We found 7254 price guide item(s) matching your search

EDWIN SANDLAND FOR WEMYSS BEAKER VASE, EARLY 20TH CENTURY hand painted in Dragonflies pattern, hand written Wemyss mark on base16cm highCondition overall is good, with crazing present and a couple of slight cracks, detailed in the additional images

WEMYSS BEAKER VASE, hand painted with dragonflies amongst foliage, with hand signed Wemyss mark on base12cm highVases are in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water. There is some glaze loss to the top rim, shown in additional images.

KAREL NEKOLA FOR WEMYSS BEAKER VASE, hand painted with ivy, with hand signed Wemyss mark and impressed mark to base11.5cm highVase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the interior base due to use with cut flowers in water.

WEMYSS, FOUR BEAKER VASES, each hand painted with fruit, with impressed marks, two with stamped marks for T. Goode & Cothe largest 11.5cm highQty: 4Condition overall across the four is good, one has possible restoration near the top rim and chipped to the base, detailed in the additional images now available

WEMYSS, THREE BEAKER VASES, each hand painted with yellow flowers, with impressed marks to basethe largest 16.5cm highQty: 3Vases are in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water. 

WEMYSS, FOUR BEAKER VASES, each hand painted with flowers, one with impressed marks and stamped retailer mark for T. Goode & Co, one with hand signed Wemyss mark, one with impressed marks and the other with hand signed Wemyss mark and impressed marksthe largest 16cm highQty: 4Vases are in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water. 

WEMYSS BEAKER VASE, hand painted with a Bullfinch perched on a branch, with impressed marks11.5cm highVase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water.

WEMYSS, FOUR BEAKER VASES, each hand painted, two in the "Jazzy" pattern, with hand signed Wemyss marks, and two with pink and purple flowers, one with hand signed Wemyss mark, the other with impressed marks and stamped retailer mark for T. Goode & Cothe largest 11.5cm highQty: 4Vase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the interior base due to use with cut flowers in water.

WEMYSS, THREE BEAKER VASES, each hand painted with roses, with impressed marks, one with stamped retailer mark for T.Goode & Co and hand signed Wemyss markthe largest 15.5cm highQty: 3Condition overall is good, the two larger vases have possible restoration around the top rims, crazing throughout the three

WEMYSS WARE, PRESERVE JAR AND COVER, LATE 19TH / EARLY 20TH CENTURY of cylindrical form, hand painted with cherries within a green dentil border, bearing Wemyss mark to base14cm high

WEMYSS BEAKER VASE, hand painted with a cow standing in a pasture, with impressed marks11.5cm highCondition overall is good, top rim feels a little rough and has been possibly repaired at some point.

WEMYSS, THREE BEAKER VASES, each hand painted with flowers, one with hand signed Wemyss mark, one with impressed marks and the other with impressed marks and stamped retailer mark for T. Goode & Cothe largest 16cm highQty: 3Vase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the interior base due to use with cut flowers in water. The base of the largest vase shows some glaze loss, pictured in additional images.

WEMYSS BEAKER VASE, hand painted with geese amongst long grass, with impressed marks11cm highVase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water.

WEMYSS, THREE BEAKER VASES, erach hand painted, one with apples, with hand signed Wemyss mark and impressed mark, another with apples with impressed marks and one with plums, with impressed marks and stamped retailer mark for T. Goode & Cothe largest 16cm highQty: 3Condition overall is good, two have hairline cracks, crazing throughout, additional images now available.

WEMYSS BEAKER VASE, hand painted with a kitten seated in long grass, with hand signed Wemyss mark and stamped retailer mark for T. Goode & Co, London11cm highVase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water. The bottom edge shows some signs of glaze loss, shown in the additional images.

WEMYSS, THREE BEAKER VASES, each hand painted with flowers, with impressed marksthe largest 11.5cm highQty: 3Vase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the interior base due to use with cut flowers in water.

WEMYSS BEAKER VASE, hand painted with a duck in flight amongst foliage, impressed marks11.5cm highVase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water.

