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A Cor-Ton Clarinet in fitted case.

Two Door Cabinet Designed With A Sleek And Contemporary Look, In A Matt-Painted Colour That Will Complement Any Modern Décor. The Cabinet Is Crafted With Solid Wood, Ensuring That It Is Built To Last While The Contrasting Oak Top Adds A Touch Of Warmth And Elegance To The Piece, Making It A Stylish And Functional Addition To Any Living Space Internally Fitted (Loc: Room 135)

Two Door Cabinet Designed With A Sleek And Contemporary Look, In A Matt-Painted Colour That Will Complement Any Modern Décor. The Cabinet Is Crafted With Solid Wood, Ensuring That It Is Built To Last While The Contrasting Oak Top Adds A Touch Of Warmth And Elegance To The Piece, Making It A Stylish And Functional Addition To Any Living Space. 120 x 57 x 75cm (Loc: Room 116)

Two Door Cabinet Designed With A Sleek And Contemporary Look, In A Matt-Painted Colour That Will Complement Any Modern Décor. The Cabinet Is Crafted With Solid Wood, Ensuring That It Is Built To Last While The Contrasting Oak Top Adds A Touch Of Warmth And Elegance To The Piece, Making It A Stylish And Functional Addition To Any Living Space. 120 x 57 x 75cm (Loc: Room 127)

FRIAR JOHN COR QUINCENTENARY 1L BLENDED WHISKY 43% ABV / 1LPlease see additional pictures

Asher Marble top Dining Table An elegant design with a traditional touch, the Asher Black American Walnut dining table creates a warm atmosphere in any dining room. The Italian Carrara Marble top blends beautifully with modern and traditional décor raised on a walnut frame this vibrant dining table provides excellent stability. 200 x 100 x 75cm boxed

Exley for Bassett-Lowke SR green 4-Cor EMU Set (4), comprising Power Car 2186 Front 3333, Trailer 11161 Front 3076,Third/ Brake 5555 and Buffet Car 1254, all unboxed, VG (4)

Cor Trinus Paar Sessel: mit Schlaffunktion. Paar Sessel der Manuf. COR grauer Baumwollstoff mit gelben Beikissen. Seitlich Hebel mit Manufakturlogo COR. Ca. H x B x T. 70 x 90 x 88 cm. Ausziehbar als Schlafsofa auf ca. 200 cm. Entwurf Jonas Kressel und Ivo Schelle. Tls. Alterspuren u. Kissen etw. fleckig. Gekauft 23.11.2000. D

De Lamerie Fine Bone China heavily gilded pink & floral special commission cor Tina Turner large soup tureen, specially made high end quality item, made in England, height 26cm.

BLISS, Arthur (1891-1975, composer). Conversations, London, 1922, 4to, original wrappers. Provenance: Edward Wadsworth. FIRST EDITION, NUMBER 2 OF 5 COPIES SIGNED BY THE COMPOSER "RESERVED FROM SALE", and further signed by the publisher. VERY RARE.BLISS, Arthur (1891-1975, composer).  Conversations for Flute (and Bass Flute), Oboe (and Cor Anglais), Violin, Viola, and Violoncello. London: Goodwin & Tabb, Ltd., 1922. 4to (260 x 175mm). Printed music notation throughout. Original printed wrappers with woodcut ornament [?] by Edward Wadsworth on the upper wrapper (lightly browned). Provenance: Edward Wadsworth (1889-1949, artist, very small signature in red ink on the upper wrapper beside the woodcut ornament); pencil drawing on the rear endpaper [unsigned] but possibly by Wadsworth. (Please see the illustration.) FIRST EDITION. LIMITED TO 250 COPIES, THIS NUMBER 2 OF 5 SIGNED BY THE COMPOSER "RESERVED FROM SALE", and further signed on behalf of the publisher on the limitation leaf. The five "movements" of the work are titled as follows: 1. The Committee Meeting; 2. In the Wood; 3. In the Ball Room; 4. Soliloquy; and 5. In the Tube at Oxford Circus. VERY RARE.

A white glazed earthenware 'Cor Unum MaMa' vase, design Roderick Vos, marked: Makkum, height 43 cm.

A Chantilly Kakiemon tobacco jar, circa 1735Painted in Kakiemon style with a stylised tobacco plant on one side and a flowering bush with an insect in flight to the reverse, 12cm highFootnotes:Provenance:Acquired in 1983Literature:D. Gage/M. Marsh, Tobacco Containers & Accessories (1988), no. 12 and pl. 43;D. Gage, A Quintessential Art Rediscovered, in The Antique Collector Magazine, June 1988, pp. 71-75, fig. 5Exhibited:London, The International Ceramics Fair and Seminar, The Dorchester Hotel, Special Loan Exhibition, The British-American Tobacco Company Collection of Tobacco Containers & Accessories, 10-13 June 1988A cylindrical tobacco jar in the Musée Condé, Chantilly, (inv. no. OA 969) is painted on one side with a similar stylised tobacco plant (published by G. Le Duc, Porcelaine tendre de Chantilly (1996), p. 210).For further information on this lot please visit Bonhams.com

