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A black mourning bodice, heavy duty wool boned bodice which is pointed, covered buttons (one is missing its cover), wide cuffs in lace, lace detail on the collar which is a stand up collar, v lace detail at back along with a matching mourning skirt in wool which has the decorative lace detail and pleating at the back (1890s). A bombaden fabric pleated mourning bonnet with two ties (1890s). A large mourning cape/collar, embellished with jet and black lace. A unusual mourning cape edged in jet and lace beadwork (1880s). A mourning skirt in black quilted sateen (small amount of damage to the waistband) very full skirt (1890), An Edwardian lace coat, unlined, very decorative lace detail, loose design, trimmed in tassels, the hemline which is lace has come away from the hem (1908-12).
‡ A COMPOSITE NORTH ITALIAN CAP-A-PIE ARMOUR WITH ETCHED DECORATION, LATE 16TH CENTURY, THE BACKPLATE SIGNED BY THE MASTER ‘P’ comprising morion with rounded one-piece crown rising to a high roped medial comb, and 'swept' integral brim rising to an acute point front (restored) and rear, the latter fitted with an associated etched and gilt copper alloy plume-holder, the interior with an early padded maroon velvet lining interspersed with small tassels; collar of three plates front and rear (the upper two of the front, and the uppermost and lowermost of the rear restored); breastplate formed of a main plate of deep 'peascod' fashion (the metal of its lower right showing internal delamination), embossed with a volute at each side of the chest, fitted at its arm-openings with moveable gussets, flanged outwards at its lower edge (the centre of the flange patched) and fitted with a fauld of two lames (the lowest patched at its left end) and a pair of pendent tassets each of nine lames (the left restored); well matched backplate embossed en suite, fitted with shoulder-straps and a belt; a pair of large symmetrical pauldrons, each formed of seven lames of which the third is in each case patched and the lowest four (restored) extend inwards only to the armpit; a pair of fully articulated tubular vambraces each fitted at its upper end with a turner of two lames and at its elbow with a winged bracelet couter of three lames; two gauntlets almost forming a pair, each formed of a flared and pointed tubular cuff (holed for display), four and five metacarpal-plates respectively, a shaped knuckle-plate (the right restored), later thumb-plate and finger-scales; the main edges of the armour formed almost throughout with file-roped inward turns, and its surfaces decorated with etching on a stippled and blackened ground (areas of wear), that of the morion consisting of a large cartouche at each side of the skull filled with the figure of Fortune enclosed by the inscription ‘Semper Fortuna Docet’ and ‘Semper Fortuna Iuna’ respectively, the comb with a central cartouche filled with a coat-of-arms, two moor’s heads addorsed above a further head and a bar between charged with three mullets, flanked by mythical beasts and birds on one face and further beasts and putto on the other, and that of the remainder of the armour consisting of bands and borders of trophies of arms generally enclosed by narrow bands of cabling and enclosing in the interspaces and volutes of the fronts and rears of the pauldrons, classical busts, and involving at the neck-opening of the backplate the device of a cross and orb, the latter charged with the letter ‘P’, and a pair of modern cuisses each of three lames, fitted at their lower ends with winged poleyns of five lames, hinged tubular greaves and articulated sabatons of eight lames; all on a wooden stand ProvenanceRussel J. Char
A 1796 Pattern Infantry Officer's Sword, the 77.5cm single edge fullered blued steel blade engraved and gilt with crowned GR cypher, Royal Coat of Arms, scrolling foliage and a stand of arms, stamped S at the ricasso, the gilt brass stirrup hilt with fixed double shell guard, silver wire bound grip and foliate sheathed urn pommel, in a silver plated double ring scabbard, engraved "Captain Edward Rickards 1793, Adjutant Leicestershire Militia & Rifle Brigade", 98cm, with a green baize slip case and a photocopy of a silhouette of Captain Rickards with a hand written short biography.Footnote: - Captain Edward Rickards of the King's Rifle Corps and Leicestershire Militia, was born in 1776 and died in 1834 aged 58 years. He was the third son of John and Sarah (nee Woodward) Rickards of Pershore, Worcester. He married Charlotte, daughter of Captain Huntley of the Royal Navy. Their son Edward Henry Rickards was born on 13th July 1807 at Ipswich Barracks. Blade with two tiny nicks to the edge, minor bruising to the silver wire binding on one side of the grip. The hilt has been regilded and the scabbard has been replated. Scabbard with a small patch of pitting below the mouth. The sword does not fit snugly into the scabbard at the ricasso. Otherwise in good clean condition.
