We found 730 price guide item(s) matching your search

DECORATIVE STEEL RAILING SECTION, 1900 X 770

TWO MATCHING SUBSTANTIAL DECORATIVE WROUGHT IRON ANGLED RAILING SECTIONS, COMPLETE WITH DECORATIVE BASKET, EACH 1940 X 1400

RAILING SECTIONS, 1060 X 1140 (TO MATCH LOT 1303)

RAILING SECTIONS, 1500 X 1140 (TO MATCH LOT 1303)

SIMPLE CAST IRON RAILING SECTION, 1800 X 1570

SUBSTANTIAL DECORATIVE WROUGHT IRON RAILING SECTION, 3600 X 1000

Seleukid Empire, Demetrios II Nikator Æ19. Tyre, SE 169 = 144-3 BC. Diademed head right / [BA?I?E??] ?HMHTP[IOY] in two lines above, TYPI?N and Phoenician script below; stern of galley left, with railing, oar and aphlaston; L??P above stern. SC 1968.3. 5.82g, 19mm, 12h. Very Fine.

Four sections of reclaimed iron work railing with bow fronted outline, horizontal rails, scrolled finials and green painted finish, 18 ft span approx (full length)

A pair of good quality heavy iron work entrance gates and matching railing bracket with scroll work detail, 8ft span approx

Four lengths of metal railing

An ornate wrought iron railing,167 x 65cm, together with two others smaller

A decorative wrought iron semi circle balcony railing, approx. 53cm plus ground mounting

2x Arto Deco railing sections, each 2.5m x 1m

A large railing section, approx. 3m 10cm x 1m 10cm

A single section of iron railing and a manger

A SECTION OF DECORATIVE WROUGHT IRON RAILING with twisting finials approximately 45cm high (a quantity)

Collection of Southwold Railing images, within the presentation folders, (15)

A pair of reclaimed good quality heavy iron work entrance gates with vertical open square cut rails and layers of weathered painted finish, 160 cm wide x 250 cm height approx, together with a matching section of railing with square flattened finial's

Elizabeth II (1952-), silver Proof Fifty Pence (16), 40th Anniversary Collection, 2009, examples of all the different reverses of the Fifty Pence 1969-2009, on the modern smaller Fifty Pence size heptagonal flan, fourth crowned head right, initials IRB below for designer Ian Rank Broadley, legend and raised rim surrounding, ELIZABETH. II. D. G. REG. F. D. 2009, rev. in chronological order of use, first type used in 1969 designed by Christopher Ironside, Britannia seated right with trident shield and olive branch, lion couchant, NEW PENCE legend; second designed by David Wynne for Accession to the European Economic Community dated 1973 with nine clasped hands in ring; third the same as the first type but with FIFTY PENCE legend; fourth designed by Mary Milner Dickens for the Presidency of the Council of European Economic Ministers and Completion of the Single Market 1992-93, birds-eye view of table and twelve chairs with twelve stars linked by lines on table-top; fifth designed by John Mills for the 50th Anniversary of the Normandy Landings on D-Day 1944, view of Allied Invasion Force; sixth designed by John Mills for 25th Anniversary of UK membership of the EU 1973-98, twelve stars reflecting European flag; seventh designed by David Cornell for the 50th Anniversary of the National Health Service 1948-98, radiating lines with pair of hands; eighth designed by Mary Milner Dickens for the 150th Anniversary of Public Libraries 1850-2000, book of turning pages on pillared lectern; ninth designed by Mary Milner Dickens for the 100th Anniversary of the Suffragette Movement 1903-2003, suffragette chained to railing with banners, tenth designed by James Butler for the 50th Anniversary of the first sub four minute mile 1954-2004, athlete’s legs and stopwatch; eleventh designed by Tom Phillips for the 250th Anniversary of Samuel Johnson’s Dictionary 1755-2005, definition inscriptions; twelfth designed by Clair Aldridge for the 150th Anniversary of the Institution of the Victoria Cross Gallantry Award 29th January 1856 – 2006, depiction of the VC both sides; thirteenth designed by Clive Duncan for the 150th Anniversary of the Institution of the Victoria Cross Gallantry Award 2009, soldier carrying wounded comrade within outline of a Victoria Cross with sunburst in saltire; fourteenth designed by Kerry Jones for the 100th Anniversary of the Founding of the Scout Movement 1907-2007, fleur de lis with stars on outer lobes over a globe; fifteenth designed by Matthew Dent 2008, component part of heraldic shield reverse; sixteenth designed by Christopher Le Brun for the 250th Anniversary of the Royal Botanic Gardens at Kew 1759-2009, vine encircling pagoda, issue weight 8.00g each (S.PSS40). FDC as issued in original box with certificate number “1693” of an edition limit of 2,500, interestingly the Spink Catalogue shows the number issued as only 1,168 sets, rare and contains the coveted Kew Gardens reverse. (16)

