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264224 Los(e)/Seite
Los 1448
LLADRO; four figures comprising a Japanese lady flower-arranging (af), a dancer (af), a yawning boy and a swan and cygnet group, also three figures comprising a geisha seated in tree bower, height 30cm, a girl holding a turkey (af), and a dancing pair of clown and ballerina (af) and also including two models of swans, (one af), a further swan and a small dog, also a Nao group of three swans (12).Additional InformationFlower arrangement figure with numerous losses to foliage, fan now separate, the dancing figure with numerous breakages to both of her hands, further light wear, dust and dirt.
Los 1457
ROYAL COPENHAGEN; a figure of an imp seated on a column, number 456, height 21cm, a Royal Copenhagen model of a puppy chewing a shoe, a 19th century Wedgwood black basalt ware ewer, a Japanese Imari bowl, Victorian fairings, a pair of Continental figures with crinoline dresses, an Augustus Rex teacup and saucer, etc.Additional InformationThere are too many items to give an accurate condition report on each item in the lot, to mention a few, the Royal Copenhagen imp has a chip to his ear, the Wedgwood ewer has a break running across the handle, the Royal Copenhagen dog is good, the Rex teacup and saucer is good, minor losses to the dress on the figures. SUGAR BOX: body is cracked.
Los 1515
A late 19th century Japanese floral decorated Imari charger, diameter 41cm. Additional InformationRubbing to the gilding and some surface scratches. It has metal frame on it which has caused a little bit of fritting. There are two hairline cracks running from the rim. Both are very fine and run for no more than 4cm.
Los 1527
A Chinese cloisonné dragon bowl of circular form, the outer rim of the bowl decorated with ruyi symbols and a central dragon, diameter 25cm, on ebonised carved stand, a Chinese Famille Verte crackle glazed vase decorated with figures and floral sprays, a Japanese Satsuma vase with impressed signature, etc (5). Additional InformationThe wooden stand on the bowl with white cracking, the satsuma vase with an old repair chip and a crack to the rim, wear to the gilding, the satsuma plate has wear to the decoration, the Canton plate with crazing, the crackle glazed vase with chipping to the underside of the rim.
Los 1531
A 19th century Japanese Imari circular wall charger with scalloped edge, decorated in panels with exotic birds, flowers and landscape scenes, diameter 47cm, and an early to mid-20th century Japanese Imari wall charger (2).Additional InformationLight wear, minor scuffs/glaze losses to the edges but good condition.
Los 1535
A pair of Japanese bronze vases decorated with dragons chasing the Pearl of Wisdom, height 17.5cm, with a Japanese Imari boat shaped dish, length 25cm (3). Additional InformationOne bronze vase with a knock to the rim, and a smaller knock to the base. The other vase has had the base section re-glued into position and this is rather messy to the underside, there are also some knocks to the base. Both with general age wear patina and rubbing. The boat shaped dish with a chip to the bow, and general age wear rubbing.
Los 1545
A Japanese carved root wood figural table lamp representing a hunter beside a dragon, height including fitment 54cm, another root wood figural table lamp of an elder fisherman, height 43cm, a Chinese crackle glazed vase converted to a table lamp and a Continental porcelain double gourd shaped table lamp, decorated with figures in landscape scene and floral sprays (4).
Los 1554
A large Japanese Satsuma koro and cover, with Dogs of Fo moulded handles and body decorated with bird amongst branches, height 43cm (af).Additional InformationMissing the finial. One of the Dogs of Fo has been broken off and reglued to the side handle and there are two sections around the base where something has been applied which has now been removed. Rubbing to the gilding and a few small chips in parts.
Los 159
A group of four Japanese Meiji period Kozuka bronze handles, three with gilt heightened decoration and presented in a two tier tray, length approx. 9.5cm. Provenance: private collection, North Yorkshire. Additional InformationThe example with the cray fish has 8mm split to one side. general surface scratches and rubbing to the gilding throughout, a few small dents.
Los 2290
A Japanese Art Deco style carved, painted and lacquered four fold room screen, decorated with birds, height 178cm, length 164cm. Additional InformationGeneral light scuffs and marks here and there consistent with age and use. The painted detail may not be original. Some areas of the paint have been repaired but overall appearance OK.
Los 208
Seven: Commander G. P. Packard, Royal Navy, who was captured and taken Prisoner of War by the Japanese in the Indian Ocean on 12 July 1943 British War and Victory Medals (Mid. G. P. Packard. R.N.); Naval General Service 1915-62, 1 clasp, Palestine 1936-1939 (Lt. Cdr. G. P. Packard. R.N.); 1939-45 Star; Pacific Star; War Medal 1939-45, the Second War awards with Admiralty enclosure, in named card box of issued addressed to ‘Cdr. G. P. Packard, R.N., “The Gables”, Bramford, Ipswich, Suffolk’; Coronation 1937, unnamed as issued, the BWM, VM, and C37 mounted as worn, the rest loose, the mounted medals good very fine, the loose medals extremely fine (7) £400-£500 --- Geoffrey Percival Packard was born on 8 June 1901, and entered the Royal Navy on 15 January 1915, serving as a Midshipman in H.M.S. Royal Oak from 26 September 1917 to 1 June 1919. He was commissioned Sub-Lieutenant on 15 May 1921, and was advanced Lieutenant on 15 August 1922, and Lieutenant-Commander on 15 August 1930. He served during the Second World War and was captured and taken Prisoner of War in the Indian Ocean on 12 July 1943, being held at Zentsuji Camp, Shikoku, Japan. Sold with copied research.