GRISELDA HILL, WEMYSS POTTERY THREE CATS one painted with thistles and flowers, the other two in black and whitethe tallest 18cm highCondition overall is good across the three pieces, crazing throughout

WEMYSS, TWO BEAKER VASES, each hand painted with fruit, with impressed marksthe larger 16cm highQty: 2Condition overall across the two is good, crazing throughout

WEMYSS BEAKER VASE, hand painted with a Peacock perched on branches, with impressed marks and stamped retailer mark for T. Goode & Co, London11cm highCondition generally good. Typical firing flaws and crazing. Additional images now available.

WEMYSS, TWO BEAKER VASES, each hand painted, one decorated with thistles, with hand signed Wemyss mark, the other decorated with tulips, also with hand signed Wemyss markthe largest 17cm highQty: 2Condition good to fair. Both with typical firing flaws and crazing. Tulip vase has minor chip to rim and scratch to lower body. Thistle vase has hairline of approx. 5cm down from rim.

WEMYSS, THREE BEAKER VASES, each hand painted, one decorated with thistles, with hogs head armorial reading "NIL TIBI", with impressed marks, one decorated with thistles, with hand signed Wemyss mark on base and the other decorated with clovers, with impressed marks and stamped retailer mark for T. Goode & Cothe largest 11.5cm highQty: 3Vase is in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the interior base due to use with cut flowers in water.

WEMYSS, TWO BEAKER VASES, each decorated with cockerels, one with impressed marks, the other with impressed marks, and hand signed marks for Wemyss and retailer T.Goode & Cothe larger 11.5cm highQty: 2Vases are in overall good condition. No signs of restoration or previous damage is present. Crazing is present throughout, but mainly in the lower half due to use with cut flowers in water. There is some glaze issues to the base of one of the vases, as shown in the additional images. 

An unusual and large Wemyss three handled tyg, painted with Mallard Ducks amongst aquatic plants, with impressed marks and retail mark for Thomas Goode (damages, 19.5cms high, rim 21.5cms diameter). Also with a Wemyss cabbage rose vase (16cms high). (2). *CR Tyg, a large section of the rim/body has been broken and repaired (not well), there are cracks running from this area and a chip to the rim, general crazing and some discolouration, cracks to the base. Vase, chip to the rim, crazing, crack around the bottom section of the vase near the base.

A large Wemyss pig made at the Exon Pottery in Devon, painted in black and white and splashes of pink. With painted and impressed marks, Wemyss, Exon, 2046, B Adams. 25.5cms high, approx 42cms long. *CR Generally good condition, general crazing, small chip to the base of one foot.

Wemyss Pottery tureen, decorated with cabbage roses, stamped to base, W20cm.

Selection of Wemyss pottery incl. dog bowl, tray, large bowl, cup and saucer, cream luggie and a Queen Victoria 1897 jubilee tankard, max H14cm. All of these items are damaged, broken or restored in some way, usually in the form of hairline cracks.

Wemyss cabbage rose decorated pottery chamberstick, pen stand and a apple decorated beaker, max H14cm. Condition report - No damages, one tiny fleabite under the edge of the pen tray, general crazing and light wear.

Wemyss Ware pottery cat, in seated position and decorated with cabbage roses with inset green glass eyes, painted 'Wemyss Ware Made in England' to base, H32.5cm

Large Wemyss pottery trug basket, decorated with wild sweet pea, W41cm.

Pair of Wemyss pottery duck spoon warmers, decorated in faience type colours, painted and printed Wemyss marks to base, H18cm.

Wemyss pottery bowl decorated with cabbage roses, printed and painted Wemyss marks to base, W19.5cm. Condition report - Some crazing and minor staining within the bowl.  There is a very thin 'crazing' line at the rim which may be developing into a hairline crack.

Wemyss Pottery pig, sponge decorated in patches of black with pink highlights, marked to base 'Wemyss Made in England', L41cm.

Selection of Wemyss pottery incl. candlestick, inkwell with dolphins, cherry decorated inkwell, plate and tankard, max H25cm. All of these items are damaged, broken or restored in some way, usually in the form of hairline cracks. Condition report - The dolphin inkwell does have a large repaired crack through it, please see extra images.  The other items are also all damaged in some way

