We found 852 price guide item(s) matching your search

A Schilling Aerodrome Airport Control Tower, Welby Highway Set, both boxed, further boxed toys, and unboxed tin plate clockwork and plastic toys. (qty)

A heavy quality silver replica mustard pot in commemoration of the Queen Elizabeth I example presented to the Worshipful Company of Merchant Taylors, D & J Welby Ltd., London 1927, 6.5 oz (net of blue glass liner), 8.5 cm high

A late Victorian silver rococo revival baluster tea caddy, the domed cover with pine-cone finial, the writhen fluted body embossed and chased with floral and foliate decoration, on stemmed and domed foot, Daniel & John Welby, London 1895, 8.4 oz.  16.5cm highMaker's mark overstamps another, but conform with cover.  Generally good clean condition with no repairs or dents 

WELBY, Adlard: A Visit to North America and the English settlements in Illinois… L, Drury, 1821. First edition. PP:xii, 224, (i)Errata & direction to binder; Plus 14 Plates (including Frontis). Later marbled boards with gilt lettered leather label and new endpapers. One page creased in the middle; occasional light foxing

Hayling (Stephen). Photographs from sketches by Augustus Welby N Pugin, Ealing Publishing, London, 1865, in pressed boards, with plates. (2 volumes)

Pugin (A Welby). The True Principles of Pointed or Christian Architecture Set Forth In Two Lectures Delivered At St Marie's Oscott, John Weale Publishing, London, 1941.

Pugin (A Welby). The True Principals and Revivals of Christian Architecture, John Grant Publishing, Edinburgh, 1895, in pressed boards with gilt stencilling, Contrasts Or A Parallel Between The Noble Edifices of The 14th and The 15th Centuries and Similar Buildings of The Present Day Showeing (sic) The Present Decay of Taste. (2)

Pugin (A Welby). The State of Gothic Furniture of The 15thC, Ackermann & Co, Strand, London Publishing, with illustrations, some hand coloured. (2 albums)

An Edwardian English silver wager cup by D & J Welby 1909 108.3g

A set of six late Victorian ornate silver gilt teaspoons with vineous handles by Daniel & John Welby, London, 1899, two silver coloured metal serving spoons and an Edwardian silver mounted hand/table mirror.

A Victorian silver cream jug, of baluster form, with a scrolling serpent handle, embossed with flowers and rococo scrolls, Daniel and John Welby, London 1898, 7.21oz.

A pair of Edwardian silver Old English pattern dessert spoons, D & J Welby, London 1908, five similar teaspoons, Birmingham 1905, five Old English shell pattern teaspoons and sugar tongs, London 1927, 8ozs weight combined (13).

A PLAIN VICTORIAN SILVER OVOID SHAPED CUP, London 1839, mark of John Welby, engraved with a crest and motto, raised on an hexagonal base, (c.8 troy ozs). 14.5cm high

A book of approximately thirty ornamentally decorated chromolithograph pages, designed by A-Welby Pugin, printed by Henry G Bohn, York Street, London, 1849 and a German book of printed floral designs, titled 'Blumen' - Motive by Christian Stoll

A large Gouda Pottery vase of bottle form hand decorated and gilded with various flower heads etc., together with a 19th century stoneware bread dish very much in the style of Augustus Welby Northmore Pugin (damage), and a selection of eight 19th century ceramic candles in various condition, (the Gouda vase with neck broken and away) 

PUGIN, AUGUSTUS WELBY NORTHMOREDESIGNS FOR IRON & BRASS WORK... London: Ackermann & Co., [1836]. 4to, engraved title and 26 engraved plates, contemporary half calf with the label of the Birmingham Society of Arts and Government School of Design to the upper cover, some spotting; Goldsmiths Designs for Gold & Silversmiths. London: Ackermann & Co., 1836. 4to, engraved title, 27 engraved plates, contemporary half calf with the label of the Birmingham Society of Arts and Government School of Design to the upper cover, some spotting; Fresnoy, C.A. du - John Dryden, translator The Art of Painting. London: Henry Lintot, 1750. 8vo, frontispiece, contemporary calf rebacked [ESTC T122964] (3)

