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Lot 147
A COLLECTION OF EARRINGS1st: Each hoop set with a row of brilliant-cut diamonds, 2nd: Each composed of three concentric hoops, pavé-set with single-cut diamonds, mounted in 9 carat gold, 3rd: Each 7.9-8.0mm cultured pearl within a brilliant-cut diamond surround, 4th: Each designed as a hinged openwork plaque, 2nd: maker's mark, partial UK hallmark, European convention mark, lengths: 1.2-2.5cm (4)For further information on this lot please visit Bonhams.com
Lot 154
TWO PAIRS OF GEM-SET EARRINGS1st: Each pear-shaped amethyst surmount within a brilliant-cut diamond surround, suspending a similarly-set drop, 2nd: Each pear-shaped citrine cabochon within a pink gemstone surround, suspended from a brilliant-cut diamond surmount, lengths: 3.7cm and 3.0cm (2)For further information on this lot please visit Bonhams.com
Lot 37
FOUR PAIRS OF GEM-SET EARRINGS1st: Each set with a cushion-shaped diamond, mounted in 9 carat gold, 2nd: Each set with pear and circular-cut amethysts, decorated with a seed pearl-set ribbon bow, 3rd: Each set with oval and circular-cut garnets, and decorated with blue enamel, 4th: Each set with a cluster of green paste, with foliate and ropetwist decoration, 1st with UK hallmark, lengths: 3.0-4.5cm (4)For further information on this lot please visit Bonhams.com
Lot 4
DIAMOND EARRINGS; RUBY AND DIAMOND EARRINGS1st: Each set with three rows of brilliant-cut diamonds, 2nd: Each set with a row of French-cut rubies between rows of brilliant-cut diamonds, diamonds approx. 1.10cts total, lengths 1.8cm (2)For further information on this lot please visit Bonhams.com
Lot 5
SAPPHIRE AND DIAMOND RING AND EARRINGS1st: The ring set with four oval-cut sapphires, framed by single-cut diamonds, 2nd: Each of cluster design set with a circular-cut sapphire and single-cut diamonds, ring size approx. K, earrings 1.0cm (2)For further information on this lot please visit Bonhams.com
Lot 51
GEM-SET AND DIAMOND NECKLACE, EARRINGS AND RING SUITEThe necklace set to the front with circular-cut sapphires, emeralds, rubies, cat's eye chrysoberyl and brilliant-cut diamonds, the earrings and ring of matching design, central tassel on necklace detached, lengths: necklace 40.0cm, earrings 4.0cm, ring size approx. S (3)For further information on this lot please visit Bonhams.com
Lot 85
TANZANITE AND DIAMOND PENDENT EARRINGS, 2019Each oval-cut tanzanite within a brilliant-cut diamond surround, suspending three articulated rows of oval-cut tanzanite and brilliant-cut diamonds, mounted in 18 carat gold, maker's mark, London hallmark, length 7.0cmFor further information on this lot please visit Bonhams.com
Lot 87
SAPPHIRE AND DIAMOND RING AND EARRING SUITEThe ring set with a star sapphire within a brilliant-cut diamond surround, mounted in 18 carat gold, the earrings designed as an articulated row of oval sapphire cabochons within brilliant-cut diamond surrounds, 1st: maker's mark, London hallmark, lengths: ring size approx. N1⁄2, earrings 6.1cm (2)Footnotes:Accompanied by a report from Gem & Pearl Laboratory stating that the sapphire is of East African origin with no evidence of heat treatment. Report number 22080, dated 30 August 2022.Accompanied by a report from Gem & Pearl Laboratory stating that the sapphires do not display evidence of heat treatment. Report number 21901, dated 15 July 2022.For further information on this lot please visit Bonhams.com
Lot 91
DIAMOND PENDENT EARRINGSEach brilliant-cut diamond surmount of foliate design, suspending a similarly-set pear-shaped frame with diamond-set acorn tassel, diamonds approx. 1.80cts total, length 3.6cm, casedFootnotes:A similar design worn by The Princess of Wales, Kate Middleton, on her wedding day.For further information on this lot please visit Bonhams.com
Lot 232
A PAIR OF SOUTH SEA CULTURED PEARL AND DIAMOND EAR STUDS, SIGNED EKA The pediments pavé set with brilliant cut diamonds, approximately 0.48 carats total, above a drilled silver toned cultured pearl, signed EKA, one numbered E.774.02, with stud fittings Size/dimensions: 1.9cm long Gross weight: 13.8 grams Condition Report: The studs have been rhodium plated and some of the plating is coming off showing a yellow base colour. The diamonds are all present and correct, fairly bright and lively, the pearls have slightly matted surfaces where it looks like the earrings may have been n contact with perfume or something similar, the stud fittings are secure. Condition Report Disclaimer
Lot 294
A CITRINE AND DIAMOND DRESS RING The oval facetted citrine within a border of brilliant cut diamonds, approximately 0.42 carats total, the shank stamped 750; together with a pair of citrine and peridot foliate spray ear cuffs/ear pendants, stamped 750 Size/dimensions: finger size O; earrings 2.6cm long Gross weight: 11.6 grams Condition Report: There is some very light wear to the settings, all stones are present and correct. The diamonds in the ring are all bright and lively. Condition Report Disclaimer
