We found 7175 price guide item(s) matching your search

Early 20th century black lacquered bentwood coat stand, central turned column with curved hooks, raised on four splayed supportsDimensions: Height: 189cm 

A Bentwood coat stand

An industrial style hall hat and coat stand.

A bentwood hat and coat stand and an umbrella stand

A teak hat and coat stand with mirrored back, width 61 cm

BENTWOOD HAT & COAT STAND

A grey-painted wrought iron hat, coat, and umbrella stand With coat hooks on a central post and a circular stick stand beneath with outswept feet.43cm diameter x 187cm highQty: 1In generally good condition. Minor marks to the paintwork.

A Bentwood style hat and coat stand

A bentwood hat and coat stand

A pair of George III three-light twin branch candelabra, each column having a tapering stem to a domed stepped foot, the detachable upper section with twin reeded spiral arms with wax-trays and three urn shaped capitals, with removable sconces, gadrooned borders throughout, each central urn and base engraved with a lozenge coat of arms, hallmarked to each section, maker John Green, Roberts, Mosley & Co, Sheffield 1804, h.50cm, loadedOne set of marks to base of sconces.Marks to bases heavily worn, marks to sconces good.Both stand well.One with old very well done repair to neck.Otherwise good with modest age/handling wear only.

A vintage mahogant telephone table and a bent wood coat/hall stand. No shipping

Late Victorian Mahogany Hall Stand, traditional style, mirror back and coat hooks, central drawer with lead umbrella wells. Height 75'', width 35''.

WOODEN COAT STAND & STANDARD LAMP(BROKEN)

A LATE 19TH CENTURY BETWOOD COAT/HAT STAND, STAMPED THONET

A Louis XVI covered tureen with standSilver, fineness .958_x000D_Oval tureen with projecting handles, raised on a pedestal foot_x000D_Relief decoration depicting a frieze of scrolls, flowers and eagle heads surrounding two oval medallions decorated with the figure of young Bacchus playing with putti and a goat_x000D_Plain interior with silver lining_x000D_Cover with chiseled decoration featuring a water leaf frieze and a Greek key frieze surrounding rosettes_x000D_Fruit basket-shaped finial_x000D_Oval stand with polished decoration, engraved at the center with a European Family Coat of Arms_x000D_Border with chiseled decoration depicting a laurel leaf garland_x000D_Raised on four double-sphere feet_x000D_Foreign guarantee mark, Paris city charge mark (1789), maker's mark attributable to Louis Cartier (reg.1779) or Louis-Jean-Baptiste Cheret (reg. 1759) and Paris city export mark (1781-1789)_x000D_(minor oxidation marks, signs of wear)36.5x43.5x25.5 cm (covered tureen)_x000D_8x43.5x32.5 cm (stand)6093.5 gThis piece is likely one of the pairs from lot 416 or 416a of the auction held in March 1941, in Lisbon, by the auction house Leiria & Nascimento, where pieces belonging to the dinner service of the 3rd Count of Porto Côvo, Alberto Júlio da Costa Lobo da Bandeira, were sold.Pieces from this dinner service were presented at the Exhibition of Portuguese and French Silverware held at the Ricardo Espírito Santo Silva Foundation in 1955. In the respective catalogue they were listed as works by the silversmith Louis-Jean-Baptiste Cheret (1760-1832). At the 1934 exhibition of Ricardo Espírito Santo there was a sauce boat identical to this one by Bustorfe Silva as being Henri Cartier.

BRASS HAT & COAT STAND

HALL HAT & COAT STAND

A carved oak hall stand, with mirrored panel, coat hooks and under seat storage. Height: 181cm, Width: 83cm, Depth: 35cm.

HAT AND COAT STAND. Arts and Crafts oak, with brass hooks and drip trays 182cm T x 60cm w.

A WW II metal oval wound badge and 2 dragon in dreams 1 / 6 scale Timo Ducca WWII German action figures, both in separate uniforms and one with his hat and gun on his back the other in black leather coat and boots, along with a separate rifle  ( 4 items in lot ) the figures stand 30 cm ( 12 " ) tall, and the badge just over 4cm long Condition : good played with condition, some wear View all pictures

3 Late 1960s dolls , to include Barbie, and friends Francie and Skipper  Along with a selection of colourful outfits to include 3 barbie coat hangers dolls stand approximately 28 cm tall Condition: Played with View all pictures

A circa 1900 Thonet bentwood freestanding combination hat/coat/stick stand, height 204cm

A painted steel coat, hat and umbrella stand - in an antiqued bronze painted finish, with four scroll coat and hat hooks over a tapered openwork stick / umbrella stand with tray base, on scroll feet. (LWH 40 x 40 x 180cm)

A wooden Coat stand.

