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Pamphlet: Lucas (Charles) The Great Charter of the Liberties of the City of Dublin, In three Parts. 8vo Dublin (James Esdali) 1749. First Edn., red & bl. titles, with vignette portrait & engd. coats of arms, orig. marble paper wrappers. (1)

Wines: A bottle of Chateau Lalande Saint-Julien, 1983; a bottle of Chateau Lafite Monteil, Bordeaux Superior, 1986; and a bottle of Albert Lucas Gevrey - Chambertin 1993, as a lot, w.a.f. (3)

19th/20th century, Lucas? pen and ink, montage of a soldier with a helmet,  51cm x 33cm

DEREK LUCAS "Study of figures in a forest lake landscape" oil on canvas, signed bottom left, 35.5 cm x 46 cm together with PETER BELL "Town scene" watercolour, signed and dated '89 lower left, 25 cm x 20.5 cm together with assorted decorative pictures and prints including a collection of reproduction World War II propaganda posters (5 pictures and roll of posters)

Seltenes Devotionalien-Kreuz. Ebonisiertes Olivenholz, Perlmutter, geschnitten und graviert, Bein. HMassive pyramidale Basis, auf der Front eine ovale Darstellung der Stigmatisation des Hl. Franziskus. Die Seiten dekoriert mit plastischen und eingelegten Rosettenmotiven. Oben eingesteckt das schmale hohe Kruzifix, vierseitig reich mit Einlagen versehen, die vorderen Kanten betont durch helle Beinfilets. Frontal der Corpus Christi unter der INRI-Tafel, gerahmt von den vier Evangelisten als Halbfiguren, zu seinen Füßen die Darstellung der Mater Dolorosa, umgeben von den Arma Christi, Blütenranken, Rosettenmotiven und Blattleisten.Diese Kreuze wurden von syrischen Handwerkern im Auftrag der Franziskanermönche, die die Kustodie des Heiligen Landes verwalteten, als Souvenirs der Pilgerfahrt produziert und angeboten. Die massive Kreuzbasis symbolisiert Golgota, den Hügel, auf dem die Kreuzigung stattgefunden hat. Die frühesten Kreuze dieser Art entstanden im 17. Jahrhundert. Sie kennzeichnen sich durch eine dichte Dekoration mit fein gravierten Einlagen.Die Darstellung des Hl. Franziskus geht vermutlich zurück auf den Stich von Lucas Vosterman nach einem Motiv von Rubens (vgl. Victoria and Albert Museum London, Sammlung online, mus.no. DYCE.2208).H 72 cmProvenienzPrivatsammlung, RheinlandLiteraturVgl. Yidi Daccarett, El arte palestino de tallar el nácar, Bogotá 2005, S. 40 ff.

Collection of Vintage Automobilia items - To include: Two bike/ side lamps, Lucas Silver King and Chieftain, goggles and Badges to include: Sunbeam Talbot Owners Club, The Vintage Transport Enthusiasts Club, San Feliude Guixols, AA badges and others. Please note this lot has the standard Ewbank's standard buyers premium payable on top of the hammer price and not the reduced rate for cars and motorbikes. Viewing days: Saturday 30th of November: 10am - 2pm, Monday 2nd of December: 9am - 5pm, Tuesday 3rd of December: 9am-7pm. Wednesday 4th of December: 9am-5pm, Thursday 5th of December: 9am-5pm, Friday 6th of December: 9am-5pm, Monday 9th of December: 9am - 5pm and Morning of the Auction on Tuesday 10th of December.

Chateau Larose-Trintaudon 1978 Haut Medoc, 4 bottles, Chateau Saint-Antoine 1985 Bordeaux, 2 bottles; Chateau Lucas 1981 Lussac Saint Emilion, one bottle; Chateau les Moulins 1976 Puisseguin Saint Emilion, one bottle, Chateau Roufite 1995, Cotes de Blaye, one bottle, Chateau Barreyres 1979 Haut Medoc, one bottle, Chateauneuf du Pape 1991, one bottle, Clos Fourtet Saint Emilion Grand Cru 1994, one bottle (12)

LNWR Lucas Lamp King of the Road Railway Hand Lamp, black painted brass and metal, carbide lamp with loop handle, marked LNWR, lense undamaged, 25cm high, G

John (1199-1216), Penny, class Vc, Winchester, Lucas, lvk[as] on winc, 1.25g/2h (N 971; S 1352). Toned, very fine or better £100-£120

D. Lucas (20th-21st Century) - A beach view, oil on canvas, signed lower right, 46 x 55 cm, framed

Zwölftlgs. Konvolut Delfter Porzellan des 20. Jhs. Je unterglasurblau bemalt mit Segelbooten bzw. Floraldekor, u.a. bez. „Erven Lucas Bols“. Bestehend aus: Elf Teller bzw. Platten und eine Vase, D=29 bis 44 cm / H=21 cm.

Vier Kupferstiche: Lucas van Leyden (1494-1533), Hl. Antonius und Hl. Anna; Michael Willmann (1630-1706), Porträt eines Bärtigen nach Rembrandt; Hieronymus Hopfer (1500-1563), Die Familie des Satyrs mit Sackpfeife spielendem Satyr. Je mit Passepartout hi./Gl. gerahmt, 11 x 7,5 bis 16 x 14 cm. (spätere Abzüge)

Drei Kupferstiche: Wenceslaus Hollar (1607-1677), „Catherine Howard“, 10 x 7 cm; Lucas van Leyden (1494-1533), zwei Ritter mit Helm und Fahne, 11,5 x 7,5 cm, sowie eine Heiligenfigur, wohl Paulus, 11 x 6,5 cm. Je mit Passepartout hi./Gl. gerahmt. (spätere Abzüge)

Dinky No. 945 AEC Fuel Tanker. Lucas. Promotional issue. Displays generally excellent. Little sign of wear. In good original box.