Lot 296
A PAIR OF DIAMOND AND SAPPHIRE CLUSTER EARRINGS AND RING CIRCA 1970 The squared clusters centred with a step cut sapphire, within a surround of brilliant cut and step cut diamonds, approximately 0.84 carats total, stud fittings, together with a similar dress ring, the step cut sapphire with canted corners within a surround of brilliant cut and baguette cut diamonds, approximately 0.90 carats total, the tapered shank stamped 18k Size/dimensions: studs 1.1cm wide, finger size K Gross weight: 11.1 grams Condition Report: All stones present and correct, diamonds bright and lively, some light scuffs to to the settings, scratches to the back of the shank Condition Report Disclaimer
Lot 326
A PAIR OF DIAMOND HOOPED EARRINGS The earrings set with brilliant cut diamonds, stamped 9k, approximately 1.00 carat total Size/dimensions: 2.5cm diameter Gross weight: 6.3 grams Condition Report: some light wear, the diamonds have some inclusions, mostly SI-I, colour varying Condition Report Disclaimer
Lot 357
A PAIR OF JADEITE AND DIAMOND EAR STUDS The earrings with an oval cabochon jadeite in four claw settings, within a radiating two colour surround with eight cut diamond accents, stamped 14k, stud fittings Size/dimensions: 1.5cm long Gross weight: 2.7 grams Condition Report: The jadeite has not been tested for treatments, they have quite possibly been treated. The settings have minimal wear Cabochons approximately 9.8mm x 7.8mm 3.55mm Condition Report Disclaimer
Lot 377
A PAIR OF ENAMEL AND DIAMOND EAR STUDS The pear shaped panels with blue enamel borders and scrolled detail, each centred with a cluster of rose cut diamonds Size/dimensions: 2.2cm long Gross weight: 8.8 grams Condition Report: The earrings have been converted from another piece of jewellery, there is additional strapping at the back of the settings, and solder around the cluster, the diamonds are all present, bright for rose cuts. Condition Report Disclaimer
Lot 442
FOUR PAIRS OF GOLD COLOURED EARRINGS The first a pair of 18 carat gold scrolled articulated drop ear pendants, with diamond accents, the stud fittings stamped with common control marks; 9 carat gold diamond accented ear hoops; a pair of 9 carat gold two colour ear hoops; and a pair of twisted ear hoops stamped 375 Size/dimensions: first earrings 4.2cm long Gross weight: 16 grams Condition Report: Some light wear commensurate with use Condition Report Disclaimer
Lot 78
Three pairs of gold earrings, a pair of ear studs set with a small diamond, in 18 ct yellow gold, and two pairs of ear studs stamped 9 ct gold, together with a selection of modern costume jewellery, including a silver bead necklace, a Jersey Pearl bracelet, boxed, an imitation pearl necklace, two ladies watches, and some other itemsCondition Report: Gross weight of 18 ct 1.0 gramsGross weight of 9 ct 0.5 gramsGross weight of silver 20.6 grams
Lot 100
Paul Robin: A gem-set stickpin, circa 1900 Modelled as a horse's head within a horseshoe frame, accented with a brilliant-cut diamond and circular-cut ruby eye, French assay and maker's markDimensions:Terminal length: 1.5cmNote: Paul Robin (1843 –?) was apprenticed under his father Jean-Paul Robin and learned drawing from Eugene Julienne, one of the great designers of his time. According to Henri Vever, Julienne's drawing classes were attended by Paul Robin, Paul Legrand and Cartier among others. Maison Robin had been very successful since the 1830s and it was renowned for its meticulous craftsmanship and impeccable taste. Paul Robin Senior devoted many years of his life to researching the recipe for the matt gold colour in the English taste. He finally discovered it and applied it to his jewellery with great success. Paul joined his brother Edouard in the company Robin Frères from 1869 to 1880. He then filed his own hallmark in 1880, crossed out in 1914. The themes of the owl, the horseshoe and the serpent were developed in the work of Paul Robin in a variety of different forms: from earrings to brooches, through bracelets, cufflinks and pins, according to the archives of the Maison, kept at the National Museum of Decorative Arts.Literature: Paul Robin's horseshoe designs are illustrated in French Jewelry of the Nineteenth Century, Henri Vever, translated by Katherine Purcell, pp. 1015
Lot 101
