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Victorian silver presentation twin-handled trophy and cover, bearing silver wedding dedication dated 1889, the C-scroll handles leaf capped, maker Daniel & John Welby, London 1888, 10.5" high, 34.6oz t

An important chest designed by Augustus Welby Pugin for the Palace of Westminster, covered in tooled, gilt red leather. The domed lid with portcullis and royal cypher of Queen Victoria, the lower half embelished with an all over foliate quatrefoil motif, leather straps forming the hinges and fastening. Height: 64cm, width: 60cm, depth: 50cmCondition report: There are a number of condition issues including losses, stains and distress to leather covering throughout. Evidence of woodworm, although the box seems sound in construction. The leather bindings that attach the lid are lacking.

DANIEL & JOHN WELBY LTD. A SILVER "TASTEVIN" / WINE TASTING CUP, repousse fluted with entwined serpent handle, London 1911, 10cm in diameter, weight; 119g

NO RESERVE Pugin (Augustus Welby N.).- Ayling (Stephen) Photographs from Sketches by Augustus Welby N.Pugin, 2 vol., first edition, 500 mounted albumen prints, occasional spotting to mounts, contemporary morocco-backed cloth, gilt artist's monogram to covers, rubbed, 1865 § Pugin (A.W.N.) Designs for Gold & Silversmiths, engraved title and 27 plates, foxed, contemporary cloth with original pictorial title label to upper cover, rubbed, 1836; Floriated Ornament, chromolithograph title and 30 plates, occasional spotting, contemporary morocco-backed cloth, gilt, worn, upper cover detached, 1849; and 7 others, Pugin, 4to (10)

Five Minton encaustic floor tiles designed by Augustus Welby Northmore Pugin, from Southwark Cathedral, the central circular panel with a lamb of god motif, flanked by four cruciform tiles with geometric cruciform and fleur de lys terminal design, in colours and three Minton Pottery tiles designed by Dr. Christopher Dresser, framed, impressed marks, damages and losses, 27cm wide (largest tiles), (6) Provenance A private tile collection.

A GEORGE V SILVER TRAY, maker Walker & Hall, Sheffield 1910, of rounded oblong form with straight gadrooned rim and foliate and leaf cast corners with two similar handles, centrally engraved with a presentation inscription "March 15th 1911 ... retirement from the Secretaryship of Lord Fitzwilliam's Wentworth Hunt", surrounded by numerous deeply engraved facsimile signatures including Maud Fitzwilliam, Edward Welby & Mabel Smith, 29 1/2" wide over handles, approximately 135ozs 12dwts (Est. plus 21% premium inc. VAT) (Illustrated)

DANIEL & JOHN WELBY A 19TH CENTURY SILVER SALT of Georgian design, having oval pierced frame, with beaded rim, raised on four paw feet, with blue glass liner, London 1887, 8.5cm x 6.5cm, together with a pair of SILVER EDWARD VIII WISHBONE SHAPE SPRU NG SUGAR NIPS, Birmingham 1936, by "James Swan & Son", a silver lidded MUSTARD POT with blue glass liner, and a PAIR OF SILVER MOUNTED CUT GLASS SALTS

George V pair of sterling silver salt and pepper pots; by J & J Welby, London 1931, approx 144 gms. 

A pair of Victorian silver saltsD & J Welby, London 1897, Britannia standard In the late 17th century style, octagonal, with trefid pattern salt spoons, crested, height 9.5cm, weight 18.5oz.Footnotes:By repute, gifted to the Fishmongers' Company by Dean Crake of Battle, Sussex.

