We found 852 price guide item(s) matching your search

A large Edwardian silver quaich by Daniel and John Welby, London 1904, of typical form with solid shaped handles, 10.5cm dia, 4.56oz.

A pair of Edwardian silver cafe au lait pots, by D & J Welby, London 1907, of cylindrical form with moulded girdles and petal knop finials, monogrammed, 19.5cm high, 27oz

A collection of medals, two To Private 20916 G.E. Ellis, Leicester Regiment in OHMS envelope to Mrs Ellis, New Lodge, Welby, Melton Mowbray, together with three photographs, probably of Private Ellis, and a Guardians of Freedom Volunteer Service card for Aubrey Ellis.

Victorian silver hunting horn by Daniel and John Welby London 1869 for Kohler & Son makers 35 Henrietta Street Covent Garden London

An early Victorian engraved card tray with rococo cast border on three cast feet by John Welby, London 1844, 11.5oz. Condition Report: The tray has warped a little. The hallmarks are generally good though there is a little rubbing to the makers mark. The decoration is also rubbed

Augustus Welby Pugin: `Designs for Iron & Brass Work` published 1836 Ackermann & Co; Augustus Welby Pugin: `Details of Antient Timber Houses of the 15th & 16th Centuries selected from those existing at Rouen....` cloth bound; Augustus Welby Pugin: `The Present State of Ecclesiastical Architecture in England` (3)

Marriage Settlement, October 1763. Complex and extensive Marriage Settlement Vellum Deed relating to the Gery and Bell families residing in Eaton Socon, Bushmead and Bedford in Bedfordshire. The deed also refers to land and property in Thurleigh and Milton Ernest, also in Bedfordshire. This is an extensive document comprising 7 large sheets measuring 86cm by 68cm. Other names appearing on the signatories section are Towersy, Welby and Birt together with wax seals. CONDITION REPORT: Vg.

Pugin, Augustus Welby. Details of Antient Timber Houses of the 15th and 16th centuries, engraved title and 21 engraved plates, 1836; Gothic Furniture of the 15th century, engraved title and 23 engraved plates, 1835; Designs for Gold and Silversmiths, engraved title and 27 engraved plates, 1836; Designs for Iron and Brass Work, engraved title and 26 engraved plates, 1836; together, 4 parts bound in one volume, contemporary half morocco, rubbed, all edges gilt, 4to; and 7 others similar (8)

A Victorian silver two-handled cup, by Daniel & John Welby, London 1896, of baluster form on pedestal circular foot with moulded girdle and leaf capped scroll handles, 13cm high, 14oz

A Minton's encaustic Bread Plate, designed by Augustus Welby Northmore Pugin, the rim inscribed 'Waste Not Want Not', impressed shape number 430, 33cm CONDITION REPORT: Some minor surface scratches and crazing to the inner red area.

Augustus Welby Northmore Pugin (1812-1852), G. B. Wollaston (fl.mid-19th century), and others, 'EXAMPLES OF GOTHIC ARCHITECTURE' - VOLUME III, 1837-38 The lot comprises plans, sections, elevations and architectural details by the following draughtsmen: Part I eighteen by Augustus Welby Northmore Pugin (1812-1852), twelve by G B Wollaston (fl. mid 19th century), eleven by Frances Thomas Dollman (1812-1900), four by A Beloe (fl. mid 19th century), one by Benjamin Ferrey (1808-1880), four unsigned drawings, and sixty-five plates from Domestic Architecture, mostly annotated Part II and III sixteen by G B Wollaston (fl.mid-19th century), eleven by John Pritchard (1817-1886), seventeen unsigned drawings, also included in the lot are the following: thirteen by Francis Whitaker (fl.mid-19th century), one by William Shoubridge (fl.1831-1844), one by Frances Thomas Dollman (1812-1900), six unsigned classical drawings, possibly by Dollman, thirty unrelated plates Provenance: found in the attic of Bradwell Manor, Essex. Previously owned by the journalist and politician Tom Driberg (1905-1976). Augustus Charles Pugin (1769-1832) was an authority on Gothic architecture and his publications were amongst the first to provide accurate drawings on the subject. These were mostly executed by pupils at his drawing school, whom he took on sketching tours. The most accomplished of his pupils was his son Augustus Welby Northmore Pugin (1812-1852). 'Examples of Gothic Architecture' was published in three volumes: Volume I, produced in 1827-8, concentrates on Oxford colleges and churches as well as buildings in London and Norfolk, and demonstrates a particular interest in Tudor architecture; Volume II, produced between 1829-1832, depicts castles and medieval domestic buildings in Wells and Glastonbury. The current lot contains the drawings for Volume III, which were executed in September 1832. It was to be A C Pugin's last sketching tour before his death, and the volume was published by his pupil Thomas Larkins Walker; it comprises three parts: Part I - Vicars' Close, Wells; Part II - The Manor House and Church at Great Chalfield, Wiltshire; Part III - The Manor House, South Wraxall, Wiltshire and the Church of Saint Peter at Biddestone. These drawings are unlikely to have been in the collection of A W N Pugin, as Volumes I and II were previously with RIBA (loaned by a descendant Mrs Mackey in the 1940s, but sold by a relative in the 1980s). They were bound in brown leather with the AWP monogram in gold set in a quatrefoil on the front and backboards, and the spines were labelled on green leather. The RIBA drawings collection catalogue notes with reference to 'Examples of Gothic Architecture', volume III: 'none of the drawings for this volume is in the RIBA Drawings Collection'.