Attributed to Paul Robin: A set of four owl buttons, circa 1880 Each modelled as an owl's head with finely engraved detail and circular-cut ruby eyes, French marksDimensions:Length: 1.5cmNote: Paul Robin (1843 –?) was apprenticed under his father Jean-Paul Robin and learned drawing from Eugene Julienne, one of the great designers of his time. According to Henri Vever, Julienne's drawing classes were attended by Paul Robin, Paul Legrand and Cartier among others. Maison Robin had been very successful since the 1830s and it was renowned for its meticulous craftsmanship and impeccable taste. Paul Robin Senior devoted many years of his life to researching the recipe for the matt gold colour in the English taste. He finally discovered it and applied it to his jewellery with great success. Paul joined his brother Edouard in the company Robin Frères from 1869 to 1880. He then filed his own hallmark in 1880, crossed out in 1914. The themes of the owl, the horseshoe and the serpent were developed in the work of Paul Robin in a variety of different forms: from earrings to brooches, through bracelets, cufflinks and pins, according to the archives of the Maison, kept at the National Museum of Decorative Arts.Literature: A larger brooch with diamond eyes and corresponding drawing are illustrated in French Jewelry of the Nineteenth Century, Henri Vever, translated by Katherine Purcell, pp. 912 and 1014
Lot 103
Paul Robin: A pair of mabé pearl and diamond cufflinks, circa 1900 Double-sided: each mabé pearl within a polished halo surround, accented with three old single-cut diamonds, French assay marks, maker's marksDimensions:Terminal length: 1.2cmNote: Paul Robin (1843 –?) was apprenticed under his father Jean-Paul Robin and learned drawing from Eugene Julienne, one of the great designers of his time. According to Henri Vever, Julienne's drawing classes were attended by Paul Robin, Paul Legrand and Cartier among others. Maison Robin had been very successful since the 1830s and it was renowned for its meticulous craftsmanship and impeccable taste. Paul Robin Senior devoted many years of his life to researching the recipe for the matt gold colour in the English taste. He finally discovered it and applied it to his jewellery with great success. Paul joined his brother Edouard in the company Robin Frères from 1869 to 1880. He then filed his own hallmark in 1880, crossed out in 1914. The themes of the owl, the horseshoe and the serpent were developed in the work of Paul Robin in a variety of different forms: from earrings to brooches, through bracelets, cufflinks and pins, according to the archives of the Maison, kept at the National Museum of Decorative Arts.
Lot 129
A pair of late 18th / early 19th century Catalan emerald and diamond earrings Each tapered panel set with foil-backed rose-cut diamonds and foil-backed emeralds in raised mounts, mounted in silver and gold, Catalan hallmarksDimensions:Length: 13.7cmNote: The herring earring (in Catalan, arracada d'arengada), is the name given to this traditional style typical of late 18th and early 19th century Catalonia, due to its elongated piscine form. These jewels are crafted with detachable elements, allowing them to be arranged in shorter or longer fashions, depending on the importance of the occasion. Catalan historian Maria Pilar Bertran explains that herring earrings were marriage tokens – a woman was given one as a promise token; wearing both at full length indicated that she was married. Josep Masriera, the founder of the famous Spanish jewellery house created a very similar pair of emerald and diamond herring earrings for his apprentice showpiece in 1838.
Lot 586
A pair of pear-shaped, old and single-cut diamond drop earrings,: the pear-shaped diamonds, estimated total weight ca. 1.60cts, G-H colour, VS2-SI1 clarity, suspended by millegrain set old-cut diamonds, estimated total weight ca. 0.50cts, H-I colour, SI2-P1 clarity, within a wreath surround of single-cut diamonds, estimated total weight ca. 0.65cts, with hook fittings, total length ca. 2.8cm, total weight ca. 3.3gms, accompanied by a fitted case.
Lot 587
A pair of diamond and baroque pearl drop earrings,: estimated principal diamond weight ca. 1ct, H-I colour, VS1-2 clarity, estimated remaining diamond weight ca. 0.30ct, diameter of pearls ca. 11.5mms, with post fittings, total length ca. 2.9cm, total weight ca. 8.6gms. The pearls untested for natural origin.
Lot 12
A PAIR OF WHITE METAL MULTI GEMSTONE SET DROP EARRINGS, each earring designed with an openwork lozenge shape stud, stamped 750 18K, set with single cut diamonds, estimated total diamond weight 0.18cts, suspending a fine belcher chain fitted with nine briolette gemstones such as amethyst, topaz, citrine and peridot, post and scroll fittings stamped 750, drop length 52mm, approximate gross weight 6.2 grams (condition report: general light wear, all stones are intact and secure, overall condition good)
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