommissioning (c.£7,700 spent in 2019-20)Originally ordered by Jack Barclay Ltd of Mayfair for stock, chassis B191HM was supplied new to Miss Durand of Kensington & Chelsea. The work of esteemed firm Vanden Plas, its decidedly elegant, Pillarless Sports Saloon coachwork (body number 3503) cost some £395 alone. Intended for ‘town work and touring’, the Bentley was specified with a sunroof, Philco car radio, slightly angled gear and handbrake levers and louvres that extended from the bonnet into the scuttle. Miss Durand’s custodianship was comparatively fleeting but Jack Barclay Ltd certainly developed an affinity for the car re-selling it in 1938 and 1947 (copies of the showroom blurb on each occasion remain on file). Having bought ‘DLW 654’ when it was twenty months old, Ernest Thornton-Smith Esq. of Queen Anne’s Gate, SW1 (and later Soho Square) covered a substantial mileage during his nine-year tenure increasing the odometer reading from 15,000 to over 100,000 miles. Such extensive usage during World War Two whilst petrol was heavily rationed suggests that Mr Thornton-Smith either played an important role during the conflict or lent his car to the armed forces. Interestingly, he was a master of the Worshipful Company of Gardeners as well as a renowned antique dealer and interior designer (the Thornton-Smith Co operated on both sides of the Atlantic).Fitted with an exchange cylinder block in 1939, the Bentley had also been repainted from Steel Dust Metallic to Black (perhaps due to wartime duties?) by the time that J.B. Upton Esq of Rolston Hall, Yorkshire acquired it from Jack Barclay Ltd eight years later. Off the road for sometime (or possibly abroad), chassis B191HM was re-registered with the DVLA during 1979. Treated to a photographically documented, bare metal, chassis-up restoration in the early 1990s at a reputed cost of £60,000 by then owner Derek Saunders Esq of Blunham, the Pillarless Sports Saloon subsequently spent twenty-three years as part of a private collection. Stored indoors but with a haphazard cover for most of that time, its Garnet paintwork has suffered accordingly. Two accompanying MOT certificates dating back to the mid-1990s suggest that ‘DLW 654’ may have covered less than 1,000 miles since its restoration. Little used for decades, the car was treated to some £7,700 worth of recommissioning in 2019-2020 by Trevor Farrington of Knutsford which comprised: freeing up the braking system, refurbishing the ignition system and fitting a new battery, rejuvenating the fuel system including cleaning/sealing the tank and fitting a new fuel pump, replacing a broken valve spring and resetting all tappets, cleaning and machine polishing the bodywork and chrome-work, and greasing and checking the underside.The Bentley runs and drives with the engine reportedly showing good compression and the cylinder head appearing sound. However, the straight-six is not as smooth or quiet as it should be and would thus benefit from further attention. The front brakes are currently disconnected due to the brake shafts being seized. On the plus side, the wooden body frame seems particularly sound with the doors all opening and closing easily (a notorious weak point on Pillarless cars) and the interior trim remains highly presentable. A very worthwhile project which would doubtless still cut a dash in Mayfair traffic, this desirable Vanden-Plas bodied Derby Bentley is offered for sale with V5C Registration Document, RREC copy chassis records, restoration photos and sundry other paperwork.Footnote: For more information, please contact:Damian Jonesdamian.jones@handh.co.uk07855 493737

A collection of assorted 7" singles to include Joy Division - Love Will Tear Us Apart, Culture Club - Karma Chameleon, Foreigner - Waiting For a Girl Like You, Crusaders - Street Life, OMD - Enola Gay, Adam Ant - Goody Two Shoes, Dire Straits - Sultans of Swing and ExtendedancEPlay, Rush - The Spirit of Radio, Status Quo - Mystery Song, Keith Emerson - Honky Tonk Train Blues, Billy Squier - My Kinda Lover, Simple Minds - Don't You (Forget About Me), Ramones - Sheena is a Punk Rocker, Don Henley - Dirty Laundry, John Waite - Missing You, Grateful Dead - Let Me Sing Your Blues Away (Atlantic K 19301 4 prong centre), Thin Lizzy - Whisky in the Jar, Jimi Hendrix Experience - All Along the Watchtower (Reprise Records Back to Back Hits), Rods - Do Anything You Want to Do (Island Records 4 prong centre), Television - Marquee Moon, Sex Pistols - Pretty Vacant, Art Garfunkel - Bright Eyes, The Rolling Stones - Undercover of the Night and Fleetwood Mac - Rhiannon etc. (50)