The bevelled mirror plate surrounded by ten coat hooks, all above a drawer with a mask handle between twin umbrella stands and an undertier.110cm wide x 39cm deep x 201cm highQty: 1Notable silvering to the mirror plate, the painting leaving the wood showing through across the entire stand, slight play in the joints, some parts have been incompletely painted.
A late Victorian carved oak Gothic Revival hall stand, the mirrored back with hat and coat hooks, over two Flemish style carved panels depicting topers in an interior, over a glove drawer, flanked by two stick stands on turned supports, united by an undertier with drip trays, on turned feet, 92 cm wide x 37 cm deep x 203 cm high
A Flight and Barr Worcester sauce tureen, cover and stand from the Sir Robert Peel service, circa 1800Of gently lobed circular form, with bifurcated handles, painted with the crest of a demi-lion rampant, wearing a blue collar and holding a gilt shuttle between its paws, above the cipher 'RP' interrupted by a red hand, reserved on a wide band of gilt foliate scrollwork on a 'Barr's orange' ground, 17.7cm high incised B marks (3)Footnotes:ProvenanceBonhams, 10 December 2008, lot 232Charles Dawson CollectionThis crest and a full coat of arms was granted in 1792 to the industrialist Robert 'Parsley' Peel (1723-1793). The red hand between the initials under the crest indicates this service was ordered by the third son of the grantee, also Robert (1750-1830) who was granted a baronetcy in 1800. The service was probably commissioned soon afterwards to mark his elevation to baronet. It was his son, the future British Prime Minister Sir Robert Peel (1788-1850), who inherited the baronetcy in 1830 together with, presumably, this service.A slop bowl, teapot stand and sucrier from this service and bearing the Peel crest were also offered by Bonhams on 10 December 2008, lots 233-235. However, the present lot is the only piece known showing the gilt cipher, appearing on both sides of the tureen and the stand underneath each crest.For further information on this lot please visit Bonhams.com
Thonet manner - A vintage mid 20th century Thonet manner bentwood coat stand / rack. The coat stand raised on four splayed legs, with banded rings forming an umbrella stand to base. With six scrolled arms to top, with curled coat hooks. Having turned acorn finial to peak. Measures approx. 184cm tall.
An Arts and Crafts hall cupboard, circa 1900 by Shapland and Petter, Barnstable, combined cupboard and umbrella stand in light oak, the door of two upper and one lower recessed panels, inlaid with satinwood, boxwood and fruitwood in stylised floral design, the front side panels are strong with ebonised and plain boxwood with copper hinges and coat hooks
Biedermeier BildnispendantsÖl/Leinwand. Unsigniert, verso einmal als "Caroline Vilhelmine Jensen" betitelt. 39 x 35 cm. Gerahmt : Je 50 x 46 cm (Goldstuckrahmen). Porträt eines Mannes im schwarzen Gehrock mit Stehkragen vor neutralem Hintergrund sowie Bildnis einer Frau mit gelocktem Haar und im dunklen Kleid. Reinigungsbedürftig, Kratzer. Aufrufzeit 15. | Juni 2024 | voraussichtlich 13:54 Uhr (CET) Biedermeier portrait pendantsOil/canvas. Unsigned, titled once on verso as "Caroline Vilhelmine Jensen". 39 x 35 cm. Framed : Each 50 x 46 cm (gold stucco frame). Portrait of a man in a black frock coat with stand-up collar against a neutral background and portrait of a woman with curly hair and in a dark dress. In need of cleaning, scratches. Call time 15 | June 2024 | probably 13:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Schatulle und 2 Krüge Studentika. Ende 19. bzw. Ende 20. Jh. 13 x 28 x 21 cm, H maximal 20 cm. Massive Eichenschatulle mit ornamentalen Zink-Appliken sowie im Scharnierdeckel eingelassene Milchglasscheibe mit goldstaffierter Malerei: Wappen der Würzburger Burschenschaft Cimbria. Widmungs-Plakette Erlangen 1899. / Facettierter Halbliter-Glaskrug mit Bodenstern sowie Zinndeckel mit Löwen als Wappenhalter und bemalter Porzellanplakette (Wappen Cimbria, Widmung Würzburg 1894). / Neuer Glaskrug mit Aufdruck "Gaudeamus" und Zinndeckel. Schatulle: Deckel leicht verzogen, wenige Trockenrisse. Alter Krug mit Abplatzern am Stand, Zinn locker. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:45 Uhr (CET)Casket and 2 jugs of studentica. Late 19th or late 20th century 13 x 28 x 21 cm, H maximum 20 cm. Solid oak casket with ornamental zinc appliqués and frosted glass pane with gold painting in the hinged lid: coat of arms of the Würzburg fraternity Cimbria. Dedication plaque Erlangen 1899 / Faceted half-liter glass jug with bottom star and pewter lid with lion as coat of arms holder and painted porcelain plaque (coat of arms Cimbria, dedication Würzburg 1894). / New glass jug with imprint "Gaudeamus" and pewter lid. Casket: lid slightly warped, few dry cracks. Old jug with chips to the stand, pewter loose. Call time 13 | June 2024 | probably 13:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Konvolut Zinn: 2 Walzenkrüge, 1 Kanne, 1 Stielkanne. 3x gepunzt. Je Inventar-Nr. 19. Jh. H maximal 27 cm. Walzenkrug mit Rillenbändern bzw. gerauten Bändern, auf den Deckeln gravierte Monogramme mit Daten 1835 bzw. 1825. Kaffeekanne mit Maulschnaupe, graviertem Schulterband und Gravur "J. Plarre 1776", umwickelter Henkel sowie Passdeckel mit Delfin und Gravur "JCH 1843". Schokoladenkanne mit Holzgriff und Gravur "JSA", im Deckel gravierte Gabel aus dem Wappen. Teils starke Alters-/Gebrauchsspuren, 1 Lötstelle am Stand, 1 Daumenrast defekt, ergänzter Passdeckel mit Lötspuren. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:56 Uhr (CET)Convolute pewter: 2 roller jugs, 1 jug, 1 stemmed jug. 3x hallmarked. Each inventory no. 19th century H maximum 27 cm. Roller jug with grooved bands and roughened bands, engraved monograms on the lids with dates 1835 and 1825 respectively. Coffee pot with muzzle, engraved shoulder band and engraving "J. Plarre 1776", wrapped handle and fitted lid with dolphin and engraving "JCH 1843". Chocolate jug with wooden handle and engraved "JSA", engraved fork from the coat of arms in the lid. Some heavy signs of age/use, 1 solder joint on the stand, 1 thumb catch defective, replaced fitted lid with traces of soldering. Provenance : From Thuringian aristocratic property. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 13 June 2024 | probably 11:56 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Französisches JungenbildnisAquarell über Bleistift. Unsigniert, verso undeutliche französische Zeilen. Anfang 19. Jh. Passepartoutausschnitt 17 x 15 cm. Gerahmt & hinter Glas : 34 x 28 cm (gemusterter Rahmen). Porträt eines Jungen in Gehrock mit Stehkragen vor zeittypischem wolkigem Hintergrund. Altersspuren. Aufrufzeit 15. | Juni 2024 | voraussichtlich 13:48 Uhr (CET) French Portrait of a BoyWatercolor over pencil. Unsigned, indistinct French lines on verso. Early 19th century Passepartout cutout 17 x 15 cm. Framed & behind glass : 34 x 28 cm (patterned frame). Portrait of a boy in frock coat with stand-up collar against a cloudy background typical of the period. Traces of age. Call time 15 | June 2024 | probably 13:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A leather domed-top trunk, early 19th century, Peruvian, with incised and stylised panels, the top centred with a roundel with a laurel wreath and shield with the coat of arms of Peru, with metal latch and carrying handles, on a later stand, 87cm wide 48cm deep38cm high, 79cm high overall (2)

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7175 item(s)/page