INDIANA JONES AND THE RAIDERS OF THE LOST ARKBritish Quad (30" x 40")Very Fine+ Folded; Artwork by Richard Amsel Paramount, 1981A bright poster in excellent condition with very mild edge and fold wear.When Steven Spielberg shared his desire to direct a James Bond film with George Lucas, Lucas offered him the opportunity to direct Raiders of the Lost Ark instead. This popular film is a thrilling and action-packed adventure story that introduces Harrison Ford's iconic character, Indiana Jones, a daring archaeologist who wields a whip with incredible skill. In addition to being a highly entertaining film, it is also considered to be one of Spielberg's most successful works.This lot will be auctioned on Friday, April 19th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 18th.
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INDIANA JONES AND THE RAIDERS OF THE LOST ARKOne Sheet (27" x 41"); Howard Kazanjian CollectionNear Mint Rolled; Artwork by Richard Amsel Paramount, 1981This beautiful rolled copy is from the collection of the producer, Howard Kazanjian.This poster is clean and in near-mint condition, with only minor bits of wear from handling.When Steven Spielberg shared his desire to direct a James Bond film with George Lucas, Lucas offered him the opportunity to direct Raiders of the Lost Ark instead. This popular film is a thrilling and action-packed adventure story that introduces Harrison Ford's iconic character, Indiana Jones, a daring archaeologist who wields a whip with incredible skill. In addition to being a highly entertaining film, it is also considered to be one of Spielberg's most successful works.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
STAR WARS: A NEW HOPEOne Sheet (27" x 41"); Third Printing Style A Fine+ on Linen; Artwork by Tom Jung 20th Century Fox, 1977This is the well-known third printing of the US one sheet with Tom Jung artwork. This style poster had four different printings of this "Style A" one sheet poster. The first printing had the original NSS number of 77-21-0, while the subsequent three printings had the 77-21 NSS number. The first three printings had "Style A" printed on the bottom border, while the fourth printing didn't. There have been minor touch-ups to the fold lines, some airbrushing, and touch-ups to the bottom edge and PG rating box.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
STAR WARS: A NEW HOPEOne Sheet (27" x 41"); "Revenge" SnipeNear Mint Rolled; Artwork by Tom Jung 20th Century Fox, R-1982A clean and unblemished poster with little to no wear.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Friday, April 19th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 18th.
STAR WARS: A NEW HOPECommercial Poster (20" x 28")Fine- Folded; Artwork by Greg and Tim Hildebrandt Factors, 1977Due to a tight deadline, the Hildebrandt brothers created this artwork in just 36 hours. It was used on many foreign theatrical posters, but in the US, it became one of the first commercial posters. This is a copy of the famous Factors poster.Two pinholes at the top of the poster have been torn. The folds of the poster are at an irregular angle. There is also some staining at the bottom left of the poster.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Friday, April 19th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 18th.
STAR WARS: A NEW HOPEOne Sheet (27" x 41" )Very Fine+ Rolled 20th Century fox , R-1981There is scattered crimping within the poster, but it is otherwise in superb condition.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Friday, April 19th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 18th.