A Lucas film 20th Century Fox STAR WARS script. The Adventurer of Luke Starkiller as taken from the 'journal of the whills' by George Lucas, Revised fourth Draft March 15, 1976 Signed to cover: Dave Prowse (David Charles Prowse MBE - Darth Vader, Jeremy Bulloch - Played Boba Fett Kenny Baker - R2-D2 Anthony Daniels C3PO and Jabba George Lucas changed the name to Luke Skywalker due to the negative connotations associated with the name "Starkiller" Complete with front cover (signed) Slight rips to pages 1&156 - general wear. 

Star Wars Memorabilia - Heavy metal and plaster Pit Droid in the form of a clothes rail with bar to front and small bar at back with large base, showing some rust and wear to bar and plate, purportedly from George Lucas' Office and 1 of 2 x made

Star Wars - Ltd edn Prop Replica Attack of the Clones Yoda life size statue, numbered 1,234 of 10,000 on base, removable light saber missing, Lucas Arts issued, a few marks and dents to base and part between foot and base broken, statue itself vg with some paint chips

A collection of vintage car and engine manuals and parts lists including Daimler, Haynes, Austin, Lucas, Perkins etc.

Zunftkrug der Lohgerber Siebenbürgen, Kronstadt, Meister Lucas Meldt, dat. 1762 Zinn. Auf der zylindrischen Wandung zwischen Profilringen graviertes, bekröntes Emblem der Lohgerber, Namensinschrift ''Daniel Bayer'' sowie Datierung ''1762'' zwischen gekreuzten Palmzweigen. Auf dem in einem Wappenschild endenden Reliefhenkel Marke der Kronstädter Zinngießermeisters ''LM''. Auf Deckelunterseite Marke ''JG'' (legiert). H. 26,5 cm Lit.: Sammlung Horst Sluka, MT 16/2 (Marke)

Joseph Lucas, London - George III 8-day brass longcase clock dial and movement, the 12-inch break-arched dial with matted centre having subsidiary seconds ring over silvered axe-head cartouche signed 'Joseph Lucas London' in cursive script, and terrestrial calendar square, the movement of four knopped pillars rack-striking on a bell, sold with two weights and pendulum (no case)Baillie, G. H., Clockmakers and Watchmakers of the World, vol. 1, 1969 reprint, p. 203 records a Joseph Lucas of Lonodn, watchmaker, c. 1777.

Westminster Mint 'Victoria Cross Winners' eighteen silver proof five pound £5 coins 2006 comprising ALDERNEY Charles Davis Lucas, JERSEY Hook/Chard/Broomhead, ALDERNEY Ernest Alvia Smith (the certificate has the name wrongly stated as 'Charles Alvia Smith'), ALDERNEY Laidlaw, JERSEY David Mackay, ALDERNEY Henry Ramage, GUERNSEY Victor Buller Turner, JERSEY Eric James Nicholson, GUERNSEY Herbert Le Patourel, JERSEY Guy Penrose Gibson, JERSEY 1st Lancashire Fusiliers, GUERNSEY Gerard Broadmead Roope, ALDERNEY Geoffrey Tasker Keys, ALDERNEY Stanley Hollis, JERSEY Noel Chavasse, GUERNSEY William Leefe Robinson, GUERNSEY Major Robert Henry Cain and GUERNSEY Eugene Esmonde, [925 silver, each 28.28g, 509g gross, 38.61mm], all but the last described have their individual certificate of authenticity from Westminster Mint, each coin is held in a coin capsule. (18)

Jos. Lucas Ltd., Birmingham, King of the Road brass side lamp, no. 636, H28cm; two other lamps by Brown Brothers Ltd., Duco, H19cm and J. & R. Oldfield Ltd., Dependence, H25cm

Star Wars Poster - Revenge of the Jedi 'The Saga Continues' withdrawn teaser one sheet film poster, undated version, printed USA, Lucas Films 1982, framed & glazed with red mount, 40 x 26" approx size inside mount, folded and leaving 3 x fold marks across thirds of the sheet, middle fold appears very delicate with holes/damage, plus a framed & glazed Star Wars Episode I - The Phantom Menace movie poster (33 x 22 approx)

Richard Cockle Lucas, British, 1800-1883, a large coloured wax portrait relief of Anna Brownell Jameson, 1794-1860, mid-19th century, depicted wearing a bonnet, signed RC Lucas, inscribed in ink to reverse Wax PORTRAIT of MRS JAMIESON an art critic and with further indistinct inscription, in glazed giltwood frame, portrait - 14.5cm high; frame - 24.8 x 20.7cm Footnotes: Note: Richard Cockle Lucas (1800-1883) is predominately known as a sculptor in wax and ivory, but he also worked in glass, marble and bronze, as well as being a painter.  He began his career as a sculptor as an apprentice to his uncle, who worked as a cutler in Winchester, carving knife handles.  He joined the Royal Academy Schools in 1828 and studied under Richard Westmacott.  He exhibited at the Royal Academy between 1829 and 1859 and showed ivory carvings and imitation bronzes at the Great Exhibition in 1851.  Anna Brownell Jameson (1794-1860), daughter of miniaturist D.B. Murphy, was an Anglo-Irish art historian and critic whose work included literary and art criticism, travel writing, philosophy and feminism. She associated with prominent members of society such as Elizabeth Barrett-Browning and Robert Browning, Ottilie von Goethe, Lady Byron and Ada Lovelace. 

