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Lot 817

*British Film & TV. A collection of mostly signed publicity stills and postcards, lobby cards and other merchandising ephemera, circa 1970s/1990s, including multiple autographs of Michael Caine (including two US lobby cards), George Cole, Roy Kinnear, Felicity Kendal, Mel Smith and Griff Rhys Jones, Dennis Waterman, Rula Lenska, Ingrid Pitt, Richard Attenborough, Anthony Hopkins, Roger Moore, Bob Hoskins, John Hurt, Robbie Coltrane, Edward Woodward, Rik Mayall, 'Alan Partridge', Reeves & Mortimer, Ronnie Barker (including signed poster for the film Porridge), actors from On the Buses, Last of the Summer Wine, etc., mostly contained in two ring binders (2 ring binders)

Lot 520

Morrell (David). First Blood, 1st UK edition, 1972, original red cloth in dust jacket, spine slightly faded, 8vo, [First Blood is the first outing for John Rambo, the iconic protagonist made famous by Sylvester Stallone in the film adaptation], together with other modern fiction and 1st editions, including Hugh Walpole, Len Deighton and publications by Victor Gollancz, some signed by the author, mostly original cloth in dust jackets, G/VG, 8vo (6 shelves)

Lot 839

*Flynn (Errol & De Havilland, Olivia). An archive of film ephemera, including some film posters, campaign brochures, magazines, 17 Fllynn/De Havilland scrapbooks compiled by Rick Dodd, photos, etc., including 3 items framed (3 cartons) NB. The quantity of this lot has been amended.

Lot 805

*Such Good Friends, Paramount, 1972, British quad poster in folded condition, multiple pinholes to lower corners, 30 x 40 ins (76 x 102 cm), fine, together with a British double crown double bill poster for the same film (featuring the same Saul Bass artwork) with 'A Date with a Lonely Girl', 1972, 30 x 20 ins (76 x 51 cm), fine folded condition, plus 2 British quad posters for Otto Preminger's The Cardinal, Columbia, 1963, both in folded condition, one matt and one glossy paper, both good to very good, plus a Belgian poster for 'Bunny Lake is Missing', Columbia, 1965, folded condition with 2 stamps and small tear with loss to upper left corner, 15 x 22 ins (38 x 56 cm), very good, plus a 1974 rolled poster for an exhibition of the work of Saul Bass held at London's Design Museum in 2004 All featuring artwork by Saul Bass. (5)

Lot 796

*Rollerball, United Artists, 1975, directed by Norman Jewison, with James Caan, artwork by Bob Peak, UK quad poster and US one-sheet poster (2 copies), all in folded condition, some slight separation on folds of one sheet, corner pinholes, VG, plus a group of six concept artwork cards for the film with artwork by Bob Peak, film title and studio credits pasted to lower margins, corner pinholes, 17 x 19 ins (43 x 48 cm) (9)

Lot 774

*Frenzy, Universal, 1972, directed by Alfred Hitchcock, UK quad in folded condition, a little light creasing and some light browning to left-hand side of poster, together with Family Plot, Universal, 1976, directed by Alfred Hitchcock, UK quad poster in folded condition, corner pinholes, both 30 x 40 ins (76 x 102 cm), G/VG, plus other Hitchcock film ephemera including press books for North by Northwest (stapled MGM 1965 re-release) and Torn Curtain (2 copies), 2 German film stills for 'The Paradine Case', film books for Stage Fright and Rope, etc. (approx. 20)

Lot 764

*Advise & Consent, Columbia, 1962, directed by Otto Preminger, US one-sheet poster in folded condition, 41 x 27 ins (104 x 68 cm), very fine, together with a US lobby card title card, an Italian locandina poster, a Belgian poster and a British campaign book all for the same film, all fine All featuring the artwork of Saul Bass. (5)

Lot 815

*The Beatles. An assorted group of Beatles and related ephemera, including approximately 20 colour and black and white photographs by Mark Goodfellow, 1970s, including George Harrison arriving at Abbey Road Studios, Ringo Starr also, July 1970, George Harrison's house, Paul McCartney's house, St. John's Wood, plus film stills, publicity photographs, post-Beatles tour programmes, The Beatles by Royal Command (1963), Meet the Beatles by Star Special (1963), Beatles Movies Catalog, The Beatles Get Back book, etc., plus a quantity of Paul McCartney and Wings ephemera including programmes, tickets (1973), publicity leaflets, etc., mostly contained in two ring binders (-)

