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264227 Los(e)/Seite
Los 268
A late 19th century Japanese patinated bronze vaseOf squat ovoid form, decorated in the round with a crane amongst floral sprays; together with another small pair of Japanese vases. The former 9 cm high. (3) CONDITION REPORTS: Generally in good condition, some patination wear, some minor denting, general wear.
Los 1524
Set five framed Japanese woodblock prints each with character marks upper right, in matching wood frames, (33cm X 22cm approx, each average).Three by Hiroshige (1797 - 1858), including Original Fuji, Meguro, 1918 second edition print, a reprint from the Collection of Robert Muller. An original wood block by Hiroshige II (1926 - 1869) 'Low tide at Miyajima'. (small pin holes, significant rubbing and soiling in margin.Fifth is antique woodblock, artist unknow.
![Greer [Germaine]: The Boy, Thames & Hudson, London 2003, first edition, signed by the author; Shunga, Sex and Pleasure in](https://cdn.globalauctionplatform.com/3daf1c7f-cce3-4c68-8e34-a9e000a676e1/8c144477-036f-4dc6-b14e-a9ed010f8720/468x382.jpg)
Los 275
A rare antique Japanese Military Officer's Showa Katana Sword. Curved toshin blade, with brass tsuba and habaki, with a sharkskin bound handle and military officer's combat tassle. Tang unmarked. Within it's original leather covered wooden scabbard. Slight AF - small 1.5cm of edge wear to blade, pin missing to hilt). Measures approx; 93cm long. Rare.
Los 1188
JAPANESE FINELY POTTED SMALL DISH, decorated in underglaze blue with brown painted rim, the well and cavetto are painted in the Chinese transitional style, with a scene of two scholars in a garden, burning incense in a tripod censer on a tripod table, 10.4cm wide, the mark is Dohachi, likely Takahashi Dohachi V (1869-1914)
Los 60
COLLINSON & LOCK, LONDONPAIR OF AESTHETIC MOVEMENT EBONISED SIDE CHAIRS, CIRCA 1880 each with turned reeded uprights enclosing a spindle splat above a turned roundel, with circular seats re-upholstered in Japanese gold and purple flowerhead fabric, raised on corresponding turned reeded legs and stretchers, stamped/impressed 5233 (2)41cm wide, 84cm high, 42cm deepNote: After working under the guidance of cabinet-makers Jackson and Graham, F. G. Collinson and G. J. Lock established their own firm in the 1860s and were renowned for producing Aesthetic and Art Nouveau furniture. From the outset, the pair hired some of the best designers and craftsmen in the country, including J. Moyr-Smith, A. H. Mackmurdo, E. W. Godwin, H. W. Batley and Stephen Webb. The quality of the furniture produced distinguished them from rival competitors and the firm is perhaps best known for their use of fine quality materials, intricate inlays and marquetry work. In 1897, the company was eventually taken over by Gillows.
Los 55
THOMAS JECKYLL (1827–1881) FOR BARNARD, BISHOP & BARNARDAESTHETIC MOVEMENT FIRE SURROUND, CIRCA 1880 the cast iron surround with Japanese motifs, enclosed by associated fireplace in stained hardwood set with tiles by William Godwin of Lugwardine149cm wide, 92.5cm high, interior measurement 76cm wide, 92.5cm high
Los 54
THOMAS JECKYLL (1827-1881)AESTHETIC MOVEMENT WALNUT OVERMANTEL, CIRCA 1875 the bevelled mirrors flanked by columns and carved stained panels in the Japanese style, the side sections with small protruding shelves79cm high, 180.5cm wideProvenance: Alexander Constantine Ionides, 1 Holland Park, LondonThence by descent to Mrs P. HotchkissThomas StaintonCharles and Lavinia Handley-Read Private CollectionLiterature: The Studio Magazine of Decorative Art, 1898, volume 12, pp. 102-112 Note: This overmantel formed part of Jeckyll's Holland Park commission and other pieces from this interior can now be found in the Victoria and Albert Museum in London. Another of Jeckyll's major commissions was the dining room at Frederick Leyland's house in Prince's Gate, made famous by James McNeil Whistler's 'Peacock' panelled decoration.