Anthony Ashley-Cooper, 7th Earl of Shaftesbury KG (1801-1885), the 'Poor Man's Earl'. A late Victorian memorial album, n.d. [1885], [48]ff principally of pasted notices of his life and funeral, obituaries, eulogies, etc., recto &/or verson, taken from newspapers and periodicals of the day, some of which are illustrated with portraits or named-views of St Giles House, Dorset, but also printed and manuscript ephemera, including the Order of Service from Westminster Abbey, letterpress poem printed within a black mourning border, [4]pp National Memorial of Lord Shaftesbury composition, [2]pp autograph poem by Georgina Cowper-Temple, Lady Mount Temple (née Tollemache; 1822-1901), a sepia photographic print of St Giles, letterpress poem on the anniversary of his birthday, dated Castle Wemyss, 1878, 1881 Guildhall proceedings, Old Scholars of the Ragged Schools address, Religious Tract Society poster, etc., disbound, 4to

National Covenant of Scotland Original manuscript copy of the National Covenant for the burgh of Peebles, 1638-9 manuscript, ink on single sheet of vellum (67.5 x 69.5cm), main declaration on recto and Glasgow Determination on verso, each written in a separate secretarial hand, autograph signatures of some 20 noblemen directly below main declaration including Rothes, Montrose, Eglinton, Cassilis, Home, Drumlangrig, Montgomery, Yester, Wemyss, Boyd, Flemyng, Forrester, Balcarres, Johnstoun, Balmerino, Lindesay, Elcho, Fraser, Dalzell and others, numerous further signatures including those of Peebles subscribers below both main declaration and Glasgow Determination, contemporary manuscript endorsement ‘The Confession of Faith for the Burgh of […]' (the final word illegible, an initial ‘P’ possibly present), the date ‘1638’ to endorsement and head of main declaration perhaps added later, two additional annotations (both 19th century) to verso recording provenance.Condition: dust-soiled, old stretch-holes to head from flaws in the vellum, a few other small holes, fading to signatures 1) Gavin Veitch of Peebles, by whom bequeathed in 1802 to 2) Thomas Henderson, ‘dissenting minister’, identified as Thomas Henderson (1757-1823), Reformed Presbyterian minister at Kilmacolm, Renfrewshire (see Couper, p. 89) 3) Adam Brown (c.1768-1834), Reformed Presbyterian minister at Crookedholm, then Kilmarnock, Ayrshire, son-in-law of Thomas Henderson via his marriage to Jessie Henderson, second daughter of Thomas Henderson (see Scots Magazine, LXXII, p. 958, and McKay p. 221), thence by descent to 4) James Brown of Kilmarnock, by whom sold in 1906 for £20 to 5) William Henderson Walker (1855-1923), of Chorlton Hall, Cheshire, chartered accountant and descendant of Thomas Henderson of Kilmacolm 6) Thence by descent  A rediscovered original copy of one of the principal documents in the history of Scotland, one of a handful remaining in private ownership, and the fourth known copy to appear at auction. After ‘foor principal copyes in parchment’ of the National Covenant were made during the night of 28 February and 1 March 1638, it was decreed on 2 March that further copies would be made for distribution to every shire, baillery and stewartry in Scotland, to be signed by the principal figures within each jurisdiction. Many hundreds were doubtless produced, but in the most recent census of surviving copies David Stevenson records a total of 74, all but 14 being in institutional collections, and nearly all in Scotland, noting that these ‘doubtless represent only a small fraction of the original total; to the normal ravages of time there must be assumed to have been added deliberate destruction of many when, after 1660, having signed the covenant became an embarrassment, retaining possession of a copy a liability’ (Stevenson, p. 260). The identities of the local notables subscribing to the present copy indicate that it was intended for the burgh of Peebles. The National Library of Scotland holds a copy of the National Covenant described as containing the signatures of the ‘provost, bailies, and councillors of the burgh of Peebles, [and the] burgesses of Jedburgh’ (Adv.MS.20.6.16). David Stevenson notes that David Laing in his 19th-century census ‘refers to a covenant “belonging to the burgh of Peebles” marked “For the Burgh of Peebles” which had been engraved in facsimile. The reference to a facsimile