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* JAMES FULLARTON (SCOTTISH b. 1946), WHITE YACHTS oil on board, signed, titled versoframed and under glassimage size 20cm x 22cm, overall size 29cm x 32cm Note: Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.

* JAMES FULLARTON (SCOTTISH b. 1946), SUNSET WITH YACHTS oil on canvas, signed, titled label versoframedimage size 76cm x 86cm, overall size 89cm x 109cm Handwritten artist's label versoNote: Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.

* JAMES FULLARTON (SCOTTISH b. 1946), BOY ON BEACH oil on board, signedframed and under glassimage size 19cm x 23cm, overall size 29cm x 34cm Note: Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.

* JAMES FULLARTON (SCOTTISH b. 1946), COWS AT SUNSET oil on canvas, signedframedimage size 77cm x 87cm, overall size 91cm x 101cm Note: Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.

A collection of three commemorative mugs, a cup, a jester tobacco jar and a collection of Wemyss style miniatures. Tallest 13 cm.

Scotland Collection of local guides and histories, 18th-20th century All 8vo unless otherwise stated:[Edinburgh]. The Traveller's Companion through the City of Edinburgh and Suburbs. Edinburgh: Alexander Kincaid, 1794. First edition, contemporary mottled sheep, rebacked, [4] 138 pp., 18 engraved plates including 3 not listed (frontispiece  titled ‘View from the Cowgate’, ‘Palace, and Ruins of the Chapel of Holyrood’ facing p. 71, and folding map ‘A View of the Great Post Roads from Edinburgh to London’ at rear), small sketch in blue pencil to recto of frontispiece, ownership inscription to title-page;[Topham, Edward]. Letters from Edinburgh; written in the Years 1774 and 1775. London: J. Dodsley, 1776.  First edition, contemporary tree calf, rebacked and recornered, bookplate of George Macartney, 1st Earl Macartney (1737-1806), statesman and diplomat;[Stirling]. A General History of Stirling. Stirling: C. Randall, 1794. First edition, 12mo, uncut in original boards, half-title, book-label ‘From Dr Laing’s Library' to front pastedown, slipcase;Cowan, W. A. History of Lanark, and Guide to the Surrounding Scenery. Lanark: Robert Wood, 1867. First edition, original cloth, 208 pp., 3 wood-engraved plates (one depicting Robert Owen's New Lanark);Graham, Patrick. Sketches Descriptive of the Picturesque Scenery of Perthshire; including the Trosachs. Edinburgh: for Peter Hill [and others], 1810. First edition, later cloth, half-title, edges untrimmed;Baird, J. G. A. Muirkirk in Bygone Days. Muirkirk: W. S. Smith, 1910. First edition, original buckram-backed boards;[Alloa]. Alloa and its Environs: a Descriptive and Historical Sketch. Alloa: printed and published at the Alloa Advertiser Office, by James 1861. 12mo, original limp green cloth, tinted lithographic frontispiece, title-page repaired;Creech, William. Edinburgh Fugitive Pieces. Edinburgh: for John Fairbairn, 1815. First edition, later half calf, engraved portrait frontispiece, edges untrimmed, front joint cracked;Penny, John. A Topographical and Historical Account of Linlithgowshire. Edinburgh: Stevenson, 1832. First edition, original cloth; and 27 others including accounts of Tarbert (Argyll), Banff, Auchinleck, Wemyss Bay, Deeside, Beauly, Wigtonshire, Cambusnethan, West Kilbride, Cromarty, Alloa, Iona, Breadalbane, Inverness, Elgin, most printed on local presses (35)

A Wemyss ware lidded pot, height 15cm.

11 BOTTLES BLENDED SCOTCH WHISKY AND 1 INDONESIAN BLENDEDSmokey Jim's Smokey + Peaty Malt; Chivas Regal Extra 13 YO; Ballantine's 23 YO; Clan MacGregor; Clan Campbell Dark; The Glen Stag (1L); Compass Box The Spaniard Malt; Isle of Skye 8 YO; Cutty Sark; Wemyss Malts Peat Chimney Malt; JG Thomson + Co Smoky Malt; Batavia

Wemyss trio of small waisted vases, handpainted patterns include daffodil, cabbage rose, and cherry , 11cm (3)

Wemyss Ware Cockerel and Hens pattern comb tray, impressed marks and retailed by Thos Goode, and a Cockerel and Hens pattern bowl and vase, impressed marks, (vase restored a/f) (3)

Wemyss Griselda Hill Pottery sleeping pig, by Esther Weeks, signed and dated 2007, complete with presentation box, 17cm

Wemyss Ware handpainted cabbage rose pattern inkwell with covers, heart shaped, 18 x 8cm

Wemyss Ware, Robert Heron & Son, black cockerel with hens comb tray, 24.5 x 9.5cm, together with a small Wemyss Ware bowl and vase (3)

