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4922 Los(e)/Seite
Los 1113
DEMETRIOS GALANIS (1880 - 1966) Framed, unsigned, Greek colour woodblock print, still life composition with fish and oysters on table before red curtain, inscribed in pencil to mount, `Colour wood-engraving (Three blocks) by D Galanis for a cover to a price list (1938) NICOLAS, Wine Merchants, Paris`. Both contemporary and friend of Picasso, Galanis exhibited alongside artists such as Matisse, Braque, Dufy and Chagall. 27.5cm x 19.5cm. (ARR)
![MARC CHAGALL [FR/RU 1887-1985], LITHOGRAPH, 1960, H 15", W 23", ``DESSINS POUR LA BIBLE-COUVERTURE``: Pencil signed](http://lot-images.atgmedia.com/SR/33875/2893147/2026-2013111814384_468x382.jpg)
Los 715
Marc Chagall (French/Russian, 1887-1985) "Am Grabstein der Mutter (plate 19 from Mein Leben)," 1922, etching, 4.5" x 3.25", signed in pencil lower right, numbered in pencil lower left, edition of 110, unframed free sheet, handling creases, brown stain to paper in upper margin, spots of surface dirt in margin, crease to paper in upper left corner, remnants of adhesive on verso
Los 716
Marc Chagall (French/Russian, 1887-1985) "Grab des Vaters (plate 20 from Mein Leben)," 1922, etching, 4.25" x 5.75", signed in pencil lower right, numbered in pencil lower left, edition of 110 unframed free sheet, handling creases, remnants from previous adhesive on verso, otherwise good condition
Los 129
Marc Chagall French (1887-1985) Color Lithograph "Esther (from Bible II, Verve 37/38) Mourlot 252. Paris, 1960. Bears Signature Lower Right. Limited Edition of 6500. Measures 10-3/8 Inches by 8-1/4 Inches (sight) Frame Measures 16-7/8 Inches by 13-7/8 Inches. Shipping $65.00 Starting Price: $100.00
![MARC CHAGALL [FRENCH/RUSSIAN 1887-1985], LITHOGRAPHS, 2, H 14", W 10 1/2", "DRAWINGS FOR THE BIBLE": Each](http://lot-images.atgmedia.com/SR/33875/2891379/2029-201392320550_468x382.jpg)
![MARC CHAGALL [FRENCH/RUSSIAN 1887-1985], COLOR LITHOGRAPH, H 24", W 17", "THE GARDEN OF POMONA": 1968; #3](http://lot-images.atgmedia.com/SR/33875/2891379/2033-20139232061_468x382.jpg)
Los 2033
MARC CHAGALL [FRENCH/RUSSIAN 1887-1985], COLOR LITHOGRAPH, H 24", W 17", "THE GARDEN OF POMONA": 1968; #3/50; pencil signed; from "The Land of the Gods"; reference M 541; 24" x 17" image; 26" x 19 1/2" paper; framed. Purchased from London Arts, Detroit, MI. London Arts label # LA 146954 on verso.
Los 1074
1074 Marc Chagall (1887-1985 French) ``Anniversaire``, 1964, signed in pencil lower right: Marc Chagall, numbered in pencil lower left: 3/30, lithograph on Velin d`Arches paper under glass, image size: 19`` H x 25`` W, est: $3000/5000 Literature: F. Mourlot, ``The Lithographs of Chagall 1962-1968``, Boston, MA, 1969, p. 72, fig. 427. Provenance: Upstairs Gallery, Long Beach, CA (see gallery`s Certificate of Authenticity that accompanies the lot); Private Collection, Long Beach, CA, acquired from the above, 1969. Condition: Visual: Generally good condition. Minor toning to the paper. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Los 131
Kogan, Alexander (ed), Grigorieff and others Jar Ptitza No 11 1923 See Lot 128 for an introduction to the Jar-Ptitza Russian Review of Art and Literature series. A colour reproduction of a painting by Grigorieff of Katshalov as Czar Feodor with a gilt frame by Benson is printed on the front cover of this limp-cover issue of Jar-Ptitza, bound with brown tape at the spine. The inside covers are unfoxed but the back cover has some set-off and is spotted. There are no endpapers. The binding is cracked between the inside front cover and the text-block. iv + 32 pp of gloss art paper illustrated in colour and b/w with a colour paintng by Grigorieff tipped in on p 1 + 2 inserted heavy cartridge leaves, one wth a colour illustration tipped in + 8 pp of advertisements + 4 pp of German text and graphics + 8 further pp of advertisements + an advertisement printed on the inside back cover - all unmarked and undiscoloured. Other artists represented include Sorin, Marc Chagall and Sakharova, while there are photographs of leading ballet dancers Eduardova and Bekeffi. Publisher Place: Berlin Publisher: Russische Kunst Publication Date: 1923 Condition: Very Good Size: 310 x 245 Category: Art & Art Reference Reserve: $175 Click here to view further details and images
Los 170
Marc CHAGALL d’après TROIS AFFICHES (peintures bibliques récentes 1966-76 au musée national biblique marc Chagall par Ch. Sorlier. Réunion des musées nationaux Paris - Marc Chagall, peintures récentes1967 - 77 par Sorlier, Musée du Louvre pav de Flore, oct 77 inv.78 - Marc Chagall, maquette pour l’œuvre monumental, juillet sept. 74 Nice par Sorlier. 720 x 520 ; 760 x 520. Lithographie en couleurs. Légers plis de manipulation, quelques cassures dans les bords.