England, 14th century A.D. Vellum manuscript page with illuminated capital in blue, green, coral and liquid gold and dense blackletter text with decorative bands in blue, white and liquid gold; Latin prayer beginning 'Domine ihu xpe' (Lord Jesus Christ) .. ut lancea caritatis tue penetres cor meum (so that the spear of your love may penetrate my heart); below, 18th century printed image of the ruins of Crowland Abbey; both in a glazed wooden frame with a burgundy reveal. 1.25 kg, 45 x 31 cm (17 3/4 x 12 1/4 in.).From a Blackheath, London, UK, deceased estate. Property of a Suffolk, UK, gentleman.

267-268 A.D. Rome mint. Obv: COR. SALONINA AVG, bust right on crescent. Rev: IVNONI CONS. AVG, doe walking left; below, delta. RIC 193, 15. Cohen 71. 2.90 grams. .Ex UK collection. Accompanied by an old coin ticket. [No Reserve]

TISCH / BEISTELLTISCH, Entwurf HORST BRÜNING (geb. 1934 in Hamburg, um 1965/70, Modell SEDIA für COR; ungemarkt. Weiß beschichtete runde Tischplatte auf zylindrischem Schaft und sternförmigem Fuß aus Aluminium und Kunststoffgleitern. H. 59,5 cm; D. 49,5 (Gebrauchsspuren).