A metal coat stand.

A Bentwood hat and coat stand. 190cm. 1

A 19th century brass and cast-iron stick stand, 8" wide x 9" deep x 26" high, and a cast iron coat rack with horse and rider decoration, 16" wide

A Bentwood coat stand

An early 20th century bentwood hat and coat stand 193cm high Condition Report:Available upon request

A late 19th century Thüringen comic British general to suspend, with large moustache and mutton chops, oversized black tricorne hat, red tail coat, white breeches and black boots, jointed at shoulders and hips, loop of sting in hat to suspend and recent stand —2 ½in. (6.5cm.) high

A 20th century teak double door record cabinet on splayed legs, together with a hat and coat stand.

A bentwood coat stand, approximately 6ft in height

An early 20th century bentwood coat stand c.1930; four walking sticks (5)

▲ Patrick Caulfield RA (1936-2005) 'Coat Stand' screenprint, signed 'Patrick Caulfield' and numbered '31/72' in pencil l.r., published by Waddington Graphics, Londonsheet 68 x 90cm, unframedCondition ReportFoxing and dirty marks around the margin and large scuff on the bottom, please refer to images. Handling indent marks visible.

WALL HANGING HAT & COAT STAND

A bentwood coat stand

A white painted bent wood style hat and coat stand

A French Art Deco wrought iron hanging coat and hat stand, width 77cm, height 52cm. Condition - fair

A light oak coat stand

Drevounia bentwood hat/coat stand Height - 292cm

Bentwood coat stand and floor lamp base

A contemporary beech framed coat stand, with internal coat stand and drip tray. Height 181cm.

SJOERD VROONLAND FOR MOOOI - a 2011 designed Extension Chair, the weighted bentwood seat supporting the extended coat stand upright, overall height 193cm.

A pierced Royal Coat of Arms trifid Stand, a Fuel Bin, a Tray, a Candlestick Inkwell etc. As a lot.

A 19th Century carved mahogany pillar Hat and Coat Stand, on outsplayed reeded legs. (1)

A bentwood coat and hat stand together with a collection of walking sticks, and umbrellas and a garden figure of a boy

Binding - Clarkson (Christopher, 1938-2017). Bindings in Cambridge Libraries, by Geoffrey Dudley Hobson, Cambridge: University Press, 1929, colour frontispiece, monochrome and colour plates, doublure endpapers decorated with rubbings taken from a German Gothic blind-stamped binding, all edges gilt, modern yellow ochre Nigerian goatskin by Christopher Clarkson, intricate blind decoration design based on the Cambridge Colleges, each identified by a platinum-tooled shield with finely painted coat of arms to each, gilt and blind decorated path or large roundel effect encompassing whole binding bringing together design, title to spine in platinum, folio (37.3 x 23.5 cm), contained in book box, together with 26 brass finishing tool heads designed and made by Clarkson to undertake the decoration on the binding, and 34 brass type heads which were used on the binding, contained together in small hardwood stand, plus a selection of original artwork, designs, practice blind-work samples and mounted exhibition photo boards relating to the binding QTY: (-)NOTE:Provenance: Christopher Clarkson (1938-2017); thence by descent.This publication was produced in a limited edition of 230 copies for sale.Christopher Clarkson (1938-2017) was one of the world's leading authorities in the conservation of medieval manuscripts and early printed books and a highly respected historian on the subject. Christopher was born in Blackheath from an early age showed an interest in art, attending art classes at the Whitechapel Art Gallery on Saturday mornings, before attending the Junior Art School at Camberwell College of Arts and Crafts at the age of 13, progressing to the Senior Art School at the age of 15. At 17 he gained his National Diploma in Design and took a part-time position at Camberwell assisting Frank Martin in teaching wood engraving, lettering and illuminating under Vernon Shearer. He later attended the Royal College of Art from 1960-1963, additionally studying fine binding for his last two years there. Whilst there he had to complete twelve bindings for his final diploma show (the bindings by Clarkson in this auction are understood to date from this time). At the same time, he assisted Howard Nixon at the British Museum with his bookbinding rubbing project. He graduated from the Royal College of Art in 1963 with an ARCA Diploma in Graphic Art and as a result, was invited by Jeff Clements to teach at the Plymouth School of Art and Design. In 1964 he worked under Tony Cains at Douglas Cockerell & Son which was run by Sydney Cockerell. In late 1966 he joined the English Government team in Florence to help conserve the flood-damaged volumes and manuscripts, working with Tony Cains, Peter Waters, Don Etherington and Roger and Rita Powell. It was during this time that he and fellow binders formulated the principles of book conservation. In 1972 he was appointed Head of Rare Book Preservation at the Library of Congress, Washington. He later held a position at The Walters Art Gallery, Baltimore, being the first conservator of their manuscript collection, before, in 1979 accepting the post as the first Conservation Technical Officer at the Bodleian Library, Oxford. From 1987-1998 he taught at West Dean College and on his return to Oxford set up in private practice, working as a consultant to the Bodleian Library, The Wordsworth Library and Hereford Cathedral Mappa Mundi Trust and Chained Library. In 2004 Christopher was awarded the Plowden Gold Medal of the Royal Warrant Holders Association in recognition of his contribution to the conservation profession.