Los 157
7 ouvrages d`art.Est. : 120/ 150 €Verve, The French Review of Art. Paris, Tériade, s. d. et 1939, n° 3 et n° 5-6 (coup dans le bas du dos du 2e vol.). Lithographies de Braque, Chagall, Miro, Klee, Léger, Matisse...— Douze chefs-d`oeuvre de la peinture française moderne reproduits. P., Tisné, 1941.— Dunoyer de Segonzac, préf. de Genevoix. S.l., Art et Style, 1956.— Avermaete : Dessins. Lyon, Henneuse, 1976.— Un dessin, une peinture, une scupture. Genève, M.L. Jeanneret, 1973. Cat. d`exposition (Morandi, Modigliani, de Chirico, Dubuffet...).— Ianchelevici. Dessins, Tekeningen. Brux., s.d. Ex. num.HISTOIRE, DROIT, ÉCONOMIE, MILITARIA, POLITIQUE…GESCHIEDENIS, MILITARIA, POLITIEK, RECHT…voir aussi / zie ook Belgicana, Photographie, Éditions du XVIe szie ook Belgicana, Fotos, 16de eeuwse uitgaven
![Chagall, Marc (1887-1985) Illustrations for the Bible. New York: Harcourt, Brace & Co., [Printed in France, 1956]. Folio,](http://lot-images.atgmedia.com/SR/2124/2881882/98-2013515133023_468x382.jpg)
Los 98
Chagall, Marc (1887-1985) Illustrations for the Bible. New York: Harcourt, Brace & Co., [Printed in France, 1956]. Folio, illustrated publisher`s boards, spine becoming detached, boards and spine with marginal tape and tape residue, illustrated with sixteen color lithographs, and 105 of black and white illustrations; in Mylar wraps; contents fresh, 14 1/4 x 10 1/2 in. .
![Chagall, Marc (1887-1985) Lithographs. Monte Carlo: Braziller, [1960]. Folio, original publisher`s cloth binding, illustrated](http://lot-images.atgmedia.com/SR/2124/2881882/99-2013515133025_468x382.jpg)
Los 30
Gerard Dillon (1916-1971) CURRACHS OFF ROUNDSTONEoil on boardsigned lower leftL20 by 24in., 50 by 60cm.The Collection of Catherine Walston; Thence by descent to previous owner; Whyte`s, 29 November 2005, lot 87; Whence purchased by present ownerGerard Dillon discovered Connemara in 1939 when, on a break from his job as a decorator in London, he toured the area. Coming from Belfast and living in London, Dillon had a very romantic idea of the West. He considered it `a great strange land of wonder to the visitor from the red brick city`, (1) as he put it, and he took every opportunity to stay there. James White wrote that Dillon`s unique approach to the landscape of the West came from the fact that `he looked away from the mist and the heather and became enraptured with the reality of the people, farming, fishing, drinking and dancing`. (2)In 1950-51 Dillon spent a year living on the island of Inishlacken, off the Galway coast. The nearest town on the mainland was Roundstone and he frequently visited and painted there, travelling by boat across the mile of water that separated them. This period on Inishlacken is recounted in James MacIntyre`s book, Three Men on an Island, (Belfast, 1996) which contains humorous accounts and illustrations of the antics of Dillon and his fellow artists, MacIntyre and George Campbell as they adapted to island life and to the friendships and adventures that beset them. Currachs off Roundstone depicts a group of currachs drawing up at the quayside of Inishlacken, which is not visible in the painting. Behind them baking in evening sunlight and looking more like a Mediterranean village than an Irish one is Roundstone. The painting evokes the simplicity of life in the West of Ireland in the rudimentary forms of the currachs floating on the surface of the blue-grey sea. In the foremost boat a lobster pot full of catch is visible. From their orange colour the creatures look as if they are have already been cooked, a witticism on Dillon`s part. An old man holds the oar upright while his companion pulls the boat towards its docking port. The latter`s face is painted green suggesting the shadow cast by the quayside wall. Such expressive and exaggerated use of colour also refers to the exotic nature of the islanders` existence. Dillon was strongly influenced by European expressionism and especially the work of the Jewish painter, Marc Chagall which uses strong evocative colours and childlike forms to recreate the magical scenes of his childhood in Russia before anti-Semitic violence destroyed this world and drove the artist into exile in Paris. Through visiting exhibitions in London and by looking at colour reproductions of modernist art Dillon familiarised himself with such modern art. He combines this aesthetic in his work with a style drawn from Irish Early Christian art especially the carvings of monks and biblical scenes found on the High Crosses.Dillon`s work was widely admired in Ireland and in London in the late 1940s and 1950s. He was supported during these years by the art dealer Victor Waddington. This painting belonged to Catherine Walston, a lover of the novelist Graham Greene and a devotee of Irish art. She began staying at Dooagh on Achill Island in 1947 and clearly shared Dillon`s veneration for the West of Ireland as presented in this painting. Dr. Róisín KennedyApril, 2013Footnotes:1. Gerard Dillon, `The Artist Speaks`, Envoy, 1950. 2. James White, `The Early Paintings of the West`, Dawson Gallery, Dublin, March 1971.
