We found 7175 price guide item(s) matching your search

A nice selection of Great Western Railway Hotel silverplate tableware consisting of; a pair of salt and pepper pots face marked with the GWR Twin Shield Coat of arms stand 3.5in tall, a nibbles bowl face marked with the GWR roundel measures 4.5in diameter x 2.5in tall, a Matchbox holder face marked with the GWR Twin Shield Coat of arms stands 3.5in tall and a salt pot complete with blue glass liner and spoon both marked with GWR HOTELS in roundel. All in very good condition. (6 items)

A Vintage bentwood hat and coat stand, probably by Thonet

Two metal bird baths, glazed planter, a coat stand and a three tier plastic shelf.

JOHN LENNON - John Lennon's First Ever Vox Amp - Fawn JMI Vox AC15 Twin - A 1962 Fawn JMI Vox AC15 Twin amplifier used and owned by John Lennon during his time in The Beatles. Lennon purchased this amp in 1962 and it was the first-ever Vox amp he used as part of The Fab Four. It is arguably one of the most significant Beatles and Lennon artefacts to come to market. It was the catalyst in forming the early tone and sound of one of The Beatles, considered one of the most influential bands of all time. The amp was used in many early live performances as well as the recording of The Beatles first album Please, Please Me recorded at Abbey Road studios. The history of this item was recently covered in a comprehensive article by Guitar World.When Brian Epstein became The Beatles' manager, he decided to completely overhaul their public image, including upgrading the equipment they used to perform. Lennon and Epstein visited Hessy's Music in Liverpool and hire-purchased a Fawn Vox AC15 Twin amp in July 1962 for £123, making four payments over the next few months. A scan of the original hire-purchase agreement can be seen on page 572 of the book Vox Amplifiers: The JMI Years by Jim Elyea. On the agreement, the amp's serial number was incorrectly noted as "1583" when, at that time, the serial numbers would have been in the 4000 range, so it was actually "4583". George Harrison also acquired a Vox Fawn AC30 Twin amp around the same time. Lennon can be seen using the amplifier extensively during the early days of The Beatles' rise to fame, including the only known film footage of them performing at the world famous Cavern Club, Liverpool on August 22 1962, four days after their newly appointed drummer, Ringo Starr had joined the band. This was the birth of what we now know as the legendary Fab Four. As well as many early live performances, the amp can be seen at the Abbey Road studios during the recording of the album Please Please Me in which Lennon's distinct Vox guitar tone can be heard on such tracks as "Love Me Do", "Please, Please Me", "How Do You Do It?" and P.S. I Love You". Photographs taken by Bill Connell and Les Chadwick on 22 August 1962 document The Beatles rehearsing at the Cavern Club and show the Vox amp being used by Lennon. As Starr officially joined the group four days earlier on 18 August, these may be some of the first images to feature him as part of the band. The amp can also be seen in photos taken during the Please Please Me recording sessions at Abbey Road Studios in Studio 2 which took place in September 1962. In these images, Lennon's Vox AC15 is equipped with chrome stand, as opposed to George Harrison's Vox AC30, which has no stand. As the band's popularity grew and their touring schedule increased, in early 1963 Brian Epstein secured an endorsement deal with Vox for their exclusive use of the brand and in return Vox would supply the band with amplifiers. Recent research shows the original Beatles Fawn amplifiers can be seen being used as late as November 1963 and possibly beyond and were used in conjunction with the new Black amplifiers due to the band's extensive schedules. Notable later performances where these amps can be seen in 1963 include January 31st at Birkenhead, March 7th at Harrogate and November 1963 in Ireland.The amp comprises a pine cabinet with a fawn Rexine exterior. A previous owner of the amp, unaware of its link to Lennon and The Beatles, decided to paint its exterior matt black. This coat of paint has been meticulously removed to expose the amplifiers original Fawn covering, this along with period correct brown diamond-patterned grille-cloth and Goodman Alnico Speakers has restored the amplifier to its original 1962 Lennon, Beatles format. The top side features three leather handles and various controls, including six black pointer knobs and a voltage selector switch. A Vox Amplifier plaque on the back displays the model number "AC15" and the serial number "4358", as mentioned in Vox Amplifiers: The JMI Years. It is powered by an attached UK plug and cable and comes with a single-button Vox foot switch. The lot also includes a contemporary wheeled flight case and a metal tubular stand. The amp's exterior exhibits signs of age, including general scuffing. Some of the Rexine has peeled away, revealing the pine underneath, and there are small holes in the grille-cloth cover. However, the lot remains in remarkable overall condition, considering its age and history. This is an exceptionally rare opportunity to own a key piece of vintage equipment that established the sound of the Beatles. This lot is accompanied by a printed still.Dimensions (amp): 26.5 cm x 69.5 cm x 51 cm (10.5" x 27.25" x 20"); (displayed on stand): 35 cm x 91 cm x 94 cm (13.75" x 35.75" x 37")Special shipping required: see special shipping notice in the Buyer's Guide.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £100,000 - 200,000 M Bidding for this lot will end on Friday, November 15th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Saturday, November 16th or Sunday, November 17th.

