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Humber 2 Seater Sofa Dark Grey Linen This Humber two seater sofa stands out from the crowd with its stylish vintage design that has a retro touch. It features a polished wooden frame with dainty arms and tall legs, giving it an elegant touch. It’s finished in grey linen, giving it a charming and versatile look, it’s sure to enthuse your space with a rustic and cosy look. Decorative button detailing on the back cushion and seat cushion incorporate a hint of classic styling whilst giving the sofa a plump look along with providing a comfortable sit. The sofa has a premium build using solid oak for the frame which continues down to the stylish arms and legs. The grey linen is hardwearing and easily coordinates with a variety of décor styles. Adding this statement piece to your home is easy as there’s absolutely no assembly required H77.5 x W117 x D66 cm (Zone F 5055999244671)
Leuchtpistole "Druckknopf", Holland (?), mit Tasche Kal. 4 (Signal), Nr. 390, nummerngleich inkl. Griffschalen. Kipplauf mit rundem, verstärktem Patronenlager partiell blank, partiell reinigungsbedürftig, Länge 225 mm. Runder Druckknopf mit glattem Druckteller. Links am Rahmen zwei kleine Abnahmen Krone/B. Keine weiteren Beschriftungen. Lauf mit Bedienteilen brüniert, Rahmen Messing. Glatte Nussholzgriffschalen. Dazu eine khakifarbene Leinentasche, im Deckel Tintenstempel "MC / 1926", auf der nummerngleichen, großen, ledernen Koppelschlaufe bezeichnet "Cor. Dekker / Amsterdam". WBK: Achtung - ErlaubnispflichtigZustand: I - IILeuchtpistole "Druckknopf", Holland (?), mit Tasche Cal. 4 (Signal), SN. 390, nummerngleich inkl. Griffschalen. Kipplauf mit rundem, verstärktem Patronenlager partiell blank, partiell reinigungsbedürftig, Länge 225 mm. Runder Druckknopf mit glattem Druckteller. Links am Rahmen zwei kleine Abnahmen Krone/B. Keine weiteren Beschriftungen. Lauf mit Bedienteilen brüniert, Rahmen Messing. Glatte Nussholzgriffschalen. Dazu eine khakifarbene Leinentasche, im Deckel Tintenstempel "MC / 1926", auf der nummerngleichen, großen, ledernen Koppelschlaufe bezeichnet "Cor. Dekker / Amsterdam". WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: I - II
A colection of paintings, Belgian school a.o. Cor Van Reken, V Verbeken Oil on canvas (1), watercolor (1) Le moulin rouge oil on hardboard (1) and pastel on paper (1). Een verzameling schilderijen, Belgische school. O.a. Cor Van Reken, V Verbeken Olieverf op doek (1), aquarel (1) Le moulin rouge, olie op hardboard (1) en pastel op papier (1). 30 x 40, 13.5 x 18, 36 x 29 and 35.5 x 28 cm
BOOKS & MAGAZINES, four boxes and loose containing forty five annuals including Cor, Lion, Tiger, Buster, Valiant, Scorcher, Roy of the Rovers, Blue Peter, Eagle, 2000AD and Judge Dredd, Superman, Spiderman and Dan Dare, twenty nine editions of Q magazine and a box of papers, mainly music publications
A large Harappan jar from the Indus Valley, ca. 2500 - 1800 BC. It is 6-5/8 inches high, 7 inches in diameter, stands on a flat base and features a pair of animated lions separated by floral elements. The flared rim is encircled with linear d?cor. Intact, with strong paint and heavy mineral deposits. (IV509)
A sweet Harappan dish from the Indus Valley, ca. 2500 - 1800 BC. This finely made example is 4 inches in diameter and stands on a flat base. It is decorated with a series of Ibex set off with linear d?cor and encircling a central solar symbol with raised center. Intact, with good paint, strong mineral encrustation and a manufacturing flaw along the rim that gives it character. (IV574)
Rivarossi N Gauge Norfolk and Western Mallet Class 2-8-8-2 Locomotive and Tender and other items,, No 2197, in original plastic box, VG, box G together with Con-Cor Pennsylvania brown Dummy single ended diesel Class F3 9835 and Life Like Baltimore and Ohio E8B B Unit unpowered (lacks engine) Diesel, both in plastic boxes, F-G (3)
