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Los 635
1.Pablo Picasso:•This book focuses on the life and works of Pablo Picasso, one of the most influential artists of the 20th century. It likely covers his various artistic phases, including Cubism and Surrealism.2.Picasso Vol. II (Black and White Art):•A continuation of Picasso’s work, possibly emphasizing his monochromatic pieces and sketches, showcasing his abstract and surreal explorations.3.Picasso Vol. I (Color Portrait):•Another volume on Picasso, featuring his colorful and expressive paintings, including works from his Blue and Rose periods.4.Picasso: The Sculptures:•This book focuses on Picasso’s lesser-known but significant work in sculpture, highlighting his creativity beyond painting.5.Botero:•A book about Fernando Botero, known for his distinctive style featuring inflated, exaggerated figures. It showcases his colorful paintings and sculptures.6.Dalí:•A Taschen edition dedicated to Salvador Dalí, covering his surreal and dreamlike art. Dalí’s works are known for their striking and bizarre images.7.Le Cahier Dessiné:•A collection of drawings and illustrations, possibly featuring various artists. The title suggests a focus on the sketchbook or drawing aspect of art.8.Chagall:•This book covers the works of Marc Chagall, known for his poetic, dreamlike paintings. Chagall’s art often features vibrant colors and whimsical, fantastical scenes.9.Unknown Title (Warrior Mask Cover):•This book features a cover with a warrior mask, likely focusing on Asian or African art, potentially related to masks and traditional sculptures.10.Ai Weiwei:•A book about contemporary artist Ai Weiwei, known for his provocative and politically charged installations and sculptures. It likely explores his work in activism and modern art.11.Murakami:•This book is dedicated to Takashi Murakami, a contemporary Japanese artist known for his “Superflat” art style, blending pop culture with traditional Japanese art.These books together represent a broad spectrum of 20th and 21st-century art, from classic painters like Picasso and Dalí to modern artists like Ai Weiwei and Murakami.
Los 130
Vibrant original color lithograph on wove paper featuring La Sirene Rouge (The Red Mermaid) from the exhibition poster Homage a Chagall held at the Galerie de La Marine in Nice, France, 1967. Printed by Mourlot. On lower right side: La Baie des Anges d'apres Marc Chagall. Housed in a black frame with a deep red mat. Sight size: 16.25"L x 20.50"H. Frame dimensions: 22.25"L x 28.25"H x 0.75"W. Artwork can be unframed and rolled for shipment. Artist: After Marc Chagall (Russian/French 1887-1985)Issued: 1967Dimensions: See DescriptionCountry of Origin: Russia/FranceCondition: Age related wear. Small crack on lower left side of glass.
Los 76
This oil on canvas is an exemplary work by the renowned Russian-Israeli contemporary Impressionist artist Leonid Afremov (1955€“2019), whose masterful use of palette knives and vibrant color palettes has garnered acclaim worldwide. Afremov's distinctive style is characterized by his ability to evoke emotion through texture, light, and dynamic compositions. Born in Belarus, Afremov trained at the prestigious Vitebsk Art School, an institution founded by Marc Chagall, whose influence is evident in Afremov's expressive and luminous works. The artwork depicts a serene white horse juxtaposed against an old-world cityscape. Architectural details, such as church spires and rustic buildings, serve as a backdrop to the horse's reflective pose, evoking a sense of tranquility amidst urban bustle. Afremov's signature palette of soft pinks, burnt oranges, and light browns is accentuated by bright whites and subtle highlights, lending depth and vibrancy to the composition. The artist's mastery of thick and thin paint applications creates a tactile, almost sculptural quality to the work. His signature appears on the lower right. The painting is housed in an elaborate gilded wooden frame with intricately carved grape vine motifs and an ecru linen border, providing an elegant presentation that enhances its visual impact. About the Artist: Leonid Afremov was a prolific artist whose works have been celebrated for their ability to convey nostalgia, warmth, and a dreamlike quality. Over his career, Afremov created an extensive body of work that includes cityscapes, landscapes, and intimate portraits. His use of the palette knife to apply bold swathes of color became his signature technique, allowing him to achieve unparalleled texture and depth. Despite initial challenges in his career, including political oppression in the Soviet Union, Afremov found success after immigrating to Israel and later the United States. His paintings are now held in private collections and galleries worldwide, and his legacy continues to inspire collectors and art enthusiasts alike. Dimensions: Artwork: 30" L x 40" H Frame: 43" L x 53" H x 2" WArtist: Leonid Afremov (Russian-Israeli b. 1955)Issued: c. 1990Dimensions: See DescriptionCountry of Origin: Russia-IsraelCondition: Age related wear.
