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Richard J Butler Sunset With Strata, 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Drawing inspiration from ancient art and mythology, Richard J. Butler's alluring paintings skirt the boundary between figuration and abstraction. Constructed of intricate surfaces built up in layers of grated pastel, acrylic gel and paint, his work often depicts figures and silhouettes that seem to dissolve within vast colour fields. Over the past seven years, the artist has developed a unique technique which consists of pressing large packing blankets onto the still wet painting, a method similar to that of decalcomania. The blankets' vertical lines are transferred to the painted surface, leaving a systematic imprint on the canvas whilst distorting the image. When viewed from a distance, recognisable forms appear while up-close, miniature abstract landscapes abound, creating sensual and hallucinatory surfaces that explore painting's illusionistic potential. Butler's work is held in private collections in the UK, USA, France and Belgium. He has exhibited with Bowman Sculpture, London; Masterpiece Art Fair, London; Modernity Stockholm, London; Hannah Barry Gallery, London; J. Hammond Projects, London; Kreuzberg Pavilion, Berlin; KARST, Plymouth.   Education   Chelsea College of Art and Design, London (BA Fine Art), 2005-2008 Leeds College of Art & Design, Leeds (Foundation Diploma in Art and Design), 2004-2005   Select Exhibitions/Awards   Masterpiece Art Fair, Bowman Sculpture, London 2022 When Matter Becomes Form, Bowman Sculpture x Canopy Collections, London 2022 There Are No Strangers Here, Canopy Collections x Modernity, London 2021 Spring Syllabus, J Hammond Projects, London 2018 The Unlimited Dream Company, Hannah Barry Gallery, London 2017 The Brightness is the Colour, NAM project, Milan 2016 Richard J. Butler, ATTIC, Brussels (solo) 2016 Urban Tales #1 The Bank, Poultry, London (organised by Art Night) 2015 Time Pieces, Rogue Space, Manchester 2014 A Journey to Avebury, KARST, Plymouth 2014 An Element of Whim, Fokidos 21, Athens 2013 Creekside Open, APT Gallery, London (selected by Paul Noble) 2013 Caught in the Act, Chelsea Futurespace, London 2009   Gallery Representation   Canopy Collections Statement about AOAP Submitted Artwork   I've always approached the making of art with the mantra: Sometimes making something leads to nothing and sometimes making nothing leads to something. I think a little bit of that came through with this piece. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosie McGuinness Blue Jeans, 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Rosie McGuinness works at the point where fashion drawing meets life drawing. Rosie lives in London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosie McGuinness Blue Jeans 1, 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Rosie McGuinness works at the point where fashion drawing meets life drawing. Rosie lives in London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosie McGuinness Blue Dress I, 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Rosie McGuinness works at the point where fashion drawing meets life drawing. Rosie lives in London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosie McGuinness Blue Dress II, 2022 Ink and Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Rosie McGuinness works at the point where fashion drawing meets life drawing. Rosie lives in London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall Margate Skyline No 51 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall Margate Skyline No 52 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall London Skyline - Bankside Power Station (The Tate Modern No 11), 2022 Acrylic and Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Matthew Cort Untitled, 2022 Ink and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am an interdisciplinary artist based in London. My work typically involves the manipulation and re-presentation of objects and images, but my use of medium or technique is determined by the idea I am exploring at a given time. Education   Extra-Mural Diploma in History of Art & Architecture with Distinction, Birkbeck, University of London, 2010 Extra-Mural Diploma in Philosophy with Distinction, Birkbeck, University of London, 2007 MA Fine Art, Goldsmiths, University of London, 1998 BA Graphic Design, 1st Class Honours, St. Martin's School of Art, 1981 Select Exhibitions/Awards   Summer Exhibition, Royal Academy of Arts, London, 2022 'Oli Bennett Secret Cards', Westminster School, London, 2019 166th Open Exhibition, Royal West of England Academy, Bristol, 2018 'RCA Secret', Royal College of Art, London/Madinat Jumeirah, Dubai, 2018 'Inside Perspective', Tate Exchange, Tate Liverpool (collaboration with prisoners of HMP Wormwood Scrubs), 2018 'Forgotten Spaces', Somerset House, London, 2012 'Art of Giving', Saatchi Gallery, London, 2010 Statement about AOAP Submitted Artwork   This piece is part of a series based on natural history paintings that I have appropriated, arbitrarily reworked and re-presented in the same ostensibly objective mode as the source material. Since manipulating these source images entails symbolically manipulating what they depict, this image can be viewed as proposing things that might actually inhabit some alternative time or place; being largely composed from other images, it also complicates notions of authorship and reflects the mediation of everyday experience through constructed images.