AUGUSTUS WELBY PUGIN "Pugin's Ornamental Gables", second edition improved, published Henry G Bohn London 1854, later cloth board bound with tooled and gilded spine, AUGUSTUS WELBY PUGIN "Floriated Ornament: a series of 31 designs", published Henry G Bohn London 1849, later cloth board bound with tooled and gilded spine, AUGUSTUS WELBY PUGIN "Details of Antient Timber Houses of the 15th & 16th Centuries selected from those existing at Rouen....", published Ackermann & Co., London 1836, marbled board bound with tooled and gilded leather spine and corners and one volume "Pugin's Gothic Furniture", later cloth board bound with tooled and gilded spine

Augustus Welby Northmore Pugin (1812-1852), Designs for a Gothic Revival chimneypiece, a reticulated grille, a casket and a balustraded table, with carving details, pencil, one inscribed `A Pugin Jun`r`, dated `1829 Dec 15th` and watermarked 1829, three sheets (one consisting of two joined sheets) in a single frame, each 19 x 31cm (7 1/2 x 12in). Note: Some of these drawings, which came from a folder inscribed `Sketches by A. W. Pugin Esq`re and appear to date from between 1829 and 1834, may have been connected with Pugin`s early foray into furniture design and manufacture at 12 Hart Street, Covent Garden. Some may also be connected with his 1830/31 commission for Mrs Gough of Perry Hall, Handsworth, Birmingham; similar drawings for that commission can be found in the collection of the Victoria & Albert Museum.

PUGIN, AUGUSTUS WELBY. Floriated Ornament. MDCCCXLIX. 4to. Plates [31]. Original red morocco soiled and rubbed

G. WELBY. Portrait of a Girl, seated half-length, wearing a white dress and blue waistband, signed and dated 1922, oil on canvas, 28 1/2 x 23 in

A George V Silver Gilt Bread Basket, D&J Welby, London 1917, in 18th century style, oval, raised on a pale pierced collet foot with pierced foliate bowl beneath a beaded rim and cast openwork beaded swing handle, presentation inscribed, 33.5cm long, 31oz 12dwt Provenance: 5th Baron Shuttleworth KCVO In good order with clear marks to the body and handle. 020513

A Pair of Edward VII Silver Entrée Dishes and Covers, D&J Welby, Sheffield 1907, plain rectangular with canted corners and moulded rims, each cover with conforming detachable ring handle, 30cm long, 98oz 18dwt In good order with clear marks. 020513

A massive pine library table, late 19th century, with 'D' ends and eighteen frieze drawers, on a pair of 'Gothic' quatreform bases, with central leg, 485cm long 133cm wide 76cm high By repute this table was removed from St. Colman's Cathedral, Cork. The architects were Edward Welby Pugin and George Ashlin, who commenced construction in 1867.

A silver partners' inkstand, by D & J Welby Ltd, London 1913, of oblong form on fluted bracket supports, the central taper stick and box flanked by two inkwells, with two pen recesses, inscribed 'J.C.J.S April 30th 1938', 27cm long, 18cm wide, 40oz excluding glass liners

A Minton`s New Stone Gothic dinner service designed by Augustus Welby Northmore Pugin, printed with a formal floral design to well and borders in shades of red and blue, comprising, meat platter, two graduated platters, a tureen, cover and stand, an open cover, a low tazza, a footed serving platter, three small platters, three saucers, nine soup bowls, eight plates, and seven side plates, impressed and printed marks, damages largest platter 45cm. wide Literature Paul Atterbury and Clive Wainwright Pugin, Victoria & Albert Museum Exhibition, 1994 page150 plate 278 for a comparable service.