ANTO CARTE (1886-1954)Décor pour le Martyre de Saint Sébastien (Claude Debussy) 1933Tissu et tissu doré monté sur panneau de bois Ce décor a été utilisé de 1933 à 1937Stof en vergulde stof gemonteerd op een houten paneel Dit decor werd gebruikt van 1933 tot 1937 Fabric and gilded fabric mounted on a wooden panel This set was used from 1933 to 1937 271 x 101 cmFootnotes:Provenance / Herkomst Famille d'Akarova par descendance/ Akarova familie door afstammingBibliographie / Bibliografie  Akarova, Spectacle et Avant-Garde. Entertainment and the Avant-Garde 1920-1950, AAM Editions, Bruxelles, 1988. Ill. p. 487Souvent qualifiée d'« Isadora Duncan » belge, Akarova - Marguerite Acarin de son vrai nom – est une pionnière de la danse moderne en Belgique. Elle la vit comme une œuvre d'art totale, une pratique, une urgence, un engagement. Rien n'est laissé au hasard. L'artiste prend tout en main : de la chorégraphie au design des costumes et des accessoires en passant par les décors et les affiches. Elle développe une vision de la danse, spontanée et intuitive, valorisant la libre expressivité du corps, dans une totale subordination à la musique. Comme beaucoup de danseuses de l'entre-deux-guerres, Akarova a mené une carrière solitaire, ne cherchant aucunement à transmettre une expérience, une vision. Il n'existe d'ailleurs aucun document filmé de ses chorégraphies. Seules des photos anciennes, des coupures de presse, des projets et des dessins rendent compte de sa gestuelle sculpturale. 1922 est une année charnière dans la vie d'Akarova. Alors qu'elle assiste aux conférences du danseur Raymond Duncan, elle y fait la connaissance de Marcel-Louis Baugniet. Le peintre, qu'elle épouse l'année suivante, l'introduit dans les cercles avant-gardistes de la capitale, notamment auprès des artistes gravitant autour de la revue 7 Arts. Leur fréquentation conforte sa vision d'un « art total », affranchissant la danse de l'enfermement d'une spécialisation. Baugniet lui invente un nom de scène, « Akarova », en référence aux ballets russes. Elle met au point des chorégraphies sur les musiques de ses contemporains Claude Debussy, Erik Satie, Igor Stravinsky, Paul Dukas, Maurice Ravel, entre autres. Baugniet lui dessine des costumes qu'elle réalise ensuite elle-même. Utilisant des lignes brisées, des motifs géométriques, des lettres de l'alphabet, ces costumes constructivistes soulignent des chorégraphies tantôt vigoureuses, tantôt hiératiques. Baugniet ne sera pas le seul artiste à concevoir des vêtements de scène et des décors pour Akarova. Anto Carte, un ami de son deuxième mari, Louis Lievens, imagine également plusieurs costumes, dont celui du Martyre de Saint Sébastien de Debussy, pour lequel il crée également un décor. Akarova a composé une cinquantaine de pièces chorégraphiques dans sa carrière, pour la plupart des solos interprétés par elle-même. Elle s'est produite aussi bien dans les théâtres que dans les salons privés, au Palais royal de Laeken, dans les loges maçonniques ou sur la scène du théâtre de La Cambre, invitée par Henry Van de Velde. A partir de 1937 et ce, jusqu'à la fermeture des portes en 1957, l'essentiel de ses représentations se déroule dans la salle de spectacle qu'elle a fait aménager par l'architecte Jean-Jules Eggericx au sous-sol de sa maison de l'Avenue de l'Hippodrome. En 1986, Akarova fait don aux Archives d'Architecture Moderne des costumes et des décors qu'elle a réalisés entre 1923 et 1950, pérennisant un rare patrimoine au sein d'une institution qui reflète sa volonté d'inscrire son art dans un contexte plus large que celui de la danse. Elle a cependant conservé quelques-uns de ses costumes de scène, des décors et du mobilier datant de son premier mariage avec Marcel-Louis Baugniet. Ce sont ces quelques très rares témoignages d'une époque féconde et innovante, confiés par les héritiers de la danseuse, que Bonhams Cornette de Saint Cyr a l'immense privilège de mettre aujourd'hui aux enchères. Akarova - echte naam Marguerite Acarin - wordt vaak omschreven als de Belgische 'Isadora Duncan' en is een pionier van de moderne dans in België. Ze ziet het als een totaalkunstwerk, een praktijk, een urgentie, een engagement. Niets wordt aan het toeval overgelaten. De artieste neemt alles in handen: van de choreografie tot het ontwerp van de kostuums en accessoires, en niet te vergeten de decors en affiches. Ze ontwikkelt een visie op dans die spontaan en intuïtief is en waarde hecht aan de vrije expressiviteit van het lichaam, in totale ondergeschiktheid aan de muziek. Zoals veel dansers tussen de oorlogen leidde Akarova een solitaire carrière, zonder een poging te doen om een ervaring of visie door te geven. In feite zijn er geen gefilmde verslagen van haar choreografie. Alleen oude foto's, krantenknipsels, projecten en tekeningen getuigen van haar sculpturale bewegingen. 1922 was een cruciaal jaar in Akarova's leven. Terwijl ze lezingen bijwoonde van de danser Raymond Duncan, ontmoette ze Marcel-Louis Baugniet. De schilder, met wie ze het jaar daarop trouwde, introduceerde haar in avant-gardekringen in de hoofdstad, in het bijzonder bij de kunstenaars die voor het tijdschrift 7 Arts werkten. Hun kennismaking versterkte haar visie van een 'totaalkunst', die dans bevrijdde van de beperkingen van specialisatie. Baugniet bedacht een artiestennaam voor haar, 'Akarova', als verwijzing naar de Russische balletten. Ze ontwikkelde choreografieën op de muziek van onder andere haar tijdgenoten Claude Debussy, Erik Satie, Igor Stravinsky, Paul Dukas en Maurice Ravel. Baugniet ontwierp haar kostuums, die ze vervolgens zelf maakte. Door het gebruik van gebroken lijnen, geometrische patronen en letters van het alfabet benadrukten deze constructivistische kostuums de choreografie, die soms krachtig, soms hiëratisch was. Baugniet was niet de enige kunstenaar die toneelkleding en decors ontwierp voor Akarova. Anto Carte, een vriend van haar tweede man, Louis Lievens, ontwierp ook verschillende kostuums, waaronder Debussy's Martyre de Saint Sébastien, waarvoor hij ook een decor ontwierp.Akarova heeft in haar carrière een vijftigtal choreografieën gecomponeerd, waarvan de meeste solo's door haarzelf werden uitgevoerd. Ze trad op in theaters en privé-salons, in het Koninklijk Paleis in Laken, in vrijmetselaarsloges en op het podium van het Théâtre de La Cambre, op uitnodiging van Henry Van de Velde. .For further information on this lot please visit Bonhams.com

N.pl., n.publ., n.d. (1937), (16) p. (incl. wr.), printed in brown and black, typography, photomontage ills. and orig. stapled wr. by C. Oorthuys, obl. 8vo. Owner's stamp of Cor de Vries on page 3. Wr. a bit discol. along edges and a few other sm. defects. In all, a good copy. Maan/ Van der Ree p.75. Very impressive, rare publication.

Most concerning religious matters. (1) Cop, A. van de. Leerredenen over 1 Cor. XVI: 23, 24 en Hand. XVI: 9, 10. Ten afscheid van Campen en ter intreede te Leeuwarden geschikt (...). Amst., J. de Groot, 1780. (8),84 p. Later blue wr. Some writing in pencil, some browning/ foxing. (2) Barueth, J. Paulus laatste vermaanles aen de Korinteren (...). Dordrecht/ Rott., J. van Braam/ J. Bosch, 1745. (4),24 p. Contains a few p. from an unidentified other pamphlet. Later speckled paper wr. (detached). (3) Pon, H. du. Afscheid-reden gedaan voor de Gemeente van den Briel (...). Leiden, I. Severinus, (1705). (4),60 p. Lacking covers. (4) Burger, D. De niet beschamende Hope, op toekomende verlossingen (...). Rott., J. vander Laan, 1748. (6),55 p. Later blue paper wr. (5) Streso, C. Danck-Predicatie uyt den CXXII. Psalm (...). The Hague, J. Doll, 1651. (4),20 p. Sm. title-p. engr., 2 historiated initials. Later yellow wr. Corners of last few p. missing, not affecting text. -and 3 others. All w. signs of age and use. (total 8)

Various 1960's/70's annuals including The Girl From Uncle, 1972 Buster Book and 1974 Cor!!

