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A Black Forest wall clock of 'cuckoo' type, the two-train single-fusee movement with anchor escapement, striking on a coiled gong and with a pair of bellows, the dial with Roman numerals beneath a cuckoo hatch-door, the case hung with carved wood game and surmounted with a stag's head and a pair of crossed rifles, 105cm high
Sitwell (Osbert). The Dog's Dinner Party, pub. George Routledge, 1870, num. chromos., orig. pict. wraps, sl. worn, 4to, together with The Wonders of Providence, [part of the 'Aunt Louisa's Sunday Books' series], n.d., c.1870's, num. chromos., orig. pict wraps, sl. tape repair to spine, 4to, plus Molesworth (Mary Louisa). A Christmas Child / The Cuckoo Clock / and other Molesworth titles, 9 vols., c.1880, orig. pict. cloth gilt, sl. rubbed and frayed, plus MacDonald (George). Phantastes, A Faerie Romance, 1884, printers device to title page, orig pict cloth, 12mo, together with a quantity of Victorian children's books, inc. nine J.H. Ewing, four Osbert Sitwell, some Annuals, books of Fairy Tales, etc (a carton)
A LATE 19TH-CENTURY BLACK-FOREST CUCKOO CLOCK of architectural form, the oak and deal case having scroll-carved and foliate ornaments, with ebonised mouldings, the ebonised chapter ring having applied bone blackletter numberals and hands, the two-train movement striking the hours on coiled gong with cuckoo automatic appearing and sounding the hours, 47cm, (18.5in) high
[Molesworth (Mary Louisa)] "Ennis Graham". Tell Me a Story, second edition, 1875; "Carrots". Just a Little Boy, 1876; The Cuckoo Clock, ?second edition, 1877; The Tapestry Room, Maurice Baring's copy, with his bookplate and signature, 1879; A Christmas Child, 1880; Christmas-Tree Land, 1884; "Us", an Old-Fashioned Story, 1885; A Christmas Posy, 1888; The Rectory Children, 1889, 9 vol., illustrations by Walter Crane; The Girls and I, 1892; The Oriel Window, 1896; The Carved Lions, 1895, 3 vol., illustrations by L. Leslie Brooke; The Grim House, illustrations by Warwick Goble, 1899; Fairies-of Sorts, 1908; Fairies Afield, 1911, 2 vol., illustrations by Gertrude Hammond, all but the first and third first editions, all but three with contemporary inscriptions, original pictorial or decorated cloth, 8vo.
A LATE 19TH/EARLY 20TH-CENTURY BLACK FOREST/SWISS CARVED CUCKOO CLOCK of architectural form, the "tiled" roof with vine carved front surmount by a carved cuckoo, above a door concealing the operative cuckoo itself, the dial with blackletter Roman numerals between further carved vines and a carved fence, the movement sounding on the half hours (single "cuckoo") and the hours, the cuckoo emerging at each occasion, the double-fusee movement stamped G.H.S., 55cms, (21.7in) high
A NINETEENTH CENTURY BLACK FOREST CUCKOO CLOCK, the movement with hourly and half hourly gong strike, the chapter ring with ivorine numerals and hands, the case elaborately carved and pierced with acorns and oak leaves, dead game and surmounted by the head of a deer, 80cm high, (excluding carved pendulum).
A GOOD LATE NINETEENTH CENTURY BLACK FOREST THREE TRAIN MUSICAL CUCKOO CLOCK, of typical form, with eagle cresting and carved oakleaf pediment, the front with two doors opening, one with a piper (later), the other a cuckoo, the brick work front flanked by entwinned oakleaves with the dial having pierced horn hands above a carved deer and hunting dog on a rockwork base, the three train musical movement playing on four airs, 43 x 28in (110 x 71cm). (5)
A Black Forest Gothic walnut cased cuckoo clock, mid 19th century, the pointed arched top case with crockets and battlements over an open recess showing three bells, the hammers held by three polychrome painted figures over a turned wood dial with Roman chapters against a Gothic blind tracery carved body and between rope twist pillars over a carved blind balustrade and plinth with outfacing front corners and squat bracket feet, three train double fusee movement striking on the quarters, half hours and hours, 27 in (68.58 cm) high
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