Royal Copenhagen Blaue Blume Kaffeeservice für 8 Personen,Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Blaue Blume, 1x Kaffeekanne #8189 H 24 cm x D 13 cm, 1x Milchkanne #8026 H 11,5 cm, 1x Zuckerdose #8081 H 10 cm, 1x Kanne #8520 H 16 cm x D 10 cm, 5x Tassen 8261 H 6,5 cm x D 8 cm, 5x UT #8261 D 14,5 cm, 3x Tassen #1870 H 6,5 cm x D 8 cm, 3x UT #1870 D 14 cm, 1x Schale #1689 L 23,5 cm x B 12 cm, 1x Schale #1717 H 4 cm x L 25,5 cm x B 21,5 cm, 1x Schale #8008 H 4,5 cm x D 17 cm
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Royal Copenhagen Musselmalet Vollspitze 6 Kaffeegedecke 1036/1086,18-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Tassen und UTs mit Schleifstrich, Dekor Musselmalet Vollspitze, 6x Kaffeetassen #1036 H 7 cm x D 7 cm, 6x UT #1036 D 14,5 cm, 6x Kuchenteller #1086 D 19,5 cm, Chip an einer UT
Royal Copenhagen Blaue Blume Speiseservice für 6 Personen,11-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Blaue Blume, 6x Speiseteller #1621 D 25,5 cm, 6x Suppenteller #1616 D22 cm, 1x Deckelterrine #1702 H 15 cm x L 27 cm x B 18,5 cm, 1x Platte #1555 L 30,5 cm x B 23 cm, 1x Schale #1522 H 5,5 cm x B 21 cm, 1x Schale #1518 H 5,5 cm x D 21,5 cm, 1x Sauciere #1651 H 8 cm x L 22 cm x B 12 cm, zwei abgeschliffene Brennpunkte auf der Platte
Royal Copenhagen Musselmalet Vollspitze Kaffee Dejeuner für 2 Personen,11-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, mit einem Schleifstrich, Dekor Musselmalet Vollspitze, 1x Kaffeekanne #1202 H 29 cm x D 14,5 cm, 1x Milchkanne #1032 H 10,5 cm, 1x Zuckerschale #1112 H 7,5 cm x B 10,5 cm, 1x Platte #1195 L 24 cm x B 16,5 cm, 2x Tassen #1036 H 7 cm x D 7 cm, 2x UT #1036 D 14 cm, 2x Kuchenteller #1087 D 17,5 cm, 1x Kuchenplatte #1062 D 25 cm, Sprung am Henkel der Milchkanne, Chip an der Platte
Royal Copenhagen Musselmalet Teeservice für 6 Personen,23-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Musselmalet Halbspitze, 1x Teekanne #611 H 15 cm x D 13 cm, 1x Milchkanne #522 H 10 cm, 1x Zuckerdose #657 H 7,5 cm x D 9 cm, 6x Tassen #525 H 5 cm x D 10 cm, 6x UT #525 D 14,5 cm, 6x Kuchenteller #573 D 19 cm, 1x Schale #552 H 3 cm x L 22 cm x B 16 cm, 1x Tortenplatte #666 D 28 cm
Royal Copenhagen Musselmalet 6 Kaffeegedecke,18-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, u.a. mit einem Schleifstrich / Teller 1.Wahl, Dekor Musselmalet Halbspitze, 6x Kaffeetassen #756 H 6,5 cm x D 7,5 cm, 6x UT #756 D 13,5 cm, 6x Kuchenteller #573 D 19 cm, Chip an UT
Royal Copenhagen Trachtenkind Jylland / Jütland Mädchen - MARTIN-HANSEN,Porzellan, Dänemark, mit grüner Kronenmarke und blauen Wellen 1905, Entwurf von Carl MARTIN-HANSEN (1877-1941), Mädchen mit Blumen, Serie von Kindern in dänischen Nationaltrachten, Modellnummer 7257 (12421), H 9,5 cm x B 10 cm x T 7,5 cm
Royal Copenhagen Musselmalet Vollspitze Teeservice für 6 Personen,22-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Musselmalet Vollspitze, 1x Teekanne #1118 H 17 cm x D 13 cm, 1x Milchkanne #1032 H 10,5 cm, 1x Zuckerschale #1112 H 7,5 cm x D 10 cm, 6x Teetassen #1130 H 5 cm x D 9,5 cm, 6x UT #1130 D 14,5 cm, 6x Kuchenteller #1086 D 19 cm, 1x Durchbruchteller #1098 D 25,5 cm