Lot 846

*Star Wars I: The Phantom Menace, 20th Century Fox, 1999, directed by George Lucas, with Liam Neeson, artwork by Drew Struzan, [double-sided] Style B US one-sheet film poster in unfolded condition, 36 x 26 ins (96 x 66 cm), near mint, framed, together with other film and music posters, photographs and reproductions, etc., one colour picture of Darth Vader signed by Dave Prowse, all but one framed and glazed, various sizes (16)

Lot 812

*Film Posters. An assorted collection of film posters and related memorabilia, including rolled posters for Summer Paradise, Murder on the Orient Express, Jules et Jim, Spirit of the Beehive, Violette Noziere, Sampson and Delilah (French grand), The Ox-Bow Incident (US one-sheet), Mysteries of the Organism, Every Which Way but Loose, etc., including some reprints and souvenir material (a carton)

Lot 837

*Flynn (Errol, 1909-1959). Publicity film photograph by Morgan, signed and inscribed 'Merry Christmas' by Errol Flynn, photography studio credits to verso, 25 x 20 cm, together with another photograph of Errol Flynn on textured card, facsimile purple signature lower right, 25 x 20 cm, plus an autograph letter signed from Errol Flynn’s wife Patricia, 16 March 1995, to Mr and Mrs Dodd and hoping to meet up to discuss the Museum, 2 pp. on two sheets Errol Flynn estate letterhead, 4to (3)NB. The quantity of this lot has been amended to 3 items and more detail has been added to description.

Lot 785

*No Way Out, 20th Century Fox, 1950, directed by Joseph L. Mankiewicz, US insert poster in folded condition, artwork by Saul Bass, minor marks and creases, 36 x 14 ins (91 x 36 cm), very good to fine, together with a Spanish one-sheet poster for the same film with different artwork, 3 ink censor stamps to upper blank area of poster, some uniform light toning, multiple pinholes, 43 x 29 ins (109 x 73 cm), very good (2)

Lot 842

Film & Theatre. A large collection of approximately 100 film books, plus Theatre World magazine, CDs, DVDs, etc., including some Errol Flynn interest  (many author signed to Rick Dodd)(5 cartons)NB. The quantity in this lot has been amended.

Lot 787

*Oklahoma, 20th Century Fox, [1956], 1964, directed by Fred Zinneman, Polish first release film poster, artwork by Witold Janowski, folded, a few marginal splits, 33 x 23 ins (84 x 58 cm), near mint (1)

Lot 253

UNITED ARTISTS FILM ADVERTISING POSTER SERGEANTS 3 FEATURING FRANK SINATRA, DEAN MARTIN AND RAT PACK F/G 76 X 100CM

Lot 2038

1986 - Ferris Bueller - US One Sheet - Style A image for the film showing Matthew Broderick as the infamous Ferris Bueller. Condition: Folded near fine

Lot 2335

1968 - 2001 a Space Odyssey - US Half Sheet. Classic Sci-Fi Space wheel art by Bob McCall for Stanley Kubrick's seminal Science Fiction film based on Arthur C. Clarke's theoretical story of how humanity came about and the birth of the starchild. Conditio

Lot 2281

2015 - Steve McQueen The Man and Le Mans - France - French Grande Affiche Film Poster - Classic Steve McQueen image from the sports documentary based upon the making of the 1971 film ?Le Mans? - Condition: Rolled, Fine (62" x 45.5" / 157.5 cm x 115.5 cm

Lot 2015

1944 - Arsenic and Old Lace - US Insert - Arsenic and Old Lace remains one of the consumate comedy classics from the Hollywood Golden Age. Paper on this film is increasingly hard to find. Condition: Folded good

Lot 2139

1941 -The Avengers (The Day will Dawn) - Action Propaganda film about the invasion of Norway. Spectacular art work. Condition: Folded Fine

Lot 198

'Inside Deep Throat', a film by Fenton Bailey and Randy Barbato, cinema poster, 75 x 100cm

Lot 381

Faiza Butt (Pakistani b.1973) Unless-4, 2010 A pair, both ink on polyester film Each 13.5 x 13.5cm (2) Provenance: Rossi Rossi, London