Adam von Breen, um 1590 – um 1645, zug.ELEGANTE GESELLSCHAFT BEIM EISVERGNÜGENÖl auf Holz. Parkettiert.56,5 x 104 cm.Betont breitformatig, nahezu panoramaartig schildert der Maler das Geschehen auf weitem gefrorenem Kanal in bewusst heiteren Gesellschaftsszenen. Zahllos haben sich Gruppen und Paare zum Eislauf eingefunden oder huschen über das Eis. Zwischen den überwiegend nobel Gekleideten sind auch einfach gewandete Bürger auszumachen, sowie Kinder, dazwischen Hunde. Eine Gruppe lässt sich rechts in einem Pferdeschlitten aufs Eis ziehen, links haben andere auf einem festgefrorenen Eisbrecher – eine damalige Neuerfindung – unter dem Segel Platz genommen. Weitere Schiffe liegen im Eis ebenso fest, dazwischen sind Eisöffnungen zu sehen, für den Fischfang aufgesägt. In Festkleidern zeigt sich die Gesellschaft stolz, um zu sehen und gesehen zu werden. Seitlich bilden Herrenhäuser eine Rahmung der Szenerien. Die Bebauung setzt sich beidseitig bis zum Horizont fort, an dem die Türme und Gebäude der Stadt Begrenzung bilden. Der rötlich gefärbte diesige Himmel vermittelt die Stimmung eines winterlichen Spätnachmittags. Solche Winterszenen sind zu einem Bildthema speziell der holländischen Malerei geworden, aufgrund der sogenannten Kleinen Eiszeit, die ab dem Mittelalter einsetzte und im 16. Jahrhundert einen Höhepunkt erreicht hatte. Dies erklärt diese Themen, denen sich mehrere niederländische Maler gewidmet haben. Neben Pieter Brueghel d. J. (um 1564-1637/38), oder Abel Grimmer (um 1570-um 1619) sind auch Hendryck Avercamp (1585-1634) und Adam van Breen zu nennen.Über sein Leben und Wirken ist nur wenig überliefert. Als „junger Mann aus Amsterdam“ wird er 1511 anlässlich seiner Verehelichung dokumentiert. 1612 wurde er in die St. Lucas-Gilde von Den Haag aufgenommen, der er bis 1621 angehörte. Es wird angenommen, dass er bei dem Landschaftsmaler David Vinckboons (1576-1629) gelernt hat. Um einem Bankrott zu entgehen, zog er 1622 nach Amsterdam, wo er 1528 wiederum dokumentiert ist. 1624 begab er sich nach Norwegen. In Oslo schuf er Dekorationen im Palast von Christopher Urne, Lord of Akershus, derner für Bauten König Christians IV.Anmerkung:Eine identische Darstellung in den gleichen Abmessungen befindet sich im Nationalmuseum in Warschau. Dort wird das Bild David Vinckboons (1576-1629) zugewiesen. Die Abhängigkeit der beiden Gemälde voneinander ist noch nicht geklärt. Literatur: Vgl. Edwin Buijsen, Haagse schilders in de Gouden Eeuw: Het Hoogsteder lexicon van alle schilders werkzaam in Den Haag 1600-1700, Zwolle 1998. (1420682) (11) (†)Adam von Breen,ca. 1590 – ca. 1645, attributed ELEGANT PARTY ENJOYING ICE AMUSEMENTS  Oil on panel. Parquetted.56.5 x 104 cm. In a wide, almost panoramic format, the painter depicts the events on a wide frozen canal in deliberately cheerful social scenes. Countless groups and couples have gathered to go ice skating or are darting across the ice. On the right, one group is being pulled onto the ice in a horse-drawn sleigh, while on the left, others have taken their place under the sail of a frozen icebreaker - a new invention at the time. Such winter scenes became a particularly popular subject in Dutch painting due to the so-called Little Ice Age, which began in the Middle Ages and reached its peak in the 16th century.Little is known about the artist’s life and work. For his wedding, he is documented as a “young man from Amsterdam” in 1511. In 1612 he was admitted to the Guild of Saint Luke in The Hague, of which he was a member until 1621. It is assumed that he was a student of the landscape painter David Vinckboons (1576 – 1629). To avoid bankruptcy, he moved to Amsterdam in 1622, where he is again documented in 1528. In 1624 he went to Norway. In Oslo he created decorations in the palace of Christopher Urne, Lord of Akershus, who was responsible for buildings for King Christian IV. Notes:An identical depiction with the same dimensions is held at the National Museum in Warsaw, attributed to David Vinckboons (1576 – 1629). The connection between both paintings has not yet been clarified. Literature: cf. Edwin Buijsen, Haagse schilders in de Gouden Eeuw: Het Hoogsteder lexicon van alle schilders werkzaam in Den Haag 1600 –1700, Zwolle 1998.

CHINESE IVORIES - S. E. LUCAS. The Catalogue of Sassoon Chinese Ivories, London, 1950, 3 volumes, 4to, coloured frontispiece, 224 plates, FINELY BOUND in original half vellum gilt. ONE OF 250 COPIES SIGNED BY VICTOR SASSOON AND SYDNEY EDWARD LUCAS. (3)CHINESE IVORIES - Sydney Edward LUCAS ([dates unknown], editor).  The Catalogue of Sassoon Chinese Ivories. London: Country Life Limited, 1950. 3 volumes, large 4to (380 x 280mm). Half titles, coloured frontispiece, titles printed in red and black, and 224 monochrome plates. FINELY BOUND in original half vellum and green buckram, the upper covers with Chinese characters stamped in gilt, the spines lettered, ruled and decorated in gilt, top edges gilt, others uncut, without the slipcases. Provenance: Han-Shan Tang Ltd. (bookseller's label on rear pastedown of the first vol.). FIRST EDITION. NUMBER 195 OF 250 COPIES SIGNED BY VICTOR SASSOON AND SYDNEY EDWARD LUCAS. (3)