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jason Gibilaro Utopia, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Hesi Glowacki Mapa, 2022 Pure Pigments, Acrylic and Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Hesi Glowacki's work centers on themes of memory, otherness, and trauma, alluding to queer theory and concepts of ritual and ceremony. Moving between abstraction and figuration he explores the notion of renewal and transformation through the unique use of language, materials, and techniques. @hesiunderground   Education   2021 - 2023 MA Painting, Royal College of Art 2017 - 2020 BFA (Bachelor of Fine Arts) Fine Arts, Central Saint Martins, University of the Arts London (UAL)   Select Exhibitions/Awards   2019 Phoebe Llewellyn Smith Award Winner 2017 Royal Female School of Art (RFSA) Award 2022 RAW, Soho Revue, London, UK 2022 RCA WIP SHOW, Royal Collage of Art, Online, UK 2020 New Futures Digital, The Art Vault, Digital, Kovet.Art Gallery, London 2020 London Grads Now, Moving Away Moving Closer, Saatchi Gallery, London, United Kingdom 2020 Graduate Showcase, University of the Arts London, Digital Exhibit, London 2020 Burnt Out, Open Studio, Central Saint Martins, London, United Kingdom 2019 Waiting, Open Studio, Central Saint Martins, London, United Kingdom 2019 Calthorpe Project, Support Every, London, United Kingdom 2019 Tate Modern & Central Saint Martins, Tate Exchange, London, United Kingdom 2018 C302 Collective, Moving Gallery 4 Locations, London, United Kingdom 2017 Copeland Gallery, WHAT IF...? City Lit, London, United Kingdom 2017 Jordi Miquel Gallery, Expo Colectiva, Barcelona, Spain   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Jason Gibilaro Utopia II, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jason Gibilaro Utopia III, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jason Gibilaro Utopia IV, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jason Gibilaro Utopia V, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jason Gibilaro The Hero, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) 'About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lawrence F Crane Fall, 2022 Graphite on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lawrence Francis Crane is a self taught, contemporary figurative artist based in London. Lawrence has developed his painting and drawing techniques inspired by the classical approach to draughtsmanship and oil painting. Within each work, Lawrence aims to connect narrative, stories, the interconnection with others and the world that they inhabit. Figurative and Portraiture Art and their visual narrative has continued to fascinate Lawrence since he began to create images and drawings. In 2018 Lawrence spent 2 months researching and studying historical and contemporary Art around Europe. Lawrence's work focuses on mental health, and his work is the response to his experiences on the impact that mental health has to our physical and emotional connection within ourselves and our connection to those that we are surrounded by. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lawrence F Crane Motion, 2022 Graphite, Chalk and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lawrence Francis Crane is a self taught, contemporary figurative artist based in London. Lawrence has developed his painting and drawing techniques inspired by the classical approach to draughtsmanship and oil painting. Within each work, Lawrence aims to connect narrative, stories, the interconnection with others and the world that they inhabit. Figurative and Portraiture Art and their visual narrative has continued to fascinate Lawrence since he began to create images and drawings. In 2018 Lawrence spent 2 months researching and studying historical and contemporary Art around Europe. Lawrence's work focuses on mental health, and his work is the response to his experiences on the impact that mental health has to our physical and emotional connection within ourselves and our connection to those that we are surrounded by. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tushar Sabale Swan In A Lake, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education   Art Design and Architecture   Select Exhibitions/Awards   Mall Galleries, NEAC, RSMA, ROI   Gallery Representation   Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery.   Statement about AOAP Submitted Artwork   For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tushar Sabale Sunrise In The City, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education   Art Design and Architecture   Select Exhibitions/Awards   Mall Galleries, NEAC, RSMA, ROI   Gallery Representation   Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery.   Statement about AOAP Submitted Artwork   For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tushar Sabale Norfolk Sunset, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education   Art Design and Architecture   Select Exhibitions/Awards   Mall Galleries, NEAC, RSMA, ROI   Gallery Representation   Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery.   Statement about AOAP Submitted Artwork   For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tushar Sabale Twilight In The City, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education   Art Design and Architecture   Select Exhibitions/Awards   Mall Galleries, NEAC, RSMA, ROI   Gallery Representation   Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery.   