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A mixed collection of ceramic items: Price Kensington window vase, 1950's biscuit barrel, studio pottery vase etc (1 tray).

Young, William Weston. British Birds, An album of 41 fine watercolour drawings of birds, each 163mm x 257mm approx.., mounted in frame, most captioned in pencil on mount, lacking free-endpapers, nineteenth century calf, the upper cover blocked in gilt 'William Weston Young. British Birds. Neath 1804', expertly rebacked by Bayntun of Bath, c.1940, 4to A RARE SERIES OF ORNITHOLOGICAL WATERCOLOURS FROM AN ARTIST WHO WORKED AT THE CAMBRIAN POTTERY. William Weston Young was born in Bristol on 20 April 1776 into a devout Quaker family, the third son of Edward Young, a Bristolian merchant and Sarah (Sally) Young (née Weston). William led a diverse and entreprenuerial life, but an early bankruptcy forced him into paid employment. On 23 January 1803, Young and his wife Elizabeth moved to new lodgings in Swansea, Glamorganshire. Here he gained employment under fellow Quaker, Lewis Weston Dillwyn, as a 'draftsman' at Dillwyn's Cambrian Pottery, where he remained until August 1806 on a salary of £75 per annum. The watercolours in the present lot would seem to date from this period. Dillwyn and Young, both in their mid-twenties, struck up a close friendship due to their common interest in natural history. Many of Young's painted wares feature accurately depicted flora and fauna as well as the taxonomic names of the illustrated species. Collections of this pottery can be seen at the V&A Museum, South Kensington, The National Museum of Wales, Cardiff and at the Glynn Vivian Art Gallery, Swansea. In 1814, and now recovered from his debts, Young became the major investor in the Nantgarw Pottery established by William Billingsley and Samuel Walker. When the pair left the struggling business in 1820, Young assumed full control, and managed the debts through careful marketing and sale of remaining stock. Young's experience of firing ceramics, together with his familiarity with the region as a local surveyor and his amateur interests in geology enabled him to conceive of a heat-proof, blast-furnace brick, using silica found in large deposits at the head of the Neath Valley. His profit share from the Dinas Firebrick Works was ultimately a very modest pension, and William Weston Young died in relative poverty in Lower Mitton, Kidderminster on 5 March 1847. PROVENANCE: Loosely inserted are three ALS and a carbon typed copy from the bookseller J. Kyrle Fletcher to the purchaser F. E. Andrews, relating the discovery of the album. The first, dated 13 February 1935 notes, 'Mr William Weston Young made the drawing for Mr Dillwyn's valuable work on British Confervae and a series of drawings of British Birds now in the possession of Mr Yarrell'. The correspondence relates that the bookseller traced the descendants of Yarrell and acquired the volume, which was sold to Andrews in 1941, thence offered here by descent.

Quantity of cottage ware teasets, various makers to include Price, Kensington and Keal pottery.

ADMIRAL KEPPEL A William Greatbatch creamware teapot and cover, c.1780, the cylindrical body printed in black and decorated in coloured enamels with a portrait flanked by naval trophies and putti with trumpets, titled 'The Hon'ble. Aug'tus. Keppel', the reverse with a warship under full sail, restoration to the spout and handle, 18cm across. (2) Cf. David Drakard, Printed English Pottery, p.154, pls. 412 and 413. Provenance: formerly Pugh Collection, sold Christie's, South Kensington, 26th April 2001, lot 59.

