A rare Wedgwood Pottery Annular coffee set designed by Tom Wedgwood and John Goodwin in collaboration with Keith Murray, ribbed form, covered in a Matt Straw glaze, comprising; coffee pot and cover, milk-jug and sugar basin, six cups and saucers, and a Wedgwood Pottery part coffee set designed by Keith Murray covered in a matt white glaze, printed factory marks, restored, 16cm. high (coffee pot), (a lot) ProvenanceChristie's South Kensington, 21st February 2005 lot 366 (Matt Straw set) LiteratureMaureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 209 plate 515 for a comparable set illustrated, circa 1932.
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AMENDED DESCRIPTION - Dan Kelly (b.1953)Footed dish with abstract decoration, 1979PorcelainUnmarked21cm diameter, 5.5cm highProvenanceDan Kelly has advised that this was made for his final show exhibition of his work completed whilst at the RCA. The piece was purchased by Grahame Clarke, who had been his tutor during the period of study 1977-1979.The Grahame Clarke Collection of British Studio Ceramics.The Grahame Clarke collection of British Studio Ceramics (lots 163-179)Grahame Clarke (1942-2014) was a potter, Royal College of Art ceramics lecturer and collector. He was first influenced by such names as Harry Davis, Bernard Leach and Shoji Hamada but rather than producing one-off pieces for display, he focused on producing handmade, usable tableware. In 1974 he co-founded Highland Stoneware in Lochinver, Scotland, and in 1991 founded Grahame Clarke Porcelain, in Norfolk.Grahame graduated from the Royal College of Art in 1962. As a student he assisted Harry Davis at his studios in Cornwall, and after graduation went to Stoke-on-Trent, working for Price and Kensington and Royal Doulton. He also travelled to Denmark to work for Bing and Grøndahl.Later he joined the Royal College as a senior lecturer in glass and ceramics, and worked there for over 20 years. In the ceramics department he worked alongside the artist Eduardo Paolozzi and the pottery designer David Douglas, Marquess of Queensberry. Grahame Clarke’s porcelain combined the durable porcelain body, modelled on 17th-century Chinese pottery, with a free hand-painted style inspired by the Delftware and Lowestoft blue-and-white decorations of the 16th and 17th centuries. He sold work under his own name, as well as producing contemporary design commissions for Heal’s, for the interior designer Jane Churchill and for the tableware retailer Thomas Goode.
1400-1200 B.C. A pottery vessel formed with a squat carinated body, slender waisted neck and similar central stem with two flanking handles; painted geometric ornament composed of concentric bands and clusters of lines. Cf. The Metropolitan Museum, New York, accession numbers 74.51.5905 and 74.51.768, for similar. 154 grams, 91 mm wide (3 1/2 in.). with Christie's, London, South Kensington, 12 December 1989, lot 220. [For this specific lot, 5% import VAT is applicable on the hammer price]
A GROUP OF WEST GERMAN ART POTTERY AND SIMILAR, comprising a Dümler & Breiden 128/20 conical textured vase, six small Dümler & Breiden banded textured vases (one chipped to foot), a Piesche and Reif Keramik DDR sgraffito vase height 17cm, a coarse bodied art pottery bowl with red and orange glaze on a dark ground, diameter 31.5cm, and a Price Kensington Piraeus handled textured vase (sounds dull when tapped) (10) (Condition Report: good overall condition, specific obvious damage as stated, some crazing)
Three trays of 19th and 20th century Staffordshire dogs and a Basset Hound together with a small flatback 19th century Staffordshire figure of two dogs. Two pairs of large 19th century Staffordshire dogs, two pairs of 20th century smaller Staffordshire dogs, (one pair is Beswick,) hand painted Basset Hound from Price Kensington Pottery, Staffordshire. (11) (B.P. 21% + VAT)