Rose E Welby still life of flowers signed watercolour, 37cm x 20cm , and Arthur Lee Welbank (1871-1940), The Thames from Barnes, 15cm x 25cm and four other pictures

A small Arts & Crafts hammered silver bowl, by Daniel & John Welby, London, 1906, 13.5cm diameter, 10.4ozt total

Pocock (W[illiam] F[uller]), Designs for Churches and Chapels of Various Dimensions and Styles; Consisting of Plans, Elevations, and Sections: with Estimates, Also Some Designs for Altars, Puplits, and Steeples, third edition, London: Printed for M. Taylor, 1835, pp: [1]-28, 44 full-page copperplate engravings, contemporary printed papered boards, 4to; Pugin (A[ugustus] Welby, Architect, and Professor of Ecclesiastical Antiquities in that College), The True Principles of Pointed or Christian Architecture: Set Forth in Two Lectures Delivered at St. Marie's, Oscott, first edition, London: Henry G. Bohn, 1853, contemporary boards (worn with losses, disbound), 4to; Cutts (The Rev. Edward L., B.A.), A Manual for the Study of The Sepulchral Slabs and Crosses of the Middle Ages, first edition, London: John Henry Parker, 1849, full-page wood engravings by Orlando Jewitt (1799-1869), contemporary cloth, 8vo; Stone (Mrs), God's Acre: or, Historical Notices Relating to Churchyards, London: John W. Parker and Son, 1858, title printed in red and black, contemporaneous institutional leather over boards, 8vo; Andrews (William), Curious Epitaphs, London: William Andrews & Co., 1899, contemporary blue cloth, floral endpapers, 8vo; further volumes on epitaphs, graveyards, death and the macabre in history, 19th century and later, various sizes and bindings; etc

by D&J Welby Ltd, London 1917, the lobed and panelled sides with presentation engraving detailing a wedding gift from Arthur, Duke of Connaught, with two applied scrolled handles, the fully marked friction fitting cover to match and topped with an urn shaped finial, all raised on a simple pedestal foot, 35.8ozt gross (Dimensions: 20cm x 21cm x 15cm)(20cm x 21cm x 15cm)Footnote: Prince Arthur, Duke of Connaught and Strathearn (Arthur William Patrick Albert), was born in 1850 at Buckingham Palace - the seventh child and third son of Queen Victoria and Prince Albert. His godparents included the Duke of Wellington, with whom he shared his birthday and after whom he was named. It was reported that he became the Queen's favourite child. In August 1869, during his distinguished military service, the Duke transferred to the Rifle Brigade - his father's own regiment - after which he continued his career as an army officer, including service in South Africa, Canada Ireland, Egypt and India. In 1879, at St George's Chapel, Windsor, he married Princess Louise Margaret of Prussia, the daughter of Prince Frederick Charles and a great-niece of the German Emperor, Wilhelm I, Arthur's godfather. He died on 16 January 1942 at the age of 91 years, 8 months and 15 days, the same age to the day as his elder sister, Louise, Duchess of Argyll, who had died three years before.

ATTRIBUTED TO AUGUSTUS WELBY NORTHMORE PUGIN; an unusual Victorian Gothic carved oak dining chair with upholstered back and seat.Additional InformationThere is no attribution information. It is sold as is. 

Twelve (5 & 7) Georgian & Victorian silver dessert forks in the Kings pattern, London 1892, Daniel & John Welby, & Glasgow 1839, John Murray/Muir

A W N Pugin, a Gothic Revival silver, gilt and enamel drinking cup or beaker, John Hardman and Co., Birmingham 1848, flared cylindrical form, applied with three champleve enamelled roundels of rose, fleur de lys and monogram EP, linked by tubeline bordered and parcel gilt bands of etched geometric quatrefoils on a rusticated ground, below an engraved inscription: 'Eleanor Frances Baptised III April MDCCCXXXXIX St Mary East??Maw??' with fleur de lys and trefoil incised rim, the base with a further gilt and raised band, between trefoil headed arcading and a chased foliate banded foot, 10.5cm high, 5.31ozt Provenance: the Hardman Archives, Birmingham Library, Day Book records an entry on 30th March 1849, for a Christening cup £6, commissioned by the Rev'd Dr John Gibson of Jesus College, Cambridge; thence by descent Note: A W N Pugin began his collaboration with the Birmingham based ecclesiastical metal manufacturer John Harman in 1838, promoting themselves as the first Medieval Metalworkers, in which Pugin acted as designer for Hardman's workshop. Produced at the height of this partnership (during which time the new Houses of Parliament were still being refurbished by the company to the designs of Pugin), the same motifs and design elements appear on several other items of the same period housed in international museum collections, including the Victoria and Albert Museum. As a pioneer of the English Gothic Revival, Augustus Welby Northmore Pugin's metal designs for Hardman continued to be popular in both domestic and religious environments for decades after Pugin's death in 1852. Pieces produced during his lifetime, when Pugin was working directly with Hardman on a daily basis (as evidenced in the Hardman Archives Day Books), such as this cup, rarely appear on the market and the Hardman Archives show a very small number of solid silver domestic items being produced during this period at all; making this a highly important piece of early Gothic Revival design. John Gibson, Dean of Jesus College, Cambridge from 1842 to 1857, was one of the guiding forces of the Gothic Revival in Cambridge in the 1840s. As treasurer of the College chapel restoration fund, he commissioned Pugin to direct the renovations of the building between 1846 and 1849. His entry in the Hardman order books, includes two private commissions, one of which is this beaker, made for the christening of Eleanor Frances, presumably a relative; the day book record having been entered four days before the christening at St Marys church. This is the only record found for a domestic beaker or cup of any kind produced during the 1848/49 hallmarking period and in the surrounding months.