Freischwinger-Sessel, Entwurf Reinhold Adolf & Hans-Jürgen Schröpfer für COR, um 1976 Stahl/cognacfarbenes Leder, Modell Sinus, auf 2 Kufenfüßen, Flachstahlrahmen mit wulstigem Lederpolster, korrespondierende Armlehnen, ungemarkt, ca. 88x90x76 cm, Alters- u. Gebrauchsspuren, Leder patiniert, partiell fleckig

Con-Cor Model Train HO Scale Assortment (3) items including a 3-car The New York to New Haven 'Comet' set in original box, a 'Comet' center car and an 8-car Norfolk and Western set, all in original boxes Property from: an Estate, Downers Grove, Illinois Height: 2 inches, Length: 12 inches, Width: 1 1/2 inches (longest) Condition: overall light wear consistent with normal use, some boxes having scuffs, bent flaps, tears, bumped corners, scratches Disclaimers: items have not been removed or examined out of original wrapping, not tested, we cannot guarantee the operation, not checked for replacement parts Category: Collectibles > Model Trains - HO Scale Estimated Sale Time: 5:16 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2

Model Train HO Scale Boxed Assortment (39) items including individual model train cars from makers including Athearn, Bachman, Con-Cor, Jouef, Life-Like, Powerline, Schicht and Walthers, a Lemax Christmas train set, Classical Train locomotive, tender and two car set and (4) kits from Life-Like and Mantua, all in original boxes Property from: an Estate, Downers Grove, Illinois Height: 4 inches, Length: 20 inches, Width: 11 inches (largest box) Condition: seemingly unused, overall light wear to packaging consistent with normal use Disclaimers: not inspected out of packaging, not tested, we cannot guarantee the operation, not checked for replacement parts Category: Collectibles > Model Trains - HO Scale Estimated Sale Time: 5:27 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Cor Jaring (1936-2013), zwart wit foto 'Provo op Spui', ca. 1966. h. 30 cm, b. 40 cm [1]

Cor Jaring (1936-2013), zwart wit foto 'Yakuza', ca. 1967. h. 30 cm, b. 40 cm [1]

Buster and Jet (Jan - Jun 1974) 21 issues in publisher's bound volume including first Buster and Cor! (22 Jun 1974). Due to industrial action 19 Jan, 16 Feb, 2, 16 and 30 March not published. With Buster (Jan-June 1976) 26 issues complete half-year in publisher's bound volume starring Buster, Clever Dick, Nellyphant, Rent-A-Ghost, Faceache and Bally Farmer - Half Boy - Half Leopard! 2 volumes [fn/vfn] (47 issues)

Cor!! (Jan-June 1974) Complete half year in bound volume (including last issue). With Buster and Cor!! (3 Aug- 28 Dec 1974) in publisher's bound volume. Starring Buster, Gus, Tom Boy, Wonder Worm, Andy's Ants, Fiends and Neighbours, The Gasworks Gang, Clever Dick, Rent-A-Ghost and Uncle Ironsides [fn/vfn] (Two bound volumes, 48 issues)

Con-Cor HO gauge model railway passenger coaches, eighteen including ref. 955 72' Overland dome pass car (x2); ref.995 72' Overland sleeper car (x2); ref. 712 85' Santa Fe corrugated dome car; and others, all boxed.Qty: 18

FreischwingersesselCOR, Deutschland, Ende 20. Jh., der Stand aus verchromten, schwingenden Stahlbändern, auf der Sitzkonstruktion lose aufgelegtes Sitzpolster und an Druckknöpfen befestigtes Rückenpolster, das Nackenpolster auf verchromtem Gestänge, schwarz lederbezogen, H: 100 cm. Gebrauchter Zustand.

Paar Sessel in kubischer FormCOR, Deutschland, 1980er, mit Textil-Label, Stand auf verchromten Edelstahlbändern, die kubische Sesselform mit schwarzlederbezogener Polsterung, H: 74 cm. Gebrauchter Zustand.

Paar Freischwinger-ArmlehnstühleDeutschland, 1980er, wohl COR (ohne Label), Freischwinger-Konstruktion aus verchromtem Stahlrohr mit Sitzschale aus Edelstahldraht, mit Druckknöpfen fixierte Sitz-Rücken-Polster bezogen mit schwarzem Leder, H: 75 cm. Ohne Kunststoffgleiter, Alters- und Gebrauchsspuren, 1 Sessel mit Lederriss.