Two mid 19th Century Staffordshire pottery flatback figures, by repute potted by John & Rebecca Lloyd of Shelton and depicting Charles Dickens characters 'Betsy Trottwood' and 'Mr Dick' from David Copperfield, as per the accompanying copy of the 1995 receipt for £1250 from Oliver-Sutton Antiques of Kensington Church Street, 35cm high and smaller (2)
§ DENISE WREN (BRITISH 1891–1979) AND HENRY WREN (BRITISH 1884-1947) AT OXSHOTT POTTERY JUG, CIRCA 1922 stoneware with incised decoration, signed 'HW/DW Oxshott' (to the base); together with TWO C. H. BRANNAN JUGS MADE FOR LIBERTY & CO., LONDON, impressed 'C H BRANNAN' and 'BRANUM N DEVON' and 'MADE FOR LIBERTY & CO', 19cm (7 1/2in) high and 15cm (5 7/8in) highDimensions:20.7cm (8 1/8in) highProvenance:Provenance: Phillips, London, 28th March 1995, lot 334.Note: Note: Archibald Knox was Design Master at Kingston School of Art until his unorthodox teaching method was condemned by the South Kensington Examination Board, prompting his abrupt resignation in 1911. When it emerged that Knox would not be returning to Kingston, a group of his former students also resigned their places in protest. One of these students, Denise Wren (nee Tuckfield), went on to help establish the Knox Guild of Design and Craft in 1912, a studio workshop in Kingston-Upon-Thames where Knox continued to be a source of inspiration. Wren’s own pottery designs in the 1910s and 1920s can be seen to incorporate Knox’s Art Nouveau and Celtic motifs clearly. The Oxshott Pottery was set up by Denise Wren and her husband Henry at their home, Potters Croft, in Oxshott, Surrey in 1920.
PHOEBE STABLER (BRITISH 1879-1955) FOR HAMMERSMITH POTTERY THE BUSTER BOY, 1912 glazed stoneware, incised 'STABLER' above waves and '1912', impressed '18'; together with 'THE BUSTER GIRL' BY PHOEBE STABLER, glazed earthenware, impressed 'PHOEBE STABLER', printed 'ASHTEAD POTTERY' and 'DCM/ ASHTD', incised 'M 49' 17.5cm (6 7/8in) high; and ROYAL WORCESTER FIGURE OF PUTTI, modelled by Frederick Gertner to designs by John Wadsworth, printed mark 'Royal Worcester England', model '2694 Registrati...', 17.8cm (7in) high Dimensions:17.5cm (6 7/8in) highProvenance:Provenance: Ashtead figure: Christie's, South Kensington, 1st December 1993, lot 1.Worcester Figure: 'The Ceramic Art and Paintings of John and Philip Wadsworth', the auction of their estate, Phillips, Knowle, 8th April 1992, lot 84
Group of slipware pottery to include an early 20th century slipware charger with fish decoration & geometric border (38cm diameter), Kensington Ware KPS marbled slipware jug (16.5cm high), studio pottery slipware rounded rectangular dish with textured rim (31cm long), and a 20th century baluster form 'Dawn Chorus' jug with songbird motifs (25cm high), together with a similar studio pottery conical-shaped fruit bowl with bird decoration and a treacle glazed jug of barrel form with relief moulded foliate decoration, 20cm high (6 items)
Rebecca Coleman (b.1840) for Mintons Art Pottery at Kensington Gore, Charger painted with an Aesthetic Movement female portrait, 1874, Glazed earthenware, Painted signature 'R. Coleman', verso impressed marks 'MINTONS', year cypher for 1874 and other marks, 50cm diameter.Footnote:Rebecca Coleman was the sister of William Stephen Coleman, who was art director at Minton's Art Pottery Studio from 1871-73.Overall condition very good. Not removed from frame. Examined under UV and no damage or restoration found. The white of the dress has some crazing. Frame has a few knocks here and there. The reverse has holes drilled for hanging, and some brown spotted markings from the frame. Additional images available.