GOLDEN COCKEREL PRESS. – A.C. SWINBURNE. Pasiphaë, a Poem. London: Golden Cockerel Press, 1950. Limited edition, this being number 222 of 500 copies, 8vo (225 x 139mm.) 4 copper-engraved plates, and 2 copper-engraved illustrations by John Buckland-Wright. (Mild toning.) Original yellow and blue buckram, glassine dust-jacket. – And a further six volumes published by the Golden Cockerel Press (including ‘Hero & Leander’, translated from the Greek of Musaeus by F.L. Lucas, illustrated by John Buckland-Wright, 1949, and ‘In Defence of Woman’ by William Cynwal, [1960], 8vo, and Patrick de Heriz’s ‘La Belle O’ Morphi’, [1947], 8vo, and Nicolas Chamfort’s ‘Maxims and Considerations’ translated by E. Powys Mathers, 2 vols., 1926, 8vo, and ‘Boccaccio’s Olympia, edited with an English Rendering by Israel Gollancz’, 1913, 4to) (7).

RACKHAM, Arthur (illustrator). – Jacob Ludwig and Wilhelm Carl GRIMM. The Fairy Tales of the Brothers Grimm… translated by Mrs. Edgar Lucas. London: Constable & Company Ltd., 1909. First edition, 4to (247 x 184mm.) 40 tipped-in colour plates, black and white illustrations all by Rackham, captioned tissue-guards. (Some corner creasing to the plates, browning, marginal spotting, severe insect-damage to one tissue-guard and creasing to others, dust-soiling.) Original red cloth (tear to spine panel, worn). – And a further eight miscellaneous volumes (including Jacob and Wilhelm Grimm’s ‘Little Brother & Little Sister and Other Tales’, 1917, 4to) (9).

RACKHAM, Arthur (illustrator). Jacob Ludwig and Wilhelm Carl GRIMM. The Fairy Tales of the Brothers Grimm… translated by Mrs. Edgar Lucas. London: Constable and Company Ltd., 1909. Limited edition, this being number 509 of 750 copies signed by Arthur Rackham, 4to (293 x 225mm.) 40 tipped-in colour plates by Arthur Rackham with captioned tissue-guards. (Toning, occasional light spotting, marginal crease to pp.165-167.) Original vellum with pictorial gilt and lettering to upper cover and spine, t.e.g. (pitting to covers, silk ties present but detached).

Second World War British Medal Group of five medals comprising of 1939-45 Star, France and Germany Star, Defence Medal, 1939-45 Medal and GRVI Territorial Efficiency medal impressed to 5933548 Cpl. T. H. Lucas Cambridgshire Regiment. Together with quantity of ephemera, Soldiers Pay book, Class A Release book, Mess menus and photographs. Cpl 5933548 Thomas Humphrey LucasSerjeant 5933548 Lucas 2nd Battalion Essex RegimentBorn 13th May 1919Testimony: ‘a very good NCO who has always carried out his duties extremely well, even under the most trying conditions. Thoroughly reliable, hardworking and completely trustworthyCambridge regiment – 03/05/1939 – 04/09/1945Suffolk RegimentEssex regiment – 05/09/1945 – 22/05/1946

WW2 DFC CASUALTY GROUPING. Second World War Distinguished Flying Medal group to Flight Lieutenant Ronald Gordon Elvin (121534) Royal Air Force Volunteer Reserve, to include, Distinguished Flying Cross, 1939-1945 Star, Air Crew Europe Star with clasp 'France and Germany', 1939-1945 British War Medal, held in a glazed display frame with original photo of Elvin (on right) and two others, Air Council medal issue slip named to 'Flight Lieutenant R.G. Elvin D.F.C.', letter from the Air Ministry to Mr F.G. Elvin dated 25th September 1946 requiring his attendance at Buckingham Palace on 5th November re receiving the D.F.C. from The King conferred on his late son, a hand written letter dated 15/12/1939 on headed notepaper from 'Ronnie' at 'Downing College, No.1 Initial Training Wing RAF', to his mother and father, first page of a hand written letter from 'F/Lt R.G. Elvin,138 Wing, Royal Air Force., B.L.A' (138 Wing formed part of 2 (Bomber) Group RAF which in turn was part of 2nd Allied Tactical Air Force) to 'Mum & Dad', dated 'Thurs-24-44' re settling in to new billets 'over here' (presumably France), two School reports for Ronald Elvin aged 14 years, dated 1935/36, copy of a photograph of 151 Squadron dated September 1943, Elvin is in the 2nd row 2nd from the right, newspaper clippings re the award of the DFC to Elvin, a wonderful personal photograph album containing photographs of training aircraft, Lysanders, Mosquitos, on the ground and airborne, group photographs including '17 Course C.G.S. 28/4/41 from 151 (N.F.) Squadron (Defiants), sitting in the cockpit of a shot down Me 109, an RAF Funeral, photos at leisure, aerial reconnaissance photos of British sea port showing a sea plane base with Sunderland Flying Boats, etc, approx. 88 photos, the son of F.G. and Katherine Elvin, Ronald was born at Blunderston in 1921, he was educated at Kessingland High School and Lowestoft Technical and Art College, he joined the RAF as aircrew in 1939 and was commissioned in 1942, while serving with 151 Squadron based at RAF Colerne in Wiltshire on Mosquito NF Mk IIs Elvin and his pilot Pilot Officer Ronald Lucas were hit by severe flak over Northern France on the return journey from a night mission, with the starboard engine out of action and hydraulics damaged they were forced to 'belly' land at RAF Hurn in Dorset, on the night of 23rd December 1944 a Mosquito F.B VI Fighter Bomber, number HP930, of 613 (City of Manchester) Squadron based at Cambrai took off on a sortie to attack communications in the Cologne/Bonn/Duren/Coblenz area of Germany in support of operations against the Ardennes offensive (Battle of the Bulge), F/Lt Elvin was the Navigator and the pilot F/Lt Eric Raynor, the aircraft never returned and was believed to have been shot down by a German night fighter at around 2200 hours in the Hasselt area in Belgium and the crew killed, their bodies were never recovered, both men were awarded the Distinguished Flying Cross (Supplement to the London Gazette, 29 December 1944), the citation for F/Lt Elvin reads in part '..has participated in six successful attacks against enemy airfields. Since the invasion of Western Europe he has also taken part in many missions in support of ground forces and in search of enemy transport after penetrating deeply inside enemy territory. During one sortie two trains were located one of which was set on fire and the engine of the other was blown up. Another time his aircraft was detailed to attack a heavily defended target. His skilful navigation and determination materially contributed to the destruction of a very large number of enemy vehicles. Flight Lieutenant Elvin's fortitude, initiative and courage are worthy of high commendation.', Ronald Elvin is commemorated at the Runnymede Memorial, Panel 202, a fine grouping to a gallant officer, when originally sold at auction the items came directly from the Elvin family, (qty).