ART & ARCHITECTURE, 8 VOLUMESINCLUDING CECI, CARLO Piccoli Bronzi del Real Museo Nazionale... Naples, [n.d.] Oblong folio, frontispiece, 13 colour plates, original wrappers, worn; Shaw, Henry The Hand Book of Mediaeval Alphabets and Devices. London: Bernard Quaritch, 1853. 8vo, 36 plates, original blue cloth stained, plates loose; Wharton, Edith & Maxfield Parrish, illustrator Italian Villas and their Gardens. New York: The Century Co., 1905. 8vo, original pictorial green cloth gilt, bookplate; Viollet-le-Duc, E. L'Art Russe. Paris: A. Morel & Cie, 1877. 8vo, frontispiece and 31 plates, contemporary green quarter morocco with gold tooling and red onlays to spine, foxing; Pugin, A. Welby Details of Ancient Timber Houses of the 15th & 16th Centuries... [London:] Ackermann & Co., 1836. Small 4to, original cloth with paper label to cover, 21 plates, covers detached, foxed; and 2 further works by Pugin; Watts, Mrs. George Frederick The Word in the Pattern. London: The Astolat Press, 1905. Second edition, 8vo, original cloth; sold not subject to return (8)

A stencilled wood panel in the manner of Augustus Welby Northmore Pugin, the rectangular panel with stylised flower sprays and chevron inscription, We Give Thanks to Thee for Thy Great Glory, on gilt ground unsigned, 61 x 51.5cm.

A pair of Hardman Powell & Co painted wrought iron gates for St Mary's Church Derby designed by Augustus Welby Northmore Pugin, scrolling form with gold trefoil terminals and heraldic M, below trefoil fleur de lys and points, cast Hardman Powell & Co panel, 119cm. high, 61cm wide (each), (2) Provenance The Church of St Mary, Derby (1837-39) Catalogue notes In 1837, the church of St Mary was Pugin's first major parish church commission. This pair of gates were removed from the church during the mid 1980s when a refurbishment was undertaken.

Pugin (A. Welby) . Detaile of antient timber houses of the 15th & 16th century..., 1836, 21 black & white etchings, hand coloured title text , Gothic Furniture of the 15th century, 1935, numerous black & white plates, hand coloured title text, 2 volumes bound in 1, some minor spotting & marginal toning, later gilt decorated red half morocco, spine lightly rubbed to head & foot, 4to, The True Principles of Pointed or Christian Architecture: set forth in two lectures delivered at St. Maries, Oscott, 1841, 9 black & plates plus illustrations, hand coloured frontispiece text, bookplate to front paste down, minor marginal toning, original gilt decorated green cloth with green morocco spine, slightly rubbed with minor loss to head, 4to, together with Lloyd (Nathaniel) , A History of English Brickwork..., 1925, numerous black & white plates, some light spotting, original gilt decorated green cloth, remains of torn dust jacket to front endpaper, spine slightly rubbed to head & foot, large 4to, and Shakespeare Head Press [publisher] , Ernest Gimson His Life & Work, limited edition 328/550, 1924, Stratford-upon-Avon, black & white illustrations and 59 plates, original binding, cloth spine rubbed with minor loss, 4to, plus other 19th & early 20th century architecture & furniture reference, including In English Homes..., by Charles Latham, 1904, The Furniture Designs of Chippendale, Hepplewhite and Sheraton, by J.Munro Bell, 1910, some leather bindings, many original cloth, G/VG, 8vo/folio. (Qty: 39)

Pugin (Augustus Welby). Examples of Gothic Architecture, 1st edition, 3 volumes, 1831-38, numerous engraved plates, occasional library stamps, rebound in modern blue cloth, folio, together with Twopeny (William). Etchings of Ancient Capitals &c from Drawings by William Twopeny, 1837, etched plates, presentation copy from the author, inscribed to title 'For the Rev. Dampier Phelps, W.T.', large slim folio, plus The British Gallery of Contemporary Portraits , being a series of engravings of the most eminent persons now living or lately deceased, in Great Britain and Ireland: from drawings accurately made from life..., 2 volumes, printed for T. Cadell, bookseller to the Royal Academy, 1822, numerous soft ground etched plates, some light toning and occasional spotting, top edge gilt, contemporary dark olive green half morocco gilt, rubbed and some wear, large folio, plus other various antiquarian, mostly 18th and 19th century, including Franklin Hudson, Monumental Brasses of Northamptonshire, Richard Burn, The Justice of the Peace, and Parish Officer, 3rd edition, 1756, David Wilkins, Concilia Magnae Britanniae et Hiberniae, a Synodo Verulamiensi A.D. CCCCXLVI ad Londinensem A.D. MDCCXVII, 4 volumes, 1737, Report of the Boundary Commissioners of England and Wales, 2 volumes, 1888 (numerous folding maps), etc., mixed leather and cloth bindings, some wear, mainly folio (Qty: 4 cartons)