indicates that it is this covenant now in the NLS that Laing refers to, but the inscription … is not present, making it possible that there is – or was – a second Peebles covenant’ (Stevenson p. 271). The existence of two Peebles copies may be connected to the contested reception of the National Covenant in the region, illustrating that the document’s acceptance was not a foregone conclusion across Scotland, contrary to the drift of much subsequent historiography. As a leading modern historian of the covenanters has noted: ‘While some communities were enthusiastic early endorsers of the Covenant, others appear to have quietly ignored it until a decision was forced upon them … The presbytery of Peebles, in the Scottish borders, counted the earl of Traquair amongst its flock, and not surprisingly, became one of the comparatively few to endorse the rival king’s covenant in the autumn of 1638. The National Covenant was finally accepted in May 1639, but only after some of the brethren had insisted on “a sight” of the relevant acts of synod and general assembly’ (Stewart, p. 108). The Peebles subscribers whose signatures are visible on this copy include J. Peter, commissar of Peebles, various burgesses, baillies and counsellors, and several figures whose local status is not mentioned but who can be identified from secondary sources. Among the latter are two individuals of special interest, namely one Andrew Watson and one P. Purdie of Newlands. An Andrew Watson is recorded as vicar of Peebles and in 1652 received ‘£3 Scots as part payment due by the Presbytery for burning witches’ (Chambers, p. 166); Patrick Purdie, minister at Newlands from 1634 to 1681, was involved in at least three witch trials in the 1640s. In addition to the known extant copies of the National Covenant, Stevenson lists 20 under the heading ‘missing, lost or suppositious’. The present copy may account for that recorded as 16.19, described on the basis of letters in the Scottish Record Office (now the National Records of Scotland) as having been owned at some point in the 19th century by a Mrs Landells, wife of one Thomas Henderson, and eventually given to a ‘Mr Brown’, nephew of Thomas Henderson. Another copy, recorded as 16.1, is one apparently signed at Kilmarnock and seen in Cheshire; the report, described by Stevenson as ‘doubtful’, may be a confused account of the Kilmarnock-Cheshire provenance of the present copy. A copy of the National Covenant subscribed in Renfrew was sold by Lyon & Turnbull in 2009 (10 June lot 251). In 1977 Sotheby’s sold two copies: one subscribed in Echt, Aberdeenshire, and a decorative copy signed by the organising noblemen but not intended for local subscription. The lot sold with associated documents including: letter from Adam Brown to Thomas Henderson, Kilmarnock, 1830; Fr. Schenck, Fac-Simile of the National Covenant of Scotland, in its original form with the Autographs of the principal leading Personages (lithographic facsimile on paper, in 20 sections, laid on linen, folding into cloth covers, front cover detached); ‘The Confession of the Faith, or National Covenant of Scotland, contributed by Mrs. Brown, Kilmarnock, Ayrshire’ (printed exhibition caption, mid-19th century); receipt of payment of £20 from W H. Walker of Chorlton Hall to James H. Brown ‘for the national covenant’ dated 10/9/06. For a copy of the Scottish Prayer Book of 1637, which precipitated the drawing up of the National Covenant, see lot 92. Literature: Chambers, William. A History of Peeblesshire, Edinburgh, 1864.Couper, W. J. The Reformed Presbyterian Church in Scotland, Edinburgh, 1925.Goodare, Julian, et al. ‘The Survey of Scottish Witchcraft 1563-1736’, online, accessed July 2024.Laing, David. ‘The Names of some of the Persons who have Original Copies of our Covenants, National and Solemn League’, Proceedings of Society of Antiquaries of Scotland, IV, Edinburgh, 1847, pp. 238-50.McKay, Archibald. History of Kilmarnock, Kilmarnock, 1864.Renwick, Robert. Gleanings from the Records of the Royal Burgh of Peebles, 1604-52, Peebles, 1892.Scots Magazine, LXXII, Edinburgh, 1811.Stevenson, David. ‘The National Covenant: A List of Known Copies’, Records of the Scottish Church History Society, XXIII, Edinburgh, 1988, pp. 255-299.Stewart, Laura A. M. Rethinking the Scottish Revolution: Covenanted Scotland 1637-1651, Oxford, 2016.