Los 147
A Murano art glass sculpture by celebrated Italian artist Loredano Rosin (1936€“1991), renowned for his innovative approach to glass artistry and as one of the few maestros to work with pulegoso glass, a technique that incorporates tiny air bubbles to create a unique texture. This visually compelling piece features two intertwined nude figures, abstractly rendered in a dynamic array of swirling colors, including rich tones of blue, green, yellow, and violet. One figure is depicted with a head, enhancing the sculpture's emotive and thought-provoking design. The figures are mounted on a clear rectangular glass base, with the artist's signature etched on the side. The piece also bears the distinctive Murano Glass acid mark. Weighing approximately 24 lbs, this sculpture demonstrates Rosin's mastery of form, color, and light, making it a standout addition to any modern art collection. Loredano Rosin was born in Venice, Italy, in 1936 and trained under the legendary Murano master Alfredo Barbini. He quickly gained recognition for his exceptional talent and developed a signature style that blended traditional glassmaking techniques with abstract modernist aesthetics. Rosin was one of the last Murano glassmakers to use solid glass sculpting techniques, often crafting works with profound emotional depth and symbolic resonance. His work frequently explored themes of human connection, nature, and spirituality, often characterized by the use of vivid colors and dynamic forms. Rosin collaborated with other iconic artists, including Pablo Picasso and Marc Chagall, creating glass interpretations of their designs. His work has been exhibited in galleries and museums worldwide and remains highly sought after by collectors of 20th-century Italian art and Murano glass. Artist: Loredano Rosin (Italian, 1936-1992)Issued: c. 1970Dimensions: 10.5"L x 5"W x 24"HCountry of Origin: ItalyCondition: Age related wear.
Los 1511
Marc Chagall (Witebsk 1887 – 1985 Saint-Paul-de-Vence). „L'Horloge – Le Pendule“. 1956Farbaquatinta und Radierung auf BFK Rives-Velin. 31,2 × 23,3 cm (56 × 38,1 cm) (12 ¼ × 9 ⅛ in. (22 × 15 in.)). Signiert.Maeght 1202.–Eines von 300 nummerierten Exemplaren. Paris, Galerie Maeght, 1956. Nach dem Gemälde "La pendola" von 1948. [3606]Zustandsbericht: Ex. 287/300. Harmonischer Gesamteindruck. Die Farben frisch und kräftig. Die Blattkanten stellenweise mit kleinen Knickfalten. An der Oberkante mittig ein geschlossener Einriss (0,5 cm) sowie an der Unterkante mittig eine winzige Fehlstelle (0,1 x 0,2 cm). Das Papier unregelmäßig leicht gebräunt und vereinzelt mit kleinen blassen Stockflecken. Die Papieroberfläche um den Plattenrand etwas berieben und hier insbesondere an der Unterkante leicht angeschmutzt. Im Motiv am oberen und unteren Plattenrand links der Mitte jeweils ein winziges, kaum sichtbares Nagellöchlein. In den oberen Ecken Reste von transparentem Flüssigkleber einer alten Montierung. Rückseitig überwiegend außerhalb des Motivs mit Stockflecken. Entlang der Kanten Papierklebebandreste ehemaliger Montierungen.Wir berechnen für Privatpersonen innerhalb der EU auf den Hammerpreis 32% Aufgeld, welches die Mehrwertsteuer beinhaltet. Käufer, die außerhalb der EU angesiedelt sind und das Werk aus der EU exportieren zahlen 27% Aufgeld. Für EU-Unternehmer, die zum Vorsteuerabzug berechtigt sind, kann die Regelbesteuerung angewendet werden. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.
