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Lot 219
A pair of gold hoop earrings, with a detachable bead drop, a pair of gold cultured pearl drop earrings marked 585, a pair of 9ct gold shamrock drop earrings, a 9ct gold single stone diamond centrepiece necklace, a pair of gold hoop and faceted drop earrings, and another pair of gold hoop and ball earrings, marked 9cthoops 0.36gpearls 2.98gshamrock 1.98gnecklace 2.45gdrop 2.52gball 6.11g
Lot 536
A yellow metal flower brooch, having central brilliant round cut diamond surrounded marquise cut pink gem stone petals and similar leafs to stem, (yellow metal assessed as high carat), together with a pair of red coral drop earrings, of slender teardrop form, having diamond chip yellow metal mounts, together with a 9ct. gold cross, set cabochon amethysts, a yellow metal cross set flat cut quartz and mounted to centre, with chased and hammered vine leaf decoration and filigree work border, (yellow metal assessed as high carat gold), Also a stone set butterfly form pendant. (5)
Lot 661
A Pair of Hessonite Garnet and Diamond Earrings, an old cut diamond in a claw setting suspends a round cut hessonite garnet, total estimated diamond weight 0.10 carat approximately, with hook fittings The earrings are in good condition. They are not hallmarked or stamped, valued as gold. The garnets measure 6.2mm-6.3mm x 4.2mm and 6.4mm-6.5mm x 3.5mm approximately. The approximate qualities of the diamonds are; colour H/I, clarity SI1/SI2, one diamond chipped. Gross weight 2.8 grams. Condition Report made 23rd March 2018.
Lot 1368
A pair of Victorian diamond-set pendant earrings, the upper foliate cluster sections suspend a detachable articulated diamond drop section set overall with old circular-cut diamonds in silver cut-down collets, the lower drops divide into two so the earrings can be worn in three different ways, screw fittings, 5.7cm longest Accompanied by original invoice from Tessiers, London, dated 30 June 1960
Lot 1402
A pair of emerald and diamond-set gold flower head earrings by Van Cleef & Arpels, c.1955, each centred with a cabochon emerald, the petals pavé-set with round brilliant-cut diamonds and with fringe border, signed Van Cleef & Arpels, inventory number 17743, additional French control marks, each 3cm wide, with suede Van Cleef & Arpels pouch
Lot 1404
A pair of diamond cluster earrings by Van Cleef & Arpels, c.1950, each earring set with nine marquise-shaped, three round brilliant and five tapered baguette-shaped diamonds in platinum and white gold, the hinged clips signed Van Cleef & Arpels, numbered 84430, with French control mark and maker's initials D.C. within a lozenge, with pendant loops, 2.8cm high, with Van Cleef & Arpels grey leather pouch
Lot 1409
A pair of diamond and sapphire scroll earrings by Rubel Frères, c.1935, each with nine curved branches, set with baguette-shaped diamonds and terminating with an invisibly-set oval-shaped sapphire, the hinged clips with baguette-shaped diamond semi circles with circular-cut diamond borders, French platinum control marks, partially obscured maker's mark in lozenge RFrs.. 29.9g, 4.2cm For a similar pair of earrings by Van Cleef and Arpels see Van Cleef Arpels: The Art of High Jewellery (Paris: Les Arts Décoratifs, 2012), p. 106. Rubel Frères John and his brother Robert opened a workshop on Rue Vivienne in Paris, 1915. The Rubel Frères were producing jewellery that soon caught the eye of the great jewellery houses, such as Van Cleef & Arpels. The quality of their workmanship for the great houses was recognised to the extent that they were allowed to sign some of their pieces with their own maker's mark RFrs. With the outbreak of the war, the brothers followed Van Cleef & Arpels to New York in 1939. They instantly took to the lavish night life. Tradition holds that whilst at the El Chico club, John sketched a flamenco dancer that developed into the first iconic Van Cleef & Arpels ballerina brooches. However, when the rights to produce these pieces could not be agreed, the rift that ensued between the brothers and Van Cleef & Arpels was irreparable. 'Mystery Set' refers to the unique technique associated with Van Cleef & Arpels, which they patented in 1933. The mystery is how rows of gemstones could be so perfectly set whilst no metal to hold them in place could be seen; no claws, collets or mounts were visible. The free-standing illusion is formed by a delicate lattice of rails slotting into grooves cut into the pavilion of each calibré-cut gemstone. The process takes hundreds of hours and could only be undertaken by a very small number of jewellers. Similarly set jewellery by anyone but Van Cleef & Arpels is referred to as 'invisibly-set'. The oval-shaped sapphires in lot 1409 are invisibly-set. Mystery-set pieces are extremely rare. Rarer still are invisibly-set oval stones. The sapphires in lot 1409 slot into the collet rather than a neighbouring stone, as with typical invisible settings, and use screws to their reverse enabling no fittings to be visible when worn.
Lot 1411
A pair of natural pearl and diamond drop earrings, the flower heads pavé-set with diamonds, each suspending a diamond cap and a large natural pearl in platinum and white gold, 5.8cm long, clip fittings Accompanied by report number 15264 dated 30 January 2018 from The Gem & Pearl Laboratory, London stating that the two part-drilled flattened drop-shaped pearls weigh 23.66 and 23.97cts and are natural saltwater pearls
Lot 1000
An Indian gem-set necklace, mounted with three cushion-shaped garnets and diamonds in gold mounts, joined with garnet beads and suspending clusters of further garnet beads, with a conforming pendant centred with a pear-shaped garnet within a surround of diamonds and garnet bead clusters, the back section formed with garnet beads, the reverse with blue, white and green Jaipur enamel decoration, 43cm, fitted case, with a pair of matching garnet and diamond-set gold drop earrings with similar Jaipur enamel decoration, 6cm
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