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264224 Los(e)/Seite
![° ° Chagall, Marc - Chagall Lithographie, [catalogue raisonne], 5 vols, number 326 of 1000, folio, white pebble-grained faux](https://cdn.globalauctionplatform.com/6b53f1c8-0d82-485a-a1fd-af2000f20466/e8f0f740-4b83-4955-a2f4-af2000f5180f/468x382.jpg)
Los 12
° ° Chagall, Marc - Chagall Lithographie, [catalogue raisonne], 5 vols, number 326 of 1000, folio, white pebble-grained faux leather, Japanese edition, text in Japanese and French, Publishers 2000 Inc, Tokyo, 1978, in slip cases, with original outer packaging.**CONDITION REPORT**PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 11
Fieldings Crown Devon jug, the pattern with gazelle under a tree, 19.5cm; a Doulton Lambeth stoneware vase, the neck tubelined with trailing flowers, 19.5cm; a Crown Staffordshire Art Deco coffee can and saucer, and other decorative ceramics including Japanese Fukagawa Seiji sake bottles and cups.
Los 286
1930s Japanese propaganda map of East Asia and the Pacific, published 1934/35, detailing the Japanese Pacific strategy showing troop numbers, aircraft numbers, American convoy and patrol routes, with insets of Manchuria, Hawaii pre-Pearl Harbour, San Fransisco, Vladivostock, and the Panama Canal, 79x108cm.Condition report:It is in a fairly modern frame - we've not taken it out to inspect but there are evident issues. Previously folded into 16ths. All over heavy foxing and spot discolouration. Evident losses to the paper particularly on the crease lines with obvious losses to the centre, patches of tears and losses to the Pacific below the Californian coast, losses below mainland Japan, losses along the crease line just above the insets, and smaller spot losses elsewhere. Some wear and losses to the margins. It has been backed against what looks to be a blue card which is a close colour match to the ocean, so where there are losses you see a similar blue through the holes.
Los 44
Eighteen Japanese military sake cups, to include 3rd Regt Imperial Guard (Mr Ishizu); a 4th Regt Imperial Guard; a 4th Air Squadron; Imperial Navy (Mr Sato); 56th Naval Combat Engineers; 1st Cavalry Regt (Mr Chiba); 28th Cavalry Regt; unidentified cavalry regt; Medical Corps (Honorable Discharge); two other Medical Corps; 35th Military Police "Sgt" (Mr Iwasaki); 10th Regt Transport Corps (Mr Tahara); 10th Regiment Transport; unidentified Loyalty to the Emperor; three other unidentified sake cups, all ranging in size from 9.5cm to 5.25cm; and a case for sake cups.Qty: 19
Los 48
Twenty Japanese military sake cups, to include 9th Engineers (China incident); 40th Infantry (China incident); five other China incident; Artillery Regt (Mr Onishi Saizo); Manchuria Victorious Return; Manchuria Railroad Defence Unit, gilded interior; two others with gilded interiors; and eight unidentified sake cups; all ranging from 5cm to 9cm.Qty: 20
Los 53
Small quantity of assorted Western and Eastern china, including a Chinese blue and white vase and cover, painted with warriors in a mountain landscape, 33cm; a Japanese ginger jar and cover, Fukagawa Seiji mark (old damages), 15cm; a Dresden porcelain cabinet cup and saucer with figural panels; Coalport saucer, retailed by Stonier & Co, Liverpool; etc.Qty: 1 boxCondition report:Dresden cuo and sauser - one foot has been restored, no other cracks to the two, but both are quite rubbed on the edges, both illustrations are good. Ginger Jar - significant damages, and have been rebuilt from many fractures. Blue white vase - has no marks to the base, and has two hairline crack to the neck and rim. Small blue white jug - rubbed to the base rim otherwsie no cracks or chips, it quite dusty. The large jug is not part of this lot, it is lot 8,
Los 9
Modern Chinese porcelain twin-handled vase, blue and white decoration, 24cm; a Japanese porcelain vase, brick-red ground with firebird/ phoenix in blue and white with gilt detailing, signed, 15cm; and pair of cloisonne vases on hardwood stands, 17cm.Qty: 4Condition report:There is some damage to the cloisonne vases. Their stands are quite rubbed. The other items are in very good condition. Please see additional uploaded images.
Los 3306
Dalí, Salvador. Japanese Fairy Tales. 10 kolorierte und pochoirkolorierte Original-Kaltnadelradierungen, alle Tafeln signiert. Plattengrößen ca. 48 x 39 cm. Blattgrößen ca. 65 x 50 cm. 1976.Field 109, 76-1. - Die vollständige Folge der zehn Tafeln, die Salvador Dalí (1904-1989) im Jahre 1976 zu japanischen Märchen schuf und die in 300 Exemplaren erschien. Jede Tafel ist von Dalí signiert, hier ohne Nummerierung. Zu Dalís technischen Eskapaden und die Problematik seiner Signatur siehe die Anmerkung von Los 3305. - Teils geringer Farbabklatsch, teils kleine Farbfleckchen im Rand, nur wenige Flecken in der Darstellung, wenige auf den breiten weißen Rändern, lediglich eine Tafel etwas stärker gebräunt bzw. sprenkelbraunfleckig, die unbeschnittenen Lagen teils leicht wellig oder mit meist nur unwesentlichen Knickspuren, bemerkenswert breitrandig und unbeschnitten, kaum größere Gebrauchsspuren.