DINKY TOYS; a collection of diecast vehicles including 23J racing car, Army Wagon, a boxed Lucas Bells revolving dome bell, etc.

Four items of numismatic interest comprising a 'World War II Remembered' pack, a silver proof crown commemorating Charles Davis Lucas, an encapsulated Victoria Cross 50p and a replica Gallantry medal.

A large quantity of Star Wars magazines with attached carded and boxed figures, published by Lucas Books (2).Condition Report: Unopened

3 old motor lamps - American Deitz Salisbury; Lucas P146 Kings Own; Powell and Hammer Demon red rear lamp

(Linda,L.).: Orbis Lumen et Atlantis Iuga Tecta Retecta: Das ist: Newe außführliche Entdeck- Und Beschreibung der gantzen Welt... Ffm., Beyer, Ammon und Serlin 1658. 4°. 3 Bl., 1456 (recte 952) S., (= 496 S., S. 1001 - 1456), 4 Bl. Prgt. d. Zt. mit Schließen. (Gebräunt tls. stärker fl., Gelenke tls. mit kl. Einrissen). VD17 39:128945P. Sabin 54461. Zweite deutsche Ausgabe (EA Leiden 1655) der seltenen Länderbeschreibungen. - Grundlage des Werkes ist Lucas de Lindas "Descriptio orbis et oninium eius rerum publicarum" von 1655, mit umfangreichen Beiträgen aus anderen Quellen bereichert. - Enthält die Beschreibung aller großen Länder und Kontinente, darunter auch Amerika (S. 1352-1403). - Das Buch wurde offensichtlich in 2 Teilen gedruckt, die S: 497-1000 sind in der Paginierung übersprungen (laut Register so komplett). - Ohne gest. Front. Durchgeh. gebräunt u. stockfl. Hs. Besitzverm. a. T. Gekrönt. Monogrammst. a. Vors.

Leyden, Lucas van: (1494 Leiden 1533). Vortitudo. Kupferstich auf Bütten, 1530. Aus der Folge "Die sieben Tugenden". Blgr. 16,7 x 11 cm. Mit dem Monogr. u. Titel in der Platte. Auf Darstellung beschnitten u. unter Passep. mont. Vollbehr 130 I (von III). Bartsch, Hollst. 132 I (von II). Im ersten Zustand mit "Vortitudo" statt "Fortitudo". Rarität, die laut Hollstein erst 1884 von Evrard und 1926/27 von Benesch wiederentdeckt wurde. Aus dem Besitz von Dr. Ewald Rathke; Kunsthändler, Wols-Experte und ehemaliger Leiter des Kunstvereins Frankfurt am Main. D

Konvolut: von 18 Bll. Versch. Techniken u. Formate. 17.-20. Jhdt. - Tls. leicht rissig u. fl. ╔Darunter: Hugo van der Goes, nach:╗ Anbetung der Hirten. Stich. 39 x 47,5 cm. -╔Michel Garnier, nach.╗ Passage du Ruisseau. Kolor. Kupferst. v. Petit. Motivisch "La traversée pour l'île de l'Amour" entlehnt. 52,5 x 41,5 cm. Auf Papier aufkaschiert. -╔Lucas Emil Vostermann I.╗ Lots Trunkenheit. Kupferst. n. O.Gentileschi. 33 x 43 cm. - ╔William Hogarth.╗ Schauspielerinnen in der Maske vor dem Auftritt. Kupferst. 45,5 x 57 cm. - ╔Piere Antoine Labouchère, nach.╗ Luther, Melanchton, Bugenhagen und Cruciger, die Bibel übersetzend. Lithogr. 36 x 44 cm. - ╔Edvard Anders Christian Saltoft.╗ 2 Lithogr. 49,5 x 66,5 cm. 52 x 71 cm. ╔Georg Philipp Rugendas.╗ Tempestas telorum ac plumbeus ingruit imber... Schabkunst. 47 x 66 cm. - ╔Richard Earlom.╗ Merkur stiehlt Admetus Rinder von Apoll. Aquatintarad. n.Claude Lorrain bei John Boydell, 1776. Aus: Liber Veritatis, Nr. 135. 19,5 x 26 cm. - ╔Nicholaes Berchem.╗ Titelblatt u. 6 Bll. der Folge Animalia. Radierung. 11 x 11 cm. R

Luther,M.: Briefe, Sendschreiben und Bedenken vollständig aus den verschiedenen Ausgaben seiner Werke und Briefe,... 6 Bde. Bln., Reimer 1825-56. Mit gest. Portr.-Front. von C.Ermer nach Lucas Cranach gezeichnet von H.Müller und 2 mehrfach gefalt. Tafeln mit 4 lithogr. Handschriften-Faks. XXVIII, 605; IX, 680; XI, 570, (6); (8), XVI, 695, (1); XXVI, 801, (1) ; XXVI, 716 S. Hlwdbde. mit Rtit. (Best. u. berieb., Kap. tls. etw. läd.). Mit dem seltenen 6. Nachtragsband von 1856. - Stellenweise gebräunt u. stockfleckig. Mehrfach gestempelt.