Wemyss Ware, Robert brown cockerel and hens tyg mug, a/f with restorations, 14cm

Wemyss chrysanthemum vase, 15cm, with a repaired rim chip, together with a Wemyss strawberry dish (2)

Wemyss Ware plums pattern tyg, one handle restored, 14.5cm

Large Wemyss Ware, Robert Heron & Son, daffodil patterned mug, handle restored, 14.5cm

Wemyss Ware, Robert Heron and Son, large black cockerel with hens mug, 14cm

Will DaniellA pair of coloured engravings titled ''Edinburgh from Carlton Hill'' & ''Distant view of Edinburgh with Wemyss Castle''[Frame 38x45cm]

A Wemyss ware mug, c1900, painted with a cock and hens, 14cm h, impressed mark Two fine hairline cracks below base of handle, not evident from the interior; typical crazing of the glaze, not significantly cracked nor chipped, no restoration

Griselda Hill Wemyss Cockerel Jug, 18cm

WEMYSS POTTERY: A VASE PAINTED WITH CHERRIES 11.5cm high, a Wemyss plate 14cm, and various covered jars, one 'Plichta', some marked 'Goode and Co' , and another jar (all stained or damaged) (9)

George Leslie Hunter (Scottish 1877-1931)TorcelloSigned L Hunter (lower right)Oil on board68.1 x 48.6cmProvenance:Sotheby's, Glasgow, Scottish and Sporting Paintings - Drawings and Watercolours and Wemyss Ware, 4 December 1991, lot 218;Private Collection;By whom sold, Sotheby's, London, Scottish Art, 29 September 2010, lot 87;Private Collection, GloucestershireGeorge Leslie Hunter’s first visit to Venice came in 1922, the same year he also painted in Paris and Florence. It was during his visit to Paris that he encountered the latest work of Henri Matisse, which had a profound effect on the development of Hunter’s style. Torcello is one of only twenty-three Venetian oils to survive, and is typical of the period, with its short sharp brushstrokes of vivid colour, and areas of exposed board.

A group of four Exon Wemyss style pottery pigs, with painted floral decoration, one impressed PA, another signed P.A. (4)

An Exon Ware Wemyss pottery cat: modelled seated with turned head curled tail and with inset green glass eyes, painted with pink cabbage roses, impressed Wemyss and painted Wemyss, Exon, B. Adams, 33cm high.

A Wemyss mug with cherry decoration (restored a.f.), 14cm high

A selection of Wemyss ware Scottish pottery; Wemyss ware jazzy pattern jar with lid, Rose pattern vase along with rose pattern bowl [16.5cm diameter] [as found]

Two Griselda Hill Pottery Wemyss style small pigs, the first painted with shamrock, the second clover, painted marks to bases, both 16cm long, together with a Wemyss Combe jardinière, circa 1900, painted with pink cabbage roses, green painted and blue printed marks to base with applied 'Rogers de Rin' paper label, height 16cm (restored).

A group of Wemyss pottery painted with pink cabbage roses, circa 1900 and early 20th century, comprising tall candlestick, height 30cm, tankard, height 14.3cm, small teapot and cover, pair of waisted vases, height 11.5cm, pair of plates, diameter 23cm, two cups and saucers, small jardinière pot with wavy rim, jug, height 10cm, sugar bowl and soap dish and cover, various impressed, painted and printed marks (faults and restoration throughout), together with the book 'Wemyss Ware, a Decorative Scottish Pottery', by Peter Davis and Robert Rankine.

An Exon pottery Wemyss Ware sleeping piglet by Brian Adams, 1990s, painted with pink cabbage roses, green painted marks to base, length 16cm, together with a similar seal, inscribed 'Kate', and a domed paperweight painted with thistles surmounted by a butterfly.

Four pieces of Wemyss pottery painted with pink cabbage roses, circa 1900 and early 20th century, comprising a rectangular dressing table dish, inscribed 'No Rose Without a Thorn', 14.5cm by 9.5cm, a heart shaped inkstand and two covers, fitted with two glass wells, a two-handled cauldron, height 12.5cm, and a shell shaped inkstand, various painted, printed and impressed factory marks (restoration).

Pair of pottery seated Wemyss style pigs. 19.5cm high approx. (2) (B.P. 21% + VAT) One of the pigs has lost his front foot which is not present.

Wemyss Jazzy Moorland Biscuit Jar & Cover

Wemyss Ware handpainted plums pattern jug and basin set (2) 30cm wide.

Wemyss Ware thistles pattern tyg, impressed and printed marks, 19 x 14cm.

Wemyss pottery desk inkwell, handpainted cherries pattern, retailed by Thos Goode, with painted marks, 26 x 17cm.

Wemyss ware handpainted vase with Irises pattern and another wemyss vase painted with daffodils, impressed marks (2) 9 x 15cm.