Peco Trix Graham Farish Lima Atlas N Gauge Track and Points and Heljan Con Cor Trestle Bridge Kits, short Curved and straight track by various makers (125+), Points, Peco Streamline R/H boxed (3) VG, unboxed L/H (4), R/H (3), Diamond (1), Grafar L/H (5), Y Point (1), Trix Electric L/H (2, one damaged), R/H (2), Lima Wrenn L/H electric (1, boxed) and Diamond Crossing (1), F-VG, boxes F-G, Heljan Con-Cor 666 Trestle Bridge kits (2, both sealed in boxes) and Faller Z Gauge 2903 High Level sidewalls, Marklin Z mini-club 8506 Straights and 8505 Double Straights, both with four in original boxes, F-VG, boxes F-G (qty)
Friedrich W. Moller for Cor, a set of three German 'Conseta' lounge armchairs upholstered in charcoal on chromed slide frames, together with a spair pair of slides*Sold subject to our Soft Furnishings Policy https://www.peacockauction.co.uk/wp-content/uploads/2020/01/Mid-Century-Design-Soft-Furnishings-Policy.docx CONDITION REPORT: One is slightly wider.
(THOMAS a KEMPIS). L'Imitation de Jésus-Christ. Trad. nouv. p. Dassance. 1836. W. front. & 10 steel-engr. after T. Johannot & Cavelier. Beautiful full black blind tooled & gilt dec. cf., inside dentelles & a.e.g. (Spine skilfully rep.). -- F. v.d. MEER. Keerpunt der Middeleeuwen. 1950. Bound in full red mor. w. gilt monogram on front side. De luxe copy. With author's autograph dedication. -- J.P. v.d. MEER de WYS. De sectis Christianorum Corinthiensibus, 1 Cor. I: 12. 1838. Fine cont. full red mor. w. gilt dec. spine & sides, inside dentelles & a.e.g. Thesis. De luxe copy with dedication of the author to W.A. v. Hengel. -- G. FLYNN & P.D. MURRAY, eds. Ressourcement. A movement for renewal in 20th-c. Catholic theology. (2012). Obrds. w. dust-j. -- And 8 o. (12).
Parquet Dining Table Expertly Crafted To Showcase The Natural Beauty Of The Wooden Material, The Parquet Dining Table Will Tie Your Living Room Décor Together. The Use Of Reclaimed Wood Gives Your Dining Space A Rustic And An Updated Farmhouse Vibe. It Is Rectangular In Shape So It Can Seat Up To 6 People And Give You Plenty Of Space For An Enjoyable Meal That Everyone Can Share. Like Most Other Dining Furniture Pieces From The Range, It Comes With A Metal Frame Base To Incorporate An Industrial Chic Style. This Dining Table Is Sure To Add Warmth, Practicality, And Style To Your Dining Space So It Becomes More Inviting Dimensions: H X W X D78cm X 220cm X 95cm
NEAPOLITAN SCHOOL (LATE 19TH CENTURY) S.S. ‘Pinedene’ 1894 Gouache Inscribed with title 15½ x 26in. (39.5 x 66cm.)Footnote: Built by Swan & Hunter, Newcastle in 1894 for J. Mathias & Sons, she was sold in 1904. On June 11th, 1917, and now renamed the Mar Cor, she in passage between Cardiff and Dakar, when she was torpedoed and sunk by U-32 thirty-nine miles west of Bishop Rock. There were no casualties.Condition report: watermarked
A rare William III small 'diamond' dial wall timepiece case and dialSigned for Cornelius Herbert, London, circa 1695Now fitted with a later French circular eight-day timepiece movement incorporating platform lever escapement, the 4.75 inch square brass dial orientated 45 degrees to form a diamond and signed Cor: Herbert, London Bridge to the foliate scroll engraved centre within applied silvered Roman numeral chapter ring with lozenge half hour markers and Arabic five minutes to outer track, with winged cherub mask spandrels to angles, the case with slightly canted sides incorporating rope line exit holes to the base and applied with projecting scroll pierced cast brass mounts to the centre of each side section, overall width 21cm (8.5ins). Cornelius Herbert (Harbert) is recorded in Loomes, Brian Clockmakers I Britain 1286-1700 as apprenticed to Davis Mell in 1659 then almost immediately William Grout after Mell's death. He gained