Corgi A Mixed Boxed Group to include Corgi Classics COR CS90521 Concord (Gold Plated), Corgi Roadscene CC18008 - Volvo FH & Curtainside Luxton & Coombes C C - 1 76, Hornby 1/76 Routemaster Bus Roadshow 2008/9 and others. (See Photo) Conditions generally appear Good to Near Mint. (9)

French Cor Anglais made by F.Lorée Paris, stamped for F.Lorée with fitted case. With two reeds. Stamped Y25.

Jouef & Con-Cor a boxed group to include Jouef HJ4030 Fourgon-Chaudiere SNCF, Con-Cor 43465 Airslide Covered Hopper "Brach's Fine Candies" and others (see photo). Conditions are generally Excellent to Near Mint in Good to Excellent boxes. (4)

Cor Noltee (1903-1967)Stadsgezicht te Leeuwarden, gesigneerd rechtsonder, doek, 40 x 50 cm.

Cor Noltee (The Hague 1903 - 1967 Dordrecht), Mandolin player with hat and pipe, signed (bottom right), oil on canvas.71 x 50 cm.

A group of N scale die cast locomotives and rolling stock, Con-Cor, Atlas etc

Con-cor N scale die cast locomotives and rolling stock (19)

A group of N scale die cast locomotives and rolling stock including Con-cor, Kato etc

Two Hamblings or similar 00 Gauge BR 4-Car EMU Mainline Sets (8), green 4-COR or similar metal base and sides, plastic roof with Lima Power bogie in Driving Coach and Tri-ang couplings, lighter green 4-CIG or similar, all metal construction with Lima power bogie in Brake Coach, F-G, all require some tlc (8)

Raumfahrt - APOLLO 15 HELM, 1:1 Helmreplik des Apollo A7L Raumanzugs, originalsigniert von DAVE SCOTT. Verschiebbarer goldfarbener Schirm mit der originalen Unterschrift "Dave Scott Apollo 15 COR." Diese Helmreplik kommt dem originalen Apollo LEVA Helm am nächsten, den es nicht gibt. Sehr guter Zustand.| Space flight - APOLLO 15 HELMET, 1:1 replica helmet of the Apollo A7L space suit, originally signed by DAVE SCOTT. Sliding gold-tone shade with the original signature "Dave Scott Apollo 15 COR." This helmet replica is the closest thing to the original Apollo LEVA helmet which is not available. Very good condition.

Con-Cor H0 Scale Passenger and Freight cars consisting of Great Northern Railway Express post office car *2, Agency baggage cars *2, Great Northern Brack's, Jack Frost and Pillsbury Hoppers. Near Mint in Excellent boxes. (10)

Con-Cor HO Scale Ref 01-00818 North Star ElectroLiner powered 4-car train set, Mint boxed.

Annuals (14) - Super Adventure x1, Hotspur 1974 x1, Whoopee 1970-1980's x3, Cor 1970-1980's x9 BUYER COLLECT good condition

Walter Sydney Stacey (1846-1929) Altarpiece Design, Christ our Passover is sacrificed for us (1 Cor V 5 V 7) signed lower left, 1897, watercolour, 18 x 30.5 cm, frame 35 x 45 cm Provenance: Collection of Mr Magdi Obeid, purchased Paul Liss 1999

A painted wooden phone box with artificial flower décor and resin garden statue painted green. Height 191cm.

Large cased wooden figure of Christ, with scrolled inscription of doors "Cor Jesu sacratissimum, miserere nobis" & "Ornate Pro Nnirnn Jantraix Quania" to base, height of case 62cm

A.F.C. AJAX, EUROPEAN CUP QUARTER-FINAL (2ND LEG) JERSEY 24TH MARCH 1971 vs. Celtic F.C., COR DU BUY SPORT label, stitched number 11 verso, long sleevedNote: Believed worn by Piet Keizer. Swapped with Bertie Auld; The Bertie Auld Collection.Petrus Johannes "Piet" Keizer, born on 14th June 1943, was an integral part of the iconic "Total Football" era of Ajax Amsterdam during the 1960s and 1970s. Renowned for his exceptional skills on the left wing, Keizer played a pivotal role in Ajax's unparalleled success under the stewardship of Rinus Michels and Stefan Kovacs.He is often hailed as one of the finest players in Dutch football history, a sentiment echoed by the esteemed Dutch writer Nico Scheepmaker, who famously stated, "Cruyff is the best, but Keizer is the better one."Over the course of his career, he featured in 490 official matches for Ajax, finding the back of the net 189 times. His contributions were instrumental in Ajax's three consecutive European Cups, in 1971, 1972, and 1973, which solidified Ajax's reputation as a footballing powerhouse. Keizer's achievements were not confined to European glory; he also played an instrumental role in securing six Eredivisie titles, five KNVB Cups, two European Super Cups, an Intercontinental Cup, and an Intertoto Cup.The European Cup Quarter-Final against Celtic in 1971 was a defining moment for Keizer and his team. The second leg, played at Hampden Park to accommodate the huge crowd, showcased Keizer's ability to shine on the grand stage. Though Celtic faced an uphill battle after a 3-0 deficit from the first leg in Amsterdam, in which Keizer scored the final goal, the atmosphere was electric as fans hoped for a miraculous comeback.While Celtic displayed tenacity and attacked with fervor, Keizer's presence was felt as Ajax held their ground. The Dutch side's tactics were meticulous, with Keizer's skills on the left wing proving crucial in breaking Celtic's momentum. Even though Celtic managed a goal through Jinky Johnstone, it wasn't enough to overturn the aggregate score, and Ajax advanced to the next stage of the tournament.Keizer's footballing prowess also extended to the international stage. He made 34 appearances for the Dutch national team, scoring 11 goals. His inclusion in the Dutch squad for the 1974 FIFA World Cup, under the management of Rinus Michels, attests to his stature in the sport. His sudden retirement in 1974, stemming from a disagreement over tactics with Ajax manager Hans Kraay, marked the end of an era. Condition generally good. As you will see from the images, there are a number of mud streaks across the back, arms and side, these from when it was worn.

