† MARK GRIFFITHS (born 1956); a globular stoneware jar covered in black glaze over red slip with wax resist decoration, impressed mark, height 22cm, and a square bottle covered in chun glaze over red slip, height 23cm (2). Condition Report: Appears good with no obvious signs of faults, damage or restoration.
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† HAZEL JOHNSTON (1933-2011); a porcelain bowl covered in whiting slip with notched bronze rim and mottled green crackle glaze to the well, impressed HJ mark, diameter 15cm, and a similar smaller example covered in mottled lilac, green and blue glaze (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† GEOFFREY FULLER (1936-2022); a pair of large slip decorated earthenware cups depicting a hare and stag, height 9cm (2).From the Three Stags Pottery standard ware range, thrown by Pat Fuller and decorated by Geoff. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
ROB SOLLIS (born 1966); 'Urn Form', a large vessel with textured surface covered in layered slip fortified with porcelain and manganese paired with an oak plinth, impressed marks, vessel height 47cm, 69.5cm with plinth.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† JIM MALONE (born 1946); a stoneware bottle covered in hakeme slip with iron decoration, impressed JM and A (for Ainstable) marks, exhibition sticker, height 32.5cm. Condition Report: Flake to slip in one place but glazed over with transparent glaze so inherent to manufacture, otherwise appears good with no further signs of faults, damage or restorations.
George McVittie (Cumbrian, 20th Century)"Solway Haaf Netter, Bowness", a bright, bold, impasto study of two fisherman laying nets in the Solway Firth, oil on board, signed, titled on label verso, in fabric slip and gilt frame, 50 cm x 59 cm overall [McVittie is renowned for presenting local history and landscapes, capturing the essence of the region and its inhabitants.]
After Arthur J Elsley (1860-1952) "Home Team", a depiction of finely dressed children and their loyal collie playing in an idyllic garden, crystoleum, signed and dated 1903 within crystoleum, in gilt slip and moulded gilt frame, 31 cm x 25 cm overall [Elsley was a painter in the late Victorian and Edwardian periods whose charming studies of children and their pets were often inspired by sketches made on cycling trips in the countryside.]
Jodidio (Philip) 100 Contemporary Houses, 2 vol., text in English, German & French, Cologne, 2013 § Corcuera (A.) & others. Contemporary Houses, Barcelona, 2006 § Kunz (N.) & Manuela Roth. Luxury Houses: Top of the World, Kempen, 2008 § Shulman (Julius) Palm Springs, New York, 2008 § Powers (Alan) The Twentieth Century House in Britain from the Archives of Country Life, 2004 § Daguerre (M.) Latin American Houses, Milan, 2007, illustrations, many colour, original boards with dust-jackets, the first also with slip-case; and c.15 others, modern architecture, 4to & 8vo (c.20)
Marini (Marino).- Waldberg (Patrick) & G. di San Lazzaro. Marino Marini: Complete Works, original pictorial calf, gilt, t.e.g., transparent wrapper (frayed at foot of spine), slip-case (rubbed, lacking one edge), New York, 1970 § Guastalla (G. & G.) Marino Marini: Catalogue Raisonné of the Graphic Works (Engravings & Lithographs) 1919-1980, Livorno, 1993 § Carandente (G.) & L.F.Toninelli. Marino Marini: Lithographs 1942-1965, New York, n.d. § Hunter (Sam) & David Finn. Marino Marini: The Sculpture, New York, 1993, illustrations, some colour, all but the first original cloth or boards with dust-jackets, the second with slip-case; and 8 others, Marini, v.s. (12)
Andres (Glenn M.), John Hunisak, & A. Richard Turner. The Art of Florence, 2 vol., illustrations, some folding, original blind-stamped cloth, slip-case, large 4to, 1994 § Davies (David) & John H. Elliott. El Greco, original wrappers, lightly creased, 2003 § Carr (Dawson W.) Velazquez, original wrappers, 2006; and c.30 others, pre-20th century art and Russian art, v.s. (c.35).