2 BOXES CONTAINING MIXED CERAMICS, JMP BELL SCOTTISH POTTERY JUG, QUANTITY DINNER WARE, CANDLE HOLDER, KENSINGTON DISH & GENERAL BRIC-A-BRAC

Sylvie Nisbet Studio pottery Adam and Eve wall plaque (A/F), Price Kensington chicken egg crock, shop scales slab, with other ceramics

Two shelves of assorted china and pottery including Price of Kensington, chicken etc

Approximately 1800 railway-related colour slides in eight ring binder files. Approximately 300 tourism-related slides based in the Staffordshire area. Railway slides have a focus on signal boxes as the individual worked in signal boxes for most of his career. Slides include Alsager station & signal box, Barthomley North, Beeston Castle Tarporley signal box, Betley Road Box (many train spotting slides), Bradwell Box, Cheddleton Station, Cresswell Box, Crewe station A cabin box, Basford Hall Junction Box, Crewe Coal Yard Box, Gresty Lane No.1 Box, Grsety Lane No.2, Crewe North Junction, Crewe South Junction, Crewe Power Box, Crewe Steelworks Box, Crewe Sorting Sidings Middle, South, North Box, Crewe Yard 08907 numberplate, Salop Goods Junction, Torbay, Exeter, Newton Abbott, Paignton, Foxfield Railway, Hack Green Box, Utrecht, Rimini, Haworth, Kidsgrove, Kidsgrove Bathpool, Eindhoven, Maastricht, Dutch Rail Museum, London Transport Museum, Marylebone ‘Sir Nigel Gresley, Kensington Olympia, Madeley Box & Station, Meaford Box, Nantwich Box & Station, Norton Bridge, Radway, Sandbach, Stoke, Saldahma, Willaston, Windsor Royal Exhibition, Wrenbury, York Road Museum.Tourism slides include Slides Burslem, Burslem Festival, Gladstone Pottery, Tunstall, Longton, Caldon Canal, Kidsgrove, Bedford, Etruria Junction, Trent & Mersey Canal, Hanley, Stoke, Runcorn Bridge construction.

λ A CHINESE ARCHAISTIC RHINOCEROS HORN 'CHILONG' LIBATION CUP 17TH/18TH CENTURY The flared body decorated with stylised taotie masks reserved on a leiwen ground, carved in relief to one side with a curved handle, with two cat-like chilong clinging to the rim, their bifurcated tails trailing over the exterior, with key fret encircling the rim, all reserved on a short oval base, 17cm, 219g. Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item's weight. Provenance: from the collection of George and Cornelia Wingfield Digby and thence by descent. George and Cornelia Wingfield Digby started buying Chinese and Japanese art, notably porcelain, in the early 1950s, and they continued to build their collection over the next 40 years. George Wingfield Digby (1911-1989) joined the Victoria & Albert Museum's textile department in 1934 and later served as keeper between 1947 and 1972. He expanded the V & A's textile collection considerably during his time there and wrote three books on the subject. He also released three further publications on different fields of art, including The Work of the Modern Potter in England (1952), which his wife Cornelia played a large part in assisting him write. In addition to their extensive Asian art collection, they also acquired a significant number of pieces of studio pottery which were lent to Tate, St Ives in 1993. George and Cornelia lived in Palace Gardens Terrace, London, and they regularly bought from art dealers on Kensington Church Street as well as those outside London. After retiring, they settled in Dorset and part of their Chinese and Japanese art collection was exhibited at Sherborne Castle for 25 years. Cf. T Fok, Connoisseurship of Rhinoceros Horn Carving in China, p.49, no.2 for a related example.十七/十八世紀 犀角雕螭龍紋杯來源：George and Cornelia Wingfield Digby收藏。他們從1950年代初就開始收藏中國及日本藝術品，對瓷器尤為熱愛，之後的40年裏他們陸續購入他們的藏品。George Wingfield Digby （1911-1989）在1934年加入了維多利亞及艾爾伯特博物館（簡稱V&A博物館）的織品部門之後又分別在1947年至1972年擔任管理員。在職期間，George使得V&A博物館織品收藏體系得到質的飛躍，並以此為基礎出了三本書。之後在1952年又和他妻子共同出版了一本關於英國現代製瓷的書。他們的英國瓷器收藏曾在1993年出借給St Ives的Tate博物館。他們曾住在倫敦Palace Gardens Terrace，所以大部分亞洲藝術藏品購於肯辛頓教堂街的古董店。退休之後搬去了多塞特郡，一部分的亞洲藏品曾出借給Sherborne城堡展覽了25年。 注：只有落槌價格每克超過100美金的犀角雕拍品才能申請出口證書。