Fraser, Sir William Extensive set of his histories of Scottish noble families Edinburgh: [privately printed], 1858-88. 15 works in 34 volumes, all first editions, 4to, original red cloth with large armorial devices gilt to covers unless otherwise stated, numerous plates including lithographic manuscript facsimiles. Comprising:The Stirlings of Keir, and their Family Papers, 1858. One of 150 copies, the author's copy, inscribed for him by William Stirling, commissioner of the work, and with Fraser's ownership inscription to title-page, original quarter morocco, a little rubbing and spotting;Memoirs of the Maxwells of Pollok. Edinburgh: printed for Sir John Maxwell of Pollok. Baronet, by Thomas Constable, 1863. One of 150 copies, this copy inscribed on limitation leaf to Thomas Maxwell of Woodside Place, Glasgow, 2 volumes, original green cloth gilt, volume 1 front cover stained, variable spotting; History of the Carnegies, Earls of Southesk, and of their Kindred. Edinburgh: for the Earl of Southesk [by Thomas and Archibald Constable], 1867. First edition, one of 100 copies, this copy inscribed on limitation page to Lord Lindsay (Earl of Crawford and Balcarres), with Bibliotheca Lindesiana bookplates to front pastedowns), spines faded and nicked, spotting to outer leaves;The Red Book of Grandtully. Edinburgh: printed for Sir William Drummond Steuart, Baronet of Grandtully, 1868. One of 100 copies, this copy inscribed on limitation page to Lord Lindsay (Earl of Crawford and Balcarres) with Bibliotheca Lindesiana bookplates to front pastedowns, 2 volumes, spotting to outer leaves, volume 1 initial quire slightly loose;The Chiefs of Colquhoun and their Country. Edinburgh: for Sir James Colquhoun of Colquhoun and Luss [by Thomas and Archibald Constable], 1869. One of 150 copies, this copy inscribed on limitation leaf to George Stirling Home Drummond of Blair Drummond and Ardoch, with his bookplates to front pastedowns, 2 volumes, 4to, original red cloth decorated in gilt, spines faded;Memorials of the Montgomeries Earls of Eglinton, 1869. First edition, 2 volumes, original purple cloth;The Lennox. Edinburgh: privately printed for Richard Alexander Oswald of Auchencruive [and others, by Thomas Constable], 1874. One of 150 copies, this copy inscribed on limitation leaf to the Earl of Crawford and Balcarres, with Bibliotheca Lindesiana bookplates to front pastedowns, 2 volumes, spotting to endpapers, limitation leaf creased, volume 1 front inner hinge cracked;The Earls of Cromartie, their Kindred, Country, and Correspondence, 1876. One of 150 copies , 2 volumes, 4to, volume 2 inner hinges cracked;The Book of Carlaverock. Memoirs of the Maxwells, Earls of Nithsdale, Lords Maxwell and Herries. 1878. One of 150 copies, this copy presented to William Middleton of Myddleton Lodge, 2 volumes, volumes 2 inner hinges cracked;The Scotts of Buccleuch, 1878. One of 150 copies (the limitation leaf loose: apparently issued as a slip accompanying the books and never bound in), 2 volumes, Castlecraig library plates to front pastedowns, volume 2 with wear to front joint and inner hinges cracked;The Frasers of Philorth, 1879. One of 150 copies, this copy inscribed to Robert Strathern Esq., Writer to the Signet, with his bookplates, 3 volumes, wear to headcaps;The Book of Menteith. 1880. 2 volumes;The Chiefs of Grant, 1883. 3 volumes, original red quarter morocco;The Douglas Book, 1885. 4 volumes, original red quarter morocco, Talygarn bookplates, volume 4 binding marked and worn;Memorials of the Family of Wemyss of Wemyss, 1888. One of 100 copies, this copy inscribed to the Earl of Crawford and Balcarres on limitation slip mounted to front pastedown of volume 1, with Bibliotheca Lindesiana bookplates, 3 volumes, original red quarter morocco by D. S. Smith of Edinburgh The Library of a Scottish Gentleman Fraser's other family histories are: Memorials of the Earls of Haddington (1889); The Melvilles, Earls of Melville, and the Leslies, Earls of Leven (1890); The Sutherland Book (1892); The Annandale Family Book of the Johnstones (1894); and The Elphinstone Family Book of the Johnstones (1897).