Augustus Welby Northmore Pugin (1812-1852) A CHURCH INTERIOR WITH STAINED GLASS WINDOWS Watercolour over pencil 20.5 x 10cm

Augustus Welby Northmore Pugin (1812-1852) A VIEW OF A CONTINENTAL CHURCH OR MONASTERY, PROBABLY IN FRANCE Watercolour heightened with white, over pencil 16.5 x 21.5cm

A silver urn and cover, swag and acanthus decoration, London 1935, D & J Welby (a.f.) and a silver and enamel-topped toilet bottle

A Minton Pottery wall charger by Ellen Welby, dated 1887, painted to the well with an enigmatic maiden sailing on a clam shell, her red shawl forming a sail, the rim with a band of classical cherub holding shield and mask panels, in colours impressed factory marks, painted signature and date, hairline crack to rim, 43cm. diam.

A small brass flower vase designed by Augustus Welby Northmore Pugin, flaring quattro lobe section, on four fleur de lys feet, with engraved roundel monogram, unsigned, 14cm. high

A silver twin handled rose bowl trophy, by D & J Welby Ltd, London 1968, 221g.

An Edwardian silver boat-shaped dish, with relief embossed swag decoration, by Daniel and John Welby, hallmarks London 1906, length 13cm, 5.5oz

Pair cased Jam Spoons London 1898 by Welby: Pair of cased jam spoons, London 1898 by D & J Welby London. Decorated with armorial crests to spoon tops. Hinges at fault on case. Weight 101g.

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) FOR NEW STONE CHINA LARGE GOTHIC REVIVAL STONEWARE transfer-printed with stylised trefoil border, impressed factory marks, 47cm wide; and a PAIR OF SOUP PLATES, decorated with stylised floral border, impressed factory marks NEW STONE, 26cm diameter; a LUNCH PLATE, similarly decorated and marked, 26.5cm diameter; together with TWO FURTHER SOUP PLATES, one 'Anthea' pattern by Wedgwood, the other with a Gothic design, printed mark GOTHIC, 26cm diameter (Qty: (6))Condition report: All pieces with no apparent restoration under UV

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) FOR JOHN HARDMAN & CO GOTHIC REVIVAL BRASS 'HOLY WATER the knopped and scrolling handle above a lobed bucket and raised on a spreading lobed base . (Dimensions: 17.5cm high (excluding handle))(17.5cm high (excluding handle))Footnote: Provenance: Paul Reeves, London Literature: https://archive.org/details/catalogue00john/page/n113 Note: See trade catalogue for John Hardman & Co., circa 1885 where a line drawing for this model is illustrated

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) FOR JOHN HARDMAN & CO. GROUP OF FOUR GOTHIC REVIVAL each cast with fleur-de-lis and trefoil-pierced tracery (Dimensions: 52cm x 24.5cm) (Qty: (4))(52cm x 24.5cm)Footnote: Note: Similar grilles were executed for The House of Lords, London to protect the glass door panels from breakage. See Metropolitan Museum of Art, New York, Accession Number: 2015.593 for a similar example.