Glass.- Deboni (Franco) Venini Glass, 2 vol., Turin, 2007 § Dondelinger (Jean) & others. Egidio Constantini: Il Maestro dei Maestri, Brussels, 1990 § Heiremans (Marc) Art Glass from Murano 1910-1970, pamphlet with text & captions in German loosely inserted, Stuttgart, 1993; Dino Martens: Muranese Glass Designer. Catalogue 1922-1963, Stuttgart, n.d. § Barovier (M.) Carlo Scarpa: Glass of an Architect, Milan, 1999 § Mentasti (R.B.) Anzolo Fuga. Murano Glass Artist: Designs for A.V.E.M. 1855-1968, New York, 2005 § Piña (Leslie) Archimede Seguso: Mid-mod Glass from Murano, Atglen, Pa., 2007, illustrations, many colour, original cloth or boards with dust-jackets, the first two and fourth with slip-cases; and c.85 others on Italian glass, a few signed, 4to & 8vo (c.90)
Basford (John) Sandra Blow: Studio Inventory and Catalogue Raisonné of Prints, number 46 of 250 copies with an original print, signed by the author on title, original cloth-backed boards, print with embossed estate stamp loose in cloth folder, together in original cloth slip-case, Sheffield, 2013 § Tassi (Roberto) Graham Sutherland: Complete Graphic Work, Barcelona, 1988 § British Printmakers 1855-1955, Devizes, Garton & Co., 1992 § Kemp (Dominic) Terry Frost Prints: A Catalogue Raisonné, signed by the author and two contributors on front free endpaper, water-stained and damaged, loose in binding, Farnham, 2010, illustrations, many colour, all but the first original boards with dust-jackets, the last crinkled; and 8 others on prints & printmaking, mostly modern, 4to & 8vo (12)
Deighton (Len) Horse Under Water, crossword competition slip loosely inserted, jacket with African Rand pricing in red biro to front flap, very light toning, a near-fine example, 1963; Billion Dollar Brain, jacket with some creasing to head and foot, a little chipped at foot, extremities a little rubbed, 1966, first editions, original boards, dust-jackets; and 2 others by the same, 8vo (4)
Falconer (William) The Shipwreck, additional engraved vignette title, engraved vignette dedication leaf, folding map, 18 superb aquatint plates and 3 vignettes as canto headings by Robert Dodd, one plate with repaired tears, some offsetting and light foxing, contemporary red morocco, stamped in gilt and blind, g.e., joints neatly repaired, preserved in modern calf-edged marbled board slip-case, 4to, Printed for John White, 1808.*** The first edition with Dodd's wonderful and evocative illustrations.
Frink (Elisabeth).- Shaffer (Peter) & others. Elisabeth Frink Sculpture: Catalogue Raisonné, signed by Frink on title, Salisbury, 1984 § Lucie-Smith (Edward) Elisabeth Frink: Sculpture since 1984 and Drawings, 1994 § Wiseman (Caroline) Elisabeth Frink Original Prints: Catalogue Raisonné, inscribed by the author on title, 1998, illustrations, many colour, original cloth or boards, the first with slip-case, the other two with dust-jackets; and 2 others on Frink, 4to & 8vo (5)
Design.- Gramigna (Giuliana) Repertorio del Design Italiano 1950-2000 per l'Arredamento Domestico, 2 vol., Turin, 2003; Le Fabriche del Design i Produttori dell'Arredamento Domestico in Italia 1950-2000, Turin, 2000 § Barovier (M.) & others. Sottsass Glass Works, Dublin, 1998 § Bosoni (Giampiero, editor) Il Modo Italiano: Italian Design and Avant-garde in the 20th Century, Milan, 2006 § George J.Sowden: Designing 1970-1990, signed & inscribed by Sowden on title, original wrappers, dust-jacket, Lyons, [c.2001], illustrations, many colour, original cloth or boards with dust-jackets, the first two also with slip-cases; and c.20 others, Italian design, 4to & 8vo (c.25)
Botany.- Mee (Margaret) Flowers of the Brazilian Forests, one of 500 copies, this copy inscribed 'personal copy of Edmund Fisher, ex series', colour plates, tissue-guards, the odd light spot, original green morocco-backed boards, decorated in gilt with lizard motif, The Tryon Gallery, 1969 § Jones (Paul) Flora Superba, one of 406 copies signed by the illustrator, this copy inscribed 'file copy only, ex series', colour frontispiece and 15 plates, tissue-guards, the odd light spot, contemporary cloth, decorated in gilt with flower motif, a few spots around upper hinge, Tryon Press, 1971 § Toulouse-Lautrec (Henri de) Elles, one of 1250 copies, membership certificate of the 'Toulouse-Lautrec Circle' for Edmund Fisher and additional plate loosely inserted, 11 tipped-in colour lithographed plates, all numbered in pencil, original cloth-backed pictorial boards, some very light spotting, 1969, original cloth slip-cases, slightly rubbed or spotted; and 4 others, mostly botany, folio (7)
Binding.- Bocel (Joelle, bookbinder) Le Museon, vol. 97, bound in 2019 by Joëlle Bocel in natural beige leather, blind-stamped with vegetal patterns, doublures of gold film hot-stamped with Coptic-influenced characters by Stéphane Gangloff, chemise of black japon lined with cognac-coloured velvet, slip-case covered in papyrus, 4to (binding 280 x 200mm.), Louvain, 1984.