Los 91
(ARR) Ray Wooldridge (British, b. 1934)PierrotMixed acrylic media on boardFramed Ray Wooldridge was born in London in 1934. He studied Art at Camberwell college of Art. In 1973 he decided to leave his appointments as Art Direcotr, and to devote all his time to Art, developing a style which is undoubtedly his own. T are a number of influences apparent in his work, including Picasso, Art Nouveau, Chagall and the colorists, yet all these combine to create an individual and distinguishable style. A constant source of inspiration for wooldridge is the theater particularly the Italian and French theater, and this is apparent in many of his works. The Artist is anthused with the colorful costumes, the settings and the atmosp of mystery the theater generates. Backstage happenings are perhaps of greater intrest to the artist as upstage ones, and this interest helps explain not only the subject matter but also the characters that dominate Wooldridges works. The figures often appear to be lost in their own worlds, existing not in the real worlds, nor in the imaginary one of stage. It seems as though the artist meant to capture the single, evasive moment, w the actor is not yet himself and no longer the character he plays. Wooldridge's compositions are always simple and uncluttered, usually dominates by female figures some of them familiar to the artist, some of them are literary, given tangible reality. These figures are elongated and graceful, romantic and mysterious. T is an obvious love of pattern, especially apparent on backgrounds and clothes, w vegetal and scroll like motifs abound. Color plays an important role in the overall design. Deep reds, pinks, yellows and blues harmoniously blend together and are expressively used by the artist. Zebra One Gallery, London Royal Academy, Summer Exhibition, London Graeham Dowling Contemporary Art, London Century Galleries, Oxon Portland Gallery, Manchester Cadahy Gallery, Verginia, U.S.A Isis Gallery Manhassett, N.Y, U.S.A Eric Schindler Gallery, Verginia, U.S.A Decker Studious of Greenwich, Conneticut, U.S.A Ghent Arts Festival, Verginia, U.S.AVirgina Beach Arts Festival, Virginia U.S.A.Measures approx. 49cm x 42cm (19" x 16.5").
Los 232
Large double-sided heliogravures on Velin d'Arches paper featuring Le Deluge: The Fish and the Woman (Le Poisson et une Femme) and Nemrod after Marc Chagall's original folio Illustrations for the Bible (Dessins pour la Bible) published by Editions de la revue Verve, Paris 1960. Artist: After Marc Chagall (Russian/French 1887-1985)Issued: 1960Dimensions: 10.50"L x 14"HCountry of Origin: FranceCondition: Age related wear.
Los 229
Large double-sided heliogravures on Velin dArches paper featuring Rebecca blesses Jacob and The Two Daughters of Laban, after Marc Chagall's drawings from Illustrations for the Bible (Dessins por la Bible) published in 1960 by Editions de la revue Verve. Artist: After Marc Chagall (Russian/French 1887-1985)Issued: 1960Dimensions: 10.5"L x 14"WCondition: Age related wear.
Los 231
Large double-sided heliogravures on Velin dArches paper featuring Elkana and Anne and Birth of Samuel, after Marc Chagall's drawings from Illustrations for the Bible (Dessins por la Bible) published in 1960 by Editions de la revue Verve. Artist: After Marc Chagall (Russian/French 1887-1985)Issued: 1960Dimensions: 10.5"L x 14"WCondition: Age related wear.
Los 228
Large double-sided heliogravures on Velin dArches paper featuring The baptism of Jacob and Rebecca leaving for her wedding, after Marc Chagall's drawings from Illustrations for the Bible (Dessins por la Bible) published in 1960 by Editions de la revue Verve. Artist: After Marc Chagall (Russian/French 1887-1985)Issued: 1960Dimensions: 10.5"L x 14"WCondition: Age related wear.
Los 230
Large double-sided heliogravures on Velin dArches paper featuring Birth of Issac and Agar the servant of Sarah, after Marc Chagall's drawings from Illustrations for the Bible (Dessins por la Bible) published in 1960 by Editions de la revue Verve. Artist: After Marc Chagall (Russian/French 1887-1985)Issued: 1960Dimensions: 10.5"L x 14"WCondition: Age related wear.
Los 1819
CHAGALL, MARC (1887-1985), "Vertreibung der Eva aus dem Paradies", Farblithographie/Papier, auf der Rückseite Darstellung der Schlange, Lithographie, HxB: Blatt ca. 35,5x26 cm. Altersspuren, leicht gebräunt und minim. Flecken. | CHAGALL, MARC (1887-1985), ‘Expulsion of Eve from Paradise’, colour lithograph/paper, on the reverse depiction of the snake, lithograph, HxW: sheet approx. 35.5x26 cm. Traces of age, slightly browned and minim. Stains.
Los 477
Marc Chagall (1887-1985), lithograph in colours on paper, Galerie Maeght (1957), signed in the plate, 21.8cm x 14.7cm, mounted, glazed and framed. This lithographwas printed in 1959 by Mourlot Freres, the original printer of the poster. It is an exact reprint of the original ten colour lithographic poster in all but size
Los 1016
CHAGALL, MARC (Witebsk 1887-1985 St. Paul de Vence), Farblithografie "David à la Harpe" / David mit der Harfe" (Die Könige), Mourlot 134, aus: "Revue Verve". 1956. Farblithografie auf Velin. 35,5 x 26,5 cm (Darstellung und Blattgröße). Maße im Passepartoutausschnitt 34,8 x 25,7 cm, Gesamtmaße mit Rahmen 65 x 48 cm (Druck leicht verblasst; ungeöffnet).