ATTRIBUTED TO EDWARD WELBY PUGIN FOR JOHN HARDMAN & CO. GOTHIC REVIVAL SILVER AND ENAMEL BEAKER, with gilt interior, bearing inscription AND HE SHOWED ME A PURE RIVER OF WATER OF THE CLEAR AS CRYSTAL, with an applied central band of Gothic tendrils and four enamelled cartouches, one depicting the Virgin teaching the Christ child to read, with maker's marks and hallmarks for Birmingham 1866, weight 8.29ozt approx. (Dimensions: 10cm high)(10cm high)Condition report: Beaker in good general condition with no bumps or dents Enamels are essentially sound although there is a flake to the RH side of the Madonna's head All applied elements, wirework etc are good and sound Some allover light scratching and rubbing to the gilt in the interior Minor tarnish marks and scratches here and there Provenance anonymous vendor

ATTRIBUTED TO AUGUSTUS WELBY NORTHMORE PUGIN FOR JOHN HARDMAN & CO. PAIR OF GOTHIC REVIVAL BRASS each of shaped oval form with stylised foliate decoration, 22cm long; together with a FRAMED GOTHIC REVIVAL ENCAUSTIC TILE PANEL, comprising four tiles, decorated with a stylised foliate pattern, within an ebonised frame, each tile 10.3cm square approx. (Qty: (3))Footnote: Literature: https://archive.org/details/catalogue00john/page/n113 Note: See trade catalogue for John Hardman & Co., circa 1885 where a line drawing for a similar plate is illustrated.Condition report: No apparent restoration under UV

MANNER OF AUGUSTUS WELBY NORTHMORE PUGIN GOTHIC REVIVAL OAK SIDE TABLE, CIRCA 1890 with elaborate pierced upstand, the rectangular top above an arcaded frieze, raised on moulded legs (Dimensions: 185cm wide, 138cm high, 51cm deep)(185cm wide, 138cm high, 51cm deep)Footnote: Literature: Cooper, J 'Victorian & Edwardian Furniture & Interiors, Thames & Hudson 1998, p.98, pl. 100 Note: A variant of a serving table designed by Pugin for Abney Hall, Cheshire

A great collection of 16x assorted clockwork windup tinplate and battery operated toys comprising: Duck On Bike, Welby Local Shuttle Return Train, Boy Tricycle, Slugger Champions, Japanese Alps Peggy The Pelican, Wonder Locomotive, The Happy Go Lucky Pony, motorbike, tram, Jolly Golly Dancing Illusion all appearing complete in original boxes. Along with unboxed examples: Shucho plane, tank, cars, tumbling monkey and tractor with trailer. 

A pair of oval silver salts, with blue glass liners - London 1892 by D & J Welby

A MID 19TH CENTURY OAK ABBESS' TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), possibly later rectangula (yew wood) top, single long drawer with brass cup handles, on gothic dual end legs, length 122cm x depth 60cm x height 77cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: extensive surface scratches)

A MID 19TH CENTURY OAK TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), with a replacement rectangular cedar top, on gothic dual end legs united by a plain stretcher, length 130cm x depth 67.5cm x height 75.5cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: surface scratches to the top, evidence of staining)

A MID 19TH CENTURY OAK CORNER TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), of 'L' shaped form with replacement rectangular yew wood tops, the long section fitted with three drawers and a faux drawer front and the short section with two drawers and a faux drawer front, with brass cup handles, on gothic dual end legs with arched buttress supports and linked by plain stretchers, length 213cm x length of short table 135cm x depth 67cm x height 75cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: surface scratches to the top)

A LATE VICTORIAN DISH RING in the 18th century Irish manner, of spool form, pierced and chased with a shepherdess and her beau in pastoral tranquility, with flowers, scrolls and a vacant cartouche (blue glass liner), by D & J. Welby, London 1899; 8" (20.2 cms) diameter; 16.5 oz weighable silver