A Minton tureen and cover designed by Augustus Welby Northmore Pugin, elliptical section, printed in green and purple with foliate and cruciform repeat, the handles a ribbon motif, highlighted in gilt impressed marks, 37cm. wide Provenance The Albert Dawson Trust Literature Paul Atterbury and Clive Wainwright Pugin, Victoria & Albert Museum Exhibition, 1994 page 150 figure 279 for a comparable tureen.

A Minton`s encaustic bread plate designed by Augustus Welby Northmore Pugin, circular the rim inscribed Waste Not Want Not the well with radiating ears of corn, in rust and blue on a sand ground impressed 430 to reverse 33.5cm. diam. Literature Paul Atterbury and Clive Wainwright Pugin Victoria & Albert Museum exhibition catalogue, page 143 plate 260 for a comparable plate. Charlotte Gere and Michael Whiteway Nineteenth Century Design from Pugin to Mackintosh, Weidenfeld & Nicolson, page 53 plate 49 for a comparable example.

A Gothic Revival brass chandelier in the manner of Augustus Welby Northmore Pugin, two bands of scrolling foliage, the larger with eight light sconces the smaller with four 144cm. high Provenance Stanbrook Abbey, Yorkshire.

AFTER A DESIGN BY EDWARD WELBY PUGIN (1834-1881) The Granville chair, in oak, the wishbone supporting a curved back panel, each side with four pierced holes and a pegged stretcher, stamped registration diamond, impressed under seat '35-John Watson, 3 New Oxford Street', Literature: Atterbury and Wainwright - 'Pugin - A Gothic Passion' p260 - 1994 V+A Exhibition Pugin founded The South East Furniture Company to undertake the commission for the Granville Hotel, Ramsgate, unfortunately the exercise bankrupted him. CONDITION REPORT: Split side. Minor knocks., scratches, etc.

A silver miniature model in the form of a hunting horn, c.1897, maker D & J Welby Ltd. approx 30.5cm long, approx 1.7oz, together with a pair of a pair of marble and silver plated knife rests with thistle terminals, approx 13cm long. (3)

Victorian silver bowl, with embossed gadrooned decoration, on round foot, by Daniel & John Welby, London, 1890, 28oz,

A silver sugar dredger London 1902 maker Daniel and John Welby of baluster form approx 8.7oz.

An Edwardian silver four piece tea set, by D & J Welby, London 1902/1903, comprising: a teapot of circular shape with reeded girdle and rim, the lower body decorated with strapwork, wooden scroll handle, 14.5cm high, together with the companion sugar basin and two milk jugs, 47oz

A large silver tray, by D & J Welby, London 1903, of rectangular shape with wavy gadrooned edge having two loop handles, 77cm, 150oz

Pair 1930s silver sauce boats of conventional form with decorated rim, on three paw feet (Birmingham 1934), maker - B. B. S. Ltd., Victorian silver sauce boat with open scroll handle, on three paw feet (London 1889), Daniel & John Welby, together with a 1930s lipped bowl with rectangular chain border, on four paw feet with leaf mounts and ivory handle (Sheffield 1932), maker - C. B. & S. All at approximately 14ozs, sauce boats 14.5cm overall (4)

AN EDWARDIAN SET OF THIRTEEN SIDE KNIVES with octagonal pistol handles & steel blades, crested, by D & J. Welby, London 1907 and a table knife to match, by the same maker, London 1898 (14) *Crest, a hand/arm with sprigs.

A MODERN BALUSTER HOT MILK/WATER JUG with a knop finial by Charles Stuart Harris & Sons, London 1911 and a small Edwardian octagonal tea pot with an acorn finial by D & J. Welby, London 1909; the latter 5.7" (14.2 cms) high; 28.4 oz (2)

F L Welby, Teinitz bird bowl, sand pot, flow blue covered soup dish, oversize Chariot tea cup & saucer etc

