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A PAIR OF STAFFORDSHIRE MODELS OF LIONS, GEORGE SKEY'S WILNECOTE POTTERY, TAMWORTH, modelled after the Medici Lions with a forepaw resting on a ball, in rich brown and pink glazes on rectangular green base, 17.5cm h, c1862-90 Another example with the impressed mark GEORGE SKEY WILNECOTE WORKS NR TAMWORTH is illustrated Godden (G A), An Illustrated Encyclopaedia of British Pottery and Porcelain, 1966, plt 518. A further pair, also in the same strikingly distinctive palette was sold Christie's South Kensington, 29 March 2009, lot 95. . ++Corners and edge of the bases chipped. No restoration
A Poole Pottery Studio charger by Tony Morris painted with a semi-abstract sheep's head design, in shades of green, blue and orange printed studio mark 27cm. diam. Provenance: New Century exhibition, Kensington Church Street 1993. Although unsigned, Tony Morris has confirmed he painted this plate.
A Kensington pottery buff coloured coffee pot with flowerhead cover, the ovoid body moulded in relief with flowerheads and leaves against a textured ground, a pair of Burlington Ware buff coloured jugs moulded with daisies, a Royal Winton pink glazed cornucopia wall pocket moulded with a flower, and a collection of similar vases, jugs and wall pockets (minor faults).
A monumental turned wood art deco urn from the Cabin Class 'B' deck main starboard staircase from R.M.S. Queen Elizabeth, circa 1938 constructed from laminated wood, now finished in white, the underneath retaining original "sea mist" green and impressed with ship and location stamps 25in. (63.5cm.) Historical details. Literature: Atterbury & Hayward: Poole Pottery, Richard Dennis, Somerset, 1995, where an image of an example can be viewed insitu, and the work of the Poole Company aboard the Cunard "Queens" is discussed. One of a series of identical urns located in recesses on each stair landing, all but two were produced by Poole in their familiar ceramic. The wooden examples were used in the main Cabin Class passenger entrance and so needed to be more robust. Originally painted to match the ceramic versions, they became white in the 1955 refit as tastes changed. They were removed in the 1965 refit when the lower tier of the staircase was remodeled, whilst the rest remained and were lost in the 1971 fire whilst the ship was being converted into a floating university. Consequently very few of Queen Elizabeth's original fittings survive and the only other known example of this urn was sold by Christie's South Kensington when the Poole Pottery Collection was dispersed in 2003.
A BURLEIGH WARE POTTERY JUG, the handle formed as a girl returning a shot across a net, the base with printed factory marks and numbered 5289, circa 1920s, 8in. (20.3cm) high; and a pair of Staffordshire tennis character jugs, 6.1/2in. (16.5cm) high (3) Provenance: Christie's South Kensington: Tennis Memorabilia, 20 June 1997, Lot 115
'Sugar for the Birds' and 'Female Portrait' seven original designs on paper painted in colours and annotated, the original design by Olive Bourne and a small collection of pounced tracing paper designs various sizes, including 31.5 x 28cm.Provenance Poole Pottery Archive auction, Christie's South Kensington, 31st March 2004, lot 113
Two Trays of Various Pottery to Include Alfred Meakin, Royal Albert Caroline Cups (seconds), Royal Albert Memories Coffee Pot & Cups (seconds), Various Royal Doulton Dinner Plates (some seconds), Price & Kensington Teapot, Royal Doulton Tumbling Leaves Cups & Saucers, Jasper, Royal Doulton Carlyle Dinner Plate, Tile Tea Tray, Fentonion Flying Wall Duck Ect (Over 100 Pieces)
An Enamelled Pottery Moon Flask, painted in the manner of W S Coleman, Mintons Art Pottery Studio, Kensington Gore, 1873, the chocolate ground painted on one side with a putto in flight chasing a blue butterfly amongst prunus blossom, the other side with a song bird amongst wisteria, enriched in gilt throughout, impressed "Mintons", year cypher, shape "146", and in script "282", 32.5cm high See illustration
A William de Morgan twelve tile panel each 8in square painted in a Persian palmette and flowering foliage design with four tile repeat three marks for the early Fulham period some tiles perhaps Poole Architectural Pottery Co. 61cm x 81cm (damages) Provenance: Removed from a fireplace surround in a house in Grove Hill Road Tunbridge Wells For the marks see Catleugh Jon. William De Morgan Tiles. Shepton Beauchamp 2002 p181 figs.i j and l for the blue bell flowers see p121 fig. 164 and the border design (here integral) p168 fig. 262 (second from bottom). Similar to a panel in the Arab Hall Leighton House Kensington (west wall). Frederic Leighton commissioned de Morgan to supply additional tiles to complete the Islamic panels and it could be that de Morgan took the opportunity of making copies for his own use. It was also his custom to make duplicates of panels he was working on in cases of accidents in firing the second panel could then be sold if the firing was successful (see website for illustrations of the marks)
A Ruskin Pottery high-fired stoneware vase compressed form with swollen neck, running lavender over silver-grey and liver red speckled with turquoise impressed Ruskin Pottery West Smethwick 1906, 15cm. high Provenance: 20th Century British Decorative Arts, Christie’s South Kensington 20th October 1998 lot 213
A MINTON ART POTTERY PILGRIM FLASK with foliate ring handles, tapering neck and flared base, painted with a portrait roundel by Eliza J Strutt, depicting a young maiden with wheat ears in her hair within a trailing floral surround in navy blue and cream, the reverse depicting a bird on a flowering branch, marked Art Pottery Studio, Kensington, Gare, 13 1/2" high (cf Dictionary of Minton by Atterbury (ACC) pg.307)
A Minton's Art Pottery Studio, Kensington Gore Painted Plaque, W S Coleman, 1873], depicting a nude young girl landing a perch at the end of her fishing line, signed and dated 1873, printed factory roundel, impressed Minton and year cipher 1872, also No. 151 in brown script, 49.5cm diameter, (cracked)
A Minton's Art Pottery Studio (Kensington Gore) Moon Flask and Cover, circa 1870, printed and painted with two birds, two butterflies and a beetle amongst diverse blossoming shrubs and branches, including peach, against a duck egg blue ground, with green bands and gilding to the slightly domed cover, rim and four peg feet, impressed "Minton", year mark for 1870, and painter's initials "AS", the cover also printed mark to the underside "Mintons Art Pottery Studio Kensington Gore", {30.5cm high} (rim restored and gilding rubbed).
A pair of Mintons Art Pottery plaques, circa 1872, after designs by W S Coleman, No.8 & No.9, depicting two young children sitting in branches of trees within basket weave effect borders, Mintons Art Pottery Studio, Kensington Gore stamp in black to base, also impressed Minton hand written No.8 and No.9 in brown and with a variety of artists' monograms, 10" diameter (2).
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541 item(s)/page