Lot 373

The Playwrights gives his view of the State of Irish Theatre& Outlines the Case for a New DepartureFRIEL, Brian, Dramatist [1929-2015]. An important typescript signed letter, 5 pp, with a manuscript postscript, December 1974, from his home near Lifford, Co. Donegal, to the Abbey actor Pat Laffan (a member of the Actors Equity council) and the theatre designer Bronwyn Cassin, giving a frank view of the state of Irish theatre, and outlining the case for a new departure. The letter arises from discussions in an Equity subcommittee of which Friel and Laffan were members. 'My first concern, probably my only concern', Friel says, 'is the state of theatre in Ireland today. I think we are on the verge of a new direction .. Do we think automatically in terms of how best the Abbey can be reformed and made the vehicle for these new concepts, or do we attempt the new excursion without the inhibition of an existing place ..? The decision I have come to is that the Abbey, even a reformed Abbey, cannot [be] the incubator. It has evolved into an institution of such magnitude that necessarily most of its energy is consumed with keeping alive and keeping open. Before it even begins to think of what kind of plays it ought to do .. it is concerned .. with its capital, its publicity, its expenditure, its intake, its public, its cleaners, its caterers .. These are not the problems that are exercising me. Nor were they the problems of Yeats-Gregory-Fay ..'Our concern .. is to forge a new Irish drama .. The new voice I think I detect and the new direction I know to be necessary are the things that engage me now, and these could not find accommodation in Abbey Street. Even if the Abbey could be restructured .. the whole Abbey enterprise would be too lavish and too expensive to nurture a new and delicate and uncertain idea ...'When I come to a writing-down of what form the new Irish drama will take, of course I falter. I have no precise answers .. He says it will not be a Gaelic-speaking or a poetic drama, because both of these are elitist in practice and theatre is by definition vulgar, of the vulgus. It has nothing at all to do with politics because they are trivial, of no importance whatever.'What I envisage is a small group of actors, writers, designers who are drawn together out of mutual concern and interest; a vague but very real awareness that what is taking place on Irish stages bears very little relationship to either the imaginative or the day-to-day life we inhabit; a recognition that what it is to be Irish must be shaped and presented; a knowledge that the old seam of realism-naturalism is exhausted; a conviction that we cannot grab a theory from England or Germany or the U.S. or wherever .. a belief that these new definitions .. will evoke a response at first from tiny audiences but later from greater numbers .. and that we must find new eyes and ears and tongues to see and hear and express the Ireland that hasn't been expressed dramatically for 30 years.'Although Friel remained with the Abbey for some years more, notably with his great play Faith Healer [1979], it is clear that the line of thinking outlined here was what led him in 1980 to become co-founder of the Field Day Theatre -- precisely the kind of loose creative collaboration he suggests in this remarkable letter. Throughout the 1980s his work was produced by Field Day, beginning with Translations [1980], but in 1990 he finally returned to the Abbey with Dancing at Lughnasa.With an earlier manuscript signed letter to Laffan, May 1974, 2 pp, outlining similar ideas, and a note dated 27 Oct. (no year) about casting for a film. An important collection of letters from one of the great masters of Irish Theatre, outlining ideas and dilemmas which are still relevant today. Friel rarely gave interviews, and this is a very valuable exposition of his ideas as he approached a turning point in his career. A Saoi of Aos Dána, with a string of Broadway successes to his name, Friel was undoubtedly the leading Irish playwright of the latter half of the 20th century. As a m/ss, w.a.f. (3)

Lot 349

A vintage Pathe 95 Cine Film projector, in original case and a Kodaslide model 5 projector, a Harrods bowler hat, and a M. Mignot brushed felt top hat

Lot 103

Early cine-film projector, with large number of reels, with booklets and cases.

Lot 600

A Paula Lishman hand-made in Canada dark brown sheared beaver swing coat with concealed side pockets, 55 cm across, size 10/12(Paula Lishman is wife of Bill Lishman inspiration for 'Fly Away Home' film 1996) Condition Report Good worn condition

Lot 222

A Jean-Paul Gaultier 'Mad Max' dress, Autumn-Winter, 1995-96, Maille labelled, of stretch polyamide forming a second skin, the computer-generated spot pattern reflect the contours of the female form, with spot-print portrait to the rear shoulders, bust approx 86cm, 34in For this collection Gaultier drew inspiration from the 1979 science fiction film 'Mad Max'. CONDITION REPORT: Dress has been shortened at the waist