COLLECTION OF EARLY THIMBLES, ALONG WITH A MAUCHLINE WARE NEEDLE CASE the thimbles including early examples, a silver example and a Wemyss Griselda Hill examplethe Mauchline needle case 17cm long

2 Bottles Blended Whiskyy to include: Lossit, The Lost Distillery Company Wemyss Spice King Batch Strength Batch 2 - 58% Vol One of 9000 Bottles

Mixed ceramics to include a Minton bowl in Haddon Hall pattern, together with a pair of 19th century floral painted Wemyss style jugs signed W Green, along with other items Location:If there is no condition report shown, please request

A CASED PAIR OF SECRETARY OF STATE FOR INDIA SEALS EARLY 20TH CENTURY STEEL SEALS, ENGRAVED BY FRANK BOWCHER CIRCA 1903 the larger of circular outline, engraved with the short post-1837 Royal Arms of Great Britain and Royal Mint stamp, within an inscription, ‘EDWARDUS VII D.G. BRITANNUARUM OMNIUM REX F.D. IND. IMP’; the smaller similarly inscribed, the Royal Arms within a belt border, both contained in a red morocco leather bound, velvet lined box retailed by Wickwar Manufacturer, Poland Street, London  6.6cm + 5.9cm (diameter) The Matrix Collection The secretary for State for India was created in 1858 when India was brought under direct British rule, known as the British Raj. The role of the Indian Secretary was to therefore govern the British Indian Empire which included Aden, Burma and the Persian Gulf Residency. The secretary oversaw the Indian Council which consisted of 15 members. The Council was there to assist, but acted mainly as an advisory role.These two seals were most likely made either for St. John Brodrick (Secretary for India 9 October 1903- 4th December 1905) or for John Morley, 1st Viscount Morley (1908) (secretary of State for India 10 December 1905 – 3 November 1910).St. John Brodrick 1st Earl of Midleton (1856-1942) was a Conservative politician and was Secretary for War (1900-1903) during most of the second Boer War before embarking on his role as Secretary for State for India (1903-1905). He married Lady Hilda Charteris (the daughter of 10th Earl of Wemyss) in 1880 with whom he had 5 children, after her death he re-married and had two sons.John Morley 1st Viscount Morley of Blackburn on the other hand was a Gladstonian Liberal and opposed the eight-hour working day. He began his career originally when he was called to the bar before changing to become a journalist editing the newly Radical-Liberal Pall Mall Gazette  from 1880 to 1883. Whilst Secretary for State in India he showed his tolerance by appointing two Indians to the council of India.The seals themselves were engraved by Frank Bowcher (1864- 1938). Born to an etcher and cartoonist, following his training at the National Art Training School and then in Paris he was considered to represent the late 19th-century French style of medallists in Great Britain. Leonard Forrer, (1869-1953) the numismatic specialist and coin dealer with Spink and Son stated that Bowcher was “gifted with an uncommon faculty for creation, a genuine artistic feeling and manipulative dexterity”. His commissions were many and he shone particularly at portraiture following his first medal work for Tewfik Pacha, Khedive of Egypt in 1886. In 1903 he was appointed engraver to the Royal Mint. Pieces by his hand can be found in the Natural History Museum including a depiction of Charles Darwin, accession number 1019/05.  

Collection of Wemyss style pig money boxes

* JAMES FULLARTON (SCOTTISH b. 1946), SUNSET mixed media on board, signed and dated '80mounted, framed and under glassimage size 38cm x 50cm, overall size 62cm x 73cm Note: Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.

* MICHAEL DURNING PPAI PAI RSW (SCOTTISH b. 1970), HUNTERSTON acrylic on board, signed, titled versoframed and under glassimage size 23cm x 24cm, overall size 46cm x 46cm Note: Michael Durning is a multi-award-winning artist who served as President of Paisley Art Institute (2011 - 15). He exhibits throughout the UK. Collections include: Royal Scottish Academy; Countess of Wemyss and March; Municipality of Karmoy, Norway; Municipality of Collioure, France; British Nuclear Fuels; Hospitalfield House; City of Glasgow College Foundation; Dundee Port Authority and North Ayrshire Council.

* MICHAEL DURNING PPAI PAI RSW (SCOTTISH b. 1970), CAERLAVEROCK CASTLE oil on board, signed, titled versomounted, framed and under glassimage size 19cm x 24cm, overall size 44cm x 48cm Note: Michael Durning is a multi-award-winning artist who served as President of Paisley Art Institute (2011 - 15). He exhibits throughout the UK. Collections include: Royal Scottish Academy; Countess of Wemyss and March; Municipality of Karmoy, Norway; Municipality of Collioure, France; British Nuclear Fuels; Hospitalfield House; City of Glasgow College Foundation; Dundee Port Authority and North Ayrshire Council.