Wemyss ware handpainted cabbage rose pottery to include a pair of chamber candlesticks and small teapot (cover restored) and an unmarked cabbage rose baluster vase, (4) 17cm.

Two Wemyss Ware preserve jars with covers, handpainted plums pattern, with painted marks, the larger jar retailed by Thos Goode & Co (2) 13 x 16cm.

Wemyss ware, a pair of handpainted plums pattern vases of waisted form, painted marks (2) 8 x 11cm.

Wemyss Ware, two preserve jars with covers, pattern include bee skep and blackberries, painted marks, (2) 11 x 13cm.

Wemyss Ware handpainted cabbage roses pattern jug and basin set (2) 40cm wide.

Two Wemyss Ware preserve jars with covers, handpainted oranges pattern, impressed and painted marks (2) 13 x 16cm.

Wemyss Ware, a pair of Lady Eva cabbage rose patterned vases, impressed and printed marks, (2) 19 x 20cm.

Wemyss Ware handpainted strawberries pattern Biscuits jar and cover together with a matching Wemyss preserve jar and cover, impressed and painted marks, (2) 13 x 11cm.

Wemyss Ware candlesticks, patterns to include plums and cockerel, impressed marks, (2) 12 x 30cm.

a Wemyss pottery inkwell and cover painted in cabbage rose design, green border, 16.5cm diameter, a Royal Copenhagen retriever, printed marks and number 1533, 16.5cm long and a dachshund printed marks and number 3140, 12cm long  (3) condition: Inkwell with extensive crazing

Jan Plichta, a Wemyss Ware painted pig, decorated with cabbage roses, modelled sitting printed marks, together with another example, 31cm long (2)

GRISELDA HILL WEMYSS WARE, 'CLOVER' DOG, CIRCA 1998 painted with clover in pink with green on a white ground, by Sharyn Duncan, signed 'Griselda Hill Pottery, Wemyss', and with a red dot signifying it being sold in Edinburgh circa 199824cm high

Wemyss small preserve pot, cover and stand, 7cm highGlaze crazing. The lid has a couple of chips on the underside. The saucer has a couple of tiny hairlines on the rim and a small chip. The jar has a hairline.

A collection of ceramics to include Two Wemyss Royal Doulton Goblets to commemorate The Queen Mother & Wemyss Centenary limited edition 204/500 and 302/500 both 19cm h, Coalport "Strange Orchid" lidded urn, a white Coalport "Hong Kong" planter, Coalport Mask Head Jug, Royal Crown Derby "Mikado" Teapot, Wedgwood Jasperware Terracotta Teapot, cup & saucer and lidded sugar bowl.

Wemyss Rose decorated small floral pot

TWO MODERN STUDIO POTTERY CATS, comprising of Ewenny Pottery tortoiseshell glazed seated cat, 34 cms (h) and Griselda Hill 'Wemyss' flowering clover seated cat with glass eyes 34 cms (h) (2)Provenance: donated and offered for sale to benefit a local charity.Comments: glaze to Wemyss cat naturally crazed

Wemyss ware pig, hand painted with cabbage rose decoration, 16cm long. The pig is heavily crazed throughout , both ears are chipped and some dots of emulsion paint

Wemyss ware teapot decorated with thistles with impressed and painted mark. height 9.5cm and a Wemyss ware cup.

Wemyss Queen Elizabeth The Queen Mother Centenary Goblet (1880-1980) by Royal Doulton, with certificate in presentation box, 19cm high.

Wemyss 'Iris' pattern tete-a-tete tea set including tea pot, two cups and saucers, creamer, dish and sugar bowl, marked 'Wemyss 22T' (8) One of the saucers has been badly damaged. The rest of the tea set is in good condition apart from some light crazing

A pair of Wemyss pottery candlesticks, early 20th century, of inverted tapering cylindrical form on square bases, painted with rose sprays, impressed and painted marks, retailer`s mark for T Goode and Sons, 18 cm high.Qty: 2Crazing visible throughout. Possible professional restoration to the corner of one of the bases, with a glaze fault to the same base. No further apparent issues.

A pair of Wemyss pigs, with cabbage rose decoration, one signed 'Nekola Pinxt', 19 cm high x 28 cm wide, together with two smaller, (one with alternative pink floral decoration), 9 cm high x 15 cm.Qty: 4Damage and repair to both ears of one of the larger pigs. One of the smaller ones has glaze loss to the ears. Crazing throughout all four, visible on close inspection.

A set of four Wemyss pig in different glazes, impressed marks to the base of three, with a 'Rogers de Rin Antiques' to one, each c.10 cm high x 16 cm wide.Qty: 4The pink/ red pig has restoration to the ear.Others OKWorth mentioning the white pig has a firing crack behind its right ear.