Vinyl Records, VRG20Soul, Funk, Disco 12" Singles, approximately forty, including Shirley Jones, Aurra, Deon Estus, Anita Baker, Sharon Brown, Atlantic Star, Paul Johnson, Ottawan and others, various years and conditions

LED ZEPPELIN - LP PACK. A quality selection of 8 LPs by Led Zeppelin. Titles include Physical Graffiti (SSK 89400. A1/ B4/ C1/ D1 matrix. Records have some light surface marks, VG/ sleeve is VG+), S/T (588 171, Plum/ red Atlantic label. VG+/ VG+), II (588198, plum/ red Atlantic label. VG/ G+), IV (8122796577, reissue), Presence (SSK 59402), The Song Remains The Same (SSK89402), Coda (79.0051-1), Houses Of The Holy (K50014, A2/ B2). Condition is generally VG to Ex.

SOUL - COMPILATION LPs. Stirrin' collection of 25 x essential Soul comps. Artists/titles include A Christmas Gift For You From Philles Records (US yellow labels PHLP 4005 - lovely clean Ex condition record/Ex remarkably still in shrink, with some minor foxing), The Chiffons - Greatest Hits, Sam Cooke - The Man And His Music, The Motown Story (box set), Atlantic Soul Classics, Atlantic Soul Ballads, Labi Siffre, The Shirelles, The Blues Brothers, Bob Andy And Marcia Griffiths, Phil Spector Wall Of Sound series, Ray Charles and It's Christmas In Motown. Condition is generally VG to Ex+.

A collection of assorted 7" singles to include Joy Division - Love Will Tear Us Apart, Culture Club - Karma Chameleon, Foreigner - Waiting For a Girl Like You, Crusaders - Street Life, OMD - Enola Gay, Adam Ant - Goody Two Shoes, Dire Straits - Sultans of Swing and ExtendedancEPlay, Rush - The Spirit of Radio, Status Quo - Mystery Song, Keith Emerson - Honky Tonk Train Blues, Billy Squier - My Kinda Lover, Simple Minds - Don't You (Forget About Me), Ramones - Sheena is a Punk Rocker, Don Henley - Dirty Laundry, John Waite - Missing You, Grateful Dead - Let Me Sing Your Blues Away (Atlantic K 19301 4 prong centre), Thin Lizzy - Whisky in the Jar, Jimi Hendrix Experience - All Along the Watchtower (Reprise Records Back to Back Hits), Rods - Do Anything You Want to Do (Island Records 4 prong centre), Television - Marquee Moon, Sex Pistols - Pretty Vacant, Art Garfunkel - Bright Eyes, The Rolling Stones - Undercover of the Night and Fleetwood Mac - Rhiannon etc. (50)

1972 Jaguar E-Type SIII 5.3 V12 Manual CoupeMake: JaguarModel: E-Type Year: 1972Mileage: 0VIN: UD1S74017BWConfiguration: Right Hand DriveRegistration: JSL722L Transmission: manual Like so many Jaguar E-types, this V12 coupe headed over the Atlantic after it was built in 1972, to be sold as a new car in the United States. And, again like so many British sports cars, it eventually returned back to the UK, coming back to these shores in April 1996. One of the previous owners records in the paperwork that 'by that time, it was right-hand drive, manual, and finished in British Racing Green with Magnolia interior', having started life as a silver automatic with black interior. However, the date of the change to RHD and manual gearbox can't be confirmed from the paperwork. In 1998, it was stripped down and bodily restored, along with an engine rebuild, at which point the speedometer was zeroed. By its MoT of September 2001, it was recorded as having covered just 137 miles. In the paperwork file is the V5 and copies of previous V5s, a Jaguar Daimler Heritage Trust certificate - showing the car began life as a silver Series III automatic with black interior - and bills from the late 1990s onwards. These show the fitment of polyurethane front bushing during 2006, and another complete engine rebuild with new parts plus gearbox work in 2008 at a cost of close to £10,000 (at 6110 miles). There are also assorted pictures and MoTs dating back to 2001, along with sundry paperwork and a spare set of keys. Most useful to any new owner is a printed email from a previous owner detailing all the work done on the Jaguar from 1996 through to 2015, when the recorded mileage was 9940. The odometer currently reads 13,058. The E-type is in very good overall condition, with just some minor age-related wear to the cream leather interior, which would presumably have been re-done during the car's US days. PLEASE SEE BELOW FOR VIDEO PRODUCED 13TH AUGUST BY ACA OF THIS CAR.