Cor Noltee. 1903 - 1967. Seated female nude. Watercolor on paper. Dimensions: H 38 x W 26 cm. In good condition.

Punto,G. (d.i. J.W.Stich).: Etude ou exercice journalier. Ouvrage periodique pour le cor. Offenbach, J. Andre (ca. 1801). 4°. 54 lithogr. S. Musiknoten (inkl. ornament. Titel u. 2 Texts.). Brosch. d. Zt. (Best.). (= Vlg.-Nr. 1561). International Music Score Library Project IGP 15. - Früher lithographischer Druck. Johann Wenzel Stich aus Böhmen (1746 Sehuschitz-Prag 1803) komponierte vor allem Hornkonzerte. Als er 1768 aus der Leibeigenschaft des Grafen von Thun und Hohenstein floh u. steckbrieflich gesucht wurde, änderte er seinen Namen in Giovanni Punto. - Tls. leicht fleckig. - Selten.

SIR ARTHUR WILLIAM BLOMFIELD (1829-1899) SIR ARTHUR WILLIAM BLOMFIELD’S REMEMBRANCE CABINET, CIRCA 1860 painted and gilded oak, patinated metal fittingsDimensions:85cm wide, 226.5cm high, 36cm deepProvenance:Provenance - Mr & Mrs A. W. Blomfield Private collection, Luxembourg Northern France early 2010’s Oscar Graf 2017 John Gilbert Getty (1968-2020) with Paul ShutlerNote:The exterior of this cabinet is decorated with a choir of angels on the front. Above the door is the Latin motto:‘Non vox sed votum, non musica chordula sed cor, Non clamans sed amans, cantat in aure Dei’.Translated as:‘Not the voice, but the desire, not the musical instrument, but the heart, not the crier, but the lover, singeth in the ear of God’.Or‘It is the duty of a devout mind to pray to God, not with the voice or the sound of the voice but with the devotion of the mind and with the faith of the heart’.The interior right-hand panel:Gules two swords in saltire argent hilts and pommels or (for the See of London) Per fess indented argent and azure a bend gules (for Blomfield) - ensigned with a Cross and a CrozierFor the Bishop of London and Blomfield’s late father Charles James Blomfield (1786-1857).The interior left-hand panel:Argent on a bend azure between two unicorn’s heads couped three lozenges of the field (for Smith) Crest. A demitiger rampant azure holding a broken sword properMotto- Vigilando et orando (By watching and praying).For Blomfield’s late wife Caroline Harriet Smith (1840-1882)Note: Until the re-attribution of this cabinet, domestic furniture designed by Blomfield numbered just one: a cupboard, first published by his friend Charles Locke Eastlake in Hints on Household Taste (p.XV, fourth edition 1878), of which a handful of examples exist.Blomfield was not the only Gothic architect to make elaborate large-scale pieces for their home or office early on in their career. Richard Norman Shaw famously commissioned a cabinet that now resides in the collections of the Victoria & Albert Museum straight after he left the employ of George Edmund Street, and of course, the architect William Burges furnished his entire office and house with such cabinets. The interior, later decorated following his wife’s death in 1882, is intended as a private memorial for his late father, the Bishop of London, Charles James Blomfield (1786-1857) and a memorial from a devoted husband to his late wife Caroline Harriet Smith (1840-1882).

