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A Leitz Wetzlar Leica IIIa Camera, serial no 257051, 1937, shutter working, viewfinder clear, rangfinder working, body G, some brassing to slow speed dial, brassing, scratches to base, some surface oxidisation to front screws, brassing to strap lugs, with Leitz Wetzlar 5cm f/2 Summar lens, serial no 383696, barrel F-G, brassing to barrel, mount thread, elements F-G, fungus spots, in worn Leica ERC
A Leica M2 Camera, chrome, serial no 1085 642, 1961, self timer model, shutter working, self timer working, viewfinder clear, rangefinder working, body G, light scratches to base, light brassing to base edges, with Leitz Wetzlar 5cm f/2 Summitar lens, serial no 990058, 1952, barrel G-VG, elements F-G, clouding/haze, with lens cap, bakelite Summitar lens case, in Leica ERC
A Leitz Wetzlar Leica M2 Camera, chrome, serial no 932 890, 1958, shutter working, brown glass tinge inside viewfinder, rangefinder working, body G, surface grime, some scratches to top and base plate, with Leitz Wetzlar GmbH 5cm f/2.8 Elmar lens, serial no 1600576, 1958, barrel G, some wear, elements P-F, haze, some fungus, with ITOOY hood
A Sanderson Regular Hand and Stand Camera, half plate, made by Houghtons Ltd, serial no 21253, circa 1912, body F, chamfered tapered red bellows, rear viewing screen, body F, a detached Carl Zeiss Jena Protarlinse VII 35cm lens with Koilos shutter, stuck half open, a small Shew No 2 PP 8326 lens, a detached Adams viewfinder, two DDS plate holders and a leather outfit case
A Graflex Anniversary Speed Graphic Press Camera, black trim, 5 x 4in format, body P, heavy use, bellows repaired, shutter working, Kalart rangefinder present but untested, Berthiot Paris Olor 170mm f/6.7 lens P, fungus and haze, original viewfinder detached, P, a later viewfinder together with three DDS film backs, a lot
A Zenza Bronica ETRS SLR film camera, fitted with a Zenzanon 75mm f2.8 lens, with a Zenzanon 150mm f4 medium Telephoto lens, 120 and 35mm film back, a lens hood, and four instruction booklets. The camera features an AE-11E through the lens metering prism viewfinder and a speed grip E for easy handling.
A Leica camera lens, another, a Leica lens cap, a Leitz viewfinder, and two filters (box)Provenance: Part of a vast single owner collection of cameras, lenses and photographic equipment collected over the past 25 years. To be sold without reserve. For further details https://charterhouse-antiques.com/sailors-watch-bought-from-the-naafi-worth-10000-2
NASA A pair of photographs, comprising: 1) Official portrait of the Apollo 16 crew. The crew members John Young, Commander; Ken Mattingly, Command Module pilot; and Charles Duke, Lunar Module pilot pose for a portrait in front of an earthrise image and their mission's insignia (first photograph) January 1972 Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), with A KODAK PAPER watermarks on the verso (NASA / RCA) 2) John Young (left) and Charles Duke check out the Lunar Rover systems with their camera equipment hung on their chest (second photograph) during a simulation of EVA near the LM November 1971 Vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), NASA photo no 71-H-1739, with NASA Headquarters caption on the verso Footnotes: 'We spent hundreds of hours training in the spacesuits, collecting pseudo-samples, photographing the samples in place and after we had collected them. It taught us how to point the camera and how to center the picture without a viewfinder. The cameras were hung on our chests, and we got to where we could just point the thing and guess the distances. We were pretty good at it; I was pleased with the way they turned out. Charles Duke
Two Mamiya Press Medium Format Camera Bodies, one Super 23, body, G, viewfinder slightly cloudy, rangefidner patch bright, with a Mamiya Press, body, P-F, viewfinder is clear, with bright rangefinder patch, also with a ground glass back for cut film, and a 6x7 roll fim adapter with a rust-fused dark slide (roll film adapter requires attention) (a lot)
A Mamiya Super 23 Press Medium Format Outfit, with a Mamiya-Sekor f/6.3 65mm lens, a Mamiya-Sekor f/3.5 100mm, a Mamiya-Sekor f/5.6 150mm, two Mamiya roll film adapters (6x7), a left hand grip with shutter release, and a ground glass / 6x9 cut film back, (a lot) all lenses: G-VG, shutter working, extremely light haze to optics, body: G-VG, rangefinder patch average brightness, viewfinder cloudy
A FRANKE & HEIDECKE-BRAUNSCHWEIG ROLLEIFLEX COMPUR CAMERA, with twin lens, pop-up viewfinder, and leather case, lenses: Heidoscop-Anastigmat 1:3,1 f=7,5cm no.456691 and Carl Zeiss Jena Tessar 1:3,5 f=7,5cm Nr.1830253, together with a Voigtlander Compur plate camera, with Anastigmat "Skopar" 1:4,5. f=10,5cm lens No.366778, in leather case (2) (Est. plus 21% premium inc. VAT)In used condition, elements of wear throughout.