Los 639
Copy Medals (25): Allied Victory Medal (21), Czechoslovakian issue (3); French issue (6); unofficial French issue (4), ‘Charles’ type (2); ‘Pautot-Mattei’ type (2); Japanese issue (3); Romanian issue (3); United States of America issue (2), with a selection of various clasps; together with three unofficial French medals for combatants of the Somme; and a French Croix de Guerre, the reverse dated 1939-1940, the majority poor-quality castings, therefore generally fine as produced (25) £50-£70
Los 79
A Second War 1945 ‘Burma Operations’ M.M. group of six awarded to Gunner H. G. Simpson, 9th Field Reigment, Royal Artillery, for repeated gallantry in the face of artillery shelling and sniper fire whilst employed at artillery observation posts - one of which being a church spire, which he occupied during the heavy fighting around the Japanese bunker positions at Nabet in February 1945. Subsequently, on two separate occasions, he went out into open group to rescue wounded men - one of which being his observation post officer, whom he carried back to safety under sniper fire Military Medal, G.VI.R. (876352 Gnr. H. G. Simpson. R.A.); 1939-45 Star; Burma Star; Defence and War Medals 1939-45; General Service 1918-62, 1 clasp, Cyprus (Inspr. H. G. Simpson.) light contact marks overall, very fine (6) £1,000-£1,400 --- M.M. London Gazette 15 January 1946: ‘For continuously gallant service. During the period from 16th February 1945 to 15th May 1945, Gunner (Driver Mechanic) Simpson H. G. was employed as observation post assistant, always doing far more that his fair share of work under arduous conditions in close contact with the enemy. At all times he showed great devotion to duty and acted with great coolness under fire with outstanding bravery. During the four days fighting round Nabet from 4th February 1945 to 7th February 1945 the enemy, realising that the church spire was the only observation post in the area from which they could be observed, harassed the church with artillery fire gaining a fair percentage of hits. Except for meals, Gunner (Driver Mechanic) Simpson H. G. insisted on manning the church spire continuously throughout the hours of daylight. His complete disregard for his own safety whilst being shelled enabled him to observe enemy gun flashes and so fix their location. His unremitting observation of the area resulted in many worthwhile targets being engaged, and no movement of the enemy or chance of inflicting casualties on him being missed. Again he was on the gun position near Talngon on 6th March, 1945 when it was heavily shelled. Without hesitation he went out into the open and helped carry in wounded men and then returned still under fire to fetch in some equipment. On another occasion near Sigaung on 11th March, 1945 his observation post officer was wounded whilst crossing an open field, Gunner Simpson immediately went to his aid and though himself under continuous sniping fire carried him back to safety. Throughout this period Gunner Simpson continuously thrust himself forward volunteering for extra work and taking upon himself responsibilities well beyond his rank. He at all times showed devotion to duty of a very high order and was continually exposing himself to enemy fire with complete disregard for his own safety and with the greatest courage. His complete lack of thought for himself, his dash and intrepid example was an inspiration throughout the whole period to all who came into contact with him and worthy of the highest praise.’ Huntly Gordon Simpson was a native of Penrhiw, Bala, Wales. Sold with a family photograph of the recipient.
Los 1237
Nicholaes Maes (Dutch 1634-1693) Portrait of Josias Ingelbrechts (1645-1685), three-quarter length, wearing a Japanese rok, laced shirt and lilac cloak, standing in a landscape; Portrait of Maria Reyniers (1654-1721), three-quarter length, wearing a red dress and pearl necklace and earrings, seated in a landscape A pair, the former signed Maes (lower right); the latter signed and dated Maes 1680 (lower right) Both oil on canvas 57.3 x 44cm; 22½ x 17¼in; 57.3 x 43.9cm 22½ x 17¼in (2) Provenance: Probably by descent to the sitter's son, Adriaan Ingelbrechts (b.1682), who married Sara Reyniersz van Tarelink in 1710; The Van Tarelink Collection; The Van Drogenhorst Collection; The Van Iddekinge Collection; J. van de Kasteele, The Hague; F. Muller, Amsterdam, Van Iddekinge van Drogenhorst Sale, 27 November 1906, lot 18, where purchased by Oppers (1000 florins); F. Muller, Amsterdam, 13 April 1920, lot 30, where purchased by a Spanish realtor (400 florins); F. Muller, Amsterdam, 6-8 December 1960, lot 141 (16,000 florins); Sotheby's, London, 29 November 1961, lot 104, to Fitzgerald (£1,450); Sotheby's, London, 3 December 1969, lot 101 (£3,100); Richard Green, London, 1970; The Power Collection; And by family descent Literature: Cornelis Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch painters..., vol.VI (London, 1916), pp.529-530, nos.197&198; 'Maria', in Walther Bernt, Die Niederländischen Maler und Zeichner des 17. Jahrhunderts (Munich 1979), no.768; Werner Sumowski, Gemälde der Rembrandt-Schüler, vol.III (Landau, 1983-1994), nos.1429&1430; León Krempel, Studien zu den datierten Gemälden des Nicolaes Maes (1634-1693) (Petersberg, 2000), p.327, nos.A225&A226 The present pair were painted the year before the sitters' marriage on 14 October 1681. Josias Ingelbrechts was a sugar factory owner (suikerraffinadeur) on the Prinsengracht in Amsterdam.
Los 2426
A pair of Chinese hardwood figures with inlaid silver wire, a pair of Chinese carved hardwood water buffalo, a pair of Chinese carved hardstone Dogs of Fo, Chinese bronze figure of a seated man, set of eight Chinese carved hardwood figures, Chinese soapstone emaciated figure, Japanese ginbari enamel vase, a group of 19thC Chinese silk placemats etc.
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264224 Los(e)/Seite