A Great War D.S.M. awarded to Engine Room Artificer J. N. Reed, Royal Naval Reserve, for services aboard the destroyer Moresby when she and her sister ship Michael sank the German submarine U-110 in the North West Approaches on 15 March 1918 Distinguished Service Medal, G.V.R. (EA.1163. J. N. Reed, E.R.A. R.N.R. “Moresby” Atlantic. 15. Mch. 1918) nearly very fine £700-£900 --- D.S.M. London Gazette 14 September 1918: ‘For services in action with enemy submarines.’ James Nesbit Reed was born at Newcastle on Tyne on 18 December 1889. He enrolled in the R.N.R. as an Engine Room Artificer on 31 August 1914, and after service in Woolwich and Druid, was transferred, on 28 April 1916, to the newly built destroyer H.M.S. Moresby in which he was soon engaged at the Battle of Jutland on 31 May 1916. At Jutland, Moresby screened the First Battle Cruiser Squadron as one of twelve destroyers operating with the Thirteenth Destroyer Flotilla and was successful in sinking the German destroyer V. 4 by torpedo. Remaining in Moresby until the conclusion of the war, Reed was present in her on 15 March 1918, at the sinking of U-110, a type 93 U-boat which had among its list of 10 previous victims, the celebrated Q-Ship H.M.S. Penshurst. When found north-west of Malin Head by Moresby and another destroyer H.M.S. Michael, she had just torpedoed and sunk the 10,000 tonne British ocean liner Amazon and was promptly sent to the bottom by depth charges from the British destroyers with the loss of 39 men. All of Amazon’s passengers and 9 surviving crew members from U-110 were rescued by Moresby. Sold with copied service records and other research which confirm entitlement to 1914-15 Star trio and R.N.R. L.S. & G.C., this last awarded on 22 February 1930.

Music Poster - Collection of big name music posters to include Pink Floyd Modena Stadium 8/9 July 1988 Italian concert poster, Led Zeppelin Atlantic Records poster, reproduction, Morrissey, Joy Division Here Are The Young Men 1990s poster, Marc Bolan, Neil Young with Pearl Jam 28th June 1993 Stockholm concert poster, Neil Young Crazy Horse 8th June 2013 French concert poster, Black Sabbath 1971 Wagner graphics poster printed in Denmark, Morrissey Dagenham Dave single poster, Repro Fats Domino Municipal Auditorium car poster, Music Festival poster featuring Ozzy Osbourne & Rush. Condition and sizes vary

Vinyl - Seven vinyl LP's to include Fiends & Angels - Martha Velez (London Records HAK 8395), Dual Unity - Annette & Paul Bley (Freedom Records 2383 105), Sandy & Johnny - Sandy Denny and Johnny Silvo (Saga Records EROS 8041), Jackie - Jackie DeShannon (Atlantic Records ATC 9418), Which Way You Goin' Billy - The Poppy Family (Decca Records LK-R 5002), Francoise Hardy - Francoise Hardy (Pye Records NPL 18094), Come My Way - Marianne Faithfull (Decca Records LK4688), vinyl and sleeve condition overall VG.

Vinyl - Psych - 10 original US pressing Psych albums to include Strawberry Alarm Clock - Change (1971 US, Vocalion Records), Eden?s Children - Sure Looks Real (1968 US, ABC Records), Edward?s Hand - Edward?s Hand (1969 US, GRT Records - produced by George Martin), U.S. '69 - Yesteradys Folks 1969 US, Buddah Records, Pookah - Pookah (1969 US, United Artists Records), The Rainy Daze - That Acapulco Gold (1967 US, Uni Records,?Mono copy), The Magic Lanterns - Shame Shame (1969 US, Atlantic Records,?Demo Promo copy, Sagittarius - The Blue Marble (1969 US, Together Records), Gary Usher band + scarce insert,?Ars Nova -?Ars Nova (1968 US, Elektra Records) condition vg-ex

Vinyl - Psych - Seven UK Original late 1960?s early 1970?s Prog Rock albums to include Atlantic Bridge - Atlantic Bridge (1970 UK, Dawn Records),? Graham Bond - Bond In America (1971 UK, Philips Records), Emergency - Emergency (1971 UK, CBS Records), Quiver - Gone In The Morning 1972 UK, Warner Bros. Records, textured Gatefold sleeve, Stackridge -Stackridge (1971 UK, MCA Records, 1st??Dogbone? label), Gatefold sleeve, Byzantium - Byzantium (1972 UK, A&M Records, 1st Mustard label).Sleeve is only Fair, plus scarce poster vg+ condition, Therapy - Almanac (1976 UK, DJM Records). Sleeve is only fair, plus printed inner. condition overall is vg-ex unless stated