Puppenschneiderei.: 7 Bde. bzw. Schnittmuster-Mappen zum Thema. Um 1910-20. Ohlwdbde. (6 mit farb. Deckelillustr.). ╔Enthält u.a.:╗ Lucas,A. Puppenmütterchens Nähschule (Schnittmuster und Pausevorrichtung). Ravensburg, Maier. - Lutz,J. u. B.Heyde. Die fleissige Puppenschneiderin. 9. Aufl. Stgt., Weise. - Schnittmuster nicht kollat., gekauft wie besichtigt.

Biscaya.: Opdoeninghe en verthoninghe vande Lande van Biscaien... Altkolor. Kupferstichkarte v. J.Doeticum aus Waghenaer, T'eerste deel vande Spieghel der zeevaerdt, ca. 1584. 33 x 51 cm. Mit ausgem. Rollwerkkart., ausgem. Meilenzeiger u. ausgem. Seeungeheuern. Verso lat. Text. Lucas Janszoon Waghenaer hatte die Küsten Europas als Steuermann in der Fischereiflotte von Enkhuizen/Nordholland kennengelernt. Er zeichnete die Küsten auf seinen Karten so, wie der Seemann sie vom Meer aus sieht und wie sie für die Ansteuerung am zweckmäßigsten waren. - Kl. Brandloch zw. lli. Seeungeheuer u. Meilenzeiger, leicht gebr., etw. fingerfl., ob. Falzeinriss bis an die Einfassung, unt. unterl. Falzeinriss bis ca. 6,5 cm i.d. Darst.

Three Prior Lucas Fenix 2022 White Wine 3 x 750ml, Three Prior Lucas Fenix 2022 Red Wine 3 x 750ml.

LUCAS GEORGE: (1944- ) American film Director, an Academy Award nominee. Signed colour 10 x 8 photograph by Lucas, the image depicting him outdoors standing in a half-length pose alongside C-3PO during the filming of Star Wars. Signed in bold blue ink to the image. EX.

LUCAS GEORGE: (1944- ) American film Director, an Academy Award nominee. Signed 8 x 10 photograph by Lucas, the image depicting him standing in a half-length pose in the set of Labyrinth (1986). Signed in bold blue ink to the image. EX.

Autographs to inc: mounted displays to inc signatures of: Norman Wisdom and Jerry Desmonde, Richard Wilson and Annette Crosbie, Ronnie Corbett and Barbara Lott. Framed displays to inc signatures of Matt Lucas and David Walliams, Norman Wisdom, Brian Wilde, Peter Sallis.

Four mounted displays to inc pages signed by: Bill Murray, George Lucas, Jane Seymour, X-Factor judges inc Simon Cowell.Signatures obtained in person by a dedicated collector in the Manchester area, who collected tens of thousands of autographs from stars of sport, music and screen.

A Derby oval pedestal vase, c1820, painted by Daniel Lucas with a panoramic landscape of Derby, with All Saints Church, Exeter House, the Shot Tower, the Silk Mill, and St Matthew's Darley Abbey, the shoulders in relief with stiff acanthus and beads, everted leaf rim, gilt scroll handles and satyr maks, drum pedestal base, tri-form scroll feet, richly gilt, 33cm h A finely painted vase, the landscape with one or two portions of clean minor crazing. The leaf rim with slight losses. One handle restored, one foot repaired, and reattached at socle, itself with some minor chipped losses: but displaying well overall. Some firing stresses in places, some pitting.

Hasbro Star Wars Episode I 50th Lucas Film Ltd Graded 90% Jar Jar Binks, in Perspex Display Case, plus three other Episode I figures (4)

Franz Anton Maulbertsch WerkstattDie Enthauptung Johannes des Täufersum 1750Öl auf Leinwand; gerahmt58,5 x 40,5 cmVersteigerung Sotheby´s, London, 6. Juli 1988, Lot 78;Reinhold Hofstätter, Kunst und Antiquitätenmesse Salzburg, März 1989;Galerie Sanct Lucas, Wien, Katalog Winter 1989/1990, Nr. 17;Sammlung Kardinal Joachm Meisner (1933-2017), Köln (rückseitig Sammlungsetikett);Auktionshaus Lempertz, Köln, 16. Mai 2018, Lot 1117;Privatsammlung ÖsterreichDachs, Monika: Franz Anton Maulbertsch in Langenargen, in Barockberichte 16/17,Salzburg 1998. S. 1-8, Abb. 5.Als Klára Garas im Jahr 1960 ihre umfangreiche Maulbertsch Monographie erstellt hatte, war ihr das vorliegende Gemälde noch unbekannt. Sie nahm eine andere Version der Darstellung mit den gleichen Maßen als eigenhändige Arbeit, welche sich heute im Museum Belvedere befindet, in ihr Werkverzeichnis auf (vgl. Garas, Klára: Franz Anton Maulbertsch 1724-1796, Budapest 1960. Kat. Nr. 22, Abb. 12; sowie Lechner, Georg: Auf der Suche nach Maulbertsch, in: Ausst.Kat. Im Blick: Franz Anton Maulbertsch. 300 Jahre exzentrischer Barock, 12. April bis 29. September 2024, Oberes Belvedere Wien, Wien 2024. Tafel 11 und 12).Die aktuelle Forschung ist sich aber einig, dass dieses nicht von Maulbertsch geschaffen wurde und das hier vorliegende Gemälde zudem eine wesentlich qualitätvollere Arbeit ist. "Der verlorenen Version Maulbertschs kommen wohl die Skizze der Galerie St.Lukas und das Klagenfurter Altarbild am nächsten." (Barockberichte 1998, S. 6). Es ist, vermutlich als Kabinettbild gedacht, im unmittelbaren Meisterumfeld entstanden.