A quantity of novelty Teapots and various Ceramics, including a Green and Gilt pattern Teapot , stamped George Jones & Sons, Novelty Teapots in the shape of a Dachsund, Racing Car, Kitchen Table, together with a small quantity of modern Chinese Tea Bowls and Saucers, five large brown Teapots, Cottage-shaped Teapot, stamped Price Kensington to base and a large white London Pottery Teapot, approximately 45 pieces overall (a lot)

A box containing sundry items to include Paragon "Kensington" part coffee set, a pair of oak and plated open salts on ball feet, capo di monte figure group of "Mother and child", a Victorian walnut writing slope and a pottery hippo jardinier, a "Willow" pattern serving plate and a Royal Doulton "Geneva" plate, together with a collection of eight Devon's glazed pottery plates and eight deep bowls, together with a Singer Model 201K sewing machine in simulated crocodile skin case, beech-lined and four framed and glazed prints

A pair of Kensington pottery ribbed vases together with a further pair of Barker Brothers vases

Eight Victorian relief-moulded jugs, including C Meigh & Son - Leda and the Swan - jug, 23cm, another by the same maker, a Kensington Pottery, Hanley, jug, and others, unmarked.

A mixed collection of items to include: Deco Delcroft vases, large Kensington Pottery Vase, Shelley & Wedgwood ash trays, decorative pots etc

A set of six Mintons Art Pottery Studio tiles, by John Christian Henk, painted in the Aesthetic style with animals and insects, inscribed 'Kensington Gore', 15cm x 15cm, (s.d.).

A selection of ceramics including Kensington water jug and Bristol pottery

WILLIAM STEPHEN COLEMAN (1829-1904)The 'Cup and Ball' GameOil on canvas, 64 x 41cmSigned and dated 1882Provenance: Private Collection, Dublin.Born in Sussex in 1829 the son of surgeon William Thomas Coleman and his wife Henrietta Dendy, his elder sister was artist Helen Cordelia Coleman (1847-1884) Coleman was unsuccessful in a career as a surgeon and turned to natural history illustration. He painted mainly landscapes with figures, in a style with something in common with watercolourist Miles Birket Foster , and concentrated on semi-classical figure subjects. His classically-influenced works placed him in the toga and terrace or marble school with artists George Bulleid , W. Anstey Dollond , Norman Prescott-Davies and Oliver Rhys . Coleman was a versatile artist, executing etchings, occasionally working in pastel, but primarily painting exquisitely in oil. He was a member of the original committee of management of the Dudley Gallery in London, contributing to the first exhibition in 1865. He continued to exhibit till 1879, and remained on the committee till 1881. In 1869 Coleman began to experiment in pottery and porcelain decoration. The Mintons Art Pottery Studio in Kensington Gore was established under his direction in 1871, and he executed figure designs for Mintons ceramic ware. He died after a long illness at 11 Hamilton Gardens, St. John's Wood , on 22 March 1904.

A Price Kensington cottage ware pottery part tea set, the cruet pot AF, together with a quantity of glass tableware, to include a cut glass whisky decanter height 28cm, a dumpy example, basket and more, one boxed (10)

Mabel Lucie Attwell Shelley china baby plate, a Price Kensington similar, another nursery plate with rhyme "To market, to market, to buy a fat pig", and a pottery fruit dish

Mintons - A collection of Kensington Gore Art pottery studio tiles, circa 1875, comprising nine individual tiles, handpainted, variously depicting owls, a butterfly, frogs, a crab, a fish, a bird and a mouse, each painted in underglazed blue, printed Mintons Art Pottery Studio, Kensington Gore, 15.5cm x 15.5cm. (9)