Royal Copenhagen Musselmalet Vollspitze Mokkaservice für 6 Personen,21-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Musselmalet Vollspitze, 1x Mokkakanne #1030 H 21 cm x D 10,5 cm, 1x Milchkanne #1031 H 8,5 cm, 1x Zuckerschale #1112 H 7,5 cm x B 10 cm, 6x Tassen #1038 H 5,5 cm x B D 5,5 cm, 6x UT #1038 D 11 cm, 6x Kuchenteller #1086 D 19 cm
Royal Copenhagen Flora Danica 2 Kuchenteller 3573,Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Flora Danica - - dänische Blumen mit Reliefdekor und Goldrand, Motiv Taraxacum phymatacarpum J. Vahl. / Platanthera rotundifolia Lindl., Modell-Nr. 3573, Herstellung 1979-1983, 2x D 19,5 cm
Royal Copenhagen Musselmalet Kaffeeservice für 6 Personen,33-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, überwiegend mit Schleifstrich, Dekor Musselmalet Halbspitze, 1x Kaffeekanne #519 H 24 cm x D 13 cm, 1x Milchkanne #522 H 10 cm, 1x Zuckerdose #691 H 10 cm x D 9 cm, 6x Kaffeetassen #756 H 6,5 cm x D 7,5 cm, 6x UT #756 D 13 cm, 6x Kuchenteller #573 D 19 cm, 6x Eierbecher #542 H 6 cm, 1x Schale #552 H 3 cm x L 22 cm x B 16 cm, 5x Konfektschalen #504 D 7 cm
Royal Copenhagen Musselmalet Vollspitze Vide-Poche mit Milchkanne und Zuckerschale / 3-teilige Menage,Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Musselmalet Vollspitze, 1x Vide-Poche #1122 H 3 cm x L 23 cm x B 16 cm, 1x Milchkanne #1032 H 11 cm, 1x Zuckerschale #1112 H 8 cm x B 9,5 cm
Royal Copenhagen Musselmalet Vollspitze 5 Prunkschalen,Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, mit einem Schleifstrich, Dekor Musselmalet Vollspitze, 1x Muschelschale #1074 H 6 cm x B 18,5 cm, 2x Schale #1018 H 5,5 cm x D 21 cm, 1x Fußschale #1023 H 6 cm x D 17,5 cm, 1x ovale Schale #1177 H 7 cm x B 15 cm x T 10,5 cm, Brennriss an einem Fuß der Schale #1177
Royal Copenhagen Trachtenkind Fanö - Mädchen - MARTIN-HANSEN,Porzellan, Dänemark, mit grüner Kronenmarke und blauen Wellen 1905, Entwurf von Carl MARTIN-HANSEN (1877-1941), Mädchen mit Blumen, Serie von Kindern in dänischen Nationaltrachten, Modell-Nr. 12423, H 14,5 cm x B 9,5 cm x T 8,5 cm, an zwei Blüten jeweils ein sehr feiner Chip
Royal Copenhagen Musselmalet Speiseservice für 6 Personen,19-teiliges Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Musselmalet Halbspitze, 6x Speiseteller #571 D 25,5 cm, 6x Suppenteller #659 D 23,5 cm, 1x Terrine #622 H 14,5 cm x L 27 cm x B 17,5 cm, 1x Schale rund #512 H 5,5 cm x D 21,5 cm, 1x Schale eckig #708 H 6 cm x B 21,5 cm, 1x Platte #628 L 33 cm x B 24,5 cm, 1x Sauciere #587 H 8,5 cm x L 24,5 cm x B 16 cm, 2x Salz-/Pfefferstreuer #711/712 H 5,5 cm
This charming Royal Copenhagen porcelain figurine features a "Fat Robin" bird, model number 2266. The hand-painted figurine showcases the robin in a soft gray and pink color scheme, with attention to detail in its rounded, plump form. Standing 2.5"H, it is stamped with the Royal Copenhagen backstamp, marking it as a high-quality collectible piece. A must-have for collectors of porcelain and bird-themed figurines.Issued: 20th century Dimensions: See DescriptionCountry of Origin: DenmarkCondition: Age related wear.