A pair of 20th century silver sauceboats, D and J Welby Ltd., London 1924, each boat shaped and engraved with a crest, on scrolled hoof foot and handle, 20cms wide, 661g. (2)

Assorted silver plate including; a model of a standing horse; tow Dior match sleeves; a horn powder horn with plated ends; a gilt metal oval shaped box and cover, maker's mark J&J Welby Ltd; a cheese toasting dish with wood handle and Argyle base; a Garrard Regent plate oval bowl; a Christofle small gilt metal tray with a similar pair of scissors .(qty.)

A set of six George IV silver fiddle pattern table spoons and six matching table forks, by William Bateman, London 1820, and a set of twelve similar dessert forks, by William Bateman, London 1817, all engraved with Welby crest to terminals (weight 42ozs)

A LATE VICTORIAN SILVER DISH RING, London c.1895, maker's mark that of Daniel & John Henry Welby, of waisted circular form, the pierced body with embossed and chased decoration depicting a shepherd in a rural farmyard scene, fitted with blue glass liner (c.11.5 troy ozs excl. liner). 19cm diameter, 7.5cm high

A post-WWII Second World War (1957) Private Purchase battle dress uniform blouse, named to a Brigadier C.E. Welby Everard. The blouse with cloth Major General's badges, Gorget patches with stay-bright buttons and two rows of medal ribbons - CB, OBE or MBE, General Service Medal, 39-45 Star, 44-45 France & Germany Star, Defence Medal, 39-45 War Medal (brass Mentioned In Despatches oakleaf), and QE2 Coronation medal. Interesting uniform blouse.Major-General Sir Christopher Earle Welby-Everard KBE CB DL (9 August 1909 – 10 May 1996) was a senior British Army officer and the last British commander of the Nigerian Army.

An Edwardian embossed silver vase, D & J Welby, London, 1907 and a white metal pap boat.

An early Victorian gothic revival oak library armchair in the manner of Augustus Welby Northmore Pugin, with William Morris style damask upholstery, stylised and carved supports, moulded base with carved and channelled legs with turned and carved stretchers, on brass castors, 63cm W. A similar chair with reputed provenance from the Bishop's Court, Weston-Super-Mare, Somerset, was sold at Christies South Kensington 8th July 2009 (Lot 43, sale 5971).

A WELBY PUGIN; ''AN APOLOGY FOR THE REVIVAL OF CHRISTIAN ARCHITECTURE IN ENGLAND'', W Hughes 1843

A Victorian Silver Teapot, John Welby, London 1850, octagonal baluster form on foliate bracket feet, profusely engraved with scrolling foliage and flowerheads, 18.5cm high, 22.4ozt

A Victorian oak gothic revival hall chair in the manner of Augustus Welby Pugin. c.1850

A George V silver three piece tea set, D & J Welby, London 1933, gross 36.5 oz.

Pugin (Augustus Welby). An Apology for the Revival of Christian Architecture in England/The True Principles of Pointed or Christian Architecture, 2 works bound in one, 1843 & 1853, half titles, additional engraved title to second work, 30 engraved plates, a little minor spotting, all edges gilt, contemporary morocco gilt, a little rubbed, 4to, together with The Artist's Assistant... 7th edition, improved, 1801, small engraved portrait frontispiece of William Hogarth, four engraved plates (three folding), original wrappers bound in modern half calf, 8vo, plus Rules and Orders of the Society Instituted at London for the Encouragement of Arts Manufactures and Commerce, 1761 (Qty: 3)

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) SET OF SIX GOTHIC REVIVAL OAK DINING CHAIRS, CIRCA 1850 each with chamfered decoration, the upholstered back and seat on square legs linked by stretchers (6) 45cm wide, 87cm high, 43cm deep