VANESSA BELL (BRITISH 1879-1961): A LITHOGRAPH IN COLOURS 'GIRL READING', 1945Signed with initials in the plate.38 x 29cmOne of the Eight Lithographs series printed in edition of 100 by Frances Byng-Stamper and Caroline Lucas, Miller's in Lewes.Listed in the 'The Bloomsbury Artists prints and book design' by Tony Bradshaw, published by Aldershot in 1999, no. 14.Provenance: Purchased by the vendor from Louise Kosmon, Modern British Art.Framed and glazed 58cm x 46cm

Four vintage teddy bears  to include two Safari collection leopard print bears: 29cm 'Sydney' 1 of 1 with white mohair face, large satin bow and 21cm 'Lucas' 1 of 1 with orange satin bow alongside The British Collection 32cm 'Churchill' 92 of 100 flat eared, tipped mohair bear with stoic downturned stitched mouth alongside an untagged larger 40cm bear from the 'Wild Collection' with tipped mohair fur, bell collar, satin bow and felted paw pads. All in well cared for, clean condition with tags attached where applicable. (4)

Born, Adolf -- Hommage à Lucas CranachFarblithographie auf leichtem Karton. 1991.38,3 x 49 cm (50 x 58,8 cm).Signiert "aBorn". Auflage 80 num. Ex.Prachtvoller Druck mit breitem Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Andy Lucas signed 12x8 inch black and white photo. Dedicated. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

WWI Four War and Victory medals, War awarded to 18516 A. CPL. G. Hunt. Essex Regiment, Victory's awarded to 10358 PTE. A. Darling. R. Berks. Regiment, 24765 PTE. W. J. Constable. C. GDS and 176510 S. E. Lucas. WGH. SLMR. R.N.

Rev. W. Lucas Collins (ed.): 'Ancient Classics for English Readers', William Blackwood & sons, circa 1872-1879, 23 volumes, various works including Homer, Heredotus, Horace, Aeschylus, Cicero etc, 'Hesiod, and Theognis', by James Davies, 1873, inscribed by the editor on half title "With the author's compliements", and with Earl of Iveagh ownership inkstamp "Iveagh 1894", several other volumes with Earl of Iveagh ownership inkstamps, uniform original cloth gilt (23)

A VINTAGE LUCAS ACETYLENE MOTOR CYCLE LAMP, H 17 cm

JORN, ASGER1914 Vejrum, West-Jüdland - 1973 AarhusTitel: Ohne Titel. Datierung: 1960. Technik: Gouache auf Bütten. Maße: 50 x 64,5cm. Bezeichnung: Signiert und datiert unten rechts: Jorn 60. Rahmen/Sockel: Rahmen. Im Rahmen beschrieben. Wir danken Lucas Haberkorn, Silkeborg, für die freundliche, wissenschaftliche Unterstützung.Provenienz: - Karl & Faber, München, 27.05.1992, Lot 908- Privatsammlung Süddeutschland.Erläuterungen zum Katalog Asger Jorn Dänemark CoBrA Zeitgenössische Kunst Unikate 1960er Rahmen. Im Rahmen beschrieben Kopf Papierarbeit Aquarell Abstrakt Voraussichtliche Versandkosten für dieses Los: Deutschland: 92,00 Euro inkl. 14,69 Euro MwSt EU: 120,00 Euro inkl. 19,16 Euro MwSt Weltweit: 190,00 Euro inkl. 30,34 Euro MwSt zzgl. Versandversicherung

Registration No: N848 WUP Chassis No: SAJJFKLG3BJ781196 MOT: March 2025Presented in the rare colour combination of Glacier White with a Savile Grey Leather interiorImported from Japan in 2022Offered with original Japanese book pack and evidence of recent maintenanceDisplaying only 121,456 km (75,469 miles) at the time of consignment, corroborated by the accompanying history fileThe first Jaguar XJ was launched in 1968 and the XJ designation has been used for successive Jaguar flagship models ever since. The original model was the last Jaguar saloon to have had the input of Sir William Lyons, the company's founder. The Jaguar XJ (X300) was manufactured between 1994 and 1997 and was the first XJ produced entirely under Ford ownership and can be considered an evolution of the outgoing XJ40 generation. Like all previous XJ generations, it features the Jaguar independent rear suspension arrangement with the design emphasis on improved build quality, improved reliability and a return to traditional Jaguar styling elements. The X300 was stylistically intended to evoke the image of the more curvaceous series XJ. The front of the car was redesigned significantly to return to four individual round headlamps that provided definition to the sculptured bonnet. Mechanically, it was similar to the XJ40 that it replaced. Six-cylinder X300s are powered by the AJ16 inline-six engine which is a further enhancement of the AJ6 engine that uses an electronic distributor-less ignition system.Supplied to the Japanese market on the 8th July 1996, chassis SAJJFKLG3BJ781196 was specified in Glacier White with a Savile Grey leather interior. Supplied with the original book pack, there are a number of service invoices on file from this period. Imported into the UK in 2020, the first UK owner would have the car serviced in December 2020 and kept the car in his private collection prior to having it registered with the DVLA in 2022. The XJ would continue to be maintained to a very high standard with a number of invoices on file from his period of ownership. During June 2022, the Jaguar was sold once more and remained in his custodianship until October 2023, when it was acquired by the vendor. The vendor has continued the high standard of maintenance, with a recent service in July 2024; he also opted to have the rear windows professionally tinted to modernise its specification.'N848 WUP' is described by the vendor as being a 'very good' example and pointed out that at the last service, the specialists commented that it was a 'notably clean example' and described it as 'rust free'. The vendor pointed out that the offside front wing has an area where the paint has lifted, but also advised that it 'drives very well'. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430