Vinyl - Psych / Rock / Garage - Four scarce African Pressing original albums to include Nazz - Nazz (1968 South African, Atlantic Records) Undocumented release vg+),? Freddie Mercury (Queen) & Montserrat Caballe - Barcelona (1988 Zimbabwen issue, CBS Records) vg/vg+, The Invaders - The Best Of The Invaders (1970 South African. Rave Records) South African Garage Beat band vg/vg+, The Love Generation - Groovy Summer (1967?Sou Africa. Imperial Records) vg/vg+

OTIS REDDING/ MARVIN GAYE - LPs. A smashing collection of 21 LPs by Otis Redding & Marvin Gaye. OR titles include At The Whisky-A-GoGo Los Angeles (588 148, plum/ red Atlantic label. Ex/ Ex), Love Man (228 025, Ex/ Ex), The Soul Album (587011, plum/ red Atlantic label. Ex/ VG+), Otis Blue (K40003), Tell The Truth (SD33-333), The Immortal (588 113) & The Great OR Sing's Soul Ballads (VOLT411). Margin Gaye titles include What's Going On (STML 11190, VG+/ VG+), Trouble Man (STML 11225, test pressing. The album is split across 2 single-sided LPs. Records are Ex/ sleeve Ex). And His Girls (TS293), Here My Dear (T364LP2), Let's Get It On (T329V1), I Want You, In Our Lifetime, Greatest Hits, Marvin & Tammi Terrell - Greatest Hits, Diana & Marvin, Motown Remembers, The Soulful Moods Of, Romantically Yours & Midnight Love. Condition is generally VG+ to Ex.

ATLANTIC RECORDS - UK 7" COLLECTION (60s/80s). Stirrin' collection of 56 UK 45s on Atlantic to include red label originals and later cuts/reissues. Artists/titles/cat. numbers include Sharon Tandy - Our Day Will Come (584137), Sam And Dave inc. Hold On I'm Comin' (584003) and You Don't Know Like I Know (584086), Otis Redding inc. My Girl (584092) and Champagne And Wine (584220), Aretha Franklin inc. I Say A Little Prayer, Think and (I Can't Get No) Satisfaction, Percy Sledge, Wilson Pickett inc. Mustang Sally and Land Of 1000 Dances, Eddie Floyd - Knock On Wood, Arthur Conley - Sweet Soul Music, The Drifters, Ben E King, Rufus Thomas, The Coasters, Carla Thomas, Joe Tex and Archie Bell & The Drells. Condition is generally VG to Ex+. With some dupes.

ATLANTIC RECORDS - CLASSIC SOUL/NORTHERN/FUNK 7" (60s/70s). Sweet collection of around 89 x essential 7" on Atlantic, this collection largely 60s/70s releases and of UK and US origin. Artists/cat. numbers include The Beginning Of The End (2091-097), Otis Leavill (2091-160), Otis Redding (584091), Rufus Thomas (584029), Ben E. King (AT 4018), Don Covay & The Goodtimers (AT 4056), Doris Troy (AT 4020), Joe Tex, The Drifters, Roberta Flack & Donny Hathaway, The Electric Express, Tyrone Davies, The Sweet Inspirations, Wilson Pickett, King Curtis, Little Sister, Clarence Carter, Brook Benton, , King Floyd, The Three Caps and Little Mac & The Boss Sounds.

SOUL - CLASSIC COMP LPs. Great selection of 19 x essential LP Soul comps. Titles include Motortown Revue In Paris (2016 3 x LP set, 0602547683212 - Mint and sealed), Hitsville USA (UK mono TML 11019 - Ex/Ex), A Collection Of 16 Tamla Motown Hits (TML 11001 - Ex/Ex), British Motown Chartbusters (STML 11055), This Is Sue! (IWP 3, x2), Atlantic Classics (AC 3 promo only), Soul Together (218005), Super Hits Volumes 1, 3 and 4, Philles Records Presents Today's Hits (PHLP 4004 - VG+/VG), Golden Motown Sound and Motown Memories. Condition is generally VG to Ex+.

3.5 Inch Gauge GNR Atlantic Live Steam Locomotive. Built to the LBSC 'Maisie' Design with 6 Wheel Tender. Comes with plans and 'Maisie' Book, albeit the plans are in poor condition. The loco has been exposed to a amateur hand who has repainted it poorly. Dimensions: L: 41 In (including tender). Model unchecked for completeness. Cab features fittings, however overall appears to be an unfinished project. Vendor advises it has been ran on air via a compressor, however leaked some air around the cab fittings.  BOILER HISTORY DISCLAIMER: No boiler history records included, catalogue description is for guidance only, Hanson's Auctioneers are not able to convey any guarantee as to the safety or present running condition.