Hockney (David).- Spender (Stephen, editor) Hockney's Alphabet, special edition signed by both Hockney and Spender, 26 colour illustrations by David Hockney, original yellow cloth, grey cloth slip-case, 4to, Faber and Faber for the Aids Crisis Trust, 1991.*** Produced in aid of the AIDS Crisis Trust; contributors include Iris Murdoch, Norman Mailer, Seamus Heaney, Ian McEwan, William Golding, T.S.Eliot, Arthur Miller, Ted Hughes, Kazuo Ishiguro, John Updike, and Susan Sontag.
Piper (John).- Fowler-Wright (Hugh), Rigby Graham & others. Piper in Print: Books, Periodicals & Ephemera, 2 vol., number LXV of XCVI special copies with a folder of additional material and signed by Fowler-Wright, from an edition limited to 490, scarlet morocco-backed pictorial boards, additional printed material loose in pockets in red cloth folder, together in original slip-case, Church Hanborough, Artists' Choice Editions, 2010 § West (Anthony) John Piper, number IV of X specially-bound copies but lacking the original watercolour, original morocco, t.e.g., pictorial slip-case, 1979 § Woods (S.John) John Piper: Paintings, Drawings & Theatre Designs 1932-1954, with original aquatint tipped in as frontispiece and 4 lithographs, 3 colour, New York, 1955 § Levinson (Orde) 'Quality and Experiment': the Prints of John Piper. A Catalogue Raisonné 1923-91, 1996, illustrations, many colour, the last two original cloth or boards with dust-jackets, the first price-clipped, slight fraying to edges; and c.25 others, Piper, mostly catalogues or pamphlets, 4to & 8vo (c.30)
Lalique (Réné) The Art of Réné Lalique: with illustrations of some characteristic examples of his work from the permanent exhibition at Breves Lalique Galleries, 3 vol. comprising plate vol., text vol., and Lights and Decorations catalogue, 52 plates, numbered 1-38 & 40-53, loose as issued, 16pp. text pamphlet, original stiff paper wrappers, Breves ink-stamp to upper cover, [c.1930]; Lalique Lights and Decorations, illustrations, Breves ink-stamp to title, 2 price lists and 1 order slip in pocket at end, one with neat ink annotation at foot, original stiff paper wrappers, [c.1930], housed together in original stiff paper chemise, small stain to upper cover, fractional bumping to corners and extremities, 3 tiny stab marks to spine, 4to.