Kamila Sipika The Garden, 2025 Aquarelle on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Visual artist currently working in The Netherlands and Poland. Nature is rooted at the core of Kamila's creative inspiration as she works with subjects such as ephemerality, decay, tranquillity, folk traditions and timeless plants' symbolism. Her materials of choice are linens and cotton that serve perfectly the natural pigments, oil paints and dying the textiles. Her work encourages viewers to re-consider the relationship between nature and the painting medium. Her practice is founded on the curiosity in the surroundings. She collects a range of objects, primarily from nature, such as stones, seeds, shells, plants, and flowers to dry as a starting point of the creative process. Kamila strongly believes epiphanies can appear hidden in the most ordinary moments, textures, colours, and fragrances. Education Royal Academy of Art, The Hague, Netherlands, 2019 - 2021 Academy of Fine Arts, Warsaw, Poland, 2015-2019, 2021-2022 Group Exhibitions 2024 On Physiognomy of Nature, de Bouwput, Amsterdam (NL), duo show Sidewalk Hussle, collaboration, exhibition event of Orisun Studio, Den Haag (NL) Art Rotterdam Fair (with Rademakers Gallery) (NL) Wandler x Hotel l'Europe, Amsterdam (NL) 2023 Homebound exhibition, Den Haag (NL) Enter Art Fair (with Rademakers Gallery), Copenhagen (DK) PopÅ‚yniemy napiÄ™ci w prÄ…d radosnej energii, Galeria Nanazenit, Warsaw (PL) Springboard Art Fair, Utrecht (NL) Tiny Gallery x Fig, Sofia, Bulgaria 2022 Image Desires, Mysia 3, Warsaw (PL), solo show DAGLICHT, The Grey Space in The Middle, The Hague (NL) 2021 Fata Morgana (digital exhibition, NL) ART The Hague (NL) Graduation Festival, Royal Academy of Art, The Hague (NL) Awards 2024 Mondriaan Artist Start Fund 2023 Piket Prijs Nominatie Stroom PRO Invest 2022 Nominatie Buning Brongers Prijzen Statement about AOAP Submitted Artwork Discovering hidden in the daylight flowers blooming in the soil full of treasures and life, calms the mind of the one who wondered this way. The tactility and the fragrance are easily recognisable and recalled. Each flower carries a different meaning and perhaps a treasure of one's own memories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Ange Bell Perry, 2024 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ange Bell is an artist specialising in portraiture. Her work focuses on the themes of origins and belonging and the manipulation of paint. Ange's work is in private collections worldwide and has been selected for numerous exhibitions including the Royal Society of Portrait Painters and the Royal Institute of Oil Painters. Education 1999 Masters in Fine Art, Norwich School of Art and Design 1997 BA Hons Fine Art, University of Ulster 1994 Foundation Studies in Art, University of Ulster Group Exhibitions 2024 Royal Institute of Oil Painters, Mall Gallery, London, UK ING Discerning Eye, Mall Galleries, London, UK Women in Art Prize, Roundhouse, London, UK Royal Ulster Academy, Ulster Museum, Belfast, NI The Space is Yours, Space Gallery, Kolding, Denmark Alla Prima Group Show, Holt Gallery, Holt, Norfolk, UK Society of Women Artists, Mall Gallery, London, UK RA Summer Exhibition, Royal Academy, London, UK Contemporary British Portrait Painters, The Department Store, Brixton, UK Royal Society of Portrait Painters, Mall Gallery, London, UK Royal Institute of Oil Painters, Mall Gallery, London, UK British Art Prize, OXO Gallery, London, UK 2023 Group Show, Dynamite Gallery, London, UK Kunste For Alle, Copenhagen Art Fair, Copenhagen Beyond Imagination, Space Gallery, Kolding, Denmark Royal Ulster Academy, Ulster Museum, Belfast, NI Society of Women Artists, Mall Gallery, London, UK No Fake News, Just Art, Space Gallery, Kolding, Denmark Rise, Old School Gallery, Alnmouth, UK Jackson's Art Prize, online RA Summer Exhibition, Royal Academy, London, UK 2022 War in the Stars, Dynamite Gallery, London, UK The British Art Prize, OXO Gallery, London, UK Alter Ego, BSMT Gallery, London, UK New Beginnings, Space Gallery, Kolding, Denmark Royal Ulster Academy, Ulster