Statement about AOAP Submitted Artwork   For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nathalie Kingdon Untitled, 2022 Hand Pulled Original Screenprint Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nathalie Kingdon is a French-born, London-based artist who specialises in original screen printed Art and has been working from her own bespoke studio at Wimbledon Art Studios for four years. She works from images collated from various sources of inspiration, with a propensity for the South of France, where she comes from. Nathalie transforms and enhances imagery with an acute sense of colour, exploring the juxtaposition between shape and form and reconsidering proportion and perspective. She is most interested in reimagining the narratives of images through the medium of her prints; narratives that organically evolve through her instinctive and playful approach. She has most recently been experimenting with digitally manipulated and printed images, which complements her traditional methods of screen printing. Education   Master in French literature -Universite Aix-Marseille France-   Select Exhibitions/Awards   The London Art Sale - Downstairs at The department Store Brixton 29th September 2022- Royal Academy Summer Exhibition 2022 The Other Art Fair London July 2022 The Affordable Art Fair March 2022   Gallery Representation   Enter Gallery - Brighton and Hove The Electric Gallery - London Molasses House Gallery- Harpenden Rise Art Saatchi Art Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nathalie Kingdon Little Cactus By Night, 2022 Hand Pulled Original Screenprint Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nathalie Kingdon is a French-born, London-based artist who specialises in original screen printed Art and has been working from her own bespoke studio at Wimbledon Art Studios for four years. She works from images collated from various sources of inspiration, with a propensity for the South of France, where she comes from. Nathalie transforms and enhances imagery with an acute sense of colour, exploring the juxtaposition between shape and form and reconsidering proportion and perspective. She is most interested in reimagining the narratives of images through the medium of her prints; narratives that organically evolve through her instinctive and playful approach. She has most recently been experimenting with digitally manipulated and printed images, which complements her traditional methods of screen printing. Education   Master in French literature -Universite Aix-Marseille France-   Select Exhibitions/Awards   The London Art Sale - Downstairs at The department Store Brixton 29th September 2022- Royal Academy Summer Exhibition 2022 The Other Art Fair London July 2022 The Affordable Art Fair March 2022   Gallery Representation   Enter Gallery - Brighton and Hove The Electric Gallery - London Molasses House Gallery- Harpenden Rise Art Saatchi Art Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tom Genders November, 2022 Oil over Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I have a passion for the natural world and my work is particularly focused upon trees, the way in which they alter a landscape, they can be dramatic or subtle and everything in-between with the ability to fill an infinite variety of spaces. Every tree species has it's own quirks and traits, colours and forms and hosts an abundance of other lifeforms. I also love birds and have done since I was a child, they were my entry point into a life obsessed by nature. My artwork recently is primarily oil on canvas or board. Trees, hedgerows and woodlands form the bulk of my inspiration. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tom Genders Fade To Blue, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I have a passion for the natural world and my work is particularly focused upon trees, the way in which they alter a landscape, they can be dramatic or subtle and everything in-between with the ability to fill an infinite variety of spaces. Every tree species has it's own quirks and traits, colours and forms and hosts an abundance of other lifeforms. I also love birds and have done since I was a child, they were my entry point into a life obsessed by nature. My artwork recently is primarily oil on canvas or board. Trees, hedgerows and woodlands form the bulk of my inspiration. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Darren Shaddick Dog Vin, 2022 Roller Ball Pen, Brush Pen and Graphite Stick on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Darren Shaddick is a Freelance Illustrator and Artist based in The Sticks of North Devon, UK.   Education   BA (Hons) Illustration, Plymouth University, 2016   Select Exhibitions/Awards   No Planet No Fun: The Exhibition, Tokyo - Jan '20 No Planet No Fun: The Exhibition, Barcelona - Dec '19 Zine Library, Raum für Illustration, Hamburg - Dec '19 Roar Presents: 'Into the Wild', theprintspace, London - Nov '19 Secret 7", Grennich Penninsula, London - Jun '18 'WORK' Residency Show, Loft 6D, Bristol - May '17 D&AD, Old Truman Brewery, London - Jul '16 (Winners of Best in Show)   Statement about AOAP Submitted Artwork   A pair of stream of consciousness drawings, incorporating some of the subjects and motifs I have been inspired by as of late. In contrast to my typical works in which colour is a predominant characteristic, I focused on the confidence of my line and shading, using a rollerball pen, graphite stick and a dried out brush pen. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Darren Shaddick Improvisational Drawing Services LTD. Roller Ball Pen, Brush Pen and Graphite Stick on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Darren Shaddick is a Freelance Illustrator and Artist based in The Sticks of North Devon, UK.   