Los 172
MARC CHAGALL1887 Witebsk - 1985 Paul de Vence'LES FLEURS SACCAGEES (GESCHÄNDETE BLUMEN)' (1961) aus: Daphnis et Chloé Farblithografie. BM 42 x 31,7 cm, SM 30,5 x 41 cm. (R. 56 x 44,5 cm). Verso: Rückseitig mit Kleberückständen. Im Passepartout und hinter Glas gerahmt. Literatur: Mourlot/Sorlier 342. Provenienz: Rheinische Privatsammlung.
Los 173
MARC CHAGALL1887 Witebsk - 1985 Paul de Vence'L'OISEAU VERT' (1962) Farblithografie auf Arches. DM 68 x 50 cm, SM 74,5 x 54 cm (R. 98 x 77,5 cm). Unten rechts mit Bleistift handsigniert sowie unten links num. '6/90'. Verso: Leicht gebräunt, part. fleckig. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Mourlot/Sorlier 354. Expertise: Rheinische Privatsammlung. Provenienz: 2 cm.
Los 178
MARC CHAGALL1887 Witebsk - 1985 Paul de Vence'L'ORANGER' (1975) Farblithografie auf Velin. DM 48 x 32 cm, SM 59 x 40,5 cm. (R. 82,5 x 63 cm). Unten rechts mit Bleistift signiert sowie unten links num. '35/50'. Gebräunt. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Literatur: Mourlot/Sorlier 737. Provenienz: Rheinische Privatsammlung.
Los 179
MARC CHAGALL1887 Witebsk - 1985 Paul de Vence'FEMME AU BOUQUET' (1967) Farblithografie auf Arches, mit Wasserzeichen, nach einer Gouache. DM 62 x 46 cm, SM 70 x 51,5 cm. (R. 99,5 x 82 cm). Unten rechts mit Bleistift signiert sowie unten links num. '83/150', im Stein bez. 'Marc Chagall Pinx' und 'Ch. Sorlier Sculp'. Min. gebräunt, leicht stockfleckig, mit leichtem Lichtrand, part. min. mit hellen Flecken. Im Passepartout und hinter Glas gerahmt. Literatur: Sorlier CS 37. Provenienz: Privatsammlung Ruhrgebiet.
Los 176
MARC CHAGALL1887 Witebsk - 1985 Paul de Vence'SOLEIL AU CHEVAL ROUGE' (1979) Farblithografie auf Velin. DM 30,4 x 41,9 cm, SM 40 x 50 cm. (R. 64,5 x 74,5 cm). Unten rechts mit Bleistift signiert sowie unten links '32/50'. Am Passepartoutrand gebräunt, leicht verblasst. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Literatur: Mourlot 945. Provenienz: Privatsammlung Ruhrgebiet.
Los 164
MARC CHAGALL (NACH)1887 Witebsk - 1985 St.-Paul-de-Vence'HOMER. DIE ODYSSEE' (1989) 2 Bände, Deutsche Ausgabe, Daco-Verlag Günther Bläse, Stuttgart, in Leineneinband und Kassette. 41,5 x 33,5 x 12,5 cm. Exemplar '436/2500'. Mit 43 Farbreprod. und 39 einfarb. Wiedergaben der Original-Lithografien. Text von Wolfgang Schadewaldt. Kassette min. Lichtrandig, ansonsten sehr guter Erhaltungszustand. In Original-Leinenkassette. Provenienz: Privatsammlung Ruhrgebiet.
Los 175
MARC CHAGALL1887 Witebsk - 1985 Paul de Vence'L'ODYSSEE I - SISYPHE (ODYSSEE I - SISYPHUS)' (1974/75) Farblithografie auf Japan. DM 41,5 x 31,5 cm, SM 52 x 38 cm. (R. 75 x 59,5 cm). Unten rechts mit Bleistift handsigniert sowie unten links num. '27/30'. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Literatur: Mourlot/Sorlier 785. Provenienz: Privatsammlung Nordrhein-Westfalen.
Los 167
MARC CHAGALL1887 Witebsk - 1985 Paul de Vence'L'ECUYERE (KUNSTREITERIN)' (1956) Farblithografie auf Velin. SM 35,5 x 51,5 cm (R. 56,5 x 73 cm). Unten rechts mit Bleistift handsigniert sowie unten links num. '86/100'. Verso: Min. gebräunt, min. gewellt. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Mourlot 153. Expertise: Privatsammlung Ruhrgebiet. Provenienz: 3 cm.
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4922 Los(e)/Seite