Museum, Belfast, NI Modest Magnificent, Well Hung Gallery, London, UK Boyle Arts Festival, Boyle, Ireland Award Winners Show, Federation of British Artists, Mall Gallery, London, UK False Starts, The Old School Gallery, Alnmouth, UK Royal Institute of Oil Painters, Mall Gallery, London, UK Contemporary British Portrait Painters, The Department Store, Brixton, UK 2021 Royal Institute of Oil Painters, Mall Gallery, London, UK Small Wonders, Well Hung Gallery, London, UK Society of Women Artists, Mall Gallery, London, UK Figurative Art Prize, Mall Gallery, London, UK Jackson's Art Prize, online Contemporary British Portrait Painters, Old Fire Station, UK 2020 Royal Institute of Oil Painters, Mall Gallery, London, UK ING Discerning Eye, online Contemporary British Portrait Painters, Cass Art, London, UK Awards 2023 Third Prize, British Art Prize 2022 Finalist, British Art Prize 2021 Small Works Prize, Royal Institute of Oil Painters 2020 Portrait Prize, Jackson's Art Prize 2017 Third Prize, Jackson's Art Prize 2016 Artists of the Year, Artists and Illustrators 2014 Dry Red Press Award, New English Arts Club Statement about AOAP Submitted Artwork My work focuses on the themes of origins and belonging and it is this concern that has formed the basis of these paintings. Working from selfies taken by artists I look to reclaim a moment lost in the instant it occurred. Within the portraits there is an echo of that which is lost and sought, it speaks at times to our sense of nostalgia and at others to our desire to be seen, recognised and valued. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Ange Bell Russell, 2024 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ange Bell is an artist specialising in portraiture. Her work focuses on the themes of origins and belonging and the manipulation of paint. Ange's work is in private collections worldwide and has been selected for numerous exhibitions including the Royal Society of Portrait Painters and the Royal Institute of Oil Painters. Education 1999 Masters in Fine Art, Norwich School of Art and Design 1997 BA Hons Fine Art, University of Ulster 1994 Foundation Studies in Art, University of Ulster Group Exhibitions 2024 Royal Institute of Oil Painters, Mall Gallery, London, UK ING Discerning Eye, Mall Galleries, London, UK Women in Art Prize, Roundhouse, London, UK Royal Ulster Academy, Ulster Museum, Belfast, NI The Space is Yours, Space Gallery, Kolding, Denmark Alla Prima Group Show, Holt Gallery, Holt, Norfolk, UK Society of Women Artists, Mall Gallery, London, UK RA Summer Exhibition, Royal Academy, London, UK Contemporary British Portrait Painters, The Department Store, Brixton, UK Royal Society of Portrait Painters, Mall Gallery, London, UK Royal Institute of Oil Painters, Mall Gallery, London, UK British Art Prize, OXO Gallery, London, UK 2023 Group Show, Dynamite Gallery, London, UK Kunste For Alle, Copenhagen Art Fair, Copenhagen Beyond Imagination, Space Gallery, Kolding, Denmark Royal Ulster Academy, Ulster Museum, Belfast, NI Society of Women Artists, Mall Gallery, London, UK No Fake News, Just Art, Space Gallery, Kolding, Denmark Rise, Old School Gallery, Alnmouth, UK Jackson's Art Prize, online RA Summer Exhibition, Royal Academy, London, UK 2022 War in the Stars, Dynamite Gallery, London, UK The British Art Prize, OXO Gallery, London, UK Alter Ego, BSMT Gallery, London, UK New Beginnings, Space Gallery, Kolding, Denmark Royal Ulster Academy, Ulster Museum, Belfast, NI Modest Magnificent, Well Hung Gallery, London, UK Boyle Arts Festival, Boyle, Ireland Award Winners Show, Federation of British Artists, Mall Gallery, London, UK False Starts, The Old School Gallery, Alnmouth, UK Royal Institute of Oil Painters, Mall Gallery, London, UK Contemporary British Portrait Painters, The Department Store, Brixton, UK 2021 Royal Institute of Oil Painters, Mall Gallery, London, UK Small Wonders, Well Hung Gallery, London, UK Society of Women Artists, Mall Gallery, London, UK Figurative Art Prize, Mall Gallery, London, UK Jackson's Art Prize, online Contemporary British Portrait Painters, Old Fire Station, UK 2020 Royal