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Lot 113
c. 30 Autograph Letters signed, mostly to his father (Evelyn, Commander, Royal Navy, 1881-1970) c. 30 Autograph Letters signed, mostly to his father, Henry Hobart Culme Seymour, on board several ships including, HMS.s. Comus, Diana, Britannia, Resolution, Nautilus etc., numerous pp., 8vo, 1898-1900, on life in the Navy and social life, "I daresay you have seen in the paper about our accident, it was rather alarming, I was at the time standing right aft, and suddenly saw the Nile going full speed coming straight into us, we all ran forward and she put her helm over to get out of our way, and crashed into our stern, carrying away our boom, which snapped into 3 bits PS Have you done anything about my going with the Duke of York to Australia, I should very much like to go, as I know several fellows who are going", folds ; and 2 other collections of correspondence, including: collections of correspondence relating to the Princesse d'Avaray and letters to Emily, Lady Lucy, wife of Sir Henry Lucy (1843-1923), journalist, including, Herbert Beerbohm Tree, Edward Terry, Henry Irving, Ellen Terry, Lord Roberts, Herbert Maxwell, E.V. Lucas etc., v.s., v.d. (qty).
Lot 131
Barclay (John) - Satyricon...Conspiratio Anglicana, engraved additional title, device on title, small tear to additional title, contemporary vellum, rubbed and marked, paste-down defective, free endpaper partly loose, 8vo, Leiden, ex officina Hackiana , 1674 § Lucas (Richard) La Morale de l'Evangile Traduit de l'Anglois, second edition, name on paste-down, contemporary speckled calf, spine gilt, rubbed, head of spine worn, 12mo, Amsterdam, Pierre Brunel, 1691 Solis (Antonio de) Historia de la Conquista de Méjico, half-title, spotting, note on fly-leaf, bookplate, contemporary red straight-grain morocco, spine gilt, 12mo, Madrid , 1829 § Lafontane (J. de) Fables, portrait frontispiece, title vignette, plates, text-illustrations, few marginal closed tears, some marking, later half calf, marbled boards, 8vo, Paris , 1851 (4).
Lot 304
Plath (Sylvia) - Ariel, first edition , spine slightly darkened and rubbed, wear to corner tips, small chip from foot of upper panel , 1965; The Colossus & Other Poems, first American edition , a very good copy, New York , 1962; "Victoria Lucas". The Bell Jar, Contemporary Fiction edition, ink inscriptions on front free endpaper, jacket worn at edges, spine sunned and with inked name of author, Readers Union , 1964; Winter Trees, first edition , jacket worn at spines and corners , 1971, original cloth, dust-jackets ; and 3 others, Plath, including another copy of the first mentioned, 8vo (7)
Lot 48
Finberg (Alexander J.) - The History of Turner's Liber Studiorum with a new Catalogue Raisonné, one of 650 copies signed by the author, 1924 § Hind (C.Lewis) Turner's Golden Vision, 1910 § Herrmann (Luke) Turner Prints, Oxford, 1990 § Shirley (Andrew) The Published Mezzotints of David Lucas after John Constable, R.A., Oxford, 1930 § Wedmore (Frederick) Studies in English Art, 2 vol., First Series second edition, Second Series with tipped-in A.L.s. from the author to [?G.C. Williamson , 1876-80; Méryon and Méryon's Paris, one of 129 copies, 1892; Etchings, contemporary half morocco, rubbed, 1911, plates and illustrations, some colour and tipped in, all but the last original cloth, the third with dust- jacket; and c.45 others, art and collecting, mostly prints, v.s. (c.55)
Lot 349