A rare set of four Victorian silver salts, by John Hardman & Company, Birmingham 1854, of fluted circular form resting on spiral fluted circular bases, with a band of engraving below the moulded rim ‘Tout Jours Prest’ with an ‘S entwining a barrel’, gilt interiors, 8cm high, 8.75 cm diameter, 17.5 oz. The motto and rebus are for the Sutton Family from West Tofts, Norfolk. These bear a close resemblance to the motto and rebus on the Minton encaustic floor tiles designed by Augustus Welby Northmore Pugin which surround the Sutton tomb in St. Mary’s church, West Tofts. St Mary’s was the Sutton family’s local parish church. After Lady Mary Sutton died in 1842, the family commissioned Pugin to work on the building and to decorate the chantry chapel and tomb in her memory. Work commenced on 26th April 1849 and this private commission is seen as one of Pugin’s most notable achievements. Sir John Sutton also worked with Pugin on the restoration of the chapel at Jesus College, Cambridge. The personal relationship between Pugin and John Sutton extended to Pugin including the Sutton arms amongst those of his seven special friends that he chose to decorate around the cornice of the library at The Grange in Ramsgate. It is rare to come across domestic silver made by Hardman & Co. There is a reference to a sugar basin commissioned by ‘Sutton’ in 1858 which is mentioned in the archives of the Hardman Metalwork Designs. This sugar basin apparently bears the same motto and rebus as the salts. We would like to thank Martin Ellis, Curator of Applied Art, Birmingham Museums & Art Gallery, Mrs Sophia Tobin, The Goldsmiths’ Company Library and Mrs Catriona Blaker, The Landmark Trust and Pugin Society.

Grantham/Lincolnshire Interest. A framed print of Denton Hall Grantham for Sir W.E. Welby. Gregory. Bart. M.P. by Arthur W Blomfield M.A. Architect published and sold by T. Line, The Library, 8, Westgate, Grantham (AF), 65.5cm x 47cm.

A Victorian oval silver mustard with blue glass liner, Daniel John Welby, London 1885, to/w a small drum mustard, Haseler & Bill, Birmingham 1898 (2)

SILVER DISH, Edward VII, London 1901, makers Daniel & John Welby, 9.7ozt, 19.5cm diam; and a Victorian silver bonboniere, London 1874, 8ozt, 12cm diam x 12cm H (repairs) with blue glass liner. (2)

* A George V square silver cigarette box, the lid engraved with galleons at war, titled ‘Boarding the enemy’, the hinged lid enclosing cedar lid with presentation engraving, dated ‘July 25 1928’, by D & J Welby Ltd, London, 1926, 15.5cm square. (1)

A Victorian carved oak Glastonbury style armchair, the carved single panel back above a single panel seat between leaf carved down-swept open arms on an X-frame support, 84cm wide, 103cm high, 65cm deep NOTE After the design of Augustus Welby Northmore Pugin

An Edwardian silver basket, by Daniel & John Welby, London 1905, in 18th century style, of foliate pierced oval form on foliate scroll base, monogrammed in oval cartouche, 37cm long, 60oz

A pair of HM silver coin bottom wine tasters, embossed fruiting vine pattern and loop handles, hallmarks for 1917 by D&J Welby.

Pugin, A. Welby. GLOSSARY OF ECCLESIASTICAL ORNAMENT AND COSTUME, 3rd Edition, 4to, chromo-lithographed additional engraved title, chromo-lithographed plates, publisher`s roan-backed cloth-covered boards gilt (sunned and waterstained), London: 1868 (some light spotting/soiling). With 4 related volumes,

Augustus Welby Northmore Pugin (1812-1852) A PICTURESQUE WALLED CITY BESIDE A RIVER, POSSIBLY GERMANY Pencil on paper 13 x 34.8cm

Augustus Welby Northmore Pugin (1812-1852) BISHOP`S PALACE, BEAUVAIS Inscribed with title verso, inscribed in ink verso `Painted by Augustus Welby Northmore Pugin, the property of Jane Welby Pugin .....1886, watercolour and bodycolour 32 x 23cm, in original frame and mount

A bow tie worn at the coronation of George III and Queen Charlotte, worked in silver thread with portraits of King George and Queen Charlotte with their initials below the legend `Long Live King George`, 24 x 22cm overall, mounted, framed and glazed. An inscription verso, believed to be in A W N Pugin`s hand, `Worn by my grandfather, W Welby Esq. of the Middle Temple, at the Coronation of George III AD1760`.