§ Akiko Hirai (Japanese 1970-) Large Moon Jar, 2017 painted artist's mark, grogged stoneware, rugged and cracked porcelain deposits with running ash glaze Dimensions:48cm high, 43cm diameter (18 7/8in high, 16 7/8in diameter)Provenance:Provenance:The Scottish Gallery, Edinburgh, Akiko Hirai: In Praise of Shadows, 2017.Note: Known for her exploration of the contrast between rough clay and smooth, translucent glaze, Akiko Hirai is one of the most prominent contemporary ceramicists producing work presently. Born in Japan in March 1970, Hirai originally studied cognitive psychology before she was inspired to take up ceramics following her discovery of the Korean moon jars in the British Museum. She relocated to London in 1999 and enrolled at University of Westminster in 2000 and then Central St. Martins in 2002 to study ceramics. From 2004 until 2015, she taught ceramics at the Kensington & Chelsea College in London, where she was the head of the ceramics department for the final three years. Hirai describes her work as a response to human senses, with each piece being made up of unique deep textures, cool colours, and simple forms to allow the viewer to understand her works in their own terms. The way in which she blends Japanese and British pottery techniques results in her celebrated, asymmetrical natural forms that are distinctly contemporary and evoke the inspiration she finds in her urban environment along with everyday scenery. Motivated by the excitement of turning her visualised ideas into reality, she embraces imperfection, irregularity, and chance in line with the Japanese tradition of Shibui that refers to an aesthetic of simple, and unobtrusive beauty. The resulting ceramics are at once subtle and quiet yet shocking and unexpected.
Four Nishapur pottery bowls, Iran, 10th-11th century, three of conical form and underglaze painted in brown, cream and ochre, one of shallow form with turquoise and black, 10.18cm. x 23cm; 9.4cm high x 24.1 cm; 7cm. high x 19.5 cm. diam.; 3.6 cm. high x 14 cm. Provenance: Christie's South Kensington 26 Oct 1995 lot 423/4Please refer to department for condition report
A large Carter Stabler & Adams Poole Pottery Angel architectural faience panel designed by Harold and Phoebe Stabler, circular, modelled in relief with an angel offering up flowers, glazed in colours impressed CSA mark to the rim edge, 68cm. diam. Provenance Cottee's Wareham, lot 423 The Redstone Collection. Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 39 for a pair of facing roundel flanking central Christ figure exhibited at the British Empire Exhibition, Wembley 1924 exhibition, and then installed at the Mortuary Chapel, Mary Abbots, Kensington Infirmary. When this site was re-developed these panels were returned to Poole Pottery and erected at the factory in 1989. Lalique & Design 1860-1945, Bonham's London, lot 160 for another pair of roundel acquired from John Adam's family, the family house at Broadstone in 1956.
Collection of mixed ceramics to include TG Green Cornish Ware (butter dish and 2 rice storage jars - lacking lids), a large Wade jug vase with squirrel decoration, Royal Doulton character jug, a Shelly Mabel Lucie Attwell Baby's plate, Babbacombe Pottery Owl string holder wall plaque, Goebel figures, Beswick dogs, Poole Pottery, Kensington Ware, etc
A Mintons Art Pottery Studio Kensington Gore early Art Nouveau influenced circular wall plate, the glazed background heightened with floral stylised enamel decoration, printed marks and impressed numbers verso, likely to date from the early 1870s, dia.23.3cmLight surface scratches throughout. Further longer and deeper scratch to central area on reverse. No signs of damage or restoration.