hid freedom of the Clockmaker's Company in 1667/8 and took his son of the same name as an apprentice in 1690/1. He signed the Clockmakers' Company oath of allegiance in 1697. His son gained his freedom in 1700/1 hence most likely made clocks alongside his father until the latter's death in 1709/10. Diamond dial wall timepieces are an unusual and rare variant which appeared to gain some popularity during the latter quarter of the 17th century as an alternative to lantern or hooded alarum timepieces. Such timepieces are discussed by Bill Linnard in his three articles entitled Diamonds are Forever?, More Diamond Dials and Diamonds Galore published in the May 2005, April 2006 and April 2007 issues of the Horological Journal respectively. Linnard surveys thirteen other examples which he dates between circa 1670 and 1740. The earliest example he describes is a thirty-hour single-handed spring driven timepiece by John Wise of London which he dates to around 1670, with the next being the circa 1680 weight-driven alarm timepiece by Joseph Knibb illustrated in Dawson, Percy G., Drover, C.B. and Parkes, D.W. Early English Clocks on page 530 (plates 781-3). Other examples by Leading London makers such as Tompion (now cased as a table clock) and Samuel Watson are also discussed. More recently diamond dial wall timepieces have featured in articles published in Antiquarian Horology by Jonathan Betts (Showtime at Oxnead: The timekeepers depicted in 'The Paston Treasure; Vol XXXIX June 2018, pages 215-24) and Martyn Pettifer (Another Diamond; Vol IVI June 2020, pages 209-13).
A selection of mainly childrens books including D Who, Ladybird, Dandy, etc Condition Report: Other titles of note in this lot are, Noddy goes to school 1952, Laurel and Hardy annual No1 1972, Cor!! Annual 1973/74/74/76, The Dandy book 1972/73/74/75, The Beano book 1972/75/77, Assorted Ladybird books, Rupert 1969/70/71/72/73/74, The Sixer annual for all wolf cubs 1959, The Scout Annual 1962/63, The Scouts Pathfinder annual 1975, Broons 1973, Pinky and Perky annual 1968, The magic roundabout annual 1970, Baby's own colour annual 1968, The Scottish football book 1964, Football Champions 1967, The topical times football book 1968-69/1971-72, Soccer gift book world cup special 1966-67 and Gay venture stamp album. .
-- Kirchengesänge für die Osterzeit-- Antiphonale. Liturgische lateinische (und vereinzelt italienische) Handschrift mit Text und Quadratnotation auf Papier. 126 S., 2 nn. linierte Bl. 9 Zeilen. Text und Notensysteme mit Noten in Braunschwarz und Rot. 42 x 28,5 cm. Leder d. Z. (mit Bezugsfehlstellen und Einrissen an fehlenden Schließbeschlägen, beschabt, bestoßen und berieben) mit 8 großen Messing-Rundbuckeln und auf beiden Deckeln gemalten Kardinalswappen in roséfarbener Kartusche mit rotem Kegelhut (heraldische Merkmale im Wappen ausradiert; ohne die Schließen). Norditalien um 1720.Recht pittoreske Antiphonale-Handschrift für die Osterzeit vom Beginn des 18. Jahrhunderts, sauber geschrieben auf sehr festem, starken Büttenpapier. Jede Seite mit 9 Notenzeilen im System zu 4 Linien und mit romanischer Quadratnotation in Sepia. Initialen der Versanfänge sind mit roten Kapitalien ausgezeichnet, die Abschnitte, Psalmen- und Antiphona-Incipits, Überschriften bzw. Angaben zur Rollenverteilung im liturgischen Wechselgesang sind in Rot geschrieben: "Dominica delle Palme, alla Benedictione; Lectio i-iij; Ad Benedictus; Giovedì santo alla Messa", "Venerdì santo, la Mattina", "Venerdì santo à la sera", "Nel Sabbato Santo, la Mattina", "Alla Messa" etc. Mit den Angaben für den Priester und Chor und die Musik in italienischer Sprache: "Antiph[ona]", "Cor[o]", "Grad[uale]", "Off[ertorium]", "Psal[mus]", "Tract[atus]", "Da capo" etc. in Rot. - Gelenke etwas schwach, wenige Risse, etwas fingerfleckig und leicht gebräunt, sonst nur geringe Gebrauchsspuren.