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) SET OF FIVE GOTHIC REVIVAL OAK DINING CHAIRS, CIRCA 1850 each with chamfered decoration, the top and mid-rail with carved rosettes above upholstered seat and raised on square chamfered legs linked by stretcher, 48cm wide, 89cm high, 44cm deep; and ANOTHER SIMILAR CHAIR with upholstered back panel, 43cm wide, 89cm high, 38cm deep (6)

***AWAY VENDOR COLLECTED 09/04***An Arts & Crafts silver hammered porringer, with twisting serpent handles, the body engraved with initials and dated 1921 within cartouche, D & J Welby Ltd, London, 1920, 9.94 ozt (309.5 grams)

Augustus Welby Pugin (1812-1852) - A mid 19th Century stained glass window, the rectangular panel with two winged griffin, before stylised polychrome shaped panels, painted with foliate sprays and quatrefoil adorned borders, below allegorical text panel, with gothic script, Matthew 25:29, 'Shall have abundance but from him that hath none', 29.5cm x 57cm, in later oak frame. With original receipt dated 1989, E.S. Philips & Sons, Portobello Road, London, by repute designed for St. Mary's Church, Oldham.

A PAIR OF SILVER FIVE BAR TOAST RACKS, by D & J Welby Ltd, London 1931, 14cm long; three other pairs of silver five bar toast racks, and one other toast rack (AF), 25 oz overall (qty)

A GEORGE III SILVER TAPERSTICK, with reeded border and handle, by Abstinando King, London 1818, 9cm wide, a pair of modern silver snuffers by Asprey, a silver hip flask, a pair of pierced silver bottle coasters, with turned wooden bases, and an Edwardian silver snuffers tray, with pierced ends and beaded border by Daniel and John Welby, London 1903, 25.5cm (7)

A WILLIAM IV SILVER SALVER, with foliate and scroll cast border, engraved foliate decoration and scallop cast feet by John Welby, London 1834, 27cm diameter, 20 oz

A Victorian oak gothic revival hall chair in the manner of Augustus Welby Pugin. c.1850

A George V silver gilt tri-handled floral embossed circular bowl by Daniel & John Welby, London, 1911, on caryatid supports, double stamped with Pairpoint Brothers mark, lacking glass insert? bowl diameter, 12.2cm, 9 oz.

A George V silver gilt Monteith, by Daniel & John Welby, with engraved inscription and five panels engraved with Indian figures, with two lion mask ring handles, on spreading foot, London, 1913, diameter 27cm, 65.5 oz.

A George V silver gilt tri-handled floral embossed circular bowl by Daniel & John Welby, London, 1911, on caryatid supports, double stamped with Pairpoint Brothers mark, lacking glass insert? bowl diameter, 12.2cm, 9 oz.

Pugin, Augustus Welby. Specimens of the Architecture of Normandy, first edition, half-title, 78 engraved plates, light spotting, contemporary half calf, rubbed, 4to, London: Blackie and Son, 1874; Specimens of Gothic Architecture, 2 volumes, third edition, engraved plates, browned, later cloth, 4to, London: J. Taylor, 1826; Examples of Gothic Architecture, 3 volumes, plates, original cloth, 4to, Edinburgh: John Grant, 1895; and 3 others by the same author, 4to (8), sold w.a.f.