-- Mit einem langen Brief an Rossini-- Adam, Adolphe, franz. Komponist und Musikkritiker, auch Lehrer am Pariser Conservatoire, sehr erfolgreich mit komischen Opern, in Deutschland besonders mit dem "Postillon von Lonjumeau" (1803-1856). 5 eigh. Briefe m. U. "Ad. Adam" bzw. "Adolphe Adam". Zus. 121/2 S. Kl. 8vo und 4to. O. O. (ca. 1840) - 1852. An verschiedene Adressaten, darunter Gioacchino Rossini, fast immer über musikalische Angelegenheiten. Selbst eine Einladung zum Essen hat musikalischen Charakter: "Venez diner avec nous Vendredi. apportez nous votre Cor et votre Violon, je pense que Meyerbeer viendra et le Marquis de Louvain aussi ...". Der Brief ist an den berühmten Hornisten Eugène Léon Vivier (1817-1900) gerichtet. Bei dem genannten "Marquis de Louvain" könnte es sich um Adolphe de Leuven (1800-1884) handeln, den Librettisten von Adams "Postillon von Lonjumeau". - Ein vierseitiger, inhaltsreicher Brief in Quarto ist an Rossini adressiert, den Adam mit "Du" anredet. Berichtet u. a. von einem "aimable" Veuillot, der ihm einen Wunsch Rossinis mitgeteilt habe: "... il m'a dit que tu désirais avoir quelques morceaux du postillon et je t'en ai envoyé la collection". Kommentiert dann ausführlich die Pariser Musikszene und erwähnt dabei Spontini und seine "Vestale". An anderer Stelle heißt es: "... on nous a donné à l'Opéra la plus stupide chose que l'on puisse voir et entendre ... la personne de Stradella ... dont on a jugé à propos de faire une prédicative et une imbécille ...". Auch der Komponist Louis Niedermeyer (1802-1861) und die Sängerin Cinthie Damoreau (1801-1863) sind Themen des umfangreichen und interessanten Briefes an Rossini. - Beiliegend ein eigh. Manuskript Adams, enthaltend 29 Verszeilen eines Librettos. - Ferner beiliegend ein zeitgenössisches Blatt von anderer Hand mit einer Aufzählung von Werken Adams. - Das Libretto-Manuskript auf ein Untersatzblatt gezogen; der Brief an Rossini mit einem kleinen Brandloch, ohne Textverlust.

Twenty Nine 'N' Gauge U.S.A Outline Items of Rolling Stock, by Life Like, Con-Cor, Atlas etc, comprising carboose's, tank wagon, box vans, Union Pacific coaches, overall good (twenty two boxed, seven loose).

Bible, Dominican Use, in Latin. Illuminated manuscript on vellum, [France: probably Paris, c. 1240], iii + III (original vellum) + 496 + II (original vellum) + iii leaves, ruled for two columns of 50 lines (c. 110 × 70 mm), written below top line in minute gothic script (with nearly 5 lines per centimetre); ILLUMINATED WITH A FOLIATE INITIAL TO EACH BOOK, and to the seven usual divisions of the Psalms, OFTEN INCORPORATING A DRAGON, BIRD, LION, OR OTHER ANIMAL, with similar smaller initials to each prologue, about 150 in all, chapter initials with extensive pen-work, marginal chapter numbers in alternate blue and red characters often similarly adorned, running titles also in red and blue; the corrosive green pigment used for the bounding lines of the Genesis initial caused natural corrosion, repaired on the reverse of the leaf; sporadic minor blemishes, very rarely affecting text or decoration, a few areas of blank margin excised, marbled endpapers, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, all edges gilt, 19th-century burgundy velvet, the front cover with gilt metal ornaments with an inset rectangular modern colour illustration of an ivory Madonna and Child plaque, upper joint cracked, lacking clasps, 8vo (160 × 119 mm)QTY: (1)NOTE:Provenance:1: Probably made for a Dominican Friar in Paris: the table of readings includes Dominic’s feast (f. 2r, last line of 2nd column), and the calendar includes both his main feast (5 August) and the translation of his relics, which took place in 1233 (24 May), highly graded; his main feast also has an octave (12 August)2: ? Enrico Mylius (1769–1854): from the ‘Museo Mylius’, according to an inserted note dated at Genoa, 16 May 1880, and signed by:3: Tereza Serafino, Antiquario4. Sotheby’s, 3 June 1946, lot 187, with a clipping from the catalogue loosely inserted; doubtless bought by:5. W. A. Foyle, Beeleigh Abbey (bookplate).Apparently complete, the collation is difficult to ascertain due to tightness of the binding, but based on visible sewing threads, vestiges of leaf signatures, and some quires marked ‘cor’ on their final verso to record that the text has been corrected, it appears that the first quire is of four leaves, the next two of 24 each, and most of the others of 26 leaves.Added note in 15th-century Humanistic script beginning ‘Maior est scripture huius auctoritas quam omni humani generis capacitas …’ (f. I verso); added 15th-century extracts from Gregory’s Moralia in Job (f. III verso); table of Epistle and Gospel readings for the year (f. 1r); Calendar, with Dominican feasts (f. 3v); General prologue (f. 5r), prologue to the Pentateuch (f. 7v), and Genesis (f. 8r), followed by all the usual books and prologues of the Old and New Testaments; the Apocalypse followed without break by the Interpretations of Hebrew Names, in the usual version from ‘Aaz’ to ‘Zuzim’; added notes (final medieval flyleaves) include a quotation from Hilary De trinitate, and a list of the Books of the Bible with their Hebrew names and the number of chapters in each (first back flyleaf).This is a fine example of a typical ‘Paris’ Bible, arguably the greatest revolution in both biblical scholarship and book production of the 13th century. Through the development of extremely thin vellum and extremely small script, it became possible for the first time, in the early decades of the 13th century, to produce a complete Bible in a single easily portable volume. This development came soon after the standardisation of the ‘Paris’ edition of the text, which combined the recently-introduced chapter numbers with a canonical selection of biblical books and prologues; the incorporation, as standard, of such ancillary textual features as the Interpretations of Hebrew Names; and the abandonment of others, such as capitula lists and canon tables, which are frequently found in 12th-century Bibles. The production of large numbers of these Bibles was probably in response both to the needs of students at the burgeoning university of Paris, and also of the mendicant (itinerant) friars, for whom portability was essential; when such Bibles include calendars (or other liturgical material) it is usually Franciscan or Dominican.The present Bible must date from after the 1233 feast of St Dominic, which is included in the calendar, but probably not much later: one of the developments in page layout that took place in the 1240s was that the chapter numbers were relocated within the main columns of text, rather than placed in the margins (as in the present example).