A WMF Ikora white meal pierced brooch, with open work design 4.5 cm, together with an oval Ruskin style, Kensington C & L pottery pebble brooch in a silver mount, in a silver hardstone axe brooch, and an oval Charles Horner brooch of Scottish pierced design, and a oval enamel Charles Horner pendant (5)
A LARGE CHINESE PAINTED GREY POTTERY PEAR-SHAPED JAR, HU, WESTERN HAN DYNASTY, LATE 2ND/EARLY 1ST CENTURY BC西漢 梨形彩陶罐Based on an archaic bronze form, decorated with a pair of crisply applied taotie mask handles, painted in cold colours with a band of phoenix around the body, within moulded bandsHeight: 51cmProvenance: Previously sold at Christie’s South Kensington, lot 335, 5th March 1998Condition ReportThis large and impressive jar appears in good condition with the exception of a circa 1cm., wide rim chip and rubbing and loss to much of the painted decoration.
A Della Robbia Pottery twin-handled vase by Lizzie Wilkins, dated 1901, the ovoid vase with tapering neck and swollen top rim, applied twin griffin handles, painted and incised with Art Nouveau foliate panels, in shades of green, yellow, turquoise and blue painted Della Robbia mark, dated and LW monogram, minor professional restoration, 41cm. high Provenance Christopher Wood A Very Victorian Eye, Christie's South Kensington, 28th February 2007, lot 160. Private collection Literature Isabelle Anscombe & Charlotte Gere Arts and Crafts in Britain and America, Van Nostrand Reinhold, page 216 plate 311 this actual vase illustrated.
A mixed collectors' lot of modern and vintage British and Continental blue and white decorated pottery to include a group of Price Kensington 'Victoriana' pattern storage jars, jugs, Staffordshire-style spaniels, small containers, also various Italian-style pottery including a wall charger, fruit basket, oval dish, table lamp and wall pockets, all with blue and white floral decoration.
A Sylvac vase with moulded body and asymmetrical handles, numbered '684', 13cm high; a Sylvac bunny rabbit vase, No. 1510; two jugs; and five Poole pottery pieces, together with a Southport Brentleigh Ware jug of baluster form moulded with tulips, 26cm high; a Kensington Ware jug decorated in bright colours; a Royston vase of slender baluster form; and five further decorative items (17)Items generally in good condition with some minor marks and chips to the larger jugs.
A Minton tile, stamped Minton Pottery Studio, Kensington Gore to verso, decorated with a crab, eel and seaweed, 15.3 by 15.3cms.Condition ReportThe surface is crazed, there are minor nibbles to all sides and a chip to one corner to the underside, some glaze discolouration is rubbed in areas which has given a matt black / blue appearance, otherwise it is in good overall condition.
Set of ten original vintage art exhibition advertising posters. 1. Eugene Atget (b. 1857) exhibition Photographs of Old France in Serpentine Gallery, Kensington Gardens W2, 25 February - 25 March 1984, open daily 10-5.30, admission free, from Museum of Modern Art New York, Art Council of Great Britain. The poster features the photograph of a town square at Pontoise, Place du Grand-Martroy, France, 1902. Eugène Atget was a French photographer documenting the architecture and street scenes. Good condition, creasing, folds, minor staining. Country of issue: UK, , size (cm): 76x51, year of printing: 1984.; 2. What's new at the Victoria & Albert Museum? Summer 1987 featuring announcements of various art exhibitions - Wally Gilbert and Thomas Gentile Jewellery Gallery, Alvar Aalto in association with the Museum of Modern Art MOMA New York, Judaica from the V&A, Susie Cooper Productions, Francis Williams Exhibition Contemporary book and magazine illustration, Zika Ascher - Fabric Art Fashion. Good condition, creasing, folds, pinholes. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1987.; 3. Step Into Summer 1985 Victoria & Albert Museum, featuring photographs of three centuries of shoes in the Dress collection, a yellow silk shirt with caption - Explore the decorative riches of the East, One of our 15000 plates most are in the ceramics Galleries, Take tea in the Restaurant or strawberries and cream in the Garden - with a couple seated under a red umbrella. Good condition, creasing, folds, pinholes, minor staining. Country of issue: UK, size (cm): 76x51, year of printing: 1985. 4. Spring Events Calendar 1985 by Victoria & Albert Museum, featuring artwork inviting to visit various exhibitions - The People and Places of Constantinople Watercolours by Amadeo, Count Preziosi; William Staite Murray and His Pupils Studio Pottery of the 1920s and 1930s; From Manet to Hockney Modern Artists' Illustrated Books; Frances Bendixson Contemporary Jewellery; Mouton Rothschild Paintings for the Labels; Handel in St. Martin's Lane Theatre Museum in association with English National Opera. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1985.; 5. What's New at the Victoria & Albert Museum? Spring 1986, inviting to visit the museum for various exhibitions - Designs for British Dress and Furnishing Fabrics 18th Century to the Present; Photographs by Roger Mayne; Characters in Cloth Textile Portraits; Chess in Art and Society - French 18 Century Drawings - Swiss Stained Glass Designs of the Formation; American Dolls The Lawrence Scripps Wilkinson Collection; and The New Restaurant reviewed by The Guardian. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1986.; 6. What's New at the Victoria & Albert Museum? Summer 1986, inviting to visit the museum for various exhibitions - Characters in Cloth Textile Portraits; American Dolls The Lawrence Scripps Wilkinson Collection; Knit One Purl One; 17th Century Tapestries; American Potters Today. Good condition, creasing, folds, pinholes. Country of issue: UK, size (cm): 76x51, year of printing: 1986.; 7. Edward Middleditch (b. 1923) exhibition in Serpentine Gallery, Kensington Gardens W2, A South Bank Centre touring exhibition, 9 April to 15 May 1988, open daily 10am to 6pm, admission free, supported by City of Westminster and funded by Art Council. The poster features the painting Flowers, Chairs and Bedsprings, 1956 and travel information: Underground: South Kensington or Lancaster Gate, buses: 9 52 73 12 88. The poster is designed by Trilokesh Mukherjee, printed by Expression Printers Ltd. London N7. Good condition, creasing, folds, minor staining, tears on edges. Country of issue: UK, designer: Trilokesh Mukherjee, size (cm): 76x51, year of printing: 1988.; 8. Lights at the Crafts Council. An Exhibition of Innovative Lighting 17 November 1982 - 30 January 1983 in Crafts Council Gallery 12 Waterloo Place Regent Street London SW1 4AU. The poster features a collage of a photo of a lamp and its scheme and another advertisement of The Well Dressed Christmas Tree. Nine Craftspeople Decorate Christmas Trees 17 November 1982 - 9 January 1983. Trees provided by the British Christmas Tree Growers Association. Crafts Council is the organisation for contemporary craft in the UK. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1982.; 9. What’s New In the Arts Council Collection in Wolverhampton Art Gallery, Lichfield Street Wolverhampton, 9 February - 16 March 1985, Monday to Saturday 10am - 6pm, Arts Council of Great Britain. The poster features artworks Toy by Richard Wentworth (b.1947), Bingo Bango Bongo by Bruce McLean (b. 1944), Head of Miss DeianTaylor by John Clinch (b. 1934), Study for Massacre of the Innocents by Jacqueline Morreau (b. 1929). The Arts Council Collection is a collection of modern and contemporary British art. Good condition, creasing, folds. Country of issue: UK, size (cm): 59x42, year of printing: 1985.; 10. David Drew Baskets, A Crafts Council touring exhibition with documentary photographs of Chris Chapman Provision for blind and partially sighted and exhibition by Vanessa Robertson Woven ikat Rugs 22 January - 30 March 1986 in Crafts Council Gallery 12 Waterloo Place, Lower Regent Street, London SW1. The poster features two photographs of artists with baskets and a loom by Chris Chapman. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1986.