Blythe (Ronald) First Friends: Paul and Bunty, John and Christine - and Carrington, one of 300 copies, this copy unusually signed by the author on title, tipped-in illustrations, original cloth-backed patterned-paper boards, slip-case, Denby Dale, Fleece Press, 1997 § Binyon (Helen) Eric Ravilious, Guildford & London, 1993 § Milner (John) Kenneth Rowntree, 2002 § Potter (Julian) Mary Potter, 1998 § Andreae (C.) Mary Newcomb, 1996 § Vann (Philip) Tessa Newcomb, Bristol, 2010 § Collins (Ian) A Broad Canvas: Art in East Anglia since 1880, 1999, the last four signed by the authors or artists, illustrations, many colour, all but the first original boards with dust-jackets; and c.20 others, East Anglian art and artists, 4to & 8vo (c.25)
Britten (Benjamin).- Crozier (Eric) & others. The Aldeburgh Festival of Music and the Arts. Programme Book, vol.1-61, some supplementary material and ephemera loosely inserted, original printed/pictorial wrappers, vol.1 signed by the three founders Benjamin Britten, Peter Pears & Eric Crozier on upper cover, a few others with ownership signatures, a little rubbed (mostly spines), Ipswich, 1948-2008 § Britten (Benjamin) & Bertolt Brecht. Children's Crusade, limited edition, colour illustrations by Sidney Nolan, original boards, slip-case, 1973 § Britten (B.) & others. The Rape of Lucretia, colour plates by John Piper, some folding, 1948 § Sackville-West (Edward) The Rescue. A Melodrama for Broadcasting based on Homer's Odyssey, Orchestral Score by Benjamin Britten, limited edition, colour plates by Henry Moore, 1945 § Herbert (David, editor) The Operas of Benjamin Britten, New York, 1979, plates and illustrations, all but the first two original cloth, the third with dust-jacket (rubbed), the fourth with faded spine; and c.85 others, music and literature, mainly Britten and W.H.Auden, v.s. (c.150)*** The Aldeburgh Festival programmes are an excellent record of this celebrated international music festival on the Suffolk coast. It was founded in 1948 by the composer Benjamin Britten, singer Peter Pears and librettist/producer Eric Crozier with Imogen Holst joining as an artistic director in 1956. Based at Snape Maltings it is now in its 75th year.
Matchbox Superfast G-17 Car Ferry Gift Set - Containing (1) 7c Volkswagen Golf - metallic emerald green body, dark amber windows, dark yellow interior, matt black base, dot-dash wheels; (2) 9a Cabin Cruiser & Trailer - blue boat with white hull, sky blue trailer, centre cut 5-spoke narrow wheels; (3) 13b Baja Buggy - metallic emerald green body with sunburst hood label, orange interior, red exhausts (missing left hand exhaust bank & incorrect box for 38b Stingeroo Chopper Motorcycle with "Not recommended for children under 3" Text); (4) 29b Racing Mini - red body with green outline racing number 29 labels, pale yellow interior, bare metal base, 5-spoke wheels (incorrect box for 64b Slingshot Dragster); (5) plastic Car Ferry "Olympus" (missing flag) - all Near Mint to Mint apart from Baja Buggy which is Excellent, individual boxes are Near Mint to Mint, outer card box is Good with tear to 1 end flap, complete with inner card packing & complaints slip.
Robert Mylne. The Island & Kingdom of Sicily........ from the Map of the Baron De Schmettau, coloured engraved map, sectionalised and laid down on linen, 730mm x 527mm, London: published by Richard H. Laurie, 1823, housed in a contemporary slip case.laid down on linen, some browning and spotting as expected. the slipcase with age related wear and fading.
Anon. Games. A group of 31 captioned cards, divided into two suites, 16 printed in red ink and 15 in black, each suite with questions and responses, in English and French, and a printed slip with instructions, 76mm x 66mm, c. 1800; a group of 52 sheets, each an animal, printed in sepia and black, hand-coloured, each image with a traditional card printed upper left, lacking the Ace of Spades, but with a 'Peacock' card substituting, plain reverse, 46mm x 75mm, c. 1800; an incomplete miniature deck and a spinning dice in bone (quantity).Mixed condition.