Education   BA (Hons) Illustration, Plymouth University, 2016   Select Exhibitions/Awards   No Planet No Fun: The Exhibition, Tokyo - Jan '20 No Planet No Fun: The Exhibition, Barcelona - Dec '19 Zine Library, Raum für Illustration, Hamburg - Dec '19 Roar Presents: 'Into the Wild', theprintspace, London - Nov '19 Secret 7", Grennich Penninsula, London - Jun '18 'WORK' Residency Show, Loft 6D, Bristol - May '17 D&AD, Old Truman Brewery, London - Jul '16 (Winners of Best in Show)   Statement about AOAP Submitted Artwork   A pair of stream of consciousness drawings, incorporating some of the subjects and motifs I have been inspired by as of late. In contrast to my typical works in which colour is a predominant characteristic, I focused on the confidence of my line and shading, using a rollerball pen, graphite stick and a dried out brush pen. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Noelle Phares Orbs Against The Crimson, 2022 Acrylic and Gouache on Paper Signed verso 16 x 11cm (6¼ x 4¼ in.) About   Noelle Phares brings a fresh perspective into her contemporary landscape paintings through examination of the tension between organic and synthetic. As an environmental scientist by training, she allows the same topics that drove her work in the natural sciences to now guide her creative endeavors. Her body of work combines landscape elements with structural geometry to create fractured architectural landscapes that explore the ever-encroaching presence of humanity into previously pristine open spaces. Noelle exhibits regularly via fine art galleries domestically and internationally and has collaborated with outdoor brands such as Merrell, Wylder Goods, 4FRNT Skis, and Smartwool. She holds a BS in Biochemistry, and an MS in Environmental Science. She has been painting throughout the American West over the last decade, and currently lives and paints full-time out of Denver, Colorado.   Education   Master of Environmental Science and Management, University of California Santa Barbara, 2014. Bachelor of Science, Biochemistry, University of California Santa Barbara, 2008.   Select Exhibitions/Awards 2/2023 (Upcoming): Solo exhibition, Boulder Museum of Contemporary Art - Boulder CO 3/2022: Solo exhibition, Space Gallery - Denver CO 10/ 2021: Solo exhibition, Hancock Gallery - United Kingdom 7/ 2021: Solo exhibition, Harris Harvey Gallery - Seattle WA 3/ 2021: Group exhibition, Western Gallery - Austin TX 10/ 2020: Solo exhibition "Fountainhead", Space Gallery - Denver, CO 2/ 2020: Group exhibition, Western Gallery - Austin TX 9/ 2020: Solo exhibition, Space Gallery - Denver, CO Gallery Representation Space Gallery, Denver CO. Harris Harvey Gallery, Seattle WA.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Hesi Glowacki Stories We Hold, 2022 Magnetite, Acrylic, 24k Gold Leaf and Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Hesi Glowacki's work centers on themes of memory, otherness, and trauma, alluding to queer theory and concepts of ritual and ceremony. Moving between abstraction and figuration he explores the notion of renewal and transformation through the unique use of language, materials, and techniques. @hesiunderground   Education   2021 - 2023 MA Painting, Royal College of Art 2017 - 2020 BFA (Bachelor of Fine Arts) Fine Arts, Central Saint Martins, University of the Arts London (UAL)   Select Exhibitions/Awards   2019 Phoebe Llewellyn Smith Award Winner 2017 Royal Female School of Art (RFSA) Award 2022 RAW, Soho Revue, London, UK 2022 RCA WIP SHOW, Royal Collage of Art, Online, UK 2020 New Futures Digital, The Art Vault, Digital, Kovet.Art Gallery, London 2020 London Grads Now, Moving Away Moving Closer, Saatchi Gallery, London, United Kingdom 2020 Graduate Showcase, University of the Arts London, Digital Exhibit, London 2020 Burnt Out, Open Studio, Central Saint Martins, London, United Kingdom 2019 Waiting, Open Studio, Central Saint Martins, London, United Kingdom 2019 Calthorpe Project, Support Every, London, United Kingdom 2019 Tate Modern & Central Saint Martins, Tate Exchange, London, United Kingdom 2018 C302 Collective, Moving Gallery 4 Locations, London, United Kingdom 2017 Copeland Gallery, WHAT IF...? City Lit, London, United Kingdom 2017 Jordi Miquel Gallery, Expo Colectiva, Barcelona, Spain Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Noelle Phares Green-Washed Boughs, 2022 Acrylic and Gouache on Paper Signed verso 16 x 11cm (6¼ x 4¼ in.) About   Noelle Phares brings a fresh perspective into her contemporary landscape paintings through examination of the tension between organic and synthetic. As an environmental scientist by training, she allows the same topics that drove her work in the natural sciences to now guide her creative endeavors. Her body of work combines landscape elements with structural geometry to create fractured architectural landscapes that explore the ever-encroaching presence of humanity into previously pristine open spaces. Noelle exhibits regularly via fine art galleries domestically and internationally and has collaborated with outdoor brands such as Merrell, Wylder Goods, 4FRNT Skis, and Smartwool. She holds a BS in Biochemistry, and an MS in Environmental Science. She has been painting throughout the American West over the last decade, and currently lives and paints full-time out of Denver, Colorado.   Education   Master of Environmental Science and Management, University of California Santa Barbara, 2014. Bachelor of Science, Biochemistry, University of California Santa Barbara, 2008.   Select Exhibitions/Awards   2/2023 (Upcoming): Solo exhibition, Boulder Museum of Contemporary Art - Boulder CO 3/2022: Solo exhibition, Space Gallery - Denver CO 10/ 2021: Solo exhibition, Hancock Gallery - United Kingdom 7/ 2021: Solo exhibition, Harris Harvey Gallery - Seattle WA 3/ 2021: Group exhibition, Western Gallery - Austin TX 10/ 2020: Solo exhibition "Fountainhead", Space Gallery - Denver, CO 2/ 2020: Group exhibition, Western Gallery - Austin TX 9/ 2020: Solo exhibition, Space Gallery - Denver, CO Gallery Representation   Space Gallery, Denver CO. Harris Harvey Gallery, Seattle WA. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bidisha Mamata Lacquer I, 2022 Acrylic and Collage on Board Signed verso 15 x 10cm (5¾ x 3¾ in.) About   By day: Journalist, presenter and broadcaster for TV, radio, film, newspapers, events... By night, I make films, stills and paintings.   Education   Oxford University, London School of Economics   Select Exhibitions/Awards   First showed at zero zero zero, Whitechapel Gallery, 1999; most recently shown as part of 100 NHS Rooms by Vital Arts, 2022   Statement about AOAP Submitted Artwork   This was such a snappy design challenge - a completely absorbing jigsaw of carnivalesque colour and composition questions. I wanted to create a desirable object, a tile which sits in the hand with some weight and heft to it, loaded with painted shapes layered on top of each other to give the sense of something crafted and worked, that vibrates with energy. It couldn't just be a small version of what I'd usually make; it had to work completely within the given scale. I was also acutely aware that this is a special, indeed unique project: we are raising money, raising awareness, raising motivation, asking people to invest their attention not only to support creative artists but to fund research and treatment for Hepatitis C. There are so many reasons to worry - one glance at the headlines will tell you that - I wanted to bring pure joy and movement and energy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bidisha Mamata Lacquer II, 2022 Acrylic and Collage on Board Signed verso 15 x 10cm (5¾ x 3¾ in.) About   By day: Journalist, presenter and broadcaster for TV, radio, film, newspapers, events... By night, I make films, stills and paintings.   Education   Oxford University, London School of Economics   Select Exhibitions/Awards   First showed at zero zero zero, Whitechapel Gallery, 1999; most recently shown as part of 100 NHS Rooms by Vital Arts, 2022   Statement about AOAP Submitted Artwork   This was such a snappy design challenge - a completely absorbing jigsaw of carnivalesque colour and composition questions. I wanted to create a desirable object, a tile which sits in the hand with some weight and heft to it, loaded with painted shapes layered on top of each other to give the sense of something crafted and worked, that vibrates with energy. It couldn't just be a small version of what I'd usually make; it had to work completely within the given scale. I was also acutely aware that this is a special, indeed unique project: we are raising money, raising awareness, raising motivation, asking people to invest their attention not only to support creative artists but to fund research and treatment for Hepatitis C. There are so many reasons to worry - one glance at the headlines will tell you that - I wanted to bring pure joy and movement and energy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bidisha Mamata Lacquer III, 2022 Acrylic and Collage on Board Signed verso 15 x 10cm (5¾ x 3¾ in.) About   By day: Journalist, presenter and broadcaster for TV, radio, film, newspapers, events... By night, I make films, stills and paintings.   Education   Oxford University, London School of Economics   Select Exhibitions/Awards   First showed at zero zero zero, Whitechapel Gallery, 1999; most recently shown as part of 100 NHS Rooms by Vital Arts, 2022   Statement about AOAP Submitted Artwork   This was such a snappy design challenge - a completely absorbing jigsaw of carnivalesque colour and composition questions. I wanted to create a desirable object, a tile which sits in the hand with some weight and heft to it, loaded with painted shapes layered on top of each other to give the sense of something crafted and worked, that vibrates with energy. It couldn't just be a small version of what I'd usually make; it had to work completely within the given scale. I was also acutely aware that this is a special, indeed unique project: we are raising money, raising awareness, raising motivation, asking people to invest their attention not only to support creative artists but to fund research and treatment for Hepatitis C. There are so many reasons to worry - one glance at the headlines will tell you that - I wanted to bring pure joy and movement and energy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bidisha Mamata Lacquer IV, 2022 Acrylic and Collage on Board Signed verso 15 x 10cm (5¾ x 3¾ in.) About   By day: Journalist, presenter and broadcaster for TV, radio, film, newspapers, events... By night, I make films, stills and paintings.   Education   Oxford University, London School of Economics   Select Exhibitions/Awards   First showed at zero zero zero, Whitechapel Gallery, 1999; most recently shown as part of 100 NHS Rooms by Vital Arts, 2022   Statement about AOAP Submitted Artwork   This was such a snappy design challenge - a completely absorbing jigsaw of carnivalesque colour and composition questions. I wanted to create a desirable object, a tile which sits in the hand with some weight and heft to it, loaded with painted shapes layered on top of each other to give the sense of something crafted and worked, that vibrates with energy. It couldn't just be a small version of what I'd usually make; it had to work completely within the given scale. I was also acutely aware that this is a special, indeed unique project: we are raising money, raising awareness, raising motivation, asking people to invest their attention not only to support creative artists but to fund research and treatment for Hepatitis C. There are so many reasons to worry - one glance at the headlines will tell you that - I wanted to bring pure joy and movement and energy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Miyeon Yi Two Women Who Are Not Allowed To Smoke, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Miyeon Yi (born in 1995, Seoul, South Korea) is an artist living and working in London, UK. She obtained her Bachelor of Fine Arts at the School of the Art Institute of Chicago, Chicago, IL, USA (2013-2017), and is pursuing her master's degree on painting at the Royal College of Art, London (2021-2023). Her works have been in group shows in USA, UK and France.   