LARGE AND IMPRESSIVE GOTHIC REVIVAL CHIMING CLOCK BY BENJAMIN LEWIS VULLIAMY, LONDONCIRCA 1840 the fire-gilt brass architectural case with a gable surmounted by scrolling foliate cresting, the sloping sides with simulated slate tiles, above a leaf cast frieze mounted below with five red glass cabochons, enclosing trefoil reserves mounted with roundels painted with views of Greenwich, including Flamstead House, Greenwich Hospital and Queen's House, and an oblique view of Greenwich Hospital with ships on the Thames, above a triple arch silvered dial with a Roman number chapter and subsidiary Strike/Silent, seconds, and 8 Bells [Westminster]/Cambridge chimes dials, signed above the XII ''VULLIAMY/ LONDON', flanked by pairs of plain Corinthian columns with further columns to the rear corners, on a deep plinth; the triple fusee movement striking a bell and chiming on eight bells, the backplate signed above the pendulum clamp 'VULLIAMY/LONDON'; on a modern oak stand with Gothic pointed arches flanked by columns.clock 60cm wide, 114cm high, 40.5cm deep; with stand 206cm highNote: Benjamin Lewis Vulliamy (1780-1854), third generation of the renowned 18th and 19th century Vulliamy clock making family, was Clockmaker of the Crown and elected Master of the Worshipful Company of Clockmakers five times, more than any other member. He studied horology from an early age, eventually taking over the family business in 1811 from his father Benjamin. In addition to being a skilled craftsman, Vulliamy was known for his refined taste and extensive knowledge of art, literature, and architecture. This monumental clock, with its imposing case in the Gothic taste, represents the very best work produced by the Vulliamy workshop during the 1840s. Undoubtedly a special commission, the scale of the clock, and the quality of the workmanship, indicate it was intended for an important client and location. The Gothic influences incorporated in the case, with its architectural form, details, and embellishments, is characteristic of Gothic Revival design, expounded by Auguste Pugin and his son Augustus Welby Pugin, architect and designer of the interiors of the new Palace of Westminster. The clock's history is unfortunately unclear. The movement, though clearly signed Vulliamy, is not numbered, an omission that makes dating the piece difficult. The Vulliamy Archive, at the British Horological Institute, contains incomplete records from the firm, and offers few insights into the potential original owner. Some tantalising clues can be taken from the three painted roundels depicting landmarks in Greenwich, which could indicate a private commission with links to the Royal Hospital, or a governmental commission, as Vulliamy supplied an increasing number of public funded works in the 1840s and 50s. By repute, the clock was removed from a private house in Greenwich for safekeeping in 1939, eventually finding its way into the possession of a judge whose family referred to it as the 'Pugin Clock', more a statement on its design than on any substantive connection with Pugin. It then passed into another private collection where it has remained for the past fifteen years.

Daniel and John Welby, a set of three cauldron form silver mustards, London 1908, two silver pin dishes, Sheffield 1986, a 9ct gold pin and a white metal hip flask

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) OR EDWARD WELBY PUGIN (1834-1875)NEEDLEWORK WOOL RUG, CIRCA 1850 the panel a section of a larger carpet, worked with panels of fleur-de-lys on a red ground and with panels bearing the cypher M with coronet, reserved on a blue ground and bearing inscription to one end DEUS ABSCONTIUI ET VES* and to the other VERE TU ES DELECTABIS, lined and converted to a hanging209cm x 117cmProvenance: St. Leonards - Mayfield Chapel, Mayfield, Sussex, England.Note: The remains of a medieval palace belonging to the Archbishops of Canterbury was converted into a school, Mayfield School of the Holy Child, by Edward Welby Pugin in 1863-6. This needlework rug originally ran the entire length of the Chapel. Due to the sheer scale of the work, the rug was constructed in small panelled sections and later stitched together to form the carpet. Hand-stitched by the sisters of Mayfield Chapel, the carpet was produced for Mother Cornelia Connelly, founder of the Society of the Holy Child Jesus. The border speaks of the hidden God and delighting in him day and night and in this section the inscription loosely translates from Latin to: 'you are joyful'. As in other projects E.W. Pugin continued to use the decorative designs of his father of which this may be one.

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) FOR JOHN HARDMAN & CO.GOTHIC REVIVAL SILVER PLATED AND GILDED BRASS WALL SCONCE, CIRCA 1860 the hexagonal reflector plate embossed with floral motifs and centred with a floret roundel, the pierced and chased backplate supporting three curved arms and candlesticks linked with a leafy frieze stretcher81cm high, 39.5cm wide, 22.5cm deepLiterature: Belcher, Margaret (ed.) 'The Collected Letters of A. W. N. Pugin' 1851-1852, p.291Note: The drawing illustrated relates to a frieze and lobed drip pan designed by Pugin, in the collection of Birmingham Museum & Art Gallery and annotated 'S. Jerningham' to the reverse. This design is repeated in the present lot. Henry Valentine Stafford-Jerningham, 9th Baron Stafford DL (1802-1884), known as Henry Jerningham until 1824 and styled The Honourable Henry Stafford-Jerningham between 1824 and 1851, was a British peer and politician and patron of Pugin. Pugin refers to the family in a letter to Hardman of 1851 instructing him to send a lamp to 'Mrs. Jerningham' (Lady Stafford).