James Morris. Pax Britannica, 3 volumes, original publishers cloth, slip case, 8vo, London: Folio Society, 1992; Reay Tannahill. Paris in the Revolution: A Collection of Eye-witness Accounts, original publishers cloth, 8vo, London: Folio Society, 1966; R. H. Bruce Lockhart. Memoirs of a British Agent, original publishers cloth, slip case, 8vo, London: Folio Society, 2003; Lytton Strachey. Eminent Victorians: Cardinal Manning, Florence Nightingale, Dr Arnold, and General Gordon, original publishers cloth, slipcase, 8vo, London: Folio Society, 1967; Walter De La Mare. Ghost Stories, with lithographs by Barnett Freedman, original publishers cloth, slipcase, 8vo, London: Folio Society, 1964; Jerome K Jerome. Three Men in a Boat, with drawings by Ian Ribbons, original publishers cloth, slipcase, 8vo, London: Folio Society, 1964; Sir Vivian Fuchs. Scott's Last Expedition, original publishers cloth, slipcase, 8vo, London: Folio Society, 1965, and four others, similar to include Jane Austen and R. L. Stevenson (13).Largely as published although some volumes have some slight fading and wear to spines and slipcases.
Ottavio Gigli. Nel Giorno delle augurate Nozze de l Duca A. Torlaonia con Donna T. Colonna questi Disegni originali di valentissimi Artisti, 15 double-page genealogical tables, engraved map, 22 engraved plates, including 10 partly hand-coloured and one processional double page plate wholly hand-coloured, tipped in slip with manuscript note, 'Given by Alexander Prince of Torlonia to Earl Grosvenor at Rome, March 1841', contemporary half vellum, spine tooled gilt, folio, no imprint, c. 1840. Prince Don Alessandro Raffaele Torlonia, Prince of Fucino, Prince of Civitella-Cesi, Duke of Ceri (1 January 1800 to 7 February 1886) was an Italian nobleman of the House of Torlonia, titled Duca di Ceri, Prince di Fucino. This appears to be a commemorative volume produced on the occasion of his marriage to Donna Teresa Colonna-Doria (22 July 1823 to 17 March 1875) on 16 July 1840 in Rome.Slight marking in places, a fine copy.
Joseph Wolf. Pheasant Drawings, number 47 of 275 copies, with an introduction by David M. Lank, numerous black and white and coloured plates, maroon morocco with slipcase, large folio, Kingston Upon Hull: The Allen Publishing Company, 1988.internally clean but slip case soiled and worn at extremities.
Jonas Moore. A New System of Mathematicks, volume one only (parts I-VI), first edition, engraved additional title, 36 folding engraved plates and 4 single page only, 45 engravings in text, volvelles present on p.255 and p.262., p.185 with cancel slip, contemporary calf, 4to, London: Robert Scott, 1681 RARE.Defective, lacking 3 plates and the first 66pp. of Part III, occasional rust-stains and paper flaws, occasionally affecting text, a few leaves with fore-edge shaved, folding plates with some tears and repairs, one stained, one defective, calf repaired, new endpapers.
William Russell Flint. Minxes Admonished or Beauty Reproved: An Album of Deplorable Caprices faithfully narrated & modestly embellished, number 163 of 550 copies, coloured frontispiece and title, 51 further illustrations, quarter morocco, top edge gilt, 8vo, London: Golden Cockerel Press, 1955; The Cryes of London: The Collection in the Pepys Library at Magdalene College Cambridge, with an introduction by Richard Luckett, number 102 of 425 copies, 81 illustrations, calf-backed boards, slip case, Leeds: Old Hall Press, 1994 (2).few slight scratches to marbled boards, slight darkening to margins and fading to spine.
BULL (HENRY GRAVES)The Herefordshire Pomona, Containing Original Figures and Descriptions of the Most Esteemed kinds of Apples and Pears, FIRST EDITION, 2 vol., 4 uncoloured plates and 77 chromolithographed plates by Severeyns of Brussels, the majority after Edith E. Bull (daughter of the author) and Alice B. Ellis, fruit cross-section illustrations in the text, errata slip tipped-in, contemporary green half morocco, g.e., joints starting, some wear and loss to covers [Great Flower Books, pp.59-60; Nissen BBI 29], large 4to (375 x 300mm.), Hereford, Jakeman and Carver, and London, Journal of Horticulture Office, 1876-1885Footnotes:'ONE OF THE FINEST FRUIT BOOKS EVER ISSUED' (Great Flower Books), richly illustrated with fine bright chromolithographs.Provenance: Woolhope Naturalists Field Club 1851, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
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52911 item(s)/page