§ GROUP PORTFOLIO: DOMINIC DENIS, ANGUS FAIRHURST, DAMIEN HIRST, MICHAEL LANDY, LANGLANDS AND BELL, The set of eleven prints, each signed and numbered 6/15 by the artist, published by The Paragon Press, London: Dominic Denis (British B.1963), Untitled. Screenprint, 76cm x 82cm; Angust Fairhurst (British 1966-2008), When I woke up in the morning, the feeling was still there. Screenprint, 86cm x 65cm; Damien Hirst (British B.1965), Untitled. Screenprint, 86cm x 62cm; Michael Landy (British B.1963), Cor! What a Bargain! Screenprint, 70.5cm x 88cm; Langlands & Bell (British B.1955 & B. 1959), Uno City. Blind embossed print, 71cm x 74.5cm; Nicholas May (British B.1962), Anabatic Print. Screenprint, 89cm x 60cm; Marc Quinn, Template for my future plastic surgery. Screenprint, 85.5cm x 68cm; Gavin Turk (British B.1967), Gavin Turk Right Hand and Forearm. Screenprint, 86cm x 68cm; Marcus Taylor (British B.1964). Untitled, 86cm x 70cm; Rachel Whiteread (British B.1963), Mausoleum under construction. Screenprint, 71cm x 89cm; Craig Wood (British B.1960), Safeways Gel Air Freshener (Detail). Screenprint, 66cm x 86cm.(Various sizes, unframed)Footnote: Note: A further set of fifteen, apart from edition of 65, were produced for artists and collaborators. The work was conceived as a portable exhibition. Proceeds from the sale of this portfolio will go to The Ragdoll Foundation, supporting their grant-giving programme for young people and the arts. ‘The London Portfolio’ was conceived by Charles Booth-Clibborn and published under his imprint, The Paragon Press, London. In 1991 he invited a group of artists to contribute to this project; all were gaining recognition in the artworld at the time and based in London, hence the title. There was no overarching theme offered, just the practical considerations that each work must be within a standard size (76cm x 89cm) and two-dimensional. The majority of artists submitted screenprint designs and some common themes emerged – body parts, advertising visuals, appropriated imagery, urban locations and contemporary design. The resulting series of prints were published in 1992, and the final presentation was intended to operate as a portable exhibition – a surprisingly easy way of engaging with the cutting-edge of contemporary art at that moment.
THREE PRINTS AFTER GUIDO RENI - one etching of two figures, bottom left is "Gido Reni I", two wood cuts - one has bottom left "Guido Rhenus Bonon. Inuen. Bart. Coriolanus Eq. Sculp." , the other has top left "Guido Rhenus Bon. In. Bart. Cor. Eques. F." and bottom left "1632 Corio.s.", all three are laid on stiff paperCondition Report:Etching has two small holes and a few small stainsOne wood cut has small loss to bottom corner and one small hole
A 19th Century Cor Anglais, stamped 'Brevete, Triebert, A Paris, Barret, A Londres' with white metal fitments, a 19th Century rosewood bass clarinet stamped 'O Oehler, Berlin' with white metal fitments, a Selmer 'console' clarinet in a case, a rosewood flute stamped 'Roberts, Woolwich' with nickel fitments and a 19th Century clarinet stamped 'Buffet, Crampon, A Paris, Brevetes' with white metal fitments and in a fitted casePlease note that the boxwood flute is no longer included in this lot and the images will be amended in due course.Provenance - From the estate of the late Douglas ‘Dougie’ GrayCondition report: All items with faults, ranging from splits & missing keys to scratches and knocks - It comes apart and the tenon is intactPlease see images
A lovely collection of 14 x LPs plus 5 x 10" LPs (19 releases in total) including many original stereo recordings. Works/performers/cat. numbers include Albinoni - I Musici (Philips stereo 835 029 AY), Mstislav Rostropovich - Shostakovich (Philips stereo 835 549 AY), Geza Anda/Ferenc Fricsay - Bartok (Deutsche Grammophon red stereo tulips SLPM 138111), David Oistrakh/Isaac Stern - Vivaldi (Fontana stereo 876 008 CY), Tortelier - Dvorak Cello Concerto (SXLP 30018), Colin Davis, Luigi Boccherini (Oriole stereo SMG 20062), Victoria De Los Angeles, Joan Sutherland, Beniamino Gigli (BLP 1034), Alexander Unisky and Cor De Groot. Condition is generally VG+ to Ex+.
