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Click here to subscribeA Newman Sinclair Auto Kine Fade Model 35mm Cine Camera and Two Ross Lenses, serial no 323, spring motor runs, with built-in viewfinder, 200ft magazine and prism through the lens viewfinder, body P-F, a Ross Xpres 6in f/4.5 lens and a Ross Teleross 11in f/5.5 lens, both P-F, with carrying case
A Stewartry Trinol Anastigmat 105mm f/3.5 Lens, serial no 034592, Leica 39mm screw mount, made by National Optical Co., Leicester and Stewartry, Scotland, barrel G, elements F, haze with caps, lens hood, together with a Stewartry universal frame viewfinder and a Foinix turret universal viewfinder, all with maker's boxes
A Home-Made 5 x 4in Field Camera, well-constructed from proprietary components, including a Schneider-Kreuznach Super Angulon 75mm f/8 lens on lens board, G, serial no 7 155 674, circa 1961, Synchro-Compur shutter working, polished wooden handgrip, Toyo cut film holder, Polaroid film back, a Mamiya 50mm viewfinder, a similar unmarked viewfinder and a Mamiya viewing hood
A Reid III Rangefinder Camera, serial no P1082, shutter sticking, fold in blind, body G-VG, very slight scuffing to bottom plate, '8' in serial number rubbed, viewfinder cloudy, with a Taylor-Hobson Anastigmat 2in f/2 collapsible lens, no 328421, barrel G, elements F, haze patches to rear glass, Taylor-Hobson Reid lens cap and Reid & Sigrist presentation box
A Leitz Wetzlar Leica M2 Camera, chrome, serial no 988 705, 1960, body F-G, scratches, tarnishing to top plate, brassing to back, wear to tripod mount, leatherette incomplete at base of one side, shutter working, timer working, viewfinder clear, rangefinder functions, with Leitz Wetzlar 5cm f/1.5 Summarit lens, serial no 1332030, 1955, barrel G, tiny dings to mount, paint wear to filter ring, light lubricant residue to aperture leaves, elements F-G, tiny dust speck on rear element, light scratches, haze, with MC light meter, meter responsive
Leica Accessories, a 21mm lens accessory viewfinder, a 16507 optical closing focusing device for M bayonet collapsible Elmar or Summicron 50mm lenses, with maker's box, four camera cases (one Leica M, two Leica screw camera and a Leica SLR ever ready cases), a Leica M 50th Anniversary watch in case, a Leica black trouser belt and more
Leica Accessories, a black SUOOQ viewfinder for 2.8cm Hektor lenses, a Leica-Meter M, reponds to light F, heavy wear to body, a NOOKY optical close focusing device for Elmar 5cm lenses with instructions and original box, a Leica Camera and Lens Pocket Book, 7th edition, 2002, a Leica IIIa instruction booklet, 1937, Part 1 only and a Foinix turret universal viewfinder
A Technicolor Technirama 35mm Motion Picture Camera, black crackle finish on alloy body, stamped 'THE PROPERTY OF TECHNICOLOR LTD ENGLAND CAMERA GE7' on the rear of the camera, two feed and take up sprockets, a blue side mounted viewfinder marked GE5, an Anamorphic prism attachment lens marked TECHNIRAMA LW.3 with a cover plate and carrying box, a 2000 ft coaxial magazine with a label marked TECHNICOLOR No 24 and a plate stating PROPERTY OF TECHNICOLOR LTD, a lens sunshade labelled GE10 and some camera motors
Zorki: A cased Zorki 4K camera body, shutter in non-working order, No. 77651983, Made in USSR, with Jupiter-8 2/50 lens; together with a cased Jupiter-12 2.8/35 7700151 lens; and a cased Jupiter-11 4/135 6902193 lens; together with a Zorki viewfinder, a boxed Prinzlite exposure meter and unboxed flash. (7)
The Beatles / Iain Macmillan: The Hasselblad 500C camera used by Iain Macmillan to photograph the cover image for the Beatles' Abbey Road album,1969,comprising a Hasselblad 500C camera with Zeiss Planar 80mm f/2.8 lens, the viewfinder with applied lines similar to the Abbey Road zebra crossing, supposedly used by Iain to line up with on the day of shooting the cover, together with a Zeiss Distagon 50mm f/4 lens; a tripod; a number of accessories including filters; lightmetres; and a black Nikkormat camera with four interchangeable lenses; all housed in an aluminium camera case labelled IAIN MACMILLAN, and accompanied by a black and white photograph of Iain with the Hasselblad camera around his neck, 15 1/4in x 10 3/4in (39cm x 27.5cm) (Qty)Footnotes:Provenance:Offered directly by the Iain Macmillan archive.Having met John Lennon at the Indica Gallery with Yoko Ono in 1966, Lennon later invited Macmillan to photograph the Beatles for the cover of their final album 'Abbey Road'. Given the Beatles recorded most of their music at the EMI Studios on Abbey Road, St John's Wood, London, they decided to name their last album after the road. Armed with a sketch Paul McCartney had given him a couple of days before of what the picture should look like, Iain knew he didn't have long to get the right shot for the world's most famous band.On 8th August 1969, at around 11:30 am, a hired policeman stopped the traffic, Iain climbed up a large stepladder in the middle of Abbey Road and took just six pictures of the Beatles crossing the street. In approx 10 minutes Iain shot the band in various orders, but it was frame no.5 that was used for the cover of the album - the only photo where all four of them are striding in perfect formation. 