Alfred Edward Chalon (1780-1861) Portrait of Prince Albert of Saxe-Coberg and Gotha, The Prince Consort (1819-1861) water and body colour on paper, framed, (loose) 31 x 42cm According to Eugene Barilo von Reisberg, He believes the watercolour was painted after February 1840, when Albert arrived in England, and was made a Field-Marshall (hence he is painted wearing the red Field-Marshall's uniform), but perhaps before May 1841, when Albert was invested with the Order of the Golden Fleece (you would notice that almost all portraits of Albert after that date show him wearing both Orders of the Garter and of the Golden Fleece). Winterhalter did not arrive in England until June 1842. Hence, it is most likely that this watercolour can be attributed either to Alfred Edward Chalon, John Lucas, or perhaps even George Hayter, who all worked for the Queen and Prince at the time. However, stylistically, He is more inclined to attribute the work to Albert Edward Chalon, who is recorded to have painted watercolours of Prince Albert in August 1840 (he also painted Queen Victoria between 1838 and 1839; Chalon's head of Queen Victoria was most famously adapted for the use on British postage stamps). Prince Albert of Saxe-Coburg and Gotha (in full Francis Charles Augustus Albert Emmanuel), later The Prince Consort, (26 August 1819 - 14 December 1861) was the husband and consort of Queen Victoria of the United Kingdom of Great Britain and Ireland. He was the only husband of a British queen regnant to have formally held the title of Prince Consort. Upon Queen Victoria's death in 1901, the House of Saxe-Coburg and Gotha succeeded the House of Hanover on the British throne. The idea of a marriage between Albert and his cousin Victoria had always been cherished by their uncle, King Leopold I of Belgium, as well as Victoria's mother (Leopold's sister), the Duchess of Kent, and in May 1836 the Duke of Saxe-Coburg and Gotha and his two sons paid a visit to Kensington Palace, where Princess Victoria of Kent (as she then was titled) lived, for the purpose of meeting her. Alfred Chalon was born in Geneva from a father who soon was hired as professor at the Royal Military Academy Sandhurst, in England. With his brother John James (1778-1854), Alfred became an artist. Entered at the Royal Academy in 1797, he joined the Associated Artists in Water-Colours, a group of aquarellists. In the Academy, he was elected associated in 1812, then academician in 1816. Known for his portraits of the good society of London, he was chosen by Queen Victoria to paint a gift to her mother: Victoria in her State robes going to the House of Lords for her first official act, the prorogation of the Parliament, on 17 July 1847. After this task, Chalon was entitled Portrait Painter in Water Colour to Her Majesty and gained some celebrity. His 1847 portrait was engraved by Samuel Cousins and distributed to the public the day of Victoria's coronation, the 28 June 1848. Then, starting in 1851, the "Chalon head" appeared on some British colonies postage stamps. Bachelors, the Chalon brothers lived together. Alfred died in 1860 at Campden Hill, in Kensington.
Lot 1412
A DERBY PLAQUE painted with a Pointer, his collar labelled Thornton, signed D Lucas, the reverse inscribed in iron red "Dash a valuable Pointer in the possession of Col. Thornton", 6 1/4ins. (15.5cms.) x 7 3/8ins. (18.5cms.) Dash was also painted by Sawrey Gilpin Dash was bred from a Pointer bitch and a Foxhound Colonel Thornton was a flamboyant sportsman who moved to "Spye Park" Wiltshire, at one time styling himself as the Prince de Chambord.
Lot 103
Matt Lucas signed colour 10x8 photo. English comedian, screenwriter, actor and singer, best known for his work with David Walliams in the television show Little Britain as well as for his portrayals of the scorekeeping baby George Dawes in the comedy panel game Shooting Stars and Tweedledee and Tweedledum in Alice in Wonderland. Good condition
Lot 261
Two-page letter with full signature. Captain Charles Barry DFC. SAAF pilot with 60 Photoreconnaissance Squadron. Flying a Mosquito XI with Navigator Lt Ian McIntyre SAAF unknowingly took the first photographs of Auschwitz Concentration Camp. Capt Barry contributed to 'Out Of The Blue The Role of Luck in Air Warfare' by Laddie Lucas (Hutchinson 1985). Good condition
Lot 618