LOXLEY HALL & The Sneyd Kynnersley Family: A large collection, including: 4 hand-coloured Plans, plus 1 other (rolled); 2 Drawing Plans for Tomb cross & railing; Loxley estate folding colour plan; drainage certificates; auction catalogue: 1947, for portion of the antiques etc.; Correspondence with estate agents & solicitors: 1947-50; The sale of Loxley Hall to the council in 1950; Scrap book of Arms & Pedigree of the Sneyd Kynnersley family (some hand-coloured); large quantity of letters to and from the various Sneyd Kynnersleys

A selection of metal railing and gate

A Franklin Mint 1/16 scale boxed diecast model of a Wells Fargo Stage Coach finished in black, red and yellow, in the original polystyrene packed all-card box, model appears to have never been removed from packaging Condition Report / Extra Information Condition Mint apart from side railing broken away from original place

Bachmann for Modelzone 39-3502 2 coach pack BR Mk2 mobile track assessment coaches (M-BM), 39-0752 Mk1 re-railing equipment coach (M-BM) 39-231 Mk1 BCK departmental yellow (M-BM), 39-280 Z ex Pullman laboratory coach (M-BM) and 39-3302 Mk2 Test car 6 RTC red/blue (M-BM)

A collection of seven early 20th century red painted cast iron railing top sections, each approx 202cm long

TWELVE CAST IRON HAND RAILING POST, and fifteen bars

Pair of green painted cast metal garden bench ends of small proportions, together with three sections of white painted cast garden railing ornament Condition:

GWR and BR (WR) Publications, including 'Re-railing Instructions for Class 52 Diesel Locomotives' (1973), various GWR 'Tourist' publications, GWR magazines mostly 1930-36, a Rule-Book Appendix (1936) with numerous pated-in additions to circa 1960, bound BR (WR) magazines for 1948 and '49, and a GWR Operatic Society programme, varying F-VG (qty)

A reclaimed ecclesiastical run of railing with simple scroll work detail flanking a central wooden crucifix beneath a moulded oak rail, 250 cm long x 65 cm in height approx

A run of eight cast composition stone baluster railing with capping stones, together with a buff coloured cylindrical chimney pot and a flower trough of rectangular form with lattice detail

Late 1800s arts and craft style metal railing - highly decorative

More, Sir Thomas (1478-1535) The Supplycacyon of Soulys. London: William Rastell, 1529. First edition, small folio, title with full stop at end, dedication on verso of title; the H. Bradley Martin copy, with his bookplate and original receipt from 1978; bound in half brown calf and green buckram boards, 10 3/4 x 7 1/4 in. With this text, More refutes the work of Simon Fish, a 16th-century Protestant reformer and English propagandist, who published Supplication for the Beggars in 1529, railing against the Catholic clergy. It was enough to get him condemned as a heretic by the church. He was meant to stand trial, but was claimed first by the Bubonic plague. A-L4 (K2 and K3 transposed). http://estc.bl.uk/S123347 Estimate $5,000-7,000 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.

A Victorian brass ink-stand centred with a faceted glass ink bottle, with railed gallery back and hinged candle holder on turned feet, 21 cm wide overall x 17.5 cm highFinial spike missing from railing, bottle loose, need recementing, hinges bent, won't fully close

A large Nelson period breakfront mahogany Sideboard, possibly Cork, the plain top with brass back gallery railing and rope edge over a front frieze with two drawers flanked by two similarly decorated doors with lion mask drop handles and ebony string inlay on six turned rope design legs, approx. 134cms (53")h x 290cms (114")w. (1)Provenance: Adare Manor, Adare, Co. Limerick.