MIXED LOT OF CERAMICSincluding a pair of pottery wally dugs, a cockerel jug, pair of Kensington Ware basket wall pockets, Mason's Ironstone shaped dish, pair of pottery wall plaques with scalloped edges and decorated with swimming swans, Fred Flintstone money bank, Ashworth Brothers Hanley pattern large vase, pottery quartz movement mantle clock decorated with shamrocks and other items
A Newport Pottery Clarice Cliff jug with relief moulded floral detail to the handle and moulded numbers to base 895, 23cm tall approx, together with a similar Clarice Cliff vase, 23cm tall approx, a Trentham Artware jug with rabbit and tree decoration, 26cm tall approx, and a Kensington Pottery art deco jug, 23cm tall (4)
SUFFRAGETTE TEA SERVICEComplete tea service designed by Sylvia Pankhurst, decorated with the badge of the Women's Social and Political Union printed in green and washed in purple, a trumpeting angel under the banner 'FREEDOM' and the initials 'WSPU', the rims and angular handles also picked out in green enamel, comprising a teapot and cover, six cups, six saucers, six small plates, a cake plate, a sucrier and a milk jug, teapot 14.2cm high, printed marks for H M Williamson and Sons of Longton, c.1909 (23)Footnotes:A RARE COMPLETE SUFFRAGETTE TEA SET DESIGNED BY SYLVIA PANKHURST WITH FINE PROVENANCE.No firm produced pottery and porcelain in support of the women's suffrage movement commercially, so pieces such as this service were commissioned by the movement itself. In early 1909 the WSPU commissioned Williamson's of Longton, Staffordshire to produce wares for use in the refreshment room at the Prince's Skating Rink Exhibition held in Knightsbridge for two weeks in May 1909. Each piece bears Sylvia Pankhurst's 'Angel of Freedom' in the WSPU colours, a motif designed specifically for the exhibition. After the exhibition the china was sold off in sets of 22 pieces to raise funds for the cause. Votes for Women of 13 May 1910 noted that some was still available to purchase; 'a breakfast set for two, 11s; small tea set, 15s; whole tea set £1; or pieces may be had singly' (Crawford, Elizabeth, The Women's Suffrage Movement: A Reference Guide 1866-1928, 1999, p.108). The motif also appears on many other items such as the illuminated addresses awarded to prisoners, badges and the medallion also included in this sale. Christabel Pankhurst wrote of the opportunity that the exhibition afforded for supporters to purchase a wide variety of items in the WSPU colours and thus spread the message through merchandising: 'every member of the Union will become an advertiser for the movement, and will bring to the Prince's Skating Rink a dozen, or a score, or an even larger number men and women of her acquaintance who... will appreciate for the first time the strength of the woman's movement' (Crawford, p.137).Provenance: A letter included in the lot from the daughter of the original owner, describes how the tea set was originally purchased c.1913 by her mother Lily Kerran, an ardent supporter of women's suffrage, socialist and free thinker. Lily's husband Ferdinand Louis Kerran (1883-1949) was a prominent activist in the British Socialist Party and, from 1920, a member of the executive of the new Communist Party of Great Britain. He had a successful photography business in Bexleyheath with his brother Frederick, who produced postcards, and became an semi-official photographer of WSPU members and events. During the first war he was interned in the Islington workhouse from whence he escaped to New York, rearrested and returned to Brixton prison. As a leading member of the communist party he worked along former suffragettes such as Sylvia Pankhurst, who wrote to his wife on his death in 1949. The tea set was then offered by descendants of the Kerran family at Christie's South Kensington on 10 March 1995 and purchased by the present owner.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