'The whole idea was McCartney's. A few days before the shoot, he drew a sketch of how he imagined the cover, which we executed almost exactly that day. I took a couple of shots of the Beatles crossing Abbey Road one way. We let some of the traffic go by and then they walked across the road the other way, and I took a few more shots. The one eventually chosen for the cover was number five of six. It was the only one that had their legs in a perfect 'V' formation, which is what I wanted stylistically. - Iain Macmillan.After the shoot, Macmillan went to find a road sign for use on the back cover. Over 50 years on, and the cover for 'Abbey Road' by the Beatles is still undoubtedly one of the most iconic album covers of all time.For further information on this lot please visit Bonhams.com
A Zeiss Ikon Super Ikonta 533/16 Rangefinder 6 x 6cm Folding Camera, mid 1950s model, white marks to leatherette, peeling from metal along opening catch on back, viewfinder and rangefinder optics broken, light meter not working, with a Zeiss Opton Tessar 80mm f/2.8 lens, s/n 1 116 535 and Synchro Compur shutter apparently not working
A Black Olympus OM-1 MD SLR Camera, serial no. 649515, body F, paint losses to front of baseplate, shutter working, self-timer not working, meter untested, a F.Zuiko Auto-S 50mm f/1.8 lens, barrel G, elements VG, a Tamron 80-210mm f/3.8-4 zoom lens and a Minolta Hi-Matic AF-D viewfinder camera, untested
A light-up Judge Hunter rifle from Danny Cannon's comic book adaptation Judge Dredd. When Judge Dredd (Sylvester Stallone) was framed for murder, Judge Hunters wielded their futuristic standard-issue rifles and were sent to bring him to justice. This rifle consists of a fiberglass body painted black with red plastic slits, a urethane sight, painted wood and particle board details, and tooled metal attachments along the barrel and near the trigger. An electronic battery pack controlling the lights embedded in the gun's viewfinder, body, and barrel is hidden under a metal panel on the left side. This rifle exhibits various signs of use, including small cracks to the body and scuffed paint throughout, and it remains in good overall condition. Dimensions: 45" x 16" x 7" (114.5 cm x 40.75 cm x 18 cm) Contains electronics; see electronics notice in the Buyer's GuideEstimate: $5,000 - 7,000
A rare original WWII Second World War MI9 issued Merlin ' Spy ' sub-mini miniature camera. Rarer blue version. As made in 1936 by United Optical Instruments Co. in Essex, and issued to all SOE agents as part of their kit. The miniature camera appears to be in working order (but is naturally untested). A rare piece of spying / special agent related kit. The Merlin is a cast metal subminiature camera using special 20mm roll film. A roll of film yields seven 18x18mm frames. It was made by United Optical Instruments of Southend-on-Sea, England - possibly in the late 1930s. It has a single-speed shutter and a fixed-focus f/16 lens. The body had a flip-up frame viewfinder, and was finished in a crackle-effect paint, available in red, blue, green and black.
A Carl Paul Goerz Boxform Patent Anschütz Camera,6 x 9cm Krauss anastigmat 110mm lens f/8 no.8433, rack and pinion focusing, in mahogany body mounted with viewfinder and leather carrying handle, lens can be reversed for storage, Footnotes:Provenance: Christie's South Kensington, Cameras and Optical Toys including the James L. Bikoff Collection of Tropical Cameras, 15 May 1992, Lot 431.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Graefe & Bardorf Tropical Clarissa Camera,4.5 x 6cm with Trioplan 75mm f/3 lens no. 260106, brown leather bellows, unusual folding brass viewfinder and teak body, Footnotes:Provenance: Christie's South Kensington, Cameras and Optical Toys including the James L. Bikoff Collection of Tropical Cameras, 15 May 1992, Lot 401This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
A rare Simons & Co. 35 mm Sico Tropical Camera, Switzerland,No.52, with 'Rudweadorf A.G.' Sico anastigmat 6cm f/3.5 len no.6773, brass mounted teak body, folding viewfinder and dial-set Compur shutter, Footnotes:Provenance: Christie's South Kensington, Cameras and Optical Toys including the James L. Bikoff Collection of Tropical Cameras, 15 May 1992, Lot 538This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
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