A Victorian wrought iron window railing

A VICTORIAN BRASS INKWELL, cast with a cherub on a section of semi-circular railing and holding an envelope, square glass inkwell mounted on a circular base, on four turned feet, height 14cm, together with an Art Nouveau brass crumb tray and brush and a pair of brass chamber sticks (5)

A collection of French furniture to include a single dining chair, a vintage painted wall hanging meat safe an unusual shaped painted wooden window frame of arched form and a wrought iron painted railing panel

A KUSHAN MOTTLED PINK SANDSTONE FRAGMENTARY RAILING COLUMN, MATHURA REGION, NORTHERN INDIA, 2ND/3RD CENTURYthe faceted front with two lotus medallions, a further half medallion at the top with a mythical lion, carved in relief, the back with plain facets, the sides with cigar-shaped sockets for railing slats, mounted64cm highProperty from a deceased estate, sold by order of the executors; acquired Sotheby’s London, 13 June 1988, lot 279.For a related fragment in the Dayton Art Institute, Ohio, carved on the front with a salabhanjika figure, see S.Czuma, Kushan Sculpture: Images from Early India, Cleveland 1985, no.32, p.96.

and inscribed with the title pen and ink on paper Wright, J and Kerbel, C,. Fred Page: ringmaster of the imagination, Jeanne Wright and Cecil Kerbel, South Africa, 2011, p 91 25,5 by 18,5cm The work of Fred Page is probably best identified by its limited pallet and eerie subject matter. The dark emotive quality of his oeuvre is most likely the result of his upbringing – after losing his mother at the age of 10, he was exchanged from one relative to another before landing up in an orphanage. Page first moved to Port Elizabeth, the city with which his art has become synonymous, in 1937 to work in a tyre factory, having previously traipsed from one job to another after a short stint in the military. During World War II, Page returned to the military serving in the Signal Corps. It was only in 1945 after the war had ended that Page decided to become an artist. His initial training was by correspondence. Upon reception of a grant awarded to him as an ex-serviceman, Page went on to study at the Port Elizabeth School of Arts and Crafts from 1945 – 1947, where he was guided by the watchful eye of Jack Heath – a product of the post-war Royal Academy of Art. Page created surreal imagery, portraying the real world and the unexpressed world generated by human behaviour. Page shares many formal and conceptual qualities with the Surrealist movement. He often incorporated De Cherico’s use of monumental architecture as a means of creating a dislocation of the real, depicting elusive psychic experiences, possibly also influenced by his love for science fiction literature. His compositions are constructed like theatrical sets, as is evident in Shopfront where the white architecture and black, faceless windows, so typical of Page’s work, are found in the centre of the composition, and are framed on either side by classical columns. A set of three steps revealing Page’s incorporation of deep perspective, lead up to the set of doors separating two shop windows, revealing a dismembered mannequin in each window. Page recorded architectural features in great detail, as in the dark, cast iron railing of the fence in the foreground of The Presence. A statue of an angel carrying a trumpet is situated in what appears to be a city park, but the strange presence of an elephant and the phallic statue that flank her, suggest otherwise. The winged angel is an example of the macabre that Page often represented, having enjoyed visiting graveyards. Death remained a consistent theme that pervaded his work. Although Page himself denied the meaning of his own work, the pieces he created present a situation, evoking emotional tension rather than simply conveying a narrative. Proud, H., Revisions: Expanding the Narrative of South African Art, SA History Online and UNISA Press, Cape Town, 2006. Wright, J. & Kerbel, C., Fred Page: Ringmaster of the Imagination, Cecil Kerbel and Jeanne Wright, Port Elizabeth, 2001

The work of Fred Page is probably best identified by its limited pallet and eerie subject matter. The dark emotive quality of his oeuvre is most likely the result of his upbringing – after losing his mother at the age of 10, he was exchanged from one relative to another before landing up in an orphanage. Page first moved to Port Elizabeth, the city with which his art has become synonymous, in 1937 to work in a tyre factory, having previously traipsed from one job to another after a short stint in the military. During World War II, Page returned to the military serving in the Signal Corps. It was only in 1945 after the war had ended that Page decided to become an artist. His initial training was by correspondence. Upon reception of a grant awarded to him as an ex-serviceman, Page went on to study at the Port Elizabeth School of Arts and Crafts from 1945 – 1947, where he was guided by the watchful eye of Jack Heath – a product of the post-war Royal Academy of Art. Page created surreal imagery, portraying the real world and the unexpressed world generated by human behaviour. Page shares many formal and conceptual qualities with the Surrealist movement. He often incorporated De Cherico’s use of monumental architecture as a means of creating a dislocation of the real, depicting elusive psychic experiences, possibly also influenced by his love for science fiction literature. His compositions are constructed like theatrical sets, as is evident in Shopfront where the white architecture and black, faceless windows, so typical of Page’s work, are found in the centre of the composition, and are framed on either side by classical columns. A set of three steps revealing Page’s incorporation of deep perspective, lead up to the set of doors separating two shop windows, revealing a dismembered mannequin in each window. Page recorded architectural features in great detail, as in the dark, cast iron railing of the fence in the foreground of The Presence. A statue of an angel carrying a trumpet is situated in what appears to be a city park, but the strange presence of an elephant and the phallic statue that flank her, suggest otherwise. The winged angel is an example of the macabre that Page often represented, having enjoyed visiting graveyards. Death remained a consistent theme that pervaded his work. Although Page himself denied the meaning of his own work, the pieces he created present a situation, evoking emotional tension rather than simply conveying a narrative. Proud, H., Revisions: Expanding the Narrative of South African Art, SA History Online and UNISA Press, Cape Town, 2006. Wright, J. & Kerbel, C., Fred Page: Ringmaster of the Imagination, Cecil Kerbel and Jeanne Wright, Port Elizabeth, 2001

Hornby-Dublo 3-rail OO Gauge Rolling Stock and Platform Extensions, including 3 D11 Gresley coaches, 4 D14 suburbans, 1 WR coach, 11 assorted wagons, 4 metal platform extensions, railing ramp, loading gauges, and short isolating rails, the majority in original boxes, and 17 packets insulating tabs, varying F-VG, boxes F, rusting to staples and general wear (qty)

D.K. WOODS (TWENTIETH AND TWENTY FIRST CENTURY). 'The Red Hat.' Woman standing by a railing. Signed lower right. 22.5" (57cm) high x 17" (43cm) wide. (1)

*Anand (Mulk Raj). Collection of letters to social historian Ernest Martin (1912-2005), London and Bombay, 1937-99, 6 autograph and 7 typed letters signed, some folded, mild fraying, creasing or staining, typed letters with Anand's autograph corrections, various formats Remarkable collection of letters from Mulk Raj Anand (1905-2004), one of the first Indian novelists to write in English, to Devon-based scholar and oral history pioneer Ernest W. Martin (1912-2005), a figure described by E. P. Thompson as 'not just a social historian but a prophet'. In the earliest dated letter, written during his time in London in 1937 and commencing 'Dear Comrade', Anand includes a three-page autobiographical sketch for inclusion in Martin's In Search of Faith, a popular collection of essays published in 1944, and discusses the progress of his latest novel, evidently The Village (1939). In the later letters, written from Bombay between 1978 and 1996, Anand keeps Martin informed about his literary output and expounds on political subjects, variously predicting that 'there can be no going back to narrow nationalism, but towards a universal one-world culture with Destination Man as the goal of advance' (1978), proposing to write a piece about his 'emergence from Indian existentialism or fatalism into the European kind of torment affected by Eliot, Kirkegarde [sic], Pascal and others' (1979), and railing against American arms sales to Pakistan and accusations of being a communist propagandist (1995). (13)

A large selection of lengthy items to include galvanised plaster skirting, metal beams, plastic tubes, flag poles, bed slats and shelf railing etc This lot is either a catalogue return, unclaimed good or a despatch return and is sold without reserve. If boxed and sealed it cannot be viewed in its entirety, in effect condition reports are unavailable and refunds cannot be given for lots that are faulty or incomplete.

P. J. Lonsborough, (21st century), horse racing with HOTEL sign on the railing, watercolour, signed lower right hand corner, 36 x 55 cm, mahogany frame. ARR.

Ambrotype Portraits, various subjects, quarter-plate group outside smart urban villas (1), sixth-plate - girl with doll in goat trap (1), young man leaning on railing (1), P-F (3)

A quantity of metal railing decorations

Piece of iron railing, brown, rusty.