STAR WARS: A NEW HOPEOne Sheet (27" x 41"); NSS Style DMint Folded; Artwork by Charles White III & Drew Struzan 20th Century Fox, 1978This poster was printed in 1978 while Star Wars was still in continuous first release. The film stayed in theaters for a very long time, and Lucasfilm decided to revitalize its marketing with a new poster. In the book Star Wars Art: Posters, Drew Struzan discusses that "Charles White III was commissioned to create this new poster. Charlie had seen my work and decided to call me in as a collaborator. I painted the portraits while he painted the hardware. Lucasfilm liked the artwork, but there was not enough space left open for the "billing block." Necessity being the mother of invention, we decided to enlarge the dimensions of the art to increase the open space and give the work an early-twentieth-century, wild-posted [wilding] circus-style look. So it came about that it took the two of us to paint what would come to be known as the "Circus" poster for its throwback style." With no evident wear or blemishes, this poster is in mint condition.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
STAR WARS: A NEW HOPEOne Sheet (27" x 41"); First Printing Style ANear Mint Flat Folded; Artwork by Tom Jung 20th Century Fox, 1977This is the gorgeous first printing of the US one sheet with the famous Tom Jung artwork. It is unused and flat-folded. This style poster had four different printings of this "Style A" one sheet poster. The first printing had the original NSS number of 77-21-0, while the subsequent three printings had the 77-21 NSS number. The first three printings all had "Style A" printed on the bottom border, while the fourth printing didn't. This poster is clean and in near-mint condition, with only minor bits of wear from handling.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
STAR WARS: A NEW HOPEInsert (14" x 36")Near Mint Rolled; Artwork by Tom Jung 20th Century Fox, 1977A poster in excellent condition with only some faint foxing in the borders and in the upper and lower white background that can only be seen upon close inspection. George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
STAR WARS: A NEW HOPEFull Bleed British Quad (30" x 40"); Academy Award Style, Style CVery Fine on Linen; Artwork by Tom Chantrell 20th Century Fox, 1978Known as the "Academy Award Style," this fantastic Tom Chantrell artwork was repeated on the quad once the film won awards in 1978.It is a very clean poster with some faint touch-ups to the area around Han Solo's gun blast on the left side, but otherwise, this poster is in terrific condition.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
STAR WARS: A NEW HOPEHalf Sheet (22" x 28") (JSA COA)Autographed by Alec Guinness, Mark Hamill, Carrie Fisher, Harrison Ford, David Prowse, Kenny Baker, Peter Mayhew, and Anthony Daniels. (Beckett COA)Very Fine+ Rolled; Artwork by Tom Jung 20th Century Fox, 1977Notable signatures include Mark Hamill and Harrison Ford, Beckett Witnessed on 11/28/17 in Santa Monica, CA, Carrie Fisher, Kenny Baker, Alec Guinness, Anthony Daniels, Peter Mayhew, and David Prowse.In superb condition, this half sheet has been signed by many members of the cast. George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
STAR WARS: A NEW HOPEOne Sheet (27" x 41")Very Fine Folded 20th Century Fox, R-1979It's a bright poster with mild fold wear, sporadic scattered crimping, and minor faint surface scuffs.George Lucas' ground-breaking space opera, which defied all expectations to change the film industry forever. Inspired by Flash Gordon serials, Westerns, samurai films and World War II movies, Lucas crafted a new, hugely popular mythology in "A galaxy far, far away," while setting a new standard for visual effects.This lot will be auctioned on Friday, April 19th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 18th.
Constable (John).- Lucas (David) English Landscape Scenery, 40 mezzotints by Lucas after Constable, some light marginal foxing, contemporary half morocco, t.e.g., a little rubbed, folio, 1855 § Reynolds (Graham) The Early [& Later] Paintings and Drawings of John Constable, together 4 vol., original cloth with dust-jackets, New Haven & London, 1996-84; John Constable's sketch-books of 1813 and 1814, together 3 vol. comprising introduction and 2 facsimile reprints, original cloth, together in slip-case, 1973, plates or illustrations; and c.30 others on Constable, some pamphlets/catalogues, v.s. (c.35)
A collection of Young Adult fiction titles, each signed by the author, to include: - Patrick Ness: A Monster Calls - Sally Gardner: Maggot Moon - William Nicholson: The Wind Singer - Paul Stewart and Chris Riddell: Clash of the Sky Galleons - Frank Cottrell-Boyce: Runaway Robot - Geraldine McCaughrean: Peter Pan in Scarlet / The Death Defying Pepper Roux- Philip Reeve: Mortal Engines (still sealed) - Cornelia Funke (Reckless) - Kevin Brooks: Lucas
AFTER MICHIEL JANSZ MIEREVELT (DUTCH 1567-1641) Portrait of John Maurice, Prince of Nassau-Siegen, Portrait of Catherine, Countess of Pallandt, Portrait of Ambrosius Spinola Three, each engraving Largest 43.8 x 31.1cm, Smallest 41.9 x 30.1cm, (sheet)Together with Lucas Vorsterman I (1595-1675) after Peter Paul Rubens (1577-1640) after Titian (1489-1576), Portrait of Emperor Charles V, Engraving, 43.9 x 32.6cm, (plate), Paulus Pontius (1603-1658) after Anthony van Dyck (1599-1641), Count Hendrik van den Bergh, Portrait of Tommaso Francesco of Savoy, Prince of Carignano, Both enngraving, 33.6 x 28.6cm, (image), 35.8 x 28.8c and Pieter van Gunst (1658-c.1731) after Anthony van Dyck, Portrait of Anne, Countess of Chesterfield, Engraving, 45.2 x 29.6cm (7) ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A SET OF FOUR MINATURE BUTTONS (4)Each depicting a different lady, each signed Lucas, in gilt metal, boxed in an Edwards and Sons caseCONDITION REPORTAll in overall good condition, the paintings are well kept buttons measure 29.5mm in diameterProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Victor Lucas Signed Book - Tolstoy in London by Victor Lucas 1979 hardback book with 112 pages, Signed by Victor Lucas on the Title page (dedicated), good condition. Sold on behalf of Michael Sobell Cancer Charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
Staffordshire named jug, ‘Thomas Lucas, born Feb 1788, Sarah Lucas, born Feb 1789’, painted floral sprays, 21cm; and two related mugs, named respectively, Thomas Lucas born Feb 1788, 9cm, and Sarah Lucas born Feb 1789, 9.2cm.Qty: 3Condition report:One mug has two hairline cracks with staining. All three items have some crazing and minor loss of gilding. Please see additional uploaded images.
Lucas, Paul. Reise in die Türckey, Syrien, das Gelobte Land, wie auch Ober- und Nieder-Egypten. Teil I und II in 1 Band. 8 Bl., 320 S.; 4 Bl., 246 S., 9 Bl. Mit 8 Kupfertafeln und 1 Kupferstichkarte. Titel in Rot und Schwarz. 17 x 10,5 cm. Halbpergament d. Z. (leicht berieben und bestoßen) mit hs. RTitel. Hamburg, Erben Thomas von Wiering, 1721-1722.Henze III, 290. - Seltene Ausgabe in der deutschen Übersetzung der Reise in die Türkei, Syrien, das Gelobte Land und Ägypten von Paul Lucas (1664-1737). Die erste französische Ausgabe erschien 1719 unter dem Titel "Voyage du Sieur Paul Lucas, fait en 1714 … dans la Turquie, l’Asie, la Syrie, la Palestine, la Haute et la Bass-Égpte". - Innengelenk am Titel geöffnet. Papiebedingt gebräunt, etwas braunfleckig und mit umgeknickten Ecken. Mit Exlibris und hs. Besitzvermerk auf dem Vorsatz. Selten.
A Lucas Calcia Cadet carbide/acetylene Bicycle Lamp, a Lucas Calcia Club Carbide/Acetylene Bicycle/Motorcycle headlamp and a Lucas "King of the Road" Carbide/Acetylene Motorcycle headlamp (glass missing) fitted with a gas take-off nipple for a connecting tube to a rear light and also having green side prisms.
Vinyl - Jazz - Over 55 EP’s and 7” singles, including 8 EP’s and 2 singles on Tempo Records, and others on Esquire Records, artists to include: Henrik Johansen’s Jazzband, Johnny Lucas & His Blue Blowers, Sandy Brown’s Jazz Band, Ken Colyer’s Jazzmen, Wilbur De Paris, Chris Barbar’s Jazz Band, Milan College Jazz Society, George Lewis, The Original Vernon Jazz Band, Cy Laurie Band, Mickey Ashman, Bunk Johnson, Dave Pike Group, Kid rOy, Jelly Roll Morton and others. Condition VG+ overall
“Pilots and Observers, always full of determination and keenness, unselfish and cheerful at all times, won for themselves and the Squadron the greatest admiration. Like gentlemen and sportsmen, they played the game throughout. The every day order of our much respected Chief - General Trenchard - to “keep going” was carried out to the letter....” (Recipient reflecting on his command in The Annals of 100 Squadron) The fascinating Great War O.B.E. group of four awarded to Wing Commander C. G. Burge, Royal Flying Corps and Royal Air Force, both observer and pilot; commanding officer of 100 Squadron, June - December 1918; respected aviation author - including the Squadron History for the Great War; one time personal assistant to Lord Trenchard; Head of an S.O.E. Intelligence Subsection dealing with planning operations, and acting as Liaison with the Air Ministry on all targets during the Second World War; and Uncle of the legendary Battle of Britain fighter Ace Douglas Bader The Most Excellent Order of the British Empire (O.B.E.), (Military) Officer’s 1st type, silver (Hallmarks for London 1919); 1914-15 Star (Lieut. C. G. Burge. York & Lanc. R.); British War and Victory Medals, with M.I.D. oak leaves (Major C. G. Burge. R.A.F.) medals mounted for wear, generally very fine or better (4) £800-£1,200 --- O.B.E. London Gazette 1 January 1919. M.I.D. London Gazette 1 January 1916. Cyril Gordon Burge was an early, if not the first, Adjutant to R.A.F. Cranwell (1920-1922), a onetime personal assistant to Lord Trenchard (from August 1926), and the ‘exciting and friendly uncle’ who actively encouraged the legless ace Sir Douglas Bader to set out on his legendary career. The son of a J.P. for the Cinque Ports, Burge was born in May 1893 and was educated at St Lawrence’s College and Sandhurst. Described as a natural ‘gentleman, leader & organiser’, he was commissioned into the York and Lancaster Regiment in 1913 and was posted to the overseas battalion in India. Promoted Lieutenant on 28 October 1914, he joined the Royal Flying Corps in 1915 and first flew as an Observer with 12 Squadron (R.E.7’s) on the Western Front. It did not take long for Burge to be chucked in at the deep-end, when on 12 October 1915: ‘Capt. Lawrence and Lt Gordon Burge of No. 12 Squadron in a R.E.7 with 2 Lewis guns when engaged in guarding Capt. Christie who was employed on a special mission engaged an Albatross 3 miles South of Lille. Simultaneously another hostile machine appeared and drew in on the left rear of the R.E.7. Both these hostile machines seemed to be slower than the R.E.7. Lt. Burge engaged the Albatross which was the nearer of the two and when just West of Tournai it threw out two white lights. No anti-aircraft gun fire followed this. In a few seconds two more lights were thrown out, again without effect. Both of these hostile machines fired a good deal at the R.E.7. When near Mouscron 2 more machines appeared from above and coming from the South. The first, an Albatross, began to draw up on the left rear firing very accurately. The R.E.7 was struck 30 or more times. When he was at between 50 and 80 yards range Lt Burge fired and this Albatross drew away. He came up again and after firing at it again went away. This occurred a third time when near Gheluvelt and the German machine went away to the South. Meanwhile another machine, an L.V.G. had remained further off and above the R.E.7 firing a good deal. The two machines originally encountered were gradually left behind.’ (Squadron War Diary refers) Burge, this time piloted by Second Lieutenant R. Newman, had to make a forced landing whilst out on patrol, 5 December 1915. Later he trained as a pilot, and according to Bader’s biographer ‘Laddie’ Lucas, saw ‘much of the fighting with the Royal Flying Corps over France and Flanders’. By February 1918 he had accumulated 450 flying hours, and commanded 100 Squadron (F.e.2b’s and later HP O/400’s as part of Independent Force), June - December 1918. Indeed he later wrote the Squadron History for the Great War - The Annals of 100 Squadron, with a foreword being provided by Lord Trenchard (the squadron was in Trenchard's chain-of-command from its formation until the end of the war in Nov 1918). In August 1919 he was granted a Permanent Commission in the R.A.F. with the rank of Lieutenant and was subsequently appointed Adjutant at the former R.N.A.S. air station west of Sleaford in Lincolnshire where the elite officer cadre of the fledgling service was to be trained. Meantime, he married Hazel McKenzie, sister to Douglas Bader’s mother. In the spring of 1921 the boy Bader was invited by the Burges to spend part of the Easter holidays with them at Cranwell. ‘From Hazel and Cyril the welcome was warm. Only just thirteen, Douglas had never been near aeroplanes before, and when the quiet, good-humoured Cyril sat him in the cockpit of an Avro 504 trainer the thick hair almost vanished as the boy bent over the controls and dials like a terrier. Later he stood for hours in Cyril’s garden watching the bellowing Avros taking off over his head ... Cyril thought he had a convert then but he was a little premature ....’ Five years later at St Edward’s School in Oxford Bader was cautiously considering a university career when the visit of an Old Boy then at Cranwell, reminded Bader of his enjoyable stay there, and he wrote at once to ‘Uncle Cyril’ to find out about becoming a Cranwell cadet. Burge had left the R.A.F. College but was then personal assistant to Air Chief Marshal Sir Hugh Trenchard, Chief of the Air Staff, and ‘with the satisfaction of a match-maker, Cyril wrote back saying that Douglas was just the type they wanted and he would do everything he could to help which from the p.a. to the C.A.S., sounded considerable.’ Well primed by Burge, Bader duly presented himself before the board of interviewers for Cranwell at Burlington House in London in June 1928, and, ‘trying not to sound to well rehearsed’, successfully gave the answers ‘Uncle Cyril’ knew the board wanted to hear. The following December Burge retired from the service with a gratuity and over the next few years wrote several published works on British aviation. Following Bader’s famous crash at Woodley Aerodrome, near Reading, on 14 December 1931, Burge was immediately summoned from nearby Aldershot. He reached the Royal Berkshire Hospital to find that the surgeon Leonard Joyce had removed Bader’s right leg and that his nephew’s life was hanging in the balance. Burge was given a room for the night, and twice when it seemed that Bader was dying was called to the patient’s room but on each occasion Bader rallied. In the morning Bader was still alive but had not recovered consciousness since the amputation of his largely severed right leg. Joyce told Burge that if Bader lasted another day he might have a chance provided the left leg did not become sceptic. At length Bader came round, and, examining him, Joyce recognised signs of incipient septicaeima in the left leg. With Bader’s mother close to hysteria and with no time to lose, Joyce sought Burge’s permission to cut off the remaining leg, warning him that Bader would certainly die if the leg stayed, and that he would probably die from operative shock if they tried to take it off. It was the only chance and Burge instantly nodded his assent. With family trials over, Burge then embarked on a period of drama of his own making. His S.O.E. Personnel History Sheet (released in 2003) gives the following with regards to his application to join the service, and in what capacity he was eventually emp...
* Prints and Engravings. Title page from Hore Beatissime Virginis Marie ad legitim? Sariburiensis Ecclesie ritum..., Paris: Francois Regnault, 1526, printed titlepage in red and black with a woodcut scene of a burial on the recto and another of an angel visiting Mary at prayer on the verso, dated 1526, 155 x 90 mm, mounted, framed and double-glazed, together with 20 various engravings of sporting scenes, topographical views, genre and portraits, examples by or after W. Hogarth, F. Vivares, F. Bartolozzi, G. Morland, J. Kay, W. Elliott, D. Lucas and J. C. Stadler, various sizes and condition, all framed and glazedQTY: (21)
Barbados. Bellin (Jacques Nicolas), Carte de L'Isle de la Barbade Dressee au Depost des Cartes et Plans de la Marine..., Paris 1758, uncoloured engraved chart, ornate cartouche, numerous rhumb lines, stamp of the 'Depot de la Marine', one repaired closed tear, 590 x 420 mm, together with Homann (J. B.). Insula Barbadoes in suas Parochias distincta..., Nuremberg, circa 1737, engraved map with contemporary wash colouring, trimmed to the neatline and laid on near-contemporary paper, with Rossi (V.). Carta esatta rappresentante l'Isola di Barbados, published M. Coltellini, circa 1763, uncoloured engraved map, slight spotting, 230 x 190 mm, mounted, plus Moll (Herman). A New Map of the Island of Barbados..., circa 1708, uncoloured engraved map, old folds, toned overall, 180 x 260 mm, and Edwards (Bryan). Map of the Island of Barbadoes for the History of the West Indies..., John Stockdale, Oct. 6th 1791, uncoloured engraved map, very slight spotting, 240 x 190 mm, with Bellin (N.). Carte de L'Isle de La Barbade, circa 1780, engraved map with contemporary wash colouring, 215 x 165 mm, mounted, plus Lucas (Fielding, publisher). Barbadoes, published Baltimore, circa 1823, engraved map with contemporary wash colouring, slight spotting and toning, 310 x 250 mm, mounted, framed and glazedQTY: (7)
Book of Common Prayer. The Booke of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church of England, London: Robert Barker and John Bill, 1630, letterpress to title in red & black, within decorative woodcut border, neatly repaired short closed tear to top edge, calendar of days in red & black, numerous decorative woodcut initials, head- and tail-pieces, black letter & roman text, title to Psalter with imprint London: Bonham Norton and John Bill, 1630, some light toning, scarce minor spots or marks, leaf B5 lower outer blank corner excised, leaves B6 & Y3 each with 6-6.5 cm closed tear from bottom edge, partly repaired, leaf P5 with small mark and associated stain to blank fore-margin (also affecting previous leaf), bound with: The Whole Booke of Psalmes collected into English meetre by Thomas Sternhold, John Hopkins and others..., Set forth and allowed to be sung in all Churches, of all the people together..., London: by R. Badger for the Company of Stationers, 1632, woodcut printer's device to title and typographic lines, woodcut headpieces, staves of music, generally light toning, p.65 with wax? drip, associated stain affecting previous and following leaves, final page (table) lightly marked, later endpapers, bookplate of Fountaine Walker [of Muirton House, Inverness], adhered printed card of Lucas P. Stubbs, Prospect House, Mount Road, New Brighton, and of Pen-y-Clip, Glan Conway, Nr. Conway, the card with ink manuscript inscription: To my dear son W.L.S., his Father's prayer book, 18th century blind-tooled calf, worn, rear hinge partly cracked, front cover nearly detached, front cover with (very rubbed) small gilt armorial, small folioQTY: (1)NOTE:Provenance: From the family of Reverend J.E. James, who received the book as a gift from a parishioner. James was Rector of Bladon with Woodstock, and conducted the internment service for Winston Churchill in 1965.
George IV silver pair-cased pocket watch, the silver top with glass window showing small enamel dial, the top opening to reveal the full size dial, two sets of hour markers, single fusee movement, movement marked W Lucas 1824, the silver case hallmarked Birmingham 1823 by JH, with original outer silver protective case, gross weight 131g approx. Condition ReportAll clocks and watches are sold untested for timekeeping accuracies. Upon inspection this watch ticks briefly when moved.