Registration No: JLO 110K Chassis No: 1S50350 MOT: ExemptOne of just 2,116 right-hand drive examples and fitted with the desirable manual gearboxMatching chassis and engine numbersSubject of a full professional restoration in 2010 in its original colour combinationOffered with a history file including the Jaguar Heritage CertificateLast of the line, the Jaguar E-type Series III was introduced in 1971. Longer, wider and more comfortable than its predecessors, the newcomer blurred the lines between sports car and grand tourer. Powered by a turbine-smooth all-alloy SOHC 5343cc V12 engine allied to either Jaguar four-speed manual or Borg Warner three-speed automatic transmission, the refined manner in which it performed (contemporary road tests spoke of 0-60mph in 6.4 seconds and 150mph) simply blew road testers away. Benefitting from a broader track, ventilated disc brakes, power-assisted rack and pinion steering and Lucas transistorised ignition, the Series III was visually distinguished by its 'egg-crate' grille, flared wheel arches and purposeful quad-exhaust pipes. Available in Fixed-Head Coupe (2+2-seater) or Roadster (2-seater) guises, it remained in volume production until 1974 (though, a special commemorative run of forty-nine Black-painted roadsters was released the following year).Chassis number ‘1S50350’ was despatched new on the 17th September 1971 to the supplying dealer, Charles Follett, London W1 and thereafter was sold to the first owner, a Mrs K. Gaze. It was finished from new in Light Blue paintwork with a Dark Blue interior upholstery, pleasingly the colour scheme in which it is still presented today. Desirable for being both a manual gearbox car and a matching numbers example, ‘JLO 110K’ was lavished with a comprehensive restoration in 2010, including a full bodywork renovation with the bodywork stripped and restored with a focus upon saving as much of the original metalwork as possible. More recently, it has benefitted from a fuel system refresh in 2017 and full servicing, with new spark plugs as well as rear exhaust box and tailpipes in 2022.Starting readily and both running and driving very well during the recent photography session, the Jaguar is offered with a credible recorded mileage of 81,500 miles on the odometer. Accompanied by a history file comprising the JHT Heritage Certificate, a collection of invoices and previous MOTs, a maintenance chart, operating, maintenance and service handbook, ownership history and a current V5C document. UK-supplied, manual gearbox, matching numbers examples are highly desirable E-Types and with this V12 Coupe being all of these and having been provided a full restoration in its original colour scheme, is certainly one to consider. For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452

Registration No: LJ15 SZC Chassis No: 1FA6P8CF4F5307788 MOT: July 20251 of just 1,964 limited edition 50th Anniversary Performance Pack examples producedUnique Mustang having been further redeveloped by Fortis Auto DesignFeaturing wide-body, scissor doors and performance upgrades to 450bhpJust c.27,000 miles from newThe Ford Mustang is undoubtedly an American icon. The first production Mustang rolled off the assembly line in Dearborn, Michigan in March 1964 and was introduced to the public at the New York World's Fair on 17th April 1964. It was, and remains, one of the most successful product launches in automotive history, with the original Mustang selling over one million units in its first eighteen months alone. After five previous generations diluting the original 'Pony car', the sixth-generation arrived in 2013 to widespread consideration that Ford has perhaps returned the Mustang to its glory days. Publicly unveiled on the 5th of December 2013, in Dearborn, Michigan, New York, Los Angeles, California; Barcelona, Spain, Shanghai, China; and Sydney, Australia, with the internal project code name; S-550, with three engine options available: a newly developed 2.3 litre EcoBoost with 310bhp, a 3.7 litre 300bhp V6, or the 5.0 litre Coyote 435bhp V8 with either a six-speed manual or six-speed automatic transmission with paddle shifters. A new independent rear suspension system was developed specifically for the new model. It also became the first factory version designed as a right-hand drive export model to be sold overseas through the Ford dealership network in right-hand drive markets.This intimidating 5.0 litre V8 special edition was initially imported by Bill Shepherd Mustang in 2015. Part of a limited edition 50th Anniversary Performance Pack run, just 1,964 examples were released to pay homage to the first generation Mustangs of 1964. It boasted retro stitching throughout, a retro-look instrument cluster surround and exclusive Black leather upholstery embossed with the Mustang 50-year logo. Chrome accents around the rear tail-lights and a special 50-year plaque on the dash noting this limited edition's place in history complete the many upgrades. The model was marketed as a 2014½ model, paying tribute to the original 1964½ model. Further modified from factory, Fortis Auto Design worked closely with renowned specialists to create this one-off bespoke example. Additions include a bespoke wide arch moulded body, lighting, suspension and exhaust upgrades. Arguably most notable is the fitment of scissor doors that give the Mustang additional flair. Offered displaying just c.27,000 miles, the Mustang has a history file including documented service history, showing a recent service at Ford Bury St Edmunds, a collection of MOTs, a current no advisory MOT until July 2025 and a current V5C document. This truly one-off Mustang is undoubtedly not for shrinking violets and harks back to how original Mustang owners would upgrade their 'pony car'. PLEASE NOTE: The registration number in the photographs is not included in the sale. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430