Los 444
WWII – Nuremberg Rallies – photographs – Karl Kolb an outstanding series of approx 90 bw photographs^ mostly by Karl Kolb one of the finest photographers during the Third Reich Period^ with some by Kurt Grimm^ showing scenes during the Nuremberg Rallies from 1934-1937. Each mounted on card leaves^ most approx 9x7ins. A truly outstanding record of the Rallies – many showing Hitler in various ceremonial roles^ but also showing the parades of tanks^ artillery firing^ soldiers (one showing an SS Officer from the ‘Death’s Head’ brigade etc^ as well as shots of the Hindenburg airship when it made its famous appearance over the 1936 rally. The photographs also show the leisure activities which took place – an aspect of which was never covered in the most memorable record of these events^ the Leni Reifenstahl film ‘Triumph of the Will’. These images are believed to be unpublished. Many carry Kolb’s annotations to verso and some are signed by him. Kolb was one of the most important photographers of the Third Reich and was also Museum Director at the House of German Art – he^ along with Hitler and the other celebrated photographer Heinrich Hoffman^ was responsible for staging the notorious ‘Great German Art Exhibition’ in 1937 which was staged to exemplify the Ayrian ideals in art and was specifically organised alongside a tandem exhibition dubbed ‘Degenerate Art’. Needless to say^ Kolb’s exhibition featured works which have been largely forgotten^ but the ‘Degenerate Art’ exhibition featured works by Chagall^ Max Ernst^ Kokoschka^ Mondrian and Otto Dix. However^ Kolb’s photographic eye cannot be denied and these photographs create a remarkable atmosphere of what being at the rallies must have been like.
![MARC CHAGALL [FRENCH/RUSSIAN,1887-1985], COLOR LITHO, 12" X 19" SIGHT "TWENTIETH CENTURY, 1973": E.A.; pe](http://lot-images.atgmedia.com/SR/33875/2882547/2019-201342214242_468x382.jpg)
Los 88
MARC CHAGALL (French/Russian, 1887-1985)PROPERTY OF A PALM BEACH GENTLEMAN: MARC CHAGALL (French/Russian, 1887-1985) "Les Mimosas." 1968. Signed Marc Chagall l/r. Inscribed epreuve d_artiste VII/XXV l/l. Lithograph in colors on Arches paper. Measuring 29 3/4 by 21 inches. Literature: Catalog Raisonne, Mourlot, page 544.Start Price: $4,000
![MARC CHAGALL [FRENCH/RUSSIAN 1887-1985], LITHOGRAPH, 1981, 20" X 28 1/2", "ENCHANTED BOUQUET": Pencil sig](http://lot-images.atgmedia.com/SR/33875/2880365/2029-2013320161449_468x382.jpg)
Los 440
After Marc Chagall, French 1887-1985- "The Tribe of Benjamin", from The Twelve Maquettes of Stained Glass Windows for Jerusalem; lithograph printed in colours, signed within the plate, 62x46cm Provenance: with The Redfern Gallery, London, according to label attached to the reverse of the frame
Los 96
WARNOD André. Les Peintres mes Amis. Préface de Pierre Brisson. Paris, Les Heures Claires, 1965 ; in-folio en ff., couverture, étui-boîte de toile rouge., Portrait de l`auteur et 17 gravures en couleurs (sur 19) de Carzou, Chagall, Dufy, Derain, Matisse, Picasso, Rouault, Utrillo, Villon, Van Dongen, Vlaminck, Zadkine…, Exemplaire sur papier de vélin de Rives, incomplet des 4 feuillets (pp. 95-98, 63-66) et de deux planches : Buffet, Miró.
Los 886
After Marc Chagall (1887-1985) French/Russian ``The Mountebanks`` Original black and white lithographic print, inscribed verso, 31.5cm by 24.5cm Provenance: William Weston Gallery, 7 Royal Arcade, Albemarle Street, London From the edition issued for: Chagall Vol 2 Sauret 1963 ref. Mourlot 395 A fine impression on white stiff wove paper, excellent condition, printed to the edge of the sheet as issued, a small crease in the upper right corner, partially laid down and contained within its original William Western Gallery outer acid free cream card mount and black Hogarth frame, under glass (170912)
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4922 Los(e)/Seite