Education   2021-2023 Master of Arts (Painting), Royal College of Art, London, UK 2013-2017 Bachelor of Fine Arts, School of the Art Institute of Chicago, Chicago, IL   Select Exhibitions/Awards   Solo Exhibitions 2022 Ojiri Gallery, London, UK, July 8th-29th 2022 Era Gallery, Milan, Italy May 12th - June 12th Group Exhibitions 2022 Delphian Open Call Winner Show, Unit 1 Gallery, London, UK, Oct 20th-28th 2022 Angel with Dirty Faces, Ojiri Gallery, London, UK, Oct 8th-28th 2022 Fragments, Omer Tiroche Gallery, London, UK, Sep 14th-29th 2022 No Place Like Home, Fitzrovia Gallery, London, UK, August 1st-6th 2022 The Room London Gallery, London, UK, May 17th 2022 Two Doors, House of St.Barnabas, London, UK, May 9th 2022 It's All Fun Until..., Safehouse 1&2, London, UK, March 17th-20th 2022 A Room of Her Own, Irving Contemporary, Oxford, UK, March 10th-April 8th 2022 RAW, Soho Revue, London, UK, March 1st- 5th 2022 WIP SHOW (online), Royal College of Art, London, UK, January 28th-February 4th Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Spring Rain, 2022 Oil on Primed Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Autumn Puddle, 2022 Oil on Primed Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Night Reflection, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Drought, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zara Matthews Mesh (Study-Pink), 2022 Gesso and Pigment on Cartridge Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.    

Hesi Glowacki Stories We Hold II, 2022 Magnetite, Acrylic and Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Hesi Glowacki's work centers on themes of memory, otherness, and trauma, alluding to queer theory and concepts of ritual and ceremony. Moving between abstraction and figuration he explores the notion of renewal and transformation through the unique use of language, materials, and techniques. @hesiunderground   Education   2021 - 2023 MA Painting, Royal College of Art 2017 - 2020 BFA (Bachelor of Fine Arts) Fine Arts, Central Saint Martins, University of the Arts London (UAL)   Select Exhibitions/Awards   2019 Phoebe Llewellyn Smith Award Winner 2017 Royal Female School of Art (RFSA) Award 2022 RAW, Soho Revue, London, UK 2022 RCA WIP SHOW, Royal Collage of Art, Online, UK 2020 New Futures Digital, The Art Vault, Digital, Kovet.Art Gallery, London 2020 London Grads Now, Moving Away Moving Closer, Saatchi Gallery, London, United Kingdom 2020 Graduate Showcase, University of the Arts London, Digital Exhibit, London 2020 Burnt Out, Open Studio, Central Saint Martins, London, United Kingdom 2019 Waiting, Open Studio, Central Saint Martins, London, United Kingdom 2019 Calthorpe Project, Support Every, London, United Kingdom 2019 Tate Modern & Central Saint Martins, Tate Exchange, London, United Kingdom 2018 C302 Collective, Moving Gallery 4 Locations, London, United Kingdom 2017 Copeland Gallery, WHAT IF...? City Lit, London, United Kingdom 2017 Jordi Miquel Gallery, Expo Colectiva, Barcelona, Spain Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Ian Ritchie OBE RA Have You Seen My Piano?, 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I begin developing my art, architecture, and industrial designs through language: poetry, prose, and the occasional aphorism, influenced by subjects ranging from physics and neuroscience to remote landscapes and history. The scientists, artists, actors, and musicians I am lucky enough to call friends lead me to explore and enjoy every wider field of learning, stretching my imagination further. At the stage when I can sense the emerging project, I attempt to translate the concepts visually. Pencil, pen, biro - all instruments that mark are valid. But the greatest pleasure comes when I draw with a Japanese brush soaked in Sumi black ink. The drawing - a few simple lines of architectural calligraphy - attempts to synthesise and reveal the essential from the words in a way that is immediately tangible as an object or space. I then produce these drawings as etchings in the London studio of the artist and printmaker Norman Ackroyd RA - a good friend who taught me to see the rainbow in black. My late friend John Hoyland RA introduced me to the life and language of colour, which resulted in the monoprints I create in Barbara Rae RA's Edinburgh studio. Her friendship and generosity allows me to feel colour while she encourages me to think less. During recent years I have also been producing figurative works which are reproduced as etchings for the Royal Academy of Arts Summer Exhibition, and as Christmas cards. My art is held in public collections including the Royal Academy of Arts, Reina Sofia Museum of Modern Art, Madrid, Lodz Gallery, Poland, the Hugh Lane Gallery, Dublin, and the Royal Collection Trust / Queen Elizabeth II. I have published several books on architecture and one book of poetry. I am an elected member of the Royal Academy of Arts, and the Akademie der Künste in Berlin, and lead ritchie*studio, an award-winning architecture and