A framed watercolour, depicting clothes on a freestanding bentwood hat and coat stand - signed - sold with a book plate, fantasy print, another and a card frame

MODERN WOODEN COAT STAND

MODERN COAT STAND

A black finished wrought iron coat and umbrella stand on four smoke style legsLocationIf there is no condition report shown, please request one

An early 20th century mahogany hat and coat stand with finial top over revolving hooks over central umbrella stand with three feet, 201cm high Condition Report:Available upon request

A bentwood coat stand, in the manner of Thonet, 185cm high

A Younger Furniture hat and coat rack by John Herbert together with a Guy Rogers magazine rack and a teak book stand (3)

A reproduction mirrored hall stand, width brass coat hooks, 61 cm x 30 cm x 203 cm

A decorative brass coat stand

Stand Studio, Lexie Coat Oversize-Vinyl-Mantel, lilafarbenes beschichtetes Kunstfaser-Mischgewebe in der Farbe Orchid Violet, Reverskragen, frontaler Verschluß durch 3 große Knöpfe, lange Ärmel mit breiten Umschlägen, Oversize-Schnitt, große seitliche Eingrifftaschen, leichtes goldfarbenes Innenfutter, Größe 38, inkl. Originaletikett, Gebrauchs- und Lagerspuren

VICTORIAN HAT & COAT STAND

A metal hat and coat stand

A tubular metalware hat and coat stand 181cms

A bentwood style hat and coat stand

A bentwood style hat and coat stand

Bamboo occasional furniture to include; a two-tier table shelf, wall mounted coat rack, and a small twin division magazine stand (3)

A black tubular metal atomic hat and coat stand

A neat 1920s oak hat and coat stand (h. 178cm x l.31cm x w.33cm)

A metal coat & hat stand

Assorted Ladies Costume, Hats and Accessories, comprising two Herald & Heart Hatters felt hats with asymetric brims, grosgrain ribbon band with brass tone buckle and brown feathers, a similar hat in black with silver tone buckle, a Herbert Johnson mulberry coloured straw with gathered and rouched look with cream and mulberry coloured feathers (in a Herbert Johnson box),The Kooples embossed blue leather Emily bag with silver tone hardware, front and back pockets and an internal zippered pocket, with detachable shoulder strap and dust bag,Emporio Armani item comprising a brown wool jacket with grosgrain ribbon trim to the collar, pockets and embroidered line details (size 44), orange silk blend jacket with peaked collar, padded shoulders and pockets (sizr 42), a black heavyweight cotton jacket with gathered puffed shoulders, stand up collar, pockets and button fastenings (size 42), a royal blue/purple wool blend long sleeved dress with turtle neck type collar and zip to the reverse (size 44),and a Fiona Clare lilac woven coat with feather design, tuck details radiating from a central point and a gathered floral hook and bar fastening,(5 items of clothing, a bag and 3 hat boxes)

A RED PAINTED POWDER BARREL DECORATED WITH ROYAL COAT OF ARMS Probably for use as a stick stand, of coopered construction, the red paint probably later and the coat of arms printed 53cm high Condition Report: Hoops loose and incorrectly placed - as can be seen in the catalogue online image, leaving bare rings where the paint has not been applied, the painting as catalogued almost certainly later and the printed decoration also, Overall with marks, knocks, scratches, abrasions consistent with age and use, splits and cracks, chips and losses, rubbing, wear, losses  Condition Report Disclaimer