TWO PRICE AND KENSINGTON EARTHENWARE HEN-AND-NEST EGG BOXES AND COVERS, A MOIRA POTTERY EXAMPLE AND ONE OTHER, 22CM H AND CIRCA, IMPRESSED OR PRINTED MARKS Condition reportGood condition

A Price Kensington Humpty Dumpty novelty biscuit barrel, height 24cm, together with a Tony Wood rabbit teapot and a group of collectable kitchen wares to include items branded by 'Utterly Butterly', 'Evian' and 'Oxo' and a Bristol kitchenware pottery jelly mould with rose design (quantity)

Mabel Lucy Attwell Shelley china Baby plate, a Price Kensington similar, another baby plate with rhyme "To market, to market, to buy a fat pig" and a pottery fruit dish

A Crown Devon jar with flying bird and stylised flower decoration, a Carlton Ware dish, other decorative vases including Kensington Ware, a Burleigh Ware waterlily bowl signed Bennett, a pottery lady table lamp, assorted books etc Condition Report: Available upon request

Collection of jugs, including Kensington art pottery, etc.

Seltene viktorianische Pilgerflasche im Arts and Crafts-Stil Seltene viktorianische Pilgerflasche im Arts and Crafts-Stil Seltene viktorianische Pilgerflasche im Arts and Crafts-Stil Keramik, hellgrauer Scherben, farblos glasiert. Dekor in hellblauer, weißer und dunkelbrauner Malerei aus zwei Engeln mit Weintrauben an einer Bütte, rücks. ein Weinstock mit reifen Trauben. Monogr. "W. J. M". Firmenmarken. H. 28 cm. A rare Victorian Arts and Crafts-style ceramic pilgrim bottle painted with two angels and wine. Monogrammed "W. J. M". Manufacturer's marks. England. London. Minton's Art Pottery Studio Kensington Gore. Um 1870-1875.

Various blue and white ceramics, oriental plates, set of 3 flying ducks, Wedgwood jasperware and a Kensington pottery cat

E.J. POYNTER (1836-1919) FOR MINTON'S ART POTTERY STUDIO GLAZED TILE, CIRCA 1868painted with a medieval castle on a rocky outcrop, the border a latticed field of stylised sunflower heads and fruiting sprigs, in shades of blue, framed(35.5cm square)Footnote: Note: Poynter designed the Grill Room at the South Kensington Museum including the tiles and fireplaces. The tiles were painted by students from the museums' porcelain class and then later by Minton's Art Pottery Studio.

In the manner of Shoji Hamada - A rectangular slab vase from The Leach Pottery, with shallow collar neck, tenmoku glaze with sweeping brush work motifs in resist decoration, height 11.5cm, width 8.5cm.Provenance - This vase was purchased and owned by Gillian (Gill) Harrington who worked at the Leach Pottery on Kensington Church Walk in the early 1970s. Gill had originally worked for Bernard Stone at the Turret Bookshop which shared a space with The Leach Pottery. During her time working at The Turret Bookshop Gill became close friends with Sybil Hansen who worked for Leach at the Kensington Church Walk shop. From this friendship Gill began working at the shop covering shifts and selling the ceramics. Her daughter, who studied at St Mary Abbots School just down the road remembers sitting with her mother in the shop after school and also being taught how to pot by William (Bill) Marshall. Her diaries of the time make numerous mentions to her job at The Leach Pottery and her close friendship with both Sybil Hansen and Guy Worsdell. This piece and the other two examples were acquired by Gill at her time there.

An Art Nouveau continental pottery plaque designed by Carl Sigmund Luber, probably manufactured by Johann Von Schwarz, slip decorated in low relief with a dancing maiden with long flowing red hair, glazed in colours, in oak frame 36 x 11.5cm (panel) Provenance The collection of Pam and Mark Taylor. Literature 20th Century British & European Decorative Arts, Christie's South Kensington, 14th November 2016 lot 1748 this design illustrated.