design practice renowned for glass architecture, material-technical innovation, and intelligent environmental and sustainable design Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ian Ritchie OBE RA The Owl + The Pussycat, 2022 Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I begin developing my art, architecture, and industrial designs through language: poetry, prose, and the occasional aphorism, influenced by subjects ranging from physics and neuroscience to remote landscapes and history. The scientists, artists, actors, and musicians I am lucky enough to call friends lead me to explore and enjoy every wider field of learning, stretching my imagination further. At the stage when I can sense the emerging project, I attempt to translate the concepts visually. Pencil, pen, biro - all instruments that mark are valid. But the greatest pleasure comes when I draw with a Japanese brush soaked in Sumi black ink. The drawing - a few simple lines of architectural calligraphy - attempts to synthesise and reveal the essential from the words in a way that is immediately tangible as an object or space. I then produce these drawings as etchings in the London studio of the artist and printmaker Norman Ackroyd RA - a good friend who taught me to see the rainbow in black. My late friend John Hoyland RA introduced me to the life and language of colour, which resulted in the monoprints I create in Barbara Rae RA's Edinburgh studio. Her friendship and generosity allows me to feel colour while she encourages me to think less. During recent years I have also been producing figurative works which are reproduced as etchings for the Royal Academy of Arts Summer Exhibition, and as Christmas cards. My art is held in public collections including the Royal Academy of Arts, Reina Sofia Museum of Modern Art, Madrid, Lodz Gallery, Poland, the Hugh Lane Gallery, Dublin, and the Royal Collection Trust / Queen Elizabeth II. I have published several books on architecture and one book of poetry. I am an elected member of the Royal Academy of Arts, and the Akademie der Künste in Berlin, and lead ritchie*studio, an award-winning architecture and design practice renowned for glass architecture, material-technical innovation, and intelligent environmental and sustainable design Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Time of No Reply, 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Time of No Reply (1), 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Until The Morning, 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Until The Morning (1), 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bijijoo Seed, 2022 Ink, Coloured Pencil and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Bijijoo (given name: Michael Todd Horne; nickname/preferred name: B) was born in Atlanta, Georgia (USA) in 1975 and has lived in New York City; Seattle, Washington; and Eugene, Oregon. B currently resides in Portland, Oregon with his wife and daughter. B has been painting and drawing since childhood. He has experimented with figurative, abstract and conceptual work in a variety of media, including writing, music and video (an archive of B's music from 1993-2017 can be found here). B diverged from art practice to pursue technical studies in mathematics, physics, computer science and chemistry, culminating in a Ph.D. in biophysics in 2008 (select scientific publications can be found here). He then returned to painting by creating several series of surrealist works, including The Presidential Ham, Celebrity Still Life, and The Arthropod Companion. After pausing to remodel an old house and become a father, he began resetting his painting practice in 2018. B's current work draws on his technical background in math, science and computer programming, as well as his daughter's imagination and love of monsters.   Education   Ph.D., Chemistry (Biophysics), Portland State University (2008) Mathematics Graduate Studies, University of Washington (2000-2002) Bachelor's degree, Mathematics, Physics, Computer Science, Hunter College (CCNY) (2000)   Select Exhibitions/Awards   Sept. 2022: Kiaf SEOUL with Lorin Gallery, Seoul Aug. 2022: Group Show, VINS Gallery, Taipei July 2022: Group Show, Artual Gallery, Beirut June 2022: Solo Show, Villazan, Madrid May 2022: Group Show, Art Central HK with Lorin Gallery , Hong Kong May 2022: Group Show, 571 Art Space curated by City of Talents , Hangzhou, China April 2022: Group Show, MePaintsMe , Online Feb. 2022: Group Show, Cohle Gallery , Paris, France Dec. 2021: Solo Show, VINS Gallery, Taipei, Taiwan. Nov 2021: Group Show, La Luz De Jesus Gallery (Los Angeles, CA) Nov. 2021: Art Monster with VINS Gallery (Taipei, Taiwan) Oct. 2021: The Tax Collection / Guy Hepner Editions, New York, NY Sept. 2021: Group Show, Maison Ozman, Paris, France Sept. 2021: D'Arte (group show), Marian Cramer Projects, Amsterdam, Netherlands. Aug 2021: Group Show, VINS Gallery, Taipei, Taiwan. May 2021: Duo show with Vickie Vainionpää , GR Gallery, New York, NY. Nov. 2020: Amsterdam Art Gallery Weekend, Marian Cramer Projects, Amsterdam, Netherlands. Oct. 2020: Online Exhibition #4, Top Top, curated by Meredith Rosen. Oct. 2020: LIMBO, Act II (group show), Everday Gallery, Antwerp, Belgium. Sept. 2020: LIMBO (group show), Everyday Gallery, Antwerp, Belgium. Aug. 2020: Salt & Vinegar (group show), La Luz De Jesus Gallery, Los Angeles, CA. June 2020: Hot Paper supporting ACLU & Showhouse JayJay x Hot Paper, GIFC (online). June 2020: Showhouse JayJay #2 (online), curated by Sasha Bogojev, Heidi Ukkonen & Ralf Kokke. April 2020: Showhouse JayJay (online), curated by Heidi Ukkonen & Ralf Kokke. April 2020: Bijijoo - Monster, La Luz De Jesus Gallery (online), Los Angeles, CA. March 2020: Everything but the Kitschen Sync (group show), La Luz De Jesus Gallery, Los Angeles, CA. Sept. 2013: Unnatural Histories II (group show), Antler Gallery, Portland, OR. June 2013: Bugs, Holes, Heads, and How-tos (solo show), Good: A Gallery, Portland, OR. Feb. 2013: Night of the Hunter (group show), Antler Gallery, Portland, OR. Oct. 2012: Happy Little Trees, Bob Ross Tribute Art Show (group show), Screaming Sky Gallery, Portland, OR. April 2012: The Anthropod Companion (solo show), Antler Gallery, Portland, OR. Feb. 2012: The 100 Show (group show), Wieden + Kennedy, Portland, OR. Oct. 2011: The Celebrity Still Life (solo show), Good: A Gallery, Portland, OR. Feb. 2011: The Presidential Ham (solo show), The Basil Hallward Gallery, Portland, OR. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell Fel Menyn, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell When Is It My Turn?, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell Survived, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Genevieve Leavold Ever Closer, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b.1980. Somerset UK. Genevieve Leavold grew up in a large family in the town of Frome in Somerset. Speaking about her childhood Genevieve notes that it was both a beautiful and difficult experience, and one which deeply informs her practice as an artist. "On one hand it was idillic, growing up is a big crazy house full of people but on the other there was a great deal of sadness and unspoken pain in our house and art was always a place of refuge for me" Genevieve always loved to draw and loved nature, spending hours playing outside in the garden, creating worlds in the undergrowth. This love of hidden places, just outside the known world is a compelling aspect of paintings and drawings.   Select Exhibitions/Awards   Solo Exhibitions 2021 Release - Virtual Exhibition 2019 Legacy - Fitrovia Gallery, London, UK FUGUE STATES - Magacin Kultural Center, Belgrade, Serbia 2018 Desire Paths - Fitzrovia Gallery, London, UK If Not Now - Center 424, Belgrade, Serbia 2016 Glimpses - Center 424, Belgrade, Serbia 2015 30 days - Walthamstow Arts Festival 2012 Parklife - Walthamstow Arts Festival 2010 Joy - Easton ARTS, Bristol   Group Exhibitions 2021 The Other Art Fair - Virtual Editions 2020 Kite Circus - Sidney and Matilda Gallery, Sheffield. 2019 Free From Form - Polet, Belgrade, Serbia The Other Art Fair - Mana Contemporary, Chicago, USA Observations of a Dog - Safehouse I&II, London, UK 2018 From ArtCan with Love - London UK New Artist Fair - London UK 2017 Clio Art Fair - Chelsea, New York TRIBE17 - Oxo Bargehouse, London The Other Art Fair - Old Truman Brewery, London At this Point in Time - The Scottish Arts Club, Edinburgh The Tunnel - Waterstones Gallery, London WCIN 2016 WITP- Strand Gallery, London The Waste Land - Asylum Chapel, London Elles In Rogue: XX Protagonists, Artworks Elephant. Drawing: 5 Answers, Center 424, Belgrade, Serbia 2015 BANG! - 100years Gallery, Hoxton, London. Metamorphosis - Bow Arts, London The Outsider - 5th Base Gallery, London, E1 2009- 2014 Selected Works - Cultivate Vyner Street RE:UP - Cultivate Gallery Vyner Street, London E2 Zeitgiest Open - ZAP Arts, Goodwood Road, London Deep Purple - Group Show at Cultivate Montpelier Art Fringe, Bristol   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Zena Blackwell The Final Chapter, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Linda Schwab Far-Away, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Linda Schwab lives and works in Yorkshire, UK. The starting point for her work falls into two categories; 'recent events', from life or mobile phone photos and 'recreated events', from archive or found photographs. She describes the process of painting as starting with an objective record and ending with an attempt to capture what can be sensed at the peripheries of vision.   Education   1979-82 University of Central Lancashire, BA Fine Art 1982-84 Slade School of Art, UCL, MA Painting   Select Exhibitions/Awards RA Summer Exhibition 2022 RWS Open 2022   Gallery Representation   Old School Gallery, Alnmouth Contemporary Six, Manchester Statement about AOAP Submitted Artwork The paintings capture something mysterious, perhaps a half recalled event, or someone seen at a distance and committed to memory. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Linda Schwab The Rose, 2022 Linda Schwab Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Linda Schwab lives and works in Yorkshire, UK. The starting point for her work falls into two categories; 'recent events', from life or mobile phone photos and 'recreated events', from archive or found photographs. She describes the process of painting as starting with an objective record and ending with an attempt to capture what can be sensed at the peripheries of vision.   Education   1979-82 University of Central Lancashire, BA Fine Art 1982-84 Slade School of Art, UCL, MA Painting   Select Exhibitions/Awards RA Summer Exhibition 2022 RWS Open 2022   Gallery Representation   Old School Gallery, Alnmouth Contemporary Six, Manchester Statement about AOAP Submitted Artwork The paintings capture something mysterious, perhaps a half recalled event, or someone seen at a distance and committed to memory. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 1, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Adam Koukoudakis   About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 2, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 3, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 4, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising