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Lot 1
A George III silver snuff box, with integral hinge and of curved oblong shape, reeded overall, 7. 5 x 4. 5cm, London 1812 . An engraved inscription to the underside of the lid dated 1835 relating to John Lord Teignmouth, the maker's mark poorly struck, the second letter being E. On the exterior some slight overall wear but in acceptable condition, the hinge without any play. No splits or repairs, the other marks good.
Lot 1
A George III wool sampler, worked by Eliz (abeth) Street 1789, with trees in pots, acorns and a verse beneath letter and number bands, all in coloured wools, 42 x 30cm (framed) . Overall time stained, some of the colours faded in (probably 1930s) ebony frame with trade label of The Horner Galleries, Sheffield
Lot 1
A Victorian cold painted bronze rustic letter rack, of three fences with hens and cockerels, on tapered leafy bordered base and twig feet, 17cm h, probably English . In decoration but very dusty with the accretion of dust reacting to cause some verdigris, the largest of the three fences slightly bent and loose but this easily be rectified
Lot 1
A rare Pinxton cache pot, painted on the flared cylindrical bowl with a band of oval canary yellow medallions of single roses, alternating with larger landscape panels painted in brown monochrome divided by blue dashes, with gilt festoons below, the rims and fixed ring handles gilt, 9cm h, impressed letter, c1800. The pair to the offered lot, with its low cavetto stand, appears to have been sold Phillips, London, 12 September 1995, lot 327. See Sheppard (C B), Pinxton Porcelain 1795-1813, fig 200 (right). It is interesting to observe that precisely the same gilding of the festoons beneath the panels appears on two other Pinxton ornamental shapes, also incorporating the canary yellow ground and presumably gilded by the same hand - the pair of goblets in the collections of Manchester City Museum and Art Gallery and the jug with still life panels in the Dennis Collection. See Gent (N D), The Patterns and Shapes of the Pinxton China Factory 1796-1813, figs 15, 16, 34 & 271. . In an unusually fine state of preservation with no damage or restoration and virtually no wear to the enamels or gilding
Lot 1
Two First Period Worcester tea bowls and saucers, both transfer printed in underglaze blue with the Birds in Branches or Mother and Child patterns, the latter in a blue lined rim, saucers 12. 5cm diam, painted hatched crescent, one with the addition of the letter L, in underglaze blue, or unmarked, both c1775 . Each piece in fine condition; no damage or restoration
Lot 1
W.G. GRACE, A POSTCARD OVERSTAMPED LONDON COUNTRY CRICKET CLUB, dated 20 September 1908, with a handwritten invitation to C.T.A. Wilkinson to play in a cricket match, signed by Grace, some slight soiling, together with a signed handwritten letter from Wilkinson to a collector to whom he gave the postcard in 1948, (2). *** Wilkinson (1884-1970) was educated at Blundell's School and later played for Surrey between 1909-1920, being Captain in 1914.
Lot 1
HENRY ALFRED CURSHAM, a one-page typed signed letter with references to Gunn, Parr and A.O. Jones, dated September 1938. *** Cursham (1859-1941), played two matches for Nottinghamshire in 1880 and 1904, but was more well known as a soccer player for Notts County and the Corinthians, winning eight caps for England between 1880-1884.
Lot 1
Thomas Benjamin Kennington R.B.A., N.E.A.C. (1856-1916). A FIGURATIVE SUBJECT WITH TWO YOUNG GIRLS SEATED ON STONE STEPS, A YOUNG MAN DRESSED IN MEDIEVAL COSTUME STANDING NEARBY, HOLDING A LETTER IN HIS LEFT HAND, CLASSICAL STATUES AND A MEDITERRANEAN GARDEN IN THE DISTANCE. Signed and dated 89 (1889), oil on canvas, {88cm by 62cm (34.5in by 24.5in)
Lot 1
A Worcester Porcelain Porcelain Jug, circa 1888, the flattened ovoid body decorated with three gilt outlined wild flowers against an ivory ground, the upswept spout with connected dragon handle in gilt, crown and wheel mark in puce, date letter for 1888, shape number 1048, {18.5cm high} (spout restored); and A Royal Worcester Blush Ground Jug, the lobed body decorated with sprays of gilt outlined flowers beneath a coral effect cupped neck and coral twig handle in gilt, puce crowned circle mark and date code for 1906, shape number 1507, {21.5cm high} (2)
Lot 1
A Pair of Worcester Islamic Shape Vases, circa 1888, of baluster shape with elongated necks, floret pierced bands to the rims over a fleur de lys and net collar, floral pierced shoulder handles, the blush ivory bodies decorated with four sprays of gilt outlined flowers, gilded bands to the circular pedestal feet, both with impressed crown and wheel mark, printed mark in puce, shape number 942, stamped Z5 and date letter, {33.5cm high} (one fine body crack, both with rubbed gilding, especially on neck
Lot 1
A Chinese Export Porcelain Armorial Two-Handled Tureen and Cover, circa 1790, the slightly domed cover with artichoke finial (flake off tip), painted with two pairs of crests as shields pendant from pink ribbon bows, and talbot dogs above the letter "C", within waved blue borders, with ribbed entwined strap handles with strawberry terminals, two further shield crests, painted internally to the centre with a floral sprig in gilt, {14.5cm high, 32cm wide}
Lot 1
Katerina Wilczynski- 'Homage to Greece'; pen and black ink and watercolour, signed, dated '52 and inscribed, 32.5x44.5cm. Provenance: A copy of a letter of authenticity from John Denham Gallery, London accompanies this lot: Chatin Sarachi- Still life; oil crayon, signed: together with a nude study in coloured crayon by the same hand, and three works on paper by: Edgar Duchin, Philip Moysey, Ferri, various sizes, (6)
Lot 1
Four wine labels on a bird theme: a cast heraldic crest label, (a gryphon with wings displayed) pierced "Brandy", by M.W Druitt, London 1973, a cast bird on a bench label holding the title "WHISKEY", London 1973, a spread eagle, "SHERRY" unmarked, and a mid 19th century spread eagle holding a cut out letter "B" unmarked c.1850. (4)
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