A group of twenty-one framed paintings, drawings and prints, to include: Fletcher Sibthorp (b.1967) - Three Dancers, limited edition giclee print 281/295, signed and numbered in pencil below, 46 x 71 cm; Gerald Edward Tucker (1830-1909) - watercolour on paper, signed lower left, 46 x 66 cm; W. Doyle d'Arcy - 'Box up in the Winter Sun', signed print, 45 x 68 cm; After Andreas Betz - 'in the Lago Maggiore', oleograph print, 61 x 81 cm; After Francois Boucher (1703-1770) - oleograph print on canvas, artist's name inscribed on panel below, 23 x 29.5 cm; After Thomas Creswick (1811-1869) - 'The Village Blacksmith' oleograph on canvas, 58cm x 90cm, gilt framed, together with; James D. Preston (20th Century) - Cherry Blossom, artist's proof limited edition print (1/50), signed in pencil below and in print, blind stamped, 37cm x 46cm; P. Lucas (20th century) - Pair of Couple Portraits, pastel on paper, each signed and dated '5/82' and '28/2/81' lower right, inscribed label verso, 48 x 36 cm each; Camille Claus (French, 1920-2005) - 'L 'importance Historique', limited edition lithograph, signed and numbered 137/150 in pencil below, artist's name inscribed verso, 50 x 65 cm; Janet Faith Jordan - Six Deer, watercolour on paper, signed and dated '1991' lower right, 75 x 55 cm; and one other mixed media painting, indistinctly signed lower right, in pink painted frame; 20th Century Woodland Scene, oil on canvas board, unsigned, 50 x 60 cm, in oval gilt frame; After Bruno Oscar Munari (b.1946) - Two prints: 'Oasi' and 'Figure al Sole', both titled and signed in print, approx. 50 x 40 cm; R. Brannon (19th century) - 'Selby Old Bridge and Abbey', watercolour and body colour, inscribed verso; A photograph of a carving from Selby abbey, and two maps of York and Kingston upon Hull; Hugh Courtenay Knollys (1918-2006) - 'St. Jean De Luz', gouache on paper, signed and dated '56' lower right, 33 x 45 cm, labels inscribed verso: 'During the Spanish Gulf War St. Jean De Luz was used by British destroyer evacuating British Citizens conducting the Niton? patrol. Lt COR C. H. Knollys RN was awarded the DSC for the sinking of Japanese cruise securing. Later he was serving in the same destroyer when she was mined in the Corfu Channel'; and two other prints, all framed (21)
A collection 1960's-70's hats, bags and shoes including the following: 60's dark blue chicken feather hat with netting by Mode Marcelle (London), a nylon flower covered turquoise bonnet, a pink turban by Panda, a brown floral turban, a 70's reversible fabric cap, a panelled fabric hat by Otto Lucas (Bond Street) with rust, brown and olive panels, a 1974 cream handbag with lace panel, a beaded clutch bag, black satin stilettos size 5½, silver lurex shoes by Dolcis with diamante buckle size 8 (heels AF), white/ silver stilettos by Barratts size 5, gold lurex shoes by clarks size 6 (Heels AF) and shoe cleaning products by Clarks and Probert
Lucas Cranach d.Ä., Nachfolger des wohl 17. Jh., Bildnis des Johannes Friedrich, der Großmütige, Kurfürst und Herzog von Sachsen (1503-1554), das Vorbild zu dem Gemälde ist im Cranach Digital Archive aufgeführt und abgebildet (unter NL_RMTE_0021) und befindet sich in der Sammlung des Rijksmuseums Twenthe, Enschede. Öl auf Holz, unsign., verso eine alte Nummer: '379' und eine Bezeichnung: 'V.P.', zwei vertikale, restaurierte Brüche, retusch. 59 x 54,5 cm, ger. 74,5 x 69,5 cm
Marvel Comics: Star Wars No. 1 1st Print, July 1977. Part One of Star Wars: A New Hope adaptation. Based on the screenplay by George Lucas. Adapted by Roy Thomas. Art by Howard Chaykin and Steve Leialoha. Marvels long running adaptation of Star Wars stories started with this constantly sought-after issue. Bagged and boarded. ~ (1)Condition Report: VF condition / 8.0. Well bound and secure cover. Good gloss and sheen to cover with no rust to staples. Untreated and untrimmed.
Star Trek and Star Wars ComicsA group of twenty-eight (28) Star Trek & Star Wars titles, issues and one-shot issues produced through various publishers with some Lot includes: The Star Wars Concept series (Dark Horse), based on the rough-draft screenplay by George Lucas Issue No. 0-8 (x2 copies of Issue No. 1 included, one being a New York Comic Con variant).Star Wars: The Wrath of Khan (IDW) Issue No.s 1-3A selection of 7 Star Trek mixed comic books, some one-shots.A selection 8 mixed issues from various publishers, including HG Well the Time Machine (Dell publishing, Buck Rogers in the 25 Century (Gold Key Publishing), Fantastic Voyage (Gold Key Publishing), The Walking Dead No. 193 1st print, The Walking Dead No. 175 1st print, Our Army at War featuring Sgt. Rock No. 270 (DC), The Batman Chronicles No. 4 (DC), Superman No. 196 (DC, 1967, cents copy).~(28)Condition Report: Modern age issues mostly in high grade NM condition (VF/NM).
Marvel Comics: Star Wars weekly No. 1 (October 1978).First issue of a weekly anthology magazine from Marvel UK, reprinting US superhero stories in a black-and-white format originally published in US Marvel comics in 1977.This Lot includes: Star Wars Weekly (Marvel UK) No. 1.Complete with free gift of X-Wing Fighter on serrated card. Free gift uncut and still attached in perfect condition.Creators: Story by Roy Thomas. Art and cover by Howard Chaykin. Adapted from the George Lucas film.(1)Condition Report: Condition Notes:Light ticks to spine.Corners sharp and staples firmly affixed without rust.Excellent copy.
A portfolio of Spy prints, various cartoons related to cricket, and other items Provenance: From the Harry Brewer Cricket Memorabilia CollectionThere are 26 prints in total.R. H. B. Marsham, 'Bow Street', Vanity Fair, October 10th 1905, 40 x 26.5 cm, 4th Lord Lyttelton, 'Statesmen, no. 80, 'A Man Of Position' ', Vanity Fair, April 1st 1871, No. 126, 36 x 23 cm. Hon. George William Spencer Lyttelton, 'Marshal of the Ceremonies', Vanity Fair, December 4th 1875, 38.5 x 26.5 cm.General The Rt. Hon. Sir Neville Gerald Lyttelton, C.B., '4th Division', Vanity Fair, September 5th 1901, 38.5 x 26 cm. The Reverend and Honourable Canon Edward Lyttelton, M.A., 'Haileybury', Vanity Fair, May 9th 1901, No. 809, 38 x 26 cm.The Hon. Charles George Lyttelton, 8th Viscount Cobham, 'Cricket, Railways & Agriculture', Vanity Fair, May 5th 1904, 39.5 x 27 cm.William Henry Grenfell, 'Taplow Court', Vanity Fair, December 20th 1890, 38.5 x 26 cm. Sir Arthur C. Lucas, 'Arthur', Vanity Fair, June 2nd 1909, 40 x 27 cm.Charles Frederick Carlos Clarke, 'The Consol Market', Vanity Fair, November 19th 1896, No.664, 38.5 x 26.5 cm.Rev. Hubert Murray Burke, 'Winchester', Vanity Fair, July 2nd 1903, 38.5 x 26 cm. Rev. Henry Montague Butler DD., 'Trinity', Vanity Fair, May 28th 1903, 38.5 x 25.5 cm. General Lord Chelmsford, G.C.B., 'Isandula', Vanity Fair, September 3rd 1881, No. 370, 38.5 x 26.5 cm.The Rt. Hon. Edward Horseman, M.P., 'Statesman, No.121., 'The Eccentric Liberal' ', Vanity Fair, August 10th 1872, No. 197, 35.5 x 23.5 cm. Lord Skelmersdale, 'Statesmen, No. 88., 'A Conservative Whip' ', Vanity Fair, July 15th 1871, No. 141, 36 x 23.5 cm.General Frederick Marshall, C.M.G 'Fred', Vanity Fair, December 24th 1896, no. 666, 38.5 x 26.5 cm. The 6th Earl of Bessborough, 'Fred', Vanity Fair, October 20th 1888, no. 552, 28.5 x 26.5 cm.
Children's Illustrated. BEDFORD & LUCAS. Four and Twenty Toilers, Grant Richard, no date, oblong 4to; VERNON STOKES & A. WRIGHT. Comic Sport and Pastime, Skeffington & Son, no date, oblong folio; Blobbs at the Fair, Chambers Ltd, no date; PARKER (B & N) Larder Lodge, no date, oblong folio; Faithful Friends: Pictures and Stories for Little Folk, Blackie & Son, no date; and others including Willebeek Le Mair, J. H. Dowd, Vernon Stokes, R. Caldecott, etc. (36)
Beatrix Bears Lucas teddy bear, artist designed by Beatrix Harries, OOAK, blonde mohair, brown with black tip mohair bib, black glass eyes, black vertically stitched varnished nose (varnish discoloured), shaven muzzle, fully jointed, needle felted shaped pads, with swing label certificate, Excellent Plus, 13.5"/34cm.
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