HO Gauge American Steam Locomotives and Coaches, a boxed collection, Bachmann 657 Mikado 2528 in black and silver livery, 720 4-6-0 2302 in black Chicago & North Western Railway livery, 41-651 2-8-0 705 in black A.T.& S.F. livery together with 672 Southern Pacific 4-8-4 1454 in Daylight livery and three matching passenger coaches by Con-cor, G-E, Boxes F-G, (7)
HO Gauge American Diesel Locomotives, a boxed collection including four locomotives Con-Cor 0015-002130 EMD E7A New York Central grey livery, Athearn 3303 PA-1 powered in New York Central grey, AHM 504E BL-2 Western Maryland black and yellow livery, Rivarossi (cased), EMD E8 Northern Pacific black and green livery together with Proto 1000 Series 23975 Budd Boston and Maine Rail Car in silver livery, an IHC 6175 E-8 Powered B unit in black and green Reading livery and Mantua 412-022 F7 New York Central dummy unit black and grey livery, F-E, Boxes P-G, (7)
Late 19th century microscope by Leitz Wetzlar, marked to the foot no. 32348, in fitted wooden case, with inlaid inscription to lid of box ' To Mr. John Lockhart from his fellow workers in St. Georges Rd free church in appreciation of his valuable services in their midst 1 Cor 15-58, 21st May 1897'
A TWO PIECE AMERICAN STERLING SILVER FISH SERVING SET, BY ROBERT AND WILLIAM WILSON, PHILADELPHIA,1825-1877, comprising a fish serving knife with a stylized fish head on a broad hand chased and engraved sinuously shaped blade, centering nicely detailed scaly sides tapering to a curled tail and ending on a bead and shell trimmed solid handle, verso blade stamped "R & W. WILSON PHILADA. STERLING," length: 14 1/2"; together with an elaborately engraved serving fork with five tines enclosing various scrolling foliate details on a similarly engraved body of stylized acanthus leaves flanking a flaring shell motif, ending before a bead and shell trimmed solid handle stamped "R & W. WILSON," length: 13 3/8," total approximate weight: 11.955 troy oz; enclosed in an embossed leather hinged case opening to a deep green silk and velvet lined interior with gilt printed oval belt reserve "ESTABLISHED 1812 / WM. WILSON & SON. / Manufacturers of / Silver Ware / S.W. Cor. of 5th & Cherry Sts / PHILADA." length: 15 5/8". Note: Robert & William Wilson were two brother silversmiths recorded as having had a partnership firm in Philadelphia from 1825-1846. In 1846 Robert died but William continued the use of the R & W Wilson stamp until 1877 when he disbanded the company and re-opened as William Wilson & Son, lasting until 1909 when the firm finally closed its doors. Provenance: Estate of Francis E. And Henrietta C. Judson, Wayne, Pennsylvania. Condition: The silver set is in good condition with normal tarnish and a tiny edge ding on serving knife. The case exterior top has expected surface scratches, old watermark, wear, some lifting of the leather covering, and is a little dry, while interior is in amazingly good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
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1255 item(s)/page