MANNER OF AUGUSTUS WELBY NORTHMORE PUGINOAK FRAMED DEVOTIONAL TRIPTYCH SCREEN, CIRCA 1860 the panelled frame set to the interior with carved roundels inset with panels painted in gilt and colours with the Mysteries of the Rosary, recalling events in the lives of Jesus and Mary. bears painted inscriptions MYSTERIA GAUDIOSA/ GLORIOSA/ DOLOROSA/ AVE MARIA/ GRATIA PLENAclosed: 38cm wide, 46cm high, 5cm deep; open: 69cm wide

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852)PAIR OF GOTHIC REVIVAL PAINTED IRON AND BRASS MOUNTED CHANDELIERS, CIRCA 1850 each with quatrefoil pierced and scalloped hoops, with original polychrome painted decoration, supporting six candle sconces with scalloped drip trays suspended by three chains and with original filigree ceiling roses (2)58cm diameter, 72cm highNote: For comparable light fittings designed by Pugin see Our Lady and St Wilfrid's Church, Warwick Bridge, completed in 1841.

AFTER AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852)PAIR OF GOTHIC REVIVAL BRASS ALTAR CANDLESTICKS, CIRCA 1850 each with fleur-de-lis pierced galleried drip tray above quilted column centered with a fleur-de-lis roundel and raised on spreading base, stamped maker's mark to base J. WILMOTTE ET FILS, LIEGE (2)65cm highNote: For a similar candlestick by J. Hardman & Co. see Chirk Castle, Wrexham, Denbighshire, Christie's House Sale, 21 June 2004, lot 412.

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) PROBABLY FOR MINTON & CO.TWO GLAZED CERAMIC ALTAR VASES, CIRCA 1850 each of footed baluster form, decorated in gilt with gothic script borders and a central religious motif (largest with fine hairline to rim) (2)22cm high and 18.5cm highNote: For a similar vase designed by Pugin for Derby Porcelain factory, see Aldrich and Atterbury, 'A.W.N. Pugin: Master of Gothic Revival', New York 1995, p. 313, no. 78

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) FOR JOHN HARDMAN & CO., BIRMINGHAMRARE PAIR OF GOTHIC REVIVAL BRASS ALTAR CANDLESTICKS, CIRCA 1848 each with galleried and lobed drip tray above quilted and knopped column on a trifom base with applied decoration of three cast angels (2)65cm highExhibited: Madrid, Fundación Juan March and Barcelona, Museu Nacional d'Art de Catalunya 'William Morris and the Arts & Crafts Movement in Great Britain' October 2017-May 2018, No. 4.Note: A shorter form of this candlestick with single knop on the stem were supplied by Hardmans to St Barnabas, Pimlico circa 1850 where they can be seen on the high altar below the reredos by George Frederick Bodley. St. Barnabas was designed by Thomas Cundy with assistance from Butterfield 1847-50. A comparable drawing by Pugin of this design is illustrated in the Hardman & Co. catalogue, 1846, number 9.

A Welby reproduction tinplate highway set, appears complete, in original box

A George V silver rectangular easel dressing table mirror, embossed with a border of swags, 36cm high, D * J Welby, London 1916

Victorian silver twin handle porringer with half repousse leaf decoration, maker Daniel & John Welby, London 1896, 2.25" high, 3.6oz t approx

Literature and poetry, 18th and 19th century, 8vo or 12mo, mainly on mental afflictions. HEATON (J) The Extraordinary Affliction of a Little Boy. 1822; HARRISON (W H) Spirit People, 1875; WELBY (H) Signs before Death, 1825, folding frontispiece; LUNATIC (N) Satiric Tales, ... the Fat Witch of London. 1808, chipped spine; The Modern Ship of Fools, 1807, coloured frontispiece, boards; JUNG-STILLING (Dr J H) Theory of Pneumatology, 1834; LENDRICK (C) Observations of Demoniacal Possession, 1833, 20pp., paper wraps; one other; and 7 early 18th century disbound pamphlets, mainly Tom of Bedlam (15)

Arts & Crafts-style embroidered panel of a female figure entitled 'Ceres' after a design by Ellen Welby of circa 1888, 58cm x 20cm, framed and glazed Condition: This piece is probably first half 20th Century, could be as late as 1930

VINTAGE WELBY TIN PLATE HIGHWAY SET WITH 2 CLOCKWORK CARS, MAGIC STOP-GO WITH KEY AND BOX