Thomas ( A.H . & Thornley , I.D .) . The Great Chronicle of London, limited edition 42/500, 1938, 10 colour & monochrome facsimile plates, top edge gilt, minor marginal toning, publishers original gilt decorated full brown morocco, spine lightly faded, hinges slightly rubbed, large 8vo , together with Pugin (A. Welby) , Detaile of ancient timber houses of the 15th & 16th century..., 1836, hand-coloured title page, numerous monochrome plates, cracked gutters, some light toning & offsetting, contemporary gilt decorated red half morocco, boards & spine lightly rubbed, large 4to, and Syropoulos (Silvestros) , Vera Historia unionis non veræ inter Græcos et Latinos: sive Concilii Florentini..., 1660, The Hague, later endpapers, some toning throughout, ink mark to head of title page, rebound retaining later full calf boards & spine, some loss to spine, large 8vo, plus other 18th & 19th century literature & history reference, including The Collection of works of art, pictures, furniture, silver, china &c. at Tredegar House, Monmouthshire, 1916, mostly leather bindings, many gilt decorated, some foreign language, condition is good/very good, 8vo/4to (Qty: 3 shelves)NOTESApproximately 75 volumes

An Edward Welby Pugin (1834-1875) designed oak hall chair, the curved blade back on wishbone supports surmount a curved seat with slab sides held together with pegs, height approx 80.5cm. CONDITION REPORT There is a burn to the rear right hand lower leg of the right hand support and slight damage to the front light leg.

A cased pair of late Victorian silver sugar casters, Daniel & John Welby, London, 1897, 19.2cm, 14.5 oz.

AUGUSTUS WELBY PUGIN, FLORIATED ORNAMENT, LONDON 1849, RED CLOTH BOARDS, LARGE QUARTO.

PUGIN, A Welby, Glossary of Ecclesiastical Ornament and Costume……with extracts from works trans. By Th Rev. Bernard Smith. Bohn, 1844. Lge. 4to. 73 chromolithographic plts. Plus 2 loose. New endpp. Rebacked. Glt. Dec cl. worn. 1

PUGIN, Augustus, Recollections of A.N. Welby Pugin and His Father, Augustus Pugin. With Notices of their Works by Benjamin Ferrey. Stanford, 1861. 4to. Plts. as listed. Frontis. port. ½ marled bds. Tog.with MORRIS, William, Hopes and Fears for Art, Five Lectures delivered in Birmingham, London, and Nottingham 1878-1881. London 1882. 2nd. Edn. 8vo. Cl. bd. Plus ROSSETTI, William, Michael ed. Ruskin, Rossetti: PreRaphaelitism. George Allen, 1899. 8vo. 1st edn. ½ bds. gl. Spine. Hinge rubbed. Plus others. 8

NASH, Joseph (Ill.) A Series of Views Illustrative of Pugin's Examples of Gothic Architecture. Pugin, 1830. Slim 4to. plts. A.c.f. cl. bds. Tog.with PUGIN, A Welby, Floriated Ornament. A Series of Thirty-one Designs, Bohn, 1849. Cold. Frontis. plts. a.c.f. ¼ cl. scuffed plus 1 other. 3

PUGIN, A Welby, Gothic Furniture of the 15th Century, Ackermann, London, 1835. Slim 4to. engrd. Tp & ½ tp. 24 plts. With tissue guard. Light foxing to margins. Owners insc. To endpp. Cl bds. Tog.with SPIERS, Richard Phene, ed. Specimens of The Architecture of Normandy from XIth the XVI cent. Drawn by Augustus Pugin, Blackie, 1874. Fo. ½ bds. worn. Plus other Pugin interest. 6

PUGIN, A Welby, The Present State of Ecclesiastical Architecture in England, London, 1843, 8vo. Foxing to some plts. ½ bds. Tog.with RICKMAN, Thomas, An Attempt to Discriminate The Styles of English Architecture from the Conquest to The Reformation. London, 1819. 2nd. Edn. 8vo. Frontis. with tissue guard 14 plts. ½ marbled bds. 2

PUGIN, A, Welby, The True Principles of Pointed or Christian Architecture see forth in two lectures delivered at St. Marie's Oscott. Bohn, 1853. 2 vols. In 1. Plts. A.c.f. embossed cl. glt. Des. To upr bd. Tog.with A Treatise on Chancel Screens and Rood Lofts by same. Dolman, 1851. 4to. cl. bd. Plus Pugin's Gothic Furniture, Ackermann, nd. 4to. cl. bd. Plus others by same. 7

WARTON, Rev. T. BENTHAM Rev. J. GROSE, Capt. & MILNER Rev. J. Essays on Gothic Architecture. Illustrated with 10 plts. London, 1800/ 8vo. Full cf. tog.with PUGIN, A. Welby, The Present State of Ecclesiastical Architecture of England, London 1843. Embossed cl. bumped. Plus others. X8

A cased pair of late Victorian silver sugar casters, Daniel & John Welby, London, 1897, 19.2cm, 14.5 oz.