A large Minton's Kensington Art Pottery Studio wall charger, in the manner of Dr Christopher Dresser, the design depicting a bird flying past bamboo shoots, in colours on a black ground, outlined in gilt and imitating Japanese cloissone enamel, printed factory mark, painted monograms, 39cm. diam. Literature Dan Klein Aspects of the Aesthetic Movement, Catalogue number 70, illustrated on the front cover for a comparable example with a date code for 1872.

Studio pottery, Provenance: The estate of Robin and Patricia PickardCondition report: Stopper on decanter restored/reglued.Chip to Kensington spout.

A Price Kensington cottage ware egg cup set together with other pottery, tins, CD's, metalwares etc

MIXED CHINA including three Portmeirion containers, a large blue Kensington pottery vase, a small parcel of Royalty commemorative ware and other items

A Winstanley pottery Siamese cat, 41cms l, base painted KENSINGTON 45 Designed I. Winstanley. Condition ReportRepair to ear. 

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Ceramic: Danseurs". Medium: Glazed convex wall plaque. Date: Composed 1956. Lot Note(s): Stamped "Madoura Plein Feu" & "Empreinte Originale de Picasso". Edition of 500. Very good condition; paper remains, verso. Literature/catalogue raisonne: AR388 (Alain Ramie, "Picasso: Catalogue of the Edited Ceramic Works, 1947-1971," pg. 200, #388). Comment(s): According to ‘Gordon’s Art Reference’ the auction record for another example of this ceramic is $9,785 (£5,750) realized at Christie's, South Kensington, London, England, June 26, 2014, lot #131. The "earthenware – terracotta – pottery - clay” plaque measures 7 3/8 inches (18.5 centimeters) in diameter. Image copyright © Artists Rights Society (ARS), New York. [29268-17-3000]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Ceramic: Tete d'homme aux cheveux longs". Medium: Glazed ceramic plaque. Date: Composed 1968-69. Lot Note(s): Stamped "Madoura Plein Feu" & "Empreinte Originale de Picasso" and numbered 8/50 on the verso. Edition of 50. Very good to fine condition; the recto is in fine shape with no apparent losses, repairs, etc.; there is a small barely noticeable repair to a firing crack on the verso, center left; the outline of what was probably a removed sticker in the upper right quadrant; and glue remains upper right and left where a hanger mechanism was removed (with no losses to the object), else fine. Literature/catalogue raisonne: AR597 (Alain Ramie, "Picasso: Catalogue of the Edited Ceramic Works, 1947-1971," pg. 598, #597. Provenance: Private collection, Rome, Italy. Comment(s): According to ‘Gordon’s Art Reference’ the auction record for another example of this ceramic (which also is the most recent sale) is $91,470 (£60,000) realized at Christie's, South Kensington (London, England), February 6, 2015, lot #232. Very scarce: ‘Gordon’s’ records only 15 sales of this ceramic in the past 31 years. The large "earthenware - terracotta - pottery - clay” plaque/tile measures 12 1/16 x 12 1/16 inches (31 x 31 centimeters). Image copyright © Artists Rights Society (ARS), New York. [29010-17-24000]