A LATE VICTORIAN PORRINGER with embossed decoration, a coin-inset base & a small inscription, also intialled, by D & J. Welby, london 1895; 4" (10 cms) high; 8 oz

A MODERN SALVER of shaped circular outline with a gadrooned border & scroll feet, the centre with crest & motto "ST DEUS QUIS CONTRA", by D & J. Welby, London 1937; 12.3" (31.2 cms) diamater; 32 oz

A COFFEE POT, maker D & J Welby Ltd, London 1924, of plain tapering cylindrical form, the hinged domed cover with globe finial and with composition "S" scroll handle, 8 1/2" high, 24ozs 9dwts

AUGUSTUS CHARLES AND AUGUSTUS WELBY NORTHMORE PUGIN AND THOMAS LARKINS WALKER: EXAMPLES OF GOTHIC ARCHITECTURE, Edinburgh 1895, 3 vols, vols 1 and 2 lacking ptd ttls, 4to, orig cl (3)

DUNSTAN JOHN POWELL. Unframed, signed pencil, pen/ink and watercolour on paper. Design for church decoration, together with design for decoration of pulpit for the Reverend J. Nixon M.R. Saints Peter and Paul, Great Crosby design for pulpit was by Augustus Welby Pugin, inscribed 29" X 21".

A silver standish, by D & J Welby, London 1914, of rectangular outline, with a glass well with silver hinged cover to the centre, pen recess to the front, on scroll supports, 15cm long, 138g (4.4 troy ozs) gross weighable

A pair of Elizabethan style seal-top apostle spoons, Daniel & John Welby, London 1907/08, to/w nine various other silver spoons, 10.7 oz

Four silver pin trays David J Welby Ltd, London 1931, with canted corners, the centres with blue enamel crest, 9cm (3.5") wide, approximately 210gm

Pugin (A. Welby) Glossary of Ecclesiastical Ornament and Costume, 1844, 4to., 1 plain and 73 chromolitho plates, t.e.g., quarter morocco

Pugin (A. Welby) Examples of Gothic Architecture .., 1895, 3 vols., plates, t.e.g., original cloth; Britton (John), Pugin (A.W.) & Le Keux (J. & H.), Specimens of the Architectural Antiquities of Normandy, 1827, 4to., plates, printed title and text to rear of book, cloth (re-backed with original backstrip laid down); Pugin (A.Welby), The True Principles of Pointed or Christian Architecture .., 1841, small 4to., hand-coloured frontis and title, 9 plates, a.e.g., morocco-backed cloth (5)

Pugin (A. Welby) Detaile of Antient Timber Houses of the 15th & 16th Cent. .., 1836, 4to., title & 21 plates, [bound with] Gothic Furniture in the Style of the 15th Cent., 1835, title, 24 plates, [bound with] Designs for Gold & Silversmiths, 1830[6], title, 26 plates, [bound with] Designs for Iron & Brass Work .., 1836, title, 26 plates, t.e.g., half morocco; idem, Designs for Iron & Brass Work .., 1836, title, 26 plates, t.e.g., title & 26 plates, original cloth with printed paper onlaid. idem, A Treatise on Chancel Screens and Rood Lofts .., 1851, small 4to., 14 plates including frontis, a.e.g., original cloth (re-backed retaining original backstrip); idem, Pugin's Gothic Furniture, 1827 [but later], 27 plates including title, original printed paper boards with later morocco spine (4)

Ayling (Stephen) Photographs from Sketches by Augustus Welby N. Pugin, 1865, 2 vols., chromolitho. titles, 500 photographs, 2 per page, t.e.g., quarter morocco (rubbed)

Pugin (A. Welby) Contrasts, or, A Parallel between the Noble Edifices of the Middle Ages .., 1841, 4to., plates, original cloth; idem, An Apology for The Revival of Christian Architecture in England, 1843, plates, a.e.g., original quarter morocco; idem, The Present State of Ecclesiastical Architecture in England, 1843, plates, original cloth (re-backed, retaining remnant back-strip); idem, An Earnest Address on the Establishment of Hierarchy, 1851, later cloth-backed boards; with one other (5)

Pugin (A. Welby) Wedgwood (Alexandra), Catalogue of the Drawings Collection of the Royal Institute of British Architects - The Pugin Family, 1977, dust wrapper; idem, Catalogue of the Architectural Drawings in the Victoria & Albert Museum - A.W.N. Pugin and the Pugin Family, 1985, dust wrapper; Ferrey (Benjamin), Recollections of A.N. Welby Pugin .., 1861, original cloth; with a small quantity of others (qty)

Pugin (A. Welby) An Apology for a Work Entitled 'Contrasts' being a Defence of the Assertions ..., 1837, Birmingham, later cloth; idem, Some Remarks on the Articles which have recently appeared in the 'Rambler' relative to Ecclesiastical Architecture and Decoration, 150 later cloth (2)