1798 Battle of the Nile and Nelson: a creamware jug the bellied body printed in black with a named portrait above the battle plan, on the reverse Nelson’s coat of arms and first motto, centred by the name ‘JNo Harris Esq’ within wheat and vine branches, 245mm, spout restored* See Commemorative Pottery, plate 154. Ex Pugh collection, sold Christies South Kensington, 26th April 2001, lot 60.# commemorative, commemorate, naval, military, war
A SUITCASE, A BOX AND LOOSE VINTAGE PACKAGING, CERAMICS, GAMES AND SUNDRY ITEMS, to include a pair of bud vases with scrolling handles and floral pattern height 30cm, twelve pieces of crested wares including Goss, a Pears' Soap ruler with calendars verso for the years 1914, 1915 and 1916, a Crown Ludo board, a Jaques and Son The Counties of England, boxed brass darts, boxed sealed packs of 1930s WD & HO Wills playing cards, vintage snap cards, a Black Magic box inside original outer box with label, vintage tins and boxes to include Rothman's Pall Mall Virginia Cigarettes, W & R Jacob and Co Ltd Confiseries Afternoon Tea Dainties, Bond of Union Smoking Mixture, Cadbury Bourneville chocolate, Suchard's Velma chocolate and Pontings Kensington, a Hanover Pottery Staffordshire China catalogue, black suitcase measures approximately 64cm x 20cm x 44cm, etc (sd) (1 CASE + 1 BOX + LOOSE)
WILLIAM B. LANGDON. 'A Descriptive Catalogue of the Chinese Collection, Now Exhibiting at St. George's Place, Hyde ark Corner,' original cloth, rubbed and bumped with the spine loosening, full page engravings, Printed for the Proprietor, London, 1843; A. W. FRANKS. 'Catalogue of a Collection of Oriental Porcelain and Pottery Lent for Exhibition,' second edition, Bethnal Green Branch Museum, Science and Art Department of the Committe of Council on Education South Kensington, original cloth with loosening spine, George E. Eyre and William Spottiswoode, London, 1878; The Victoria and Albert Museum Department of Ceramics. 'Guide to the Later Chinese Porcelain Periods of K'ang Hsi, Yung Cheng and Ch'ien Lung,' W. B. Honey, illustrations, card wraps, the Board of Education, London, 1927; The Oriental Ceramic Society. 'Loan Exhibition of the Arts of the T'Ang Dynasty,' exhibition catalogue, card wraps, illustrations, The Arts Council Gallery, 1955; 'Exhibition of Wares of the T'ang Dynasty,' card wraps, 1949; 'Arts of the Ming Dynasty,' card wraps 1957; ROBERT TREAT PAINE Jr. Chinese Ceramic Pillows: From Collections in Boston and Vicinity,' vol III no 3, illustrations, Far Eastern Ceramic Bulletin, limited to 300 copies, 1955; A. L. HETHERINGTON. 'The Pottery and Porcelain Factories of China,' folding map of China, card wraps, Kegan Paul, Trench, Trubner & Co, London 1921; The Southeast Asian Ceramic Society. 'Exhibition of Chinese Wares,' illustrated, The National Museum, Singapore, 1973; With twenty-three other books and catalogues to do with Chinese porcelain, including 'Chinese Snuff Bottles,' edited by Hugh M. Moss, vols two, three and four. (31)
Roy Winstanley (born 1940) Poole Pottery, 2000 watercolour on paper of the quayside facade, framed, and another watercolour of the factory dated 2001 by Roy Winstanley, a large black and white photograph of the quayside and a collection of ephemera relating to Carter, Stabler & Adams Poole Pottery, comprising;The Poole Potteries V&A Exhibition catalogue Feb-April 1978, Exhibition of Poole Pottery Studio in the 1960s, New Century, two copies of Poole Pottery Richard Dennis Gallery 1999, two copies of Poole in the 1950s, Richard Dennis Gallery, Sprin 1997, The Poole Pottery Museum & Archive, Christie's South Kensington auction catalogue, 31st March 2004, Collecting Poole Pottery by Robert Prescott-Walker, thirty-nine Collector's Club magazine (including duplicates), The Albert E Wade Collection part II, Sotheby's auction catalogue 2002, and thirty-eight various auction catalogues mainly Woolley & Wallis, Christie's and Cottee's, (a lot) Provenance The Redstone Collection

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585 item(s)/page