A PAIR OF FAMILLE ROSE TUREEN STANDS WITH THE COAT-OF-ARMS OF CAYETANO PIGNATELLIQianlong, circa 1769Delicately enamelled to the centre with the arms of Cayetano Pignatelli, Marquis of Rubí, within a pink rocaille band below the foliate rim. Each 38.5cm (15 1/4in) wide. (2).Footnotes:清乾隆（約1769年） 粉彩魯比侯爵卡耶塔諾·皮尼亞特利家族紋章瓷湯盆托盤一對Provenance: an English private collection來源： 英國私人收藏For the arms, see Rocío Díaz, Chinese Armorial Porcelain for Spain, London, 2010, no.20. Díaz notes that the present service, commissioned for Cayetano Pignatelli, Marquis of Rubí, departed Manila in December 1769 and arrived in Cádiz, Spain, in August 1770 aboard the Spanish vessel Buen Consejo. Detailed documentation of this shipment, housed in the General Archive of the Indies (Archivo General de Indias), includes a cargo register listing the Marquis of Rubí's service, along with customs clearance papers submitted in Cádiz. According to these papers, the original service comprised 542 pieces distributed in five crates, though 130 pieces were reported broken upon inspection by officials of the Royal House of Trade in Cádiz. Chinese export porcelain services with such precise documentation are rare, providing scholars with invaluable insights into the vibrant trade between China and the West during the 18th century.Cayetano Pignatelli was born in Barcelona in 1730 and by 1752 had already assumed the title of Marquis of Rubí and the rank of colonel of the Naples Infantry Regiment. In 1764, he participated in an expedition aimed at creating a regular army in New Spain, modelled after European structures. Tasked with inspecting the presidios (garrisons) along the northern frontier, Pignatelli's efforts led to the issuance of the New Regulations for Presidios in 1772. These regulations, based on his recommendations, reorganized Spain's defensive positions from the Gulf of California to the mouth of the Guadalupe River in Texas.See one similar famille rose armorial tureen stand with the same coat-of-arms, Qianlong, which was sold at Christie's London, 30 April 2015, lot 109. See also a pair of wine coolers from the same service, circa 1769, which was sold at Sotheby's New York, 20 January 2024, lot 125. See also a set of ten famille rose plates from the same service, circa 1769, which was sold at Sotheby's New York, 19 October 2022, lot 508.For further information on this lot please visit Bonhams.com

A HEAVILY CARVED OAK VICTORIAN MIRRORED HALL COAT AND STICK STAND, 38" WIDE

A METALWARE YELLOW PAINTED X FRAME COAT/HAT STAND WITH HARDWOOD TOP SECTION

Two Mid 20th Century Metal Zigzag Wall Hanging Coat Racks together with a Stand

A bentwood floor standing hat and coat stand, 196cm (full height)

A 20th century gentleman's mahogany vanity stand. Splayed legs with squared uprights having coat hanging top with button tray atop and two drawers125x40x45cm approx

Bentwood coat stand

An Edwardian oak coat and umbrella stand, of tapering form, height 186cm.

A collection of decorative wooden figures, three composite table lamps, two gilt models of cherubs, two ceramic figures and assorted decorative items including an elephant's head coat stand, etc (qty).

A Chinese 18th-century style cast patinated bronze Bixie form scroll weight, the recumbent beast raising its head, it's coat with "Damasked" silver alloy wire markings, on its own shaped hardwood stand, 10 cm long x 8 cm wide.good condition.

An 18th century Indo -Portuguese rosewood Contador (chest on stand) first half of the 18th century probably Goan the upper section with a series of ripple moulded block fronted drawers, above a typically elaborately turned stand with a carved coat of arms to the frieze. 117 cm overall width x 55 cm overall depth x 165 cm overall height.Formerly of Donnington Castle House, near Newbury, Berkshire Formerly of Donnington Castle House, near Newbury, Berkshire Some damage to the facias of the carcass and ripple moulding, left hand handle swan neck broken.The stand has some damage to the turned rings but structurally it is stable.It is possible that the chest section was married with the stand but both of a similar era and both Portuguese.

Borek Sipek for Driade A gilt metal "Acate" gilt brass standing hat and coat stand,175 cm overall height

A mid-century white painted hallway wirework hat and coat stand, with central mirror, circa 1950s.

An antique French wrought iron acanthus leaf design hall stand, with shell shaped drip tray and seven hat and coat hooks. Width 65cm, height 188cm, depth 36cm.Good condition. Comprises two sections bolted together at back. Drip tray is removable. Some surface rust visible.