Institute of Oil Painters, Mall Gallery, London, UK ING Discerning Eye, online Contemporary British Portrait Painters, Cass Art, London, UK Awards 2023 Third Prize, British Art Prize 2022 Finalist, British Art Prize 2021 Small Works Prize, Royal Institute of Oil Painters 2020 Portrait Prize, Jackson's Art Prize 2017 Third Prize, Jackson's Art Prize 2016 Artists of the Year, Artists and Illustrators 2014 Dry Red Press Award, New English Arts Club Statement about AOAP Submitted Artwork My work focuses on the themes of origins and belonging and it is this concern that has formed the basis of these paintings. Working from selfies taken by artists I look to reclaim a moment lost in the instant it occurred. Within the portraits there is an echo of that which is lost and sought, it speaks at times to our sense of nostalgia and at others to our desire to be seen, recognised and valued. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yulia Iosilzon Pond with Amanita, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Kamila Sipika Yellow Elder, 2025 Aquarelle on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Visual artist currently working in The Netherlands and Poland. Nature is rooted at the core of Kamila's creative inspiration as she works with subjects such as ephemerality, decay, tranquillity, folk traditions and timeless plants' symbolism. Her materials of choice are linens and cotton that serve perfectly the natural pigments, oil paints and dying the textiles. Her work encourages viewers to re-consider the relationship between nature and the painting medium. Her practice is founded on the curiosity in the surroundings. She collects a range of objects, primarily from nature, such as stones, seeds, shells, plants, and flowers to dry as a starting point of the creative process. Kamila strongly believes epiphanies can appear hidden in the most ordinary moments, textures, colours, and fragrances. Education Royal Academy of Art, The Hague, Netherlands, 2019 - 2021 Academy of Fine Arts, Warsaw, Poland, 2015-2019, 2021-2022 Group Exhibitions 2024 On Physiognomy of Nature, de Bouwput, Amsterdam (NL), duo show Sidewalk Hussle, collaboration, exhibition event of Orisun Studio, Den Haag (NL) Art Rotterdam Fair (with Rademakers Gallery) (NL) Wandler x Hotel l'Europe, Amsterdam (NL) 2023 Homebound exhibition, Den Haag (NL) Enter Art Fair (with Rademakers Gallery), Copenhagen (DK) PopÅ‚yniemy napiÄ™ci w prÄ…d radosnej energii, Galeria Nanazenit, Warsaw (PL) Springboard Art Fair, Utrecht (NL) Tiny Gallery x Fig, Sofia, Bulgaria 2022 Image Desires, Mysia 3, Warsaw (PL), solo show DAGLICHT, The Grey Space in The Middle, The Hague (NL) 2021 Fata Morgana (digital exhibition, NL) ART The Hague (NL) Graduation Festival, Royal Academy of Art, The Hague (NL) Awards 2024 Mondriaan Artist Start Fund 2023 Piket Prijs Nominatie Stroom PRO Invest 2022 Nominatie Buning Brongers Prijzen Statement about AOAP Submitted Artwork Discovering hidden in the daylight flowers blooming in the soil full of treasures and life, calms the mind of the one who wondered this way. The tactility and the fragrance are easily recognisable and recalled. Each flower carries a different meaning and perhaps a treasure of one's own memories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yulia Iosilzon Pond, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yulia Iosilzon Pond Vol III, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yulia Iosilzon Pond II, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), UNTITLED oil on canvas, signed and dated '70 verso framed image size 81cm x 56cm, overall size 93cm x 67cm Provenance: the family of William Gear. Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), RED FEATURE NO. 3 oil on canvas, signed and dated '57, titled verso framed image size 91cm x 61cm, overall size 95cm x 65cm Provenance: the family of William Gear. Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
