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A Troika Pottery Cube lamp base by Louise Jinks, modelled in low relief with geometric panels to two sides, in shades of green, ochre and brown on a blue ground painted marks, 16cm. high Provenance 20th Century Decorative Arts, 14th September 1996, Christie`s South Kensington, lot 1374 Private Collection
A Victorian coromandel and brass mounted table desk, by S. Morden & Co London, the sloping top with brass fretwork spandrels inset blue jasperware style plaques, enclosing a fitted interior, signed as per title to lock plate, also inset retailer’s label for ‘ Howell James& Co, Regent Street, London’, 35 x 25 x 11cm, slight damage* Howell and James were founded in 1819 as silk mercers & retail jewellers, the original partners being John Howell and Isaac James. By 1838 the firm had become Howell, James & Co. with the partners now John Howell, William Sedgwick, Thomas Stroud and Henry Gillett although by 1855 the company was in the sole ownership of Gillett and in 1884 became a limited company known as Howell & James Ltd. The opening day of their annual ‘exhibition’ became one of the outings of the period attracting the cream of London society. They exhibited at the Great Exhibition of 1851 in Hyde Park, as well as the International Exhibition of 1862, the Paris Exhibition of 1867 and the London exhibition of 1872. The company were champions of the South Kensington School and included many items within their stock that came from this establishment, and included jewellery from designers such as C.L. Eastlake, M.D. Wyatt, F. Leighton, and L.F. Day at these various exhibitions. From 1876 they held popular exhibitions at their Regent Street premises showcasing the painted pottery produced by amateurs. One of their designers, the well- known L.F. Day had made a clock for the 1851 Great Exhibition and went on to design the company’s stand at the later 1878 Paris show. His Aesthetic clocks were a mainstay of Howell and James’s production, who had other prominent designers from the Arts & Crafts movement working alongside them including Thomas Harris and J. Llewellyn who left in 1889, taking many of the selling rights to Liberty & Co situated close-by in Regent Street
Mintons - A large four handled vase of ovoid form with flared neck, the body decorated to one side with stylised flower heads in mustard yellow, salmon pink and cross hatched green and yellow with stem cherries, the other with similar flower heads with blue outer stems and falling yellow berries, all against an ivory ground, impressed marks with datecode for 1873 alongside initials OZE, possibly Kensington Gore Art Pottery Studio, restored, height 35cm.
A PAIR OF AESTHETIC MOVEMENT TILES PAINTED AT MORTLOCK`S ORCHARD STREET STUDIO, LONDON by, or under the auspices of Miss Black on Minton blanks with full length studies of nude young women, 35.5 x 14cm, impressed MINTON, painted AEB (?) monogram incorporating banner inscribed MORTLOCK dated 1876, No 193 or No 194 and 30502/ 29050, with the original price ticket dated 28/2/77, in the original ebonised and giltwood reeded frames On the closure of Minton`s influential Art Pottery Studio in Kensington Gore in 1875 several of the artists established studios on similar lines at the leading retailers. The present panels are fine examples, which judging by their quality can confidently be attributed to Miss Black (perhaps confirmed by the mongram) rather than one of her pupils, painted at Mortlock`s the following year. Both in fine original condition
A Carter`s Poole Pottery ruby lustre charger, the design attributed to James Radley Young, modelled in relief with radiating design, glazed in a rich ruby lustre incised Carter`s, minor glaze frits 45cm. diam. Provenance Christie`s South Kensington, 31st March 2004 lot 2 The Albert E Wade Collection
A fine pair of Longwy Primavera Pottery Baigneuses vases, enamelled with bathers before geometric flowers and foliage, in shades of blue and black on crackled blue ground printed factory marks, 29cm. high Provenance Christie`s South Kensington Art Deco, 30th September 2009, lot 100 The Albert E Wade Collection
`Boule Coloniale` a large Longwy Pottery vase designed by Maurice Paul Chevallier, model no. D.5660, painted with a dense frieze of exotic flowers and foliage in colours printed and painted marks, 38cm. high Literature This vase was exhibited by Longwy at the Expo Coloniale de Paris in 1931 Provenance Christie`s South Kensington 4th October 2005 lot 14 The Albert E Wade Collection
A Linthorpe Pottery plate designed by Dr Christopher Dresser, modelled in low relief with flowers, in shades of blue, ochre and sand on a green ground, and a bottle vase impressed marks, restored rim 30 cm. diam. Provenance The Harry Lyons Collection, Christie`s South Kensington 19th October 2004 lot 107
A 19c Mintons Kensington Gore art pottery jardiniere of cylindrical drum like form, standing on three bun feet, hand painted with a scene depicting Romanesque gardeners tending to their crop and picking fruit, within a gilded border, stamp to base `Mintons Art Pottery Studio, Kensington Gore`, with impressed marks also, circa 1871-5, 8"h, 8"diam.
A Mintons Kensington Gore pottery bottle shaped vase painted with birds perched on flowering branches, 11ins high (impressed mark to base and date code possibly for 1871, shape no. 1586, printed mark for “Mintons Art Pottery Studio Kensington Gore” and brown painter’s mark - crack and chip to neck)
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541 item(s)/page