* MICHAEL DURNING PPAI PAI RSW (SCOTTISH b. 1970) AILSA CRAIG oil on board, signed, titled versoframed and under glassimage size 22cm x 28cm, overall size 37cm x 43cm Note: Michael Durning is a multi-award-winning artist who served as President of Paisley Art Institute (2011 - 15). He exhibits throughout the UK. Collections include: Royal Scottish Academy; Countess of Wemyss and March; Municipality of Karmoy, Norway; Municipality of Collioure, France; British Nuclear Fuels; Hospitalfield House; City of Glasgow College Foundation; Dundee Port Authority and North Ayrshire Council.

* MICHAEL DURNING PPAI PAI RSW (SCOTTISH b. 1970), UNTITLED acrylic on board, signed and dated 1998mounted, framed and under glassimage size 62cm x 77cm, overall size 90cm x 120cmNote: Michael Durning is a multi-award-winning artist who served as President of Paisley Art Institute (2011 - 15). He exhibits throughout the UK. Collections include: Royal Scottish Academy; Countess of Wemyss and March; Municipality of Karmoy, Norway; Municipality of Collioure, France; British Nuclear Fuels; Hospitalfield House; City of Glasgow College Foundation; Dundee Port Authority and North Ayrshire Council.

A large Wemyss style pig decorated by Joe Nekola for Plichta, mid 20th century, modelled seated on its haunches, painted with thistles, green painted signature 'Nekola Pinxt', green printed mark 'Plichta London England' and inscribed '7679' to base, 20cm high, 28cm long CONDITION REPORT:The piece shows fine surface crazing and surface wear throughout, but no obvious chips, cracks or evidence of restoration.   

Queen’s South Africa 1899-1902, 2 clasps, Cape Colony, South Africa 1902 (16868 Pte. J. W. Venters. R.A.M.C.) good very fine £80-£100 --- John Venters was born un Wemyss, Fife, in 1879 and attested for the Royal Army Medical Corps at Edinburgh on 26 December 1901. He served in South Africa during the Boer War from 22 February to 13 September 1902, and was discharged on 16 September 1902, after 265 days’ service. Sold with copied record of service.

A Wemyss rose patterned dressing table tray. Length 24 cm.

A Royal Doulton Wemyss Centenary decorative ceramic goblet, made to honour the Queen Mother, with pink floral decoration, raised on a square base, 19cms high, contained in its box.

Decorative vases to include a Wemyss style vase with hand painted tulips 26cm high; a 1950s West Germany vase white and coloured hatch marks over a dark grey ground, 21cm high; a Phyllis Martin Ware pottery vase of ribbed form in eau de nil colour, 21cm high; and a vase inscribed 'Made in Cley' to the base 37cm high (4)

A small collection of 19th century Wemyss for T. Goode ceramics decorated with 'Bon Jour' black cockerel design (af), to include miniature teapot 16.5cmW, cup, saucer and dish, stamped to base (4)

GRISELDA HILL WEMYSS POTTERY JUG AND BASIN, AND A CAPODIMONTE SPILL the jug and basin decorated with flowers and leaves on a white ground, the spill decorated in relief with semi clad figures in a gardenjug 18cm highQty: 2

WEMYSS WARE VASE, in the roses pattern20cm highchip to base

JOHN HAMILTON GLASS SSA (SCOTTISH 20TH CENTURY), THREE WATERCOLOURS OF FIFE A LANDING ROCK NEAR KINGHORN, FIFE; ST SERFS TOWER, DYSART, FIFE; and A QUIET MORNING, EASY WEMYSS, FIFEwatercolours on paper, signed, each titled versoeach mounted, framed and under glassoverall size 37cm x 49cm each Qty: 3

A large Wemyss trumpet vase painted with cabbage roses, together with a Maling washset Condition Report:Available upon request

A Wemyss tankard decorated in the black cockerel and hens pattern. Height 14cm. Repair to handle.

Early wooden advertising pig wemyss style pig and a small Victorian jug

Mixed lot of porcelain to include; Royal Doulton Art Deco teapot, Cranston Vase, stamped 'Moorcroft' mug, Hand Painted trinket dish (J.D. Wilson), Poole pot & Wemyss trinket dish