Styled in winter coat with muff and her curly blonde hair bouncing under her cap. One hand holds a bunch of roses for the Pasadena Tournament of Roses Golden Jubilee 1939. Signed by artist with embossed signature of Shirley Temple. Metal stand and foldout poster included. Danbury Mint tag. This item has its original box: 8"L x 6"W x 16.5"H. Artist: Helen KishIssued: 20th centuryDimensions: 7"L x 4.5"W x 15"HManufacturer: Danbury MintCountry of Origin: United StatesCondition: Age related wear.

Styled in Salvation Army blue satin attire with hooded cape coat and adorned with holly. Salvation Army collection bucket and metal stand included. Danbury Mint tag. This item has its original box: 7.5"L x 4.5"W x 20"H. Issued: 20th centuryDimensions: 6.5"L x 3"W x 17"HManufacturer: Danbury MintCountry of Origin: United StatesCondition: Age related wear. Minor black marks on face.

Early 20th century oak hall stand, bevelled mirror back with five metal coat hooks, central Art Nouveau repoussé copper panel with stylised floral motif over storage compartment, umbrella stand with drip trays, on turned front supportsDimensions: Height: 195cm  Length/Width: 80cm  Depth/Diameter: 28cm

A pair of early 20th century bentwood chairs; a small coat stand (3)

A wall mounted bentwood coat stand, height 190cm.

BENTWOOD COAT STAND 

An Aesthetic oak hat and coat stand, the revolving top with five brass hooks on three fluted supports and feet203cm high

Porträtmaler frühes 19. Jh.: Bildnispendants eines PaaresJe Pastell. Je unsigniert. 1. H. 19. Jh. Je 22 x 18 cm sowie 21,5 x 18 cm. Gerahmt & hinter Glas : Je 28 x 24,5 cm (zeitgenössische furnierte Rahmen). Porträt einer jungen Frau in dunklem Kleid mit rotem Mantel sowie eines Mannes in dunklem Gehrock mit verziertem Stehkragen. Zwei kleine Löcher. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 12:20 Uhr (CET) Portrait painter early 19th century: portrait pendants of a coupleJe pastel. Each unsigned. 1st half 19th centuryEach 22 x 18 cm and 21.5 x 18 cm. Framed & behind glass : Each 28 x 24.5 cm (contemporary veneered frames). Portrait of a young woman in a dark dress with a red coat and a man in a dark frock coat with a decorated stand-up collar. Two small holes. Call time 26 | Oct. 2024 | probably 12:20 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

An Edwardian Bentwood wall standing Hat & Coat Stand, on triform base. (1)

A Victorian Coalbrookdale type cast iron Hat and Coat Stand, with oval mirror back on a pierced decorated upright, approx. 204cms high x 84cms wide (80" x 33"). (1)

A TROUSER PRESS/COAT STAND AND FATBOY BEAN BAG

A metal coat stand and a quantity of hose

A PORCELAIN FIGURE OF MAO ZEDONG STANDING Modelled standing in green trench coat, cigarette in his left hand and right hand holding his hat behind his back, on attached red squared stand 29.5cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A CARVED QUARTZ FIGURE OF MAO ZEDONG STANDING Semi-transparent clear quartz, modelled wearing trench coat and hat, standing casually and smiling, hands behind his back, red velvet lined wooden stand 24.5cm high, 27cm high with stand Condition: Condition Report The red fabric from the stand has partially faded. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Bentwood coat stand

Victorian mahogany hall stand, central rectangular pillar supporting four projecting branches with turned hat and coat hooks, lower stick and umbrella stand on turned supports with metal drip tray, skirted base on compressed bun feet Dimensions: Height: 193cm  Length/Width: 72cm  Depth/Diameter: 24cm

A vintage freestanding bentwood hat and coat stand, set on swept leg

BEVELLED WALL MIRROR, AND A METAL COAT / STICK STAND the mirror in a gilt frame96cm x 123cmQty: 2

A lot comprising a mid 20th century teak writing bureau, 104cm high x 99cm wide x 42cm deep, mid 20th century Hago coat stand with cast iron base, 161cm high and a wicker laundry hamper (3) Condition Report:Available upon request

An early 20th century mahogany and walnut veneered mirror backed hall stand with central oval bevelled glass mirror flanked by three coat hooks either side over hinged glove compartment flanked by umbrella stands on bun feet, 202cm high x 106cm wide x 27cm deep Condition Report:Available upon request

coat/hat stand