Collection of documents and ephemera relating to Staffordshire. Deeds/indentures, predominantly 19th century, some earlier (names include Tollett; Wicksted; Twemlow; Royds; Copeland; Moss; Shingleton 1699; Parson; Jackson; Blagg; Poole; Wood; Brindley; Davenport; Turner; Brunt; Port Hill Estate 1887; Basford Hall Estate 1893, and others); business invoices/receipts; Victorian & Edwardian solicitors' letters (predominantly Newcastle-under-Lyme); Stoke-on-Trent Poll Book for 1868; a quantity of handwritten correspondence to Harold Beresford-Hope throughout 1910, from his mother, on headed paper (6 Gledhow Gardens, South Kensington); a manuscript 'Book of Bodies, Glazes, Colours'; correspondence to Arthur Barnes Esq., Lichfield, 1873 (with envelope); free frank post signed by Baron Bagot, Lichfield, addressed to Rev. Hughes; armorial bookplate for Bayley-Paget, Lord Paget; 1857 Act extending powers of Burslem and Tunstall Gaslight Company; 1813 & 1823 Acts relating to land enclosure in Staffs; two framed In Memoriam/funeral cards, Bentley Cemetary, elaborate silvered paper lace designs; a wooden printing block for 'R. L. Bodley & Son, Wine & Spirit Merchants, Newcastle (Staff)'; an engraved copper printing plate for W. H. Grindley, depicting pottery factory; metal plaque depicting 'the oldest house in America, built in 1634'; 20th-century/modern printed material about Staffs/Potteries; newspapers; 19th-century maps/plans of Staffs, and others, in two boxes (2) 

Ceramics including a Kensington Pottery Lupin pattern basket, a Victorian teapot (a/f), Lustre box, humorous transfer-printed and hand-tinted oviform pot, Crown Ducal Rington's vase and Wood relief-moulded plate

A collection of twelve mostly Sadler tea pots to include ' The Old Pottery ', a Kensington Potteries Beefeater teapot, a Kensington price cottage tea pot, 'the old forge', a Cheddar Gorge tea pot, Robin Hood, etc. 

A collection of early 20th Century vintage pottery to include two Sylvac vases of reeded form having twin rope twist handles, a Coronet Ware 'Amber Garden' vase of trumpet form, a price Kensington celery vase and a majolica dish of round form with raised berry decoration. 

Henri Hayden (Polish 1883-1970) Mollien Gouache Signed and dated 66 lower right 48 x 59cm (18¾ x 23 in.) Provenance: The Waddington Galleries, London Gallerist and collector, Duncan Campbell, had a passion for the arts and his gallery on Thackeray Street in Kensington was a meeting place for enthusiasts for a quarter of a century. There one would find an eclectic mix of modern art, including paintings, works on paper and prints, sculpture, studio pottery, tribal artefacts and a range of other paraphernalia that had tempted him. As David Buckman described in his obituary He had those invaluable gifts for a dealer; a natural eye for quality, plus an instinct for what people might buy. (The Independent, 2011). The present group of works aptly demonstrate Campbell's broad and varied interests from his particular fondness for the landscapes of Rowland Hilder to a vibrantly coloured depiction of the French countryside by Henri Hayden. Duncan Campbell was an old-school dealer of the best kind. Along with his family, the gallery was the focal point of his life. He developed a loyal following of collectors who came to the gallery to seek out what new treasures he had unearthed, whether they be a young new artist that he was promoting or an already established name into which he was breathing renewed interest.

A Kensington Art Deco pottery vase in pale yellowLocation: RWB

Eight Minton 'Old English Sports and Games' tiles three set into wooden frames, each stamped 'Mintons Art Pottery Studio, Kensington Gore' with indistinct artist monogram to the reverse each tile measures 15cm across (8)

Six Wedgwood Aesthetic Movement Month 8'' Tiles, transfer printed in blue and brown, January (2) November (2) September and October, 20cm square; A Minton Kensington Gore Art Pottery 8'' Tile, decorated with a rat, 20cm square; and Two Minton Gothic Revival 8'' Tiles, one inscribed PROVIDEBIT, 20cm square (9)

A Kensington pottery vase, circa 1920, with hand painted floral design together with an Arthur Wood jug and Denby jug, as found

A selection of Radford kitchen pottery, together with an early 20th century Kensington tea set, a carved figure and three prints

Three various pottery Winstanley Kensington cats, in seated poses, 29cm H, etc. marked beneath. (3)

Kensington pottery water jug together with ceramic model of 2 puppies

A hand-painted decorative 8" tile, by Minton's Art Pottery Studio, Kensington Gore, circa 1872, under-glaze painted with a roundel of a cherub holding a necklace in a floral setting, the spandrels with rosettes, Kensington Gore backstamp, painter's cypher of a figure on horseback (?), 20.3cm square, in oak frame.