Los 71
EDWARD WILLIAM GODWIN (1833–1886) FOR WILLIAM WATTAESTHETIC MOVEMENT EBONISED DRAWING ROOM CABINET, CIRCA 1880 the stepped mirrored superstructure with spindle gallery crestings, decorated with painted 'leather' paper panels above an arrangement of open shelves, the base with moulded top and single drawer bearing characteristic brass ring handles, above further arrangement of mirrored open shelves enclosing a glazed cupboard155.5cm wide, 206.5cm high, 54cm deepLiterature: Reeves, Paul 'The Anglo-Japanese Buffet by E. W. Godwin, Variations on and Developments of a Design' Decorative Art Society, Journal 18, 1994, p. 39Note: This fine cabinet includes several of the design features which can be used to identify the work of E. W. Godwin. The sparseness of the design, to which his followers and imitators seldom managed to restrict themselves, is evident here and the interplay between horizontal and vertical planes echo his earlier designs in the Anglo-Japanese idiom.Japanese or Japonesque 'leather paper' is frequently used on his furniture, although its use is not exclusive to him. His preference for circular mirrors is again evident on this cabinet, as is the design for the finials and, of course, the trademark ring handles and backplates with keyhole piercings, taken from the antique. In ''The Anglo-Japanese Buffet by E. W. Godwin, Variations on and Developments of a Design' Decorative Art Society, Journal 18, 1994, Paul Reeves comments that he has only ever seen handles such as these on Godwin/ Watt pieces and dates this particular cabinet to the latter part of his career, circa 1880, following the publication of William Watt's seminal 'Art Furniture' catalogue published by BT Batsford in 1877.
Los 77
EDWARD WILLIAM GODWIN (1833-1886) FOR WILLIAM WATTEBONISED SIDE CHAIR, CIRCA 1880 with turned uprights above a rectangular close-nailed Japanese silk panel and cane woven seat, on turned legs linked by stretchers44cm wide, 100cm high, 44cm deepLiterature: Soros, Susan 'The Secular Furniture of E.W. Godwin', Yale University Press, 1999, p. 94 no. 114; p.104 no. 125Provenance: Collection of Roderick Gradidge. Roderick Gradidge AA Dipl. ARIBA was a prominent British architect and writer on architecture, former Master of the Art Workers Guild and campaigner for a traditional architecture.Note: This chair is one of the many variants produced by William Watt after the original dining chair designed for Dromore Castle, Ireland in 1869.They were made in oak or with an ebonised finish as with this example. The model was still in production in 1877 when it appeared in Watt's catalogue as a chair suitable for the library and prices at £4.4s.0d.
Los 156
HOLLAND & SONSAESTHETIC MOVEMENT OAK AND ELM HALLSTAND, CIRCA 1880 the rectangular panelled back mounted with hat pegs, with asymmetrical mirrored plate surrounded by Japanese panels, the whole fitted with a glove box and single drawer stamped HOLLAND & SONS, above two pull-down panelled doors surmounted by a leather upholstered seat123cm wide, 183cm high, 46cm deep
Los 75
ATTRIBUTED TO EDWARD WILLIAM GODWIN (1833-1886) FOR WILLIAM WATTANGLO-JAPANESE EBONISED OCCASIONAL TABLE, CIRCA 1875 inlaid with satinwood panels, the square moulded top above two drawers and a lower tier with fretwork brackets and two further drawers, the sides with corresponding inlaid panels, the whole raised on incised and ring-turned tapered legs53.5cm squared, 73cm highLiterature: Soros, Susan Weber 'The Secular Furniture of E. W. Godwin' Yale University Press, 1999, p.203, pl. 325 where this table is illustrated.Provenance: Phillips, Edinburgh Sale of the Contents of The Fine Art Society, Edinburgh, 26th May 1992, lot 392Note: The tapered legs, latticed middle supports and U-shaped handles all conform to Godwin's work of the mid-1870's as do the drawer arrangements, a characteristic feature. Soros also asserts that the high elevation of the lower drawer is 'in keeping with Godwin's desire to keep the floor accessible for cleaning.
Los 104
CHRISTOPHER DRESSER (1834-1904)AESTHETIC MOVEMENT OAK TWO-DOOR WARDROBE, CIRCA 1880 the castellated cornice above twin doors each with chevron tongue and groove panels, and four further panels carved in relief with stylised foliage, enclosed to the angles with turned and incised uprights, and enclosing a hanging space141cm wide, 213cm high, 59cm deepLiterature: Furniture Gazette, 1880Agius, Pauline 'British Furniture 1880-1915', Antique Collector's Club, 1978, p. 32, plate 20.Note: Although much of Dresser's furniture could be described as 'Anglo-Japanese' his work also reflected influences from Early English furniture and from Egyptian, Islamic and Greek sources as well as honesty of construction, angularity and simplicity. Dresser was editor of the Furniture Gazette from 1880-81 when the design of the present lot appeared within its pages.
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264227 Los(e)/Seite