SANDIO CHRISTOPHORO CHRISTOPH: "Liber Tertius Enucleatae Historiae Ecclesiasticae", Cosmopoli, Libertum Pacificum, 1669, bound tog with "Sandii Tractatus de Origine Animae", Cosmopoli Libertum Pacificum 1671, old f lcf + [Richard Lucas] "Practical Christianity, or an account of the Holinesse,,,", L, R Paulet, 1677, old fl cf gt, (2)
Lot 676
A WEEKS PREPARATION TOWARD A WORTHY RECEIVING OF THE LORDS SUPPER AFTER THE WARNING OF THE CHURCH FOR THE CELEBRATION OF THE HOLY COMMUNION ,,,, L, Samuel Keble, 1714, 34th edn, engrd frontis, full decor cf gt, spine gt in compartments + THE BOOK OF COMMON-PRAYER, L, Thomas Newcomb and Henry Hills, 1711, engrd frontis, ttl pge trimmed affecting some text, 39 engrd plts, old full cf worn and rubbed + THE GOOD MAN'S PREPARATION FOR THE HAPPY RECEIVING OF THE BLESSED SACRAMENT ,,,, L, John Hartley & Thomas Hodgson, 1704, old full cf gt, some worm damage + LE NOUVEAU TESTAMENT ,,,, Amsterdam, Etienne Lucas 1730, old full cf, front end paper and ffep torn with loss (4)
Lot 11
Henry Frederick Lucas Lucas (1848-1943) - Jockey up Oil on canvas Signed and dated ” lower left, with horse's name indistinctly inscribed 71 x 92 cm. (28 x 36 in) Provenance: Arthur Ackerman Ltd., London (gallery label on reverse). Please note : that the title should read: 'Isinglass, with Tommy Loates up'
Lot 258
A 17th Century Norwegian silver spoon with ball finial by Lucas Andersteen, Bergen, with spiral twist stem, 12.8 cm long, 0.8 oz CONDITION REPORTS Overall with wear and scuffs, bowl is irregular in shape, some rubbing to marks, various scratches to back where handle meets bowl of spoon, also various scratched letters in the back of the bowl, ball finial has some mis-shaping and appears to be made in two parts and the join to the two halves is visible/separating slightly, the bowl of the spoon is quite uneven and worn and may have been re-shaped due to denting and is quite pitted around edges with possibly some old repairs around edges.
Lot 870
Uher 4000 report IC unit; together with a Vintage Leak Trough-Line II FM tune, Sony STR-VX2L FM-AM stereo receiver, Bang & Olufsen Beomaster 1700 stereo tuner, NAD Lucas Film THX audio 2400 power envelope power amplifier, Prophet Long Mill PR XI car audio amplifier and a Future Film development patch bay (7) *The Uher 4000 was used alongside an EMI reel-to-reel recorder by Calvert Noble-Rollin to make the first twenty-four hour recording, tracking the dawn chorus around the globe and to record birdsong in the wild for the BBC
Lot 300
19th Century Bloor Derby 'Named View' vase probably painted by Daniel Lucas, one side with a reserve panel depicting the Convent Of Il Santo Cosimato, Near Tivoli, Italy, after the original painting by James Duffield Harding, the reverse side with a foliate painted reserve panel, 52.75cm high Condition: The neck extensively damaged and very poorly restored, handles missing, the base also heavily stapled and restored - ** General condition consistent with age
Lot 276
EPHEMERA, selection, inc. stamps (mainly loose), Royal Mail gift packs, US commemoratives, PHQ cards, various commemorative covers; Benham silks (most in original envelopes); Lucas football team scrapbook, tourist booklets, Pogs, card games, inc. Wills Centenary, matchboxes (37); cigarette cards, laid down albums, reference books, catalogues; Castella and other empty albums, empty c/c plastic pages (mixed formats); modern postcards etc., good VR, large Qty. (two boxes)
Lot 142
Augustin Edouart (French, 1789-1861)A MALE UNIVERSITY STUDENT, HOLDING HIS GRADUATE CAPSilhouette, inscribed 'Aug'n Edouart Fecit 1828'27.5 x 16.5cm;and two others, both inscribed:'BATH CHARACTER ISABELLA LUCAS, AGED 36 YRS, BORN IN BATH, HAWKER OF TIN AND RARE GOODS, THE DAUGHTER OF ELIZABETH SMITH'34.5 x 23cm;'BATH CHARACTER, ANN ARLES, FRUIT WOMAN IN BATH, 27 JAN 1827'32 x 24cm (3)In 2014, The Holburne Museum of Art in Bath held an exhibition of portraits by the French silhouette-cutter, Augustin Edouart. The realism and detail of EdouartÉs figures, simply cut out of stiff black paper with scissors, is remarkable.
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