A footed silver milk jug with reeded band and shaped reeded rim, maker D & J Welby London 1896, 7.1oz.

IN THE MANNER OF AUGUSTUS WELBY NORTHMORE PUGIN; an Arts & Crafts style brass hanging chandelier with dishes sconces and shaped platform, diameter approx 82cm.

A George I style square silver salver, Daniel and John Wellby, London 1920, with moulded edge and serpentine shape corners, on four hoof feet, 25.5cm, 26.7ozs, inscribed on the underside 'H E Welby .... Eldoret Dec. 1922'.

A PAIR OF VICTORIAN OAK LOW TRESTLE STYLE BENCHES IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), single plank tops, each on three shaped legs, with trefoil fret cut detail to the end two, length 245cm (2) (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: one bench top has heavy wear/scratches, looks to have been stored in an outhouse for a period of time)

A VICTORIAN OAK LOW TRESTLE STYLE BENCH IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), single plank top, on three shaped legs with trefoil cut detail to the end two, length 336.5cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: looks to have been stored on an outhouse for sometime, wear commensurate with age and use)

A MID 19TH CENTURY OAK TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), with a replacement rectangular cedar top, on gothic dual end legs united by a plain stretcher, length 130cm x depth 67.5cm x height 75.5cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: surface scratches to the top, evidence of staining)

A MID 19TH CENTURY OAK ABBESS' TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), possibly later rectangula (yew wood) top, single long drawer with brass cup handles, on gothic dual end legs, length 122cm x depth 60cm x height 77cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: extensive surface scratches)

A PAIR OF VICTORIAN OAK LOW TRESTLE STYLE BENCHES IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), single plank tops, each on three shaped legs with trefoil fret cut detail to the end two, length 245cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: some wear and surface scratches commensurate with age and use)

A MID 19TH CENTURY OAK TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), with a replacement rectangular yew wood top above four drawers with brass cup handles, on gothic dual end legs, with arched buttress supports to a plain stretcher, length 236cm x depth 67.5cm x height 76.5cm (provenance: Oulton Abbey, Stone, E.W. Pugin designed the Abbey Church, Gatehouse, Portresses Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: one drawer front is a darker colour, there are surface scratches and knocks in the wood, some staining, dovetail in stretcher where table can link to another)

A MID 19TH CENTURY OAK TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), with a replacement rectangular yew wood top above five drawers with brass cup handles, on gothic dual end legs with arched buttress supports to a plain stretcher, dovetail in stretcher where it can be joined to another table, length 325.5cm x depth 67.5cm x height 74.5cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed the Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: the top centre is dropping/warping and there are surface scratches)

A MID 19TH CENTURY OAK CORNER TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), of 'L' shaped form with replacement rectangular yew wood tops, the long section fitted with three drawers and a faux drawer front and the short section with two drawers and a faux drawer front, with brass cup handles, on gothic dual end legs with arched buttress supports and linked by plain stretchers, length 213cm x length of short table 135cm x depth 67cm x height 75cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed The Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at The Abbey are not known) (condition: surface scratches to the top)

A MID 19TH CENTURY OAK TABLE IN THE MANNER OF EDWARD WELBY PUGIN (1834-1875), with a replacement rectangular yew wood top above four drawers with brass cup handles, on gothic dual end legs with arched buttress supports to a plain stretcher, length 236cm x depth 67.5cm x height 76.5cm (Provenance: Oulton Abbey, Stone, E.W. Pugin designed the Abbey Church, Gatehouse, Porteress Lodge and Cloisters but designs and commissions for furniture at the Abbey are not known) (condition: some surface scratches and stains to drawer fronts)