A BENTWOOD COAT/HAT STAND

A BENTWOOD COAT/HAT STAND

A long dark mink coat with feature buttons, size 16/18; and a narrow pelt fur cape with small stand up collar, length 52cm.Qty: 2Condition report:Please see further images.

An early Victorian mahogany coat stand, c.1840, with scroll arms and stick stands, on a plinth base with turned feet,92cm wide30cm deep203cm highCondition ReportThe base with knocks and some fading

COAT STAND

A bamboo coat stand

A Victorian tyle cast iron coat and stick stand, height 180cm. Condition - fair, one arm missing

A GROUP OF CERAMICS, A BOX OF CORGI CARS, AND A FUR COAT to include a group of Royal Doulton 'Chiffon' tea and dinnerware comprising a teapot, a milk jug, a sugar pot, a sauce boat and stand, four dinner plates, four tea plates, four bowls, three cups, four saucers, a group of Aynsley 'Wild Tudor' giftware items comprising two vases, a clock, two lidded jars, and a lidded trinket pot, a box of replica vintage advertising Corgi cars, a Chestnut Coney fur coat (size 14) (qty) (Condition Report: no obvious damage)

A Victorian profusely carved oak hall-stand, the moulded cornice with foliate carved decoration over bevelled mirror back, flanked by carved panels adorned with putti masks and cast coat pegs, above central frieze drawer carved and applied with a green man mask, the shaped apertures for walking sticks and umbrellas supported by carved lion head shaped legs, raised on a plinth base, W132, H204, D44cm.

An unusual wall mounted bentwood coat stand, with column support, D shaped support for umbrellas, etc., on bun feet, 208cm high.

3 Glaskrüge mit Porzellandeckeln. Farbloses Glas, Zinndeckel je mit Porzellan, 2x Emailmalerei, 1x Fotodruck. H maximal 17 cm. Facettiert geschliffenes Glas mit Bodenstern. Auf dem Porzellandeckel gemaltes Verbindungswappen der Arminia mit Schildhaltern: im Deckel Widmung von 1856. / In Form geblasenes Glas mit Wandungsgliederung. "A. Biertümpfel Erfurt" gemarkter Zinndeckel; auf dem Porzellan gemalte Erfurtansicht mit Dom und Severikirche sowie Gravur am Rand: "J. Polze 1871". / Formglas mit Wandgliederung. "Oskar Zacher Apolda" gemarkter Zinndeckel; auf dem Porzellan Bildnis Friedrich III. (Kronprinz) sowie Widmungsgravur am Rand von der Gesellschaft Armbrust 1879. Arminia: Chip am Boden/Henkel-Übergang. / Erfurt: Kleinerer Abplatzer am Henkel unten, Schrammen an der Malerei. / Friedrich III.: Chips am Stand. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 16:59 Uhr (CET)3 glass jugs with porcelain lids. Colorless glass, pewter lids each with porcelain, 2x enamel painting, 1x photo print. H maximum 17 cm. Faceted cut glass with star-shaped base. Painted Arminia coat of arms with shield holders on the porcelain lid: dedication dated 1856 in the lid. / Blown glass in shape with wall structure. "A. Biertümpfel Erfurt" marked pewter lid; painted view of Erfurt with cathedral and Severi church on the porcelain and engraving on the rim: "J. Polze 1871". / Molded glass with wall decoration. "Oskar Zacher Apolda" marked pewter lid; on the porcelain portrait of Frederick III (Crown Prince) and dedication engraving on the rim from the Armbrust company 1879. Arminia: chip to the base/handle transition / Erfurt: minor chipping to the handle at the bottom, scratches to the painting / Frederick III: chips to the stand. Call time 26 | Feb. 2025 | probably 16:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

French Samson style porcelain box and cover on brass paw stand, decorated with a pseudo coat of arms on crackle glaze , 8 cm high / AN22

Wooden coat stand