* LISA GRAA JENSEN RI (DANISH b. 1953), BOATS FOR HIRE gouache on paper, signedmounted, framed and under glassimage size 29cm x 20cm, overall size 53cm x 42cmNote: Lisa Graa Jensen was born in Copenhagen. She attended the Sir John Cass School of Art in Whitechapel (London) and then trained at Camberwell School of Art from 1975-78 gaining a BA (Hons) in Graphic Design. After art college Lisa spent time as an Illustrator with B.L. Kearley Limited working for Hamlyn, MacMillan, Marshall Cavendish and the BBC as well as Puffin Books and Camden Graphics. She then took up a roll as an Art Therapist before becoming a freelance Painter and Illustrator of books and cards in 1983. In 1997 Lisa Graa Jensen was the winner of The RI Kingsmead Award. She also received the Royal Academy of Art, Christmas Design Award (1984, 1985, and 1986) and was runner up Artist of the Year Award 2008. In 1996 she was elected a Member of the Royal Institute of Painters in Watercolours. She is also a member of ASGFA (The Society of Graphic Fine Art). Talking about her art work Lisa says: 'I am a painter and illustrator of vibrant colourful figurative landscapes. i.e.: undulating countryside, markets, pubs, cafes, French farming scenes and coastal/beach scenes usually featuring dogs and cats and often farm animals such as sheep, donkeys, cows, hens etc..'. Her work is typically colourful and lively and demonstrates a strong sense of observation. Method of Working- Lisa uses light, fast watercolour and acrylic inks which have good reproduction qualities and designer gouache. She paints on very heavy watercolour paper that doesn’t need stretching. She uses brushes, a sharpened end of paintbrush to scratch out detail, fingers, splatter bristle brush, and salt for colour dispersal. Working on one piece at a time, Lisa works from memory, sketches and photos. The initial idea is very loosely mapped out so that the painting can feel spontaneous, and not like painting by numbers. Lisa's work is exhibited widely including at many annual major public exhibitions and at private galleries around the UK.
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), DARK FIGURE NO. 2 oil on canvas, signed, titled and dated '57 verso framed image size 65cm x 52cm, overall size 76cm x 64cm Provenance: the family of William Gear. Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
Ellen Malmer - Royal Copenhagen - A graduated set of three 20th Century Fajance dishes, circa 1965, of circular shallow form, decorate with an abstract flower head intones of ochre and brown over a pale grey ground, with an ochre glaze to the exterior walls, printed marks to the base, largest diameter 33cm. (3)
Jørgen Mogensen - Royal Copenhagen - A stoneware dish of circular form, the central roundel with tube lined geometric motif, incised maker's mark, painted no.21942 and printed marks, together with a stoneware figure of an elephant by Knud Kyhn, modelled standing, in tonal ochre and green/blue glaze and chestnut brown detail, painted, printed and impressed marks, height 10cm. (2)
A beautifully hand-painted Royal Copenhagen porcelain vase featuring a delicate butterfly motif amidst soft floral accents. The spherical form is elegantly adorned with a gradient glaze transitioning from white to soft gray, complementing the intricate detailing of the butterfly and blossoms. The base is marked with the Royal Copenhagen hallmark, model number 1528/422, and artist's initials. This piece showcases the refined craftsmanship and timeless design synonymous with Royal Copenhagen porcelain.Issued: 20th centuryDimensions: 2.5"HCountry of Origin: DenmarkCondition: Age related wear.
6 Speiseteller "Blaue Blume geschweift" im Stil von Royal Copenhagen, unbekannte Porzellanmanufaktur, 19./20. Jahrhundert Weißporzellan mit unter Glasur blauer "Blaue Blume" Malerei auf einer Geschirrform wie Royal Copenhagen "Blaue Blume geschweift"; deutliche altersbedingte Gebrauchsspuren (Bereibungen, winzige Bestoßungen, 2 x stärkere Bestoßungen am Standring), wohl alles 2. Wahl, da zahlreiche kleine Glasureinschlüsse, 1 Teller stark gewellt, 1 x feiner Brandriss; Durchmesser: ca. 24,5 - 25,5 cm; im Boden ungedeutete Marke (3 Linien, nicht 3 Wellen!) und weitere Beizeichen; Gewicht ca. 3,2 kg.

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