Los 781
NOT SUITABLE FOR EXPORTHyper-realistic in curved naturalistic form, the skin half-peeled towards the brown stalk revealing the textured flesh, painted and stained pale greenish-yellow with dark brown accents16,3cm longcf. Bonhams, Fine Japanese Art, New Bond Street, London, 11 May 2017, Lot 351
Los 1172
In the shape of various traditional Japanese objects. K. Uyeda (Kichigoro Uyeda) are probably the oldest established Japanese silversmiths still in business. Founded in 1884 as a souvenir shop for foreign tourists, it is still in operation. In 1923, the Uyeda store opened in the recently built Imperial Hotel in Tokyo, designed by the famous American architect Frank Lloyd Wright. Among Uyeda's clients were many famous people: American baseball players Babe Ruth and Joe DiMaggio, actress Marilyn Monroe, diplomat Henry Kissinger and his wife. Japan, Tokyo, Kichigoro Uyeda, early 20th century, hallmarks: sterling, maker's mark. 36 grams, 925/1000. Dim. H 3 cm.
Los 1638
Rectangular model with Niëllo decoration depicting an Asian elephant and two Thai temple guards. Works by means of a click closure and the inside is equipped with a cigarette holder. This pencil case is made in Siam, which is now called Thailand. Until 1939 this was called Siam. After the Second World War and at the same time as the end of the Japanese occupation, the name Siam was used again from 1946 to 1949. Thailand, early 20th century, hallmarks: made in Siam, sterling 925, ZI - light signs of wear and dents. 120 grams, 925/1000. Dim. L 8.8 cm, W 10 cm.
Los 2
Samurai suit of armor from the Edo Period, Japan, XVIII century.Steel mesh, leather, cloth and lacquered.It consists of helmet, mask, breastplate, shoulder pads, sleeves, thigh pads, shin guards and stirrups.It comes with its original storage box in polychrome wood.It has slight flaws. Wear and tear due to use and passage of time.Measures: 140 x 60 x 50 cm (mounted armor); 54 x 40 x 42 cm (box).The Japanese armor, regardless of its evolution over time, always tried to combine protection with mobility, so that the warrior had an acceptable freedom of movement. For this reason, the "gushoku-shi", the master craftsmen of this art, always sought materials that would allow this balance, such as metal and leather.The armor we now present consists of a kabuto or helmet from which hangs a shikoro neck protector. The somen (mask that covered the entire face) is polychromed in black. It was intended as a facial armor designed in such a way that the heavy helmet could be tied and secured to it by several metal stakes. The breastplate, sleeves (kote) and thigh pads (haidate) combine earth-colored cloth, leather and steel. It is also accompanied by shin guards and stirrups.The samurai's interest in distinguished armor arose in the Edo period, a period considered peaceful, also known as the Era of Uninterrupted Peace (1603-1868). In this period, the absence of warlike conflicts led to less activity on the part of the samurai who, however, had to attend the court of the Shogun or commander of the army to render accounts on a regular basis. The catwalk or parade that they had to walk until they reached the commander gave rise to a desire to exhibit the samurai's armor as authentic works of art. Thus, the armor became a showcase for the arts of many craftsmen (embroiderers, blacksmiths, weavers, etc).At the end of the Heian period (794-1185), the first full armor as we know it today began to appear, constructed from iron plates joined with strips of leather and silk cords, which again allowed for increased mobility and lightness. In fact, the manufacture of armor became so complicated that by the 19th century it was considered an independent art, the "odoshi-gei". Thus, in the eighteenth and nineteenth centuries the armor will include numerous variations designed to reflect the clan and rank to which the warrior who wore it belonged. Special mention should be made of the colors, not only because of their association with certain families, but also because of their symbolic content. In fact, the color white corresponds in Japanese culture to mourning, and if it appeared on a suit of armor it represented the conviction of leaving one's life in battle. This progressive complication generated, however, an important controversy, since the complexity of the silk and leather weaves made it easy for enemy weapons and projectiles to get caught in them during battle, and their nooks and crannies could harbor mold and parasites.