TWO BOXES AND LOOSE MISCELLANEOUS SUNDRIES, to include a boxed Petite 'Super International' typewriter, a boxed Bush VHS video system VCR 906SIL, vintage roller skates, collection of souvenir Spanish fans, nine 'Beefeater' ironstone dinner plates, a red Texaco oil can, Southern Comfort advertising mirror, nine volumes of Newnes Pictorial Knowledge, a canteen of cutlery, a pair of red leather ladies 'St.Morritz' ice skates made by Dolcis Sports, UK size 5.5, an Alba 209 portable turntable in a red and cream carry case, an Alfa 'Standard' sewing machine with original shop label and instruction booklet, a vintage hand drill, a box of twenty four Enid Blyton story books, a box of children's annuals to include 1982 Smurfs, 1977 June, 1975 Cor, 1960 School Friend, Hello There- a book of stories, etc. (s.d) (2 boxes + loose)

Lionel 0 Gauge Locomotive Rolling Stock Accessories and Controllers and Con Cor shed and Ahearn Kit, Wabash blue, grey and white GP-7 Diesel 2339, Newhaven Orange Boxcar, C-9157 C&O Flat Car with snap together Construction Crane Load, in original box, LW 'Trainmaster' Controller, 1015 Controller, Aurora 18V DC Power Pack and black Water Tower (lacks bottom of one support), Coc-Cor /Heljan B1042 unmade Engine House, sealed in original box and Athern unmade B&M Box Car, F-E, boxes G (9)

Con-Cor Triebzug ”Pioneer Zephyr” 8721, Spur H0, 3-teilig, silbern, Alterungsspuren, im leicht besch. OK, sonst Z 2

3 Con-Cor Wagen 705, 785 und 795, Spur H0, silber, Alterungsspuren, je im tw besch. OK, sonst Z 1-2

Costumes designs for Ballet Folklorico de Mexico,dated 1976, eight individual costume designs framed in pairs, signed to mounts, inscribed "Ballet Folklorico de Mexico - Ballet Totonaca - cor. Amalia Hernandes 1976" mounted and framed (4)approx design size 27.7 x 21.2cm, overall framed size 38.5 x 51cmCondition: In good overall condition, the item has not been examined out of the frame.

SHUN: A VERY LARGE LACQUERED CHARGER WITH FLORAL DÉCORBy Shun, signed Shun Japan, 20th centuryThe circular dish with concentrical raised circumferences on the show side, bearing a lustrous bronze ground decorated in gold takamaki-e with dragonflies hovering above reserved flowers, revealing the inner roiro ground. The backside with dark red lacquered rims and a shimmering roiro base displaying the artist signature SHUN.With an original wood storage box signed and sealed by the artist.Condition: Good condition with minor wear and few small nicks. With a kintsugi repair to the upper rim. Provenance: Dutch collection. Weight: 2,815 g (excl. the box) Dimensions: Diameter 60.5 cm

A LOT WITH FOUR METAL BOXES, MEIJIJapan, Meiji period (1868-1912)The first a rectangular sentoku box with hinged lid inlaid with fruity branches, blooms, birds, and figures. The second a silver finished copper box with hinged lid worked in repousse and embossed with a sinuous dragon and two characters 'long life' and 'good luck' on the cover, with dragon skin and stylized floral décor on the sides and underside, the interior fitted in wood. The third a quadrangular sentoku box with hinged lid incised with lobed and fan shaped reserves and inlaid with copper and sentoku birds and flowers. The last a small parcel-gilt bronze chest-shaped box with hinged lid and clasp, cast with animals, roundels, and flames.Condition: Overall good condition with wear, dents, and minor nicks here and there. The hinged lid mechanisms damaged. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world's leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts.Weight: 1174 g in totalDimensions: Height 2.8 - 4.5 cm, length 7.3 - 11 cm