Lot 79

A fine Jeanne Lanvin couture bridal gown, Summer 1935, labelled and numbered 22872 to the slip, the bias-cut gown with large pearlised floral corsage to the neck, long curved, full sleeves, with matching circlet and satin belt, the pointed train with diamond seaming, 350cm, 148in long, bust approx 86cm, 34in (3)Provenance: worn by Anne Marie Astraudo (1914-2004) for her marriage to Christian Bricard (1911-2000) who was director of the department store 'La Belle Jardinière', Paris. CONDITION REPORT: Dress has perspiration stains at underarms, light soiling to train. Clear celluloid film is lifting off the petals in places, a few creased petals but generally good. Original glue marks on inside of bodice from corsage. Headdress is generally good condition, a few of the petals are creased and the clear celluloid film covering the petals has begun to lift off in places. Belt edge has slight rust mark and pin hole to pointed tip. Slip is good condition, 2 white marks below right breast (minor).

Lot 116

Large Titanic film poster signed Kate Winslet

Lot 102

A quantity of collectables to include cased typewriter, cased cutlery, commemorative shield and a small quantity of public safety film reels.

Lot 227

A 1926 SOVIET FILM POSTER BY KONSTANTIN VYALOV (RUSSIAN 1900-1976) KOGDA PROBUZHDAUTSA MERTVIYE [When the Dead Awake], Soviet film poster, signed in plate, 1926, published for GOSVOENKINO, No. 71720, edition of 10,000, 102.5 x 69.5 cm (40 3/8 x 27 3/8 in.)

Lot 228

A 1927 SOVIET FILM POSTER FOR BUKHTA SMERTI BY ANTON LAVINSKIY (RUSSIAN 1893-1968) BUKHTA SMERTI [Bay of Death], Soviet film poster, signed in plate, 1927, published by GOSKINO, printed by MOSPOLIGRAF, edition of 10,000, 109 x 72 cm (43 x 28 3/8 in.)

Lot 233

A 1929 SOVIET FILM POSTER BY NIKOLAI PRUSAKOV (RUSSIAN 1900-1952) SCHASTLIVIE KOLTSA [Blissful Rings], Soviet film poster, 1929, signed in pate, published for SOVKINO, Mosgublit No. 47607, edition of 8,000, 107.5 x 62.5 cm

Lot 218

AFTER VLADIMIR STENBERG [ILLUSTRATOR], DVORETS I KREPOST, 1924 illustrated after a poster design by STENBERG, Vladimir (1899-1982), text by P. Shegolev and O. Forsh. Dvorets i krepost [The Palace and the Fortress], screenplay. Petrograd: SEVZAPKINO, 1924. Original lithographed and gilt-stamped wrappers. 18 pages. 4to (325 x 240 mm). A printed film script for a 1924 Soviet historical silent film directed by Aleksandr Ivanovsky.LOT NOTESThe cover of the present lot is similar to Vladimir Stenberg`s design of the poster for this movie, and could have possibly been created by the artist himself, or his follower.

Lot 243

A 1936 SOVIET FILM POSTER FOR RODINA ZOVYOT RODINA ZOVYOT [The Motherland is Calling], Soviet film poster, 1936, published for MOSFILM, printed by KINOFOTOIZDAT, edition of 5,000, 94 x 61.5 cm (37 x 24 1/4 in.)

Lot 242

A 1936 SOVIET FILM POSTER FOR TSIRK BY B. ROGATKIN AND G. SHAPIRO TSIRK [Circus], Soviet film poster based on Ilya Ilf and Evgeny Petrov`s Under the Circus Tents, signed in plate, 1936, published for MOSFILM, 82 x 58 cm (32 x 22 3/4 in.)

Lot 239

A 1933 SOVIET FILM POSTER FOR GOROD POD UDAROM GOROD POD UDAROM [A City under Attack], Soviet film poster, 1933, published by SOYUZFILM, printed by GOS. IZD. Legkoy Promyshlennosti, edition of 5,000, 87.5 x 61 cm (34 1/2 x 24 in.)

Lot 236

AN EARLY SOVIET FILM POSTER FOR ODIN V POLE NE VOIN ODIN V POLE NE VOIN [A Lone Man in a Field is not a Warrior], published for SOYUZKINO, Mosoblit No. 3295, 70.5 x 49 cm (27 3/4 x 19 1/4 in.)

Lot 235

A 1931 SOVIET FILM POSTER FOR STANITSA DALNAYA STANITSA DALNAYA [Faraway Village], Soviet film poster, 1931, published for SOYUZKINO, Mosgublit No. 2355, edition of 5,000, 71.7 x 50.9 cm (28 1/4 x 20 in.)

Lot 226

STENBERG BROTHERS POSTER FOR AN EARLY SOVIET FILM (RUSSIAN, VLADIMIR 1899-1982; GEORGI 1900-1933) KOGO NUZHNO ``OMOLAZHIVAT``? [Who Needs to be ``Rejuvenated``?], Soviet film poster, 1926, published for Krasnaya Zvezda, Glavlit No. 45705, edition of 10,000, 70.5 x 106 cm (27 3/4 x 41 3/4 in.)

Lot 110

CHAPLIN CHARLES: (1889-1977) English Film Comedian, Academy Award winner. A very fine vintage signed sepia 5 x 7 photograph, the captivating image depicting the handsome, young Chaplin in a head and shoulders pose. Signed ('Faithfully Chas Chaplin') in bold, dark fountain pen ink to the lower white border. Some extremely light age wear and very minor mottling to the borders, VG Following Chaplin's rise to fame during the silent film era, the comic actor became a worldwide icon and is considered one of the most important figures in the history of cinema. (See also lot 162) 

Lot 129

MILNE A. A.: (1882-1956) English Author, creator of Winnie-the-Pooh. A remarkable presentation book signed and inscribed, featuring nine original (and presumably unpublished) verses by Milne, being a hardback edition of his play Michael and Mary, First Edition published by Chatto & Windus, London, 1930. Signed and inscribed by Milne, using his family name ('Blue'), to his wife on the front free endpaper, 'For my darling from her Blue', also adding the words ' "I suppose you do know -" ' and the date, 28th May 1930, in his hand beneath the inscription. To the following two pages, including the half title page, Milne has neatly penned nine original verses, comprising a total of fifty lines, each relating to nine of the characters in his play and the actors who created the roles on the London stage, signed ('A.A.M.') at the conclusion with his initials, in part, 'Michael - Rowe played nightly by a BartSteers his way into the heartOnly Michael's Marshall carriagePulls him through that risky marriage' (the role of Michael created by Herbert Marshall) 'Mary - When I hear your "Don't you dare toTouch me" I can hardly bear toSit in silence. I am dyingTo burst in upon you, cryingThank you, Edna, very much. YouAngel, nobody can touch you' (the role of Mary created by Edna Best) 'David - When all of us are dead and goneAnd even Frankie Lawton's oldIf actors still come "off" and "on"And tickets still are bought and sold"How good"…thee…will say"That fellow - can't remember nameses - "Did - you know - in that rotten play"By what's-it at the old St. James's"' (the role of David created by Frank Lawton) 'Inspector - The burglar, whether British born or foreignNever escapes Inspector Thatcher (Torin)If she's a female crook, Inspector ThatcherCan always be relied upon to catch her' (the role of the Inspector created by Torin Thatcher) 'Price - A horrible villain was Price, I'm afraidWith his record of marriages hastily madeAt a registry office, and vice-lessAnd, though it sounds odd, I am bound to confessThat in voice and department, in manners and dressThe way that you played him was priceless' (the role of Harry Price created by D. A. Clarke Smith) Bound in the publisher's dark beige cloth and with a cream paper label (slightly chipped) printed in black to the spine, and lacking the dust jacket. A wonderful and rare association copy. Some foxing and light age toning to the preliminary pages, most notable to the title page, and only very slightly affecting Milne's text. G Dorothy 'Daphne' de Selincourt (1890-1971) Wife of A. A. Milne (from 1913) and the mother of Christopher Robin Milne. Her husband's affectionate inscription in the present volume can be explained by the close of Michael and Mary; in the play the character of Michael turns to Mary, mother of their son, David, and proclaims 'I suppose you do know, Mary, that, much as I love him, I love your little finger - your funny little finger, more than all of David?', Mary gently replying 'I think I did know, Michael. You've got a funny little finger too'. Michael and Mary is considered to be one of Milne's most successful light comedic dramas and is a play about marriage, raising issues regarding law, religion, morality and illegitimacy. The play was originally staged in New York before moving to London where it opened at the St. James's Theatre on 1st February 1930 and starred Herbert Marshall and Edna Best (themselves married from 1928-40, and also the couple to whom Milne dedicated the present book) in the title roles. A year later Michael Balcon produced a film version of the play, retaining the stage cast in their roles. It was the first of Marshall and Best's co-starring talkies and was voted the third best British movie of 1932. A. A. Milne was a noted writer, primarily a playwright, before the enormous success of his books about the teddy bear Winnie-the-Pooh overshadowed all of his previous work. The enduring popularity of Milne's character is evident in the recent 90th anniversary celebrations of Winnie-the-Pooh's first arrival in Hundred Acre Wood. Provenance: The present volume was previously part of The Roy Davids Collection of Poetical Manuscripts and was originally acquired by him directly from the Milne family without any intermediate ownership. 

Lot 180

ALI MUHAMMAD: (1942-2016) American Boxer, World Heavyweight Champion. A good signed 10 x 8 photograph of Ali standing in a half length pose, with a white towel hanging around his neck over his bare chest, in a scene from the 1977 film The Greatest. A printed caption to the lower border explains that the image shows heavyweight boxing contender Cassius Clay, following his victory over Henry Cooper, learning that he has won a bout for the world title against Sonny Liston. Signed ('Muhammad Ali') in bold black ink to a clear area at the centre of the image and dated 19th April 1986 in his hand. EX From an early stage of Ali's career, the pugilist was recognised as an inspiring, controversial and polarising figure both inside and outside of the boxing ring, and is widely regarded as one of the most significant and celebrated sports figures of the 20th century. (See also lot 172) 

Lot 142

HITCHCOCK ALFRED: (1899-1980) British Film Director. A superb vintage signed 7.5 x 9.5 photograph of the director seated in a full length pose alongside a large Technicolour camera on the set of his film Under Capricorn (1949). Hitchcock holds one arm at length as he gives direction to his players and in the background the camera operator Paul Beeson can be seen. Signed ('Alfred J Hitchcock') by the director in bold, dark fountain pen ink with his name alone to a clear area of the image. About EX Under Capricorn (1949) was the second of Hitchcock's movies to be made in Technicolour (the first being Rope, released a year earlier) and starred Ingrid Bergman, Joseph Cotton and Michael Wilding.  Hitchcock pioneered many elements of the suspense and psychological thriller genres over a career spanning more than half a century. Often regarded as the greatest British filmmaker, he came first in a 2007 poll of film critics in the Daily Telegraph. In 2002 the MovieMaker magazine named Hitchcock the most influential filmmaker of all time. 

Lot 143

PAGNOL MARCEL: (1895-1974) French Filmmaker, Novelist & Playwright. An excellent vintage signed and inscribed 9 x 11.5 photograph by Pagnol, the image depicting him in a head and shoulders pose looking directly towards the camera. Photograph by Henri Moiroud. Signed ('Marcel') by Pagnol in bold, black fountain pen ink to a clear area at the base of the image and further inscribed ('a toi, mon cher Tintin, avec ma meilleure affection') in French and dated 1943 in his hand. Signed photographs of Pagnol of this size and quality are rare and desirable. VG Henri Moiroud (1911-1999) French Photographer who served as still photographer at Pagnol's film studios in Marseille from 1941-56. Pagnol became the first filmmaker to be elected to the Academie francaise in 1946 and is widely regarded as one of France's greatest 20th century writers and is notable for excelling in almost every medium - memoir, novel, drama and film. 

Lot 179

WARHOL ANDY: (1928-1987) American Pop Artist. A large folio printed edition of Interview magazine, entitled The Movies "A" to "Z", September 1985, Vol. XV, No.9, published by Warhol, the colour front cover featuring a close-up portrait of actor Sylvester Stallone as boxer Rocky Balboa. Signed ('Andy Warhol') by Warhol in bold black ink with his name alone to a clear area of the front cover. A few minor, small tears and stains to the edges of the covers and some very light overall age wear, not affecting the signature, otherwise VG Sylvester Stallone (1946-     ) is perhaps most famous for his screen role as Rocky Balboa in a series of seven films made between 1976 and 2015. Rocky IV, the most financially successful film in the series, was released in 1985, the same year as the present magazine. Stallone and Warhol's paths crossed on several occasions, beginning in 1979 in New York. On each occasion Stallone recalls Warhol taking his portrait.  Warhol was a leading figure in the visual art movement known as Pop Art. His works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s. His New York City studio, The Factory, was a well-known gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities and wealthy patrons. Warhol is credited with coining the widely-used expression '15 minutes of fame'.  