Los 29
Pair of Foo "sang de boeuf" dogs, Qing dynasty. China, 19th century.Hand-polychromed porcelain.Red export wax seals on the back.Measures: 29 x 11 x 25 cm .Wear and tear. This lot can be seen in the SetdartBarcelona Gallery located in C/Aragón, 346.Pair of Foo "sang de boeuf" dogs, Qing dynasty. China, 19th century. In hand painted porcelain. These pieces were made in China for the foreign market (export to other countries). This is confirmed by the sealing wax seals on the back.Sang de boeuf enamel, a deep red ceramic glaze, first appeared on Chinese porcelain in the early 18th century. The name means "ox's blood". Sang de boeuf is a flamed and glazed glaze, marked by unpredictable but highly decorative and varied effects.The foo dog, similar to a lion, is an important symbol in Chinese Taoist culture and, through its influence, also in Japanese and Thai culture. It is identified with protection against evil spirits, and hence they are often depicted in pairs at the entrance of temples, imperial tombs, palaces, government buildings, etc. They are also known as Imperial Guardians, and were very common in traditional Chinese art. They are attributed with mythical powers of protection, and appear as early as the Han Dynasty (206 BC - 220 AD) at the entrance of important buildings.
Los 9
Two Foo dogs, Qing dynasty. China, 18th century.Carved, polychromed and gilded wood.Some flaws and flaws in wood and polychromy.Measurements: 27 x 20 x 30 cm (largest).Two of Foo dogs, from the Qing dynasty, China, 18th century, carved, polychromed and gilded wood.The foo dog, similar to a lion, is an important symbol in Chinese Taoist culture and, through its influence, also in Japanese and Thai culture. It is identified with protection against evil spirits, and hence they are often depicted in pairs at the entrance of temples, imperial tombs, palaces, government buildings, etc. They are also known as Imperial Guardians, and were very common in traditional Chinese art. They are attributed with mythical powers of protection, and appear as early as the Han Dynasty (206 BC - 220 AD) at the entrance of important buildings. Today, foo dogs are still used as decoration and symbolic elements at the entrance of all kinds of buildings, from hotels to supermarkets. In fact, they can be found both in China and in other countries with a Chinese emigrant population.
Los 1083
A collection of early 20th century Meji era circa. 1900's Japanese hand coloured topographical and destination postcards. The collection to include locations Nagasaki, Tokyo, Mount Fuji, Nikkpo, Nijiubashi, Kamakura, Kyoto, Yokohama, Vokohama, The Garden of Kamata, Okayama, Funazu, Itsukushima, Enoshima and more. All held within an early 20th centuiry Shibayama album having bone abalone and mother of pearl set cockerels to front upon ebonised wood cover. The interior of the postcard album having paint painted scenes to include pagodas, landscapes and cherry blossom trees. Measures 36cm x 28cm.
Los 480
FOUR BOXES OF ASSORTED CERAMICS AND GLASS ETC, to include a Royal Crown Devon vase with Charlotte Rhead style decoration, Argyle China tea wares, Japanese six place tea set, Woods Ware Oliva tea wares, Royal Barum Ware pin tray, two Royal Worcester pin trays, Italian Empoli glass bottles, glass bud vases etc
Los 487
CERAMICS & GLASS, two boxes containing a collection of glass crystal decanters, wine glasses and goblets, Grafton China saucers, Japanese inspired tea cups, one partial Adderley bone china tea set, one partial Royal Kent bone china tea set, one brass matchbox and mirror and a circular barometer (no glass)
Los 545
A LATE NINETEENTH/EARLY TWENTIETH CENTURY JAPANESE SATSUMA BOWL, painted with a basket of flowers, a tea pot and a butterfly within a gilt border, diameter 12.5cm x height 4.5cm, four character marks to base (chip to rim, crazing, slight staining), together with a bisque porcelain figure group, marked 'th R' to base, height 29cm, and a Solgor ladies watch (sd, untested) (3) (Condition report: bowl and watch as stated, otherwise good condition, figure group appears in good condition, dusty)
Los 558
TWO BOXES OF CERAMICS AND COLLECTABLE VINTAGE TINS, to include a JHW & Sons Ltd 'Falcon Ware' wash bowl and jug hand painted in yellow and white with purple pansies, sixteen vintage tins, two Denby mugs 'Saint Paul's' and 'The Tower', a Myott blue and white covered sugar bowl, a boxed child's 'A.L' doll's- bed needlework kit, a small trinket dish made from horn in the form of a duck, an Art Deco brown teapot by T-Flo (slightly crazed), a Royal Worcester egg coddler, a Wedgwood & Co blue and white 'Willow' pattern jug, a Crown Royal tea set, a matching pair of Japanese hand painted vases, height 10cm, a pink Murano style swan figure, a Tutbury Crystal swan, an iridescent Heron glass swan, a clear glass vanity set, a Wedgwood 'Santa Carla' pattern tea plate, a Beswick 'Frolic' pattern pin dish, three vintage sherry glasses with twisted amber stems, etc (s.d) (2 boxes + loose)
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264224 Los(e)/Seite