Morocco, P 45As, Linzmayer B234s1, Banque d’État du Maroc, 500 Francs, 29 May 1951, SPECIMEN. Buildings and palm trees in Medina of Marrakech viewed from balcony with wrought-iron railing on front. Signatures Mohamed Ben Mohamed Guessous - Edmond Spitzer - Henri Deray. Archaeological Roman ruins of Volubilis, near Meknès between Fez and Rabat on back. Black oval De La Rue oval overprints SPECIMEN - NO VALUE on front and back. Horizontal black SPECIMEN No. 5 overprint at lower left on front., # A41 000000000., PMG 64, Choice UNC

Morocco, P 45As, Linzmayer B234s4, Banque d’État du Maroc, 500 Francs, 29 May 1951, SPECIMEN. Buildings and palm trees in Medina of Marrakech viewed from balcony with wrought-iron railing on front. Signatures Mohamed Ben Mohamed Guessous - Edmond Spitzer - Henri Deray. Archaeological Roman ruins of Volubilis, near Meknès between Fez and Rabat on back. Perforated CANCELLED., # A41 000000000., PMG 66 EPQ, Gem UNC

FRANK MCFADDEN (Scottish, born 1972); pastel on paper 'The Green Railing', signed, inscribed and dated 2006 verso, 65 x 50cm, unframed. (D)

Hornby Dublo 2 Rail: Class 55 Deltic BR green Saxa and ICI Bulk Salt Wagons, 2 x Flat Cars. 3 Rail: BR Black 0-6-2 N2 Tank Engine, Mobil Tanker, Brake Van, Vent Van and Open Wagon. Dublo Footbridge, Level Crossing, D1 Island Station and Platforms Signal Box, Twin signal and Re-Railing Ramp, Hornby Triang: 2 x black 0-4-0 Tank Engines '6042', 1 x BR Green Class 08 0-6-0 Diesel Shunter boxed, 7 Wagons Inc: Cadbury's, Kellogg's, Texaco, Blue circle, R002 Village Station and Platforms, boxed, plus various buildings, track, signal, Transformers etc and Hornby catalogues for 1974, 1975, 1976, 1978 (30+)

A GROUP OF THREE SECTIONS OF VICTORIAN CAST IRON RAILING with rosettes within circles, the largest piece 164cm long x 49cm high overall (3)

SIX FLEUR D'LE RAILING TOPS, SALVAGED FROM BRIGHTON WEST PIER

An 18th century Derby porcelain figure of a shepherdess, modelled with bird cage and lamb, on a scroll base, 22.5cm, (at fault) CONDITION REPORT: Front left of scroll base broken and re-glued. Head re-glued. Losses and chip evident throughout especially to the floral encrusting and branches. Section missing to the end of railing. Firing crack to the reverse of the figure. Hand supporting the bird cage with four fingers missing.

SHIP MODEL. A PAINTED WOOD MODEL OF THE BRITISH FREIGHTER "PHILOSOPHER" WITH CONSIDERABLE DECK DETAIL INCLUDING LIFEBOATS ON DAVITS, CRANE, ANCHOR, RAILING, BRASS PROPELLER, PAINTED BLACK, RED BELOW THE WATERLINE, 128CM L++Basically good complete condition, somewhat dusty

Arnold Tinplate Clockwork Submarine, post war example, lithographed tin, naval gun mounted on deck with railing, missing tin platform on observation deck, in fair used condition.

Ladies Accessories - Hermes silk scarf, Railing by J. Metz, 1998

CAST METAL RAILING POSTS

Ten "OO" Gauge Eight Wheel Coaches and Rolling Stock, by Hornby, Dapol, Bachmann, Mainline, including BR Departmental Yellow Re-Railing Equipment MKI Coaches (two), Hornby #R924 Inter City Sleeping Car, sometimes boxed, playworn.

Britains Zoo Cages and Railings FIRST VERSION spiked railing with posts, twelve straight railings, two curved and two gate pieces with posts, posts: five two-way straight, two two way corners, five three-way and two four-way (G, four spikes missing) and eight SECOND VERSION straight sections, rounded tops (G, two hooks missing) with a tall Keeper (G) (43)