Lot 162

[CHAPLIN CHARLES]: (1889-1977) English Film Comedian, Academy Award winner. An unusual, unbranded, pendant ink pen apparently used by Chaplin to write his memoirs My Autobiography (1964). The cartridge pen measures 5.5" in length and is made of plain black ebonite with a part stainless steel barrel, and stainless steel nib, fitting securely into a plain black ebonite pendant cap. The pen is loosely attached via a red ribbon lanyard to a printed visiting card bearing two addresses in Switzerland and with a brief printed auction catalogue description (in French) neatly pasted to the centre, stating, in part, 'Un stylo plume pendentif en ebonite. Utilise par Chaplin pour de la redaction de sa biographie, publiee en 1964.' Some very minor signs of age wear, otherwise VG September 1964 saw the release of Chaplin's memoirs, My Autobiography, which he had been working on since 1957. The 500-page book, which focused on his early years and personal life, became a worldwide best-seller, despite criticism over the lack of information on his film career.Along with Chaplin: His Life and Art, it provided the source material for the 1992 feature film Chaplin.Following Chaplin's rise to fame during the silent film era, the comic actor became a worldwide icon and is considered one of the most important figures in the history of cinema. (See also lot 110)

Lot 176

PRINCE ROGERS NELSON: (1958-2016) American Singer & Songwriter, mononymously known as Prince. Signed 8 x 10 photograph, an atmospheric and engaging image of the talented singer and musician in a head and shoulders pose, reminiscent of the Purple Rain stage of his career. The Warner Bros. publicity portrait is credited to photographer Al Beaulieu and dated November 1982. Signed, 'Love God, Prince', in bold black ink to the image, the signature running across a partially darker area of the image. Rare. EX Prince was a musical innovator, recognised for his eclectic work, flamboyant stage presence, extravagant dress and wide vocal range. His compositions integrated a wide variety of musical styles, contributing to sales of over 100 million records worldwide, making him one of the best-selling artists of all time. The winner of many awards (including an Academy Award for the film Purple Rain), Rolling Stone magazine ranked Prince at number 27 on its list of 100 Greatest Artists ('the most influential artists of the rock 'n' roll era'). 

Lot 141

 DU MAURIER DAPHNE: (1907-1989) British Author. On Rebecca 'The heroine was nameless on purpose'.A good A.L.S., Daphne du Maurier, two pages, 8vo, Fowey, Cornwall, 21st August 1942, to Miss. Pottinger and Miss. Hurst. Du Maurier writes 'I am glad you enjoyed the story of "Rebecca"' and continues to answer her correspondent's questions, '1. The heroine was nameless on purpose, because I wished to see if it were possible to write a complete story without once giving a name to the chief character. And I succeeded! 2. The second question is too difficult to answer. No author can say why he or she thinks of a particular theme. The idea just comes slowly, and is then worked out on paper'. Some light age wear and a few small, neat splits at the edges of the folds, not affecting the text or signature, otherwise about VG A scarce vintage letter in which the novelist comments on one of her most famous works. Rebecca (1938) has had a significant impact on popular culture, not least through the 1940 Academy Award winning film adaptation of the novel, directed by Alfred Hitchcock and starring Laurence Olivier, Joan Fontaine and Judith Anderson. The best-selling novel has never gone out of print. 

Lot 665

Seven Film and TV related die-cast model vehicles, including Corgi Back to the Future, Starsky and Hutch, The New Avengers and Spender (7)

Lot 743

A Pentax P30 film camera and lenses, slide projector, Gnome slide magazines, cameras, etc.

Lot 277

Film books and programmes some with autographs in two boxes Condition Report Click here for further images, condition, auction times & delivery costs

Lot 415B

1960's re-issue French linen backed film poster for the film ' The Day The Earth Stood Still' 77cm x 66cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 424

A collection of vintage film posters to include The Sky Above The Mud Below and various others.

Lot 405

A collection of approximately 30 various Italian film posters to include erotic, Masoch, Piaceri, Serena and others. Circa 1970s, 80s and 90s.

Lot 578

City Of Women X Rated Quad film poster. This Federico Fellini film poster (30 x 40) is rolled and has not been folded. There is very little edge ware otherwise in VG++ condition.

Lot 577

Clockwork Orange Movie Poster. 27" x 40" in VG++ condition. This poster of the Stanley Kubrick film is in a rolled condition with no folds.

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