Albert Namatjira (Australian, 1902-1959)A ghost gum on Washwood Stn. (Mt. Bowman) near Haasts Bluff, Central Australia signed 'ALBERT NAMATJIRA' (lower right)watercoloursheet 28 x 39.1cm (11 x 15 3/8in)Footnotes:ProvenancePrivate collection, UK.The sheet verso also bears title and further inscription 'Scene on Washwood Stn. (Mt. Bowman) near Haast Bluff Central Australia (sold by Mrs S.A.Bawke/Alice Springs N.T.)'Namatjira's mentor, teacher and friend Rex Battarbee, suggested in his diaries that the artist's framing of scenes was influenced by his interest in photography. It is a convincing premise when considering the present work - one feels almost as if we are viewing the scene and its distant landscape through the camera's viewfinder. Namatjira crops the top of the monumental ghost gums which stand tall beyond sight, the pale green leaves cascading into view suggesting far-reaching branches above.Alison French observes; 'The trees in Namatjira's work are often subjects in their own right and play a pivotal role in leading our eye into the inner recesses of the image... In most instances, a giant river gum fills the frame to the left or right of the composition, in the shallow viewing space that Namatjira invites us to share. We gaze past this tree and the intervening middle ground to another motif: a mountain range...'1. Unlike in the works of many European artists of the time, in Namatjira's work, landscapes do not serve a purely decorative function, but as accurate 'maps' of his sacred ancestral Arrente Country for which he was custodian and both trees and mountain ranges are imbued with a spiritual presence.1 Alison French, Seeing the Centre: The Art of Albert Namatjira 1902-1959, National Gallery of Australia, Canberra, 2002, p.117For further information on this lot please visit Bonhams.com
FOUR OLYMPUS OM SYSTEM ZUIKO LENSES, comprising: f4.5, 300mm AUTO-T, f3.6, 35-70mm MC AUTO ZOOM, both with hard black cases, f4, 75-150mm AUTO ZOOM, all boxed, f3.5, 135mm AUTO-T, in hard black case, together with FOUR OTHER BOXED OM SYSTEM ACCESSORIES, comprising: VARIMAGNI VIEWFINDER and AUTO EXTENSION TUBES, 7, 14 and 25, and an advertising brochure, (9)
Leica: A cased Leica IIIc, Ernst Leitz Wetzlar, camera body, No. 430566, 1946-47, shutter working, body generally in good order, with attached Ernst Leitz Wetzlar, Summitar, f=5cm 1:2 lens, No. 684377, 1949 and lens cap; together with a Leitz Elmar lens, f=5cm, 1:3.5, No. 640490; a similar Elmar lens, f=9cm, 1:4, No. 878429; and a cased Leitz Wetzlar viewfinder, No. 35699. (4)
Two Asahi Pentax Spotmatic SLR Cameras, a Spotmatic F, shutter working, not battery tested, body G, with SMC Takumar 55mm f/1.8 lens, elements G, small fungus spot to rear element, in case, with lens & viewfinder cap, a S1a, shutter working, body G, with Super Takumar 55mm f/2 lens, elements G, in case, with cap, with Vivitar 35mm f/2.8, two other M42 mount lenses and operating manual for SV & S1a cameras
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2637 item(s)/page