Collection of Collectible Porcelain Items to include a vintage Celery Pot, with face and 'Celery' to front in dark green ceramic; vintage Price Kensington Onion Pot with lid, with 'Onions' on lid and crying face to front; and rare vintage Price Kensington pottery shaving mug. Please see images.

A Martin Brothers stoneware face jug by Robert Wallace Martin, dated 1905, modelled to one side with a smiling face, the reverse and more smug grin, glazed brown with white and black highlights, incised 1-1905 R W Martin & Bros, London & Southall, paper label numbered 78, 17cm. high Provenance Martin Brothers Pottery Exhibition, Richard Dennis, 1978 catalogue number 459. Christie's South Kensington, circa 1980. Exhibited Martin Brothers Pottery Exhibition, Richard Dennis, 1978 catalogue number 459. Martin Brothers, Tokyo exhibition, 1979. Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue number 103. Fantasies in Clay, Blackwell House, 2008.

A tall Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1900, shouldered form, modelled with vertical ribs and incised veins, covered in a sage green and mushroom glaze, incised 7-1900 Martin Bros, London & Southall, Christie's lot label, 26.5cm. high Provenance Frank Trier, friend and financial supporter of the Martin Brothers, thence by descent British Decorative Arts, Christie's South Kensington, 10th June 1997 lot 176, purchased by Daryl. Exhibited The South London Pottery Exhibition, Camberwell Art Gallery, 1922, loaned by Frank Trier for the exhibition. Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue number 7. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral exhibition/Pallant House, catalogue number 2.

A large Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1900, shouldered ribbed form with fine incised decoration, painted in shades of peach and green on an off-white ground incised 3-1900 Martin Bros London & Southall, 25.5cm. high Provenance Martin Brothers Pottery Exhibition Richard Dennis Gallery, 1978 catalogue number 383. The Geoffrey Godden Collection Decorative Arts from 1880 to the Present Day, Christie's South Kensington 13th April 1988 lot 58 Decorative Arts from 1860, Bonhams, 16th October 2012 lot 17. Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis Publications, page 118 this vase illustrated.

‡ Joyce Bidder FRBS (1906-1999) and Daisy Borne (1906-1998) Cretan Father and Son, a pottery figure covered in a white glaze incised DJB, dated 1948 in ink to interior, 29.5cm. high Provenance Decorative Arts, Christie's South Kensington, 1992.

‡ Stanley Nicholson Babb FRBS (1873-1957) Sea Horses, 1926 a pottery sculpture, glazed in cream and blue painted signature and date 18cm. wide Provenance Decorative Arts, Christie's South Kensington, 1992

Malcolm Pepper (1937-1980) a stoneware vase, faceted ovoid with everted collar rim, painted with two landscape roundels, and orchid flowerheads, in iron brown on a peppered oatmeal ground glaze flooded seal mark to side, 29.5cm. high Provenance Studio Pottery, Christie's South Kensington, 28th April 1999 lot 28.

‡ Linda Gunn-Russell (born 1953) Speckled jug, 1985, a streamlined terracotta jug form, painted and sponged colours, signed Linda GR 1985, 33cm. high Literature Studio Pottery Christie's South Kensington 15th November 2000, lot 86 for a comparable decoration on a vase form.

Ceramics to include a Limoges cheese plate set, mottoware, a Kensington jug, studio pottery and other items

A box of miscellaneous pottery, china, glass and cutlery, glass eyed mantel dogs, R. A. Timmins & Co. stoneware jar, decanters, Kensington jug etc.