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Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a nude woman reclining against a boulder in a wooded environment. A dramatically silhouetted tree is superimposed over the left side of the composition in the artist's iconic composite photography technique. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 1/2 in x width: 10 5/8 in. Matted; height: 20 in x width: 16 in.
Boulder Opal-AnhängerGoldschmiede Märtens, Hildesheim. 750/- Gelbgold, gestemp. Gewicht: 5,7 g. Herstellerpunze: M (Märtens). 1 Boulder Opal ca. 11.68 ct. L. 2,8 cm. B. 2 cm. Öse. Sehr schöne Verarbeitung und sehr guter Zustand. Der Kaufbeleg aus dem Jahr 1996 mit einem Kaufpreis von 2.400,- DM liegt in Kopie vor.Anhänger, Opal
A LARGE 'SHOULAO GROTTO', DEEP CELADON AND RUSSET JADE, 18TH CENTURYChina. Superbly carved in reticulated openwork to depict a craggy rock grotto, in it Shoulao flanked by his attendant and a deer below a towering, gnarled tree bearing longevity peaches and two bats in flight attempting to feed on them. The Daoist immortal carries a peach in his left and a gnarled staff in his right. His hallmark, the tall cranium, was given a sublime polish by an obviously devoted lapidary.Provenance: From a noted private collection in Milan, Italy. Sotheby's Milan, 19 October 2010, lot 31, sold for EUR 63,150 - EUR 77,960 in today's currency after inflation. Roger Keverne, acquired from the above. Roger Keverne served as the Chairman of Asian Art in London and as the President of BADA. He began his 50-year career with Spink & Son, rising to head the Asian department by the age of only 28. He left Spink in 1992 to start his own gallery together with Miranda Clarke, his wife and business partner, in Mayfair, London, which eventually closed its doors in June 2020. Published: Roger Keverne, Fine and Rare Chinese Works of Art and Ceramics - Winter Exhibition, London, 2011, no. 95. The price list for this exhibition shows 'POA' (price on application) for the present lot. Given the general minimum for objects listed as 'POA', the price for the present lot must have been >GBP 100,000.Condition: Pristine condition with only minor old wear, few minuscule nicks, the stone with natural fissures, some of which may have developed into small hairline cracks over time.Weight: 4,312 gDimensions: Height 27 cm, Width 17 cmDuring his reign, Emperor Qianlong requested that jade mountains, as well as plaques and panels with mountainous landscapes, should take their artistic influence from the work of famous painters. The present lot gives clear evidence of this philosophy. Jade is a material that from ancient times has been associated with longevity and immortality. It is therefore a particularly appropriate medium from which to carve representations of the mountainous realm of the Daoist immortals.The theme of longevity is clearly evident on the present boulder, with the depiction of Shoulao and the deer under a tree bearing large peaches. The elongated form of the boulder and the skillful layering of rockwork help to create a magical atmosphere, thereby contributing to the Daoist themes of mysticism and immortality.Auction result comparison: Compare a closely related but smaller (20.5 cm high) greenish-white jade grotto, with a similar depiction of Shoulao and attendant with deer and peaches, dated 17th-18th century, at Christie's New York in Fine Chinese Ceramics and Works of Art on 21 March 2014, lot 2506, sold for USD 93,750. Compare a related but slightly smaller (23.4 cm high) pale celadon jade boulder with Shoulao and deer, dated to the Qianlong period, at Christie's Hong Kong, in The Imperial Sale, Important Chinese Ceramics and Works of Art on 31 May 2010, sold for HKD 7,820,000. Compare also a related pale celadon jade boulder depicting Guanyin in a grotto, also dated to the 18th century, at Sotheby's Hong Kong in Fine Chinese Ceramics and Works of Art on 7 April 2013, lot 3108, sold for HKD 1,480,000.十八世紀大型青玉留皮壽老圖山子 中國,精美鏤雕山岩下桃樹旁,立著壽老和他的侍從和一只鹿。桃樹上碩果纍纍,兩隻飛舞的蝙蝠。壽老左手持桃,右手持杖。他的標志性額頭被技藝高超的玉匠打磨得極其潤澤。 來源:義大利米蘭知名私人收藏;米蘭蘇富比2010年10月19日 lot 31, 售價EUR 63,150 - EUR 77,960(換算成今日歐元價值) 。Roger Keverne私人收藏,購於上述藝廊。Roger Keverne 曾擔任倫敦亞洲藝術協會主席和 BADA 總裁。 他在 Spink & Son 開始了他 50 年的職業生涯,年僅 28 歲就成為亞洲部門的負責人。他於 1992 年離開 Spink,與他的妻子和商業夥伴 Miranda Clarke 在倫敦Mayfair成立了自己的藝廊 ,最終於 2020 年 6 月關閉。 出版:Roger Keverne, Fine and Rare Chinese Works of Art and Ceramics - Winter Exhibition, London, 2011, no. 95. 展覽價格單上顯示了此拍品當時的價格,鑒於展覽價格單上的價格是拍品的最低價格,因此可以推斷這拍品的價格應該高於GBP 100,000。 品相:原始狀態,只有輕微磨損,少量微小的劃痕,帶有天然脈絡的玉料,隨著時間的推移,其中一些裂縫可能已經發展成細小的裂縫。 重量:4,312 克 尺寸:高27 厘米, 寬 17 厘米 乾隆皇帝在位期間,曾要求玉雕山子、山水牌匾、畫板,都應藉鑒名家畫作。本拍品清楚地體現了這一理念。 玉是一種自古以來就象徵著長壽和不朽。 因此,它是一種特別適合用來雕刻道教仙人以及山水的媒介。這件山子的長壽主題非常明顯,壽老和結著大桃子的樹下的鹿,洞窟巨石的形狀和巧妙的分層都有助於營造一種神秘的氛圍,更加體現了神秘和不朽的仙道主題。拍賣結果比較:一件十七至十八世紀的青白玉壽老與童子的山子,但尺寸較小 (高20.5 厘米) ,見紐約佳士得 Fine Chinese Ceramics and Works of Art 2014年3月21日 lot 2506, 售價USD 93,750;另一件乾隆時期青白玉壽老與鹿山子,但尺寸較小(23.4 cm high),見香港佳士得The Imperial Sale, Important Chinese Ceramics and Works of Art 2010年5月31日 售價HKD 7,820,000;一件十八世紀青白玉觀音山子,見香港蘇富比Fine Chinese Ceramics and Works of Art 2013年4月 7日 lot 3108, 售價HKD 1,480,000。
A CELADON AND RUSSET JADE BOULDER, QING DYNASTYChina, 1644-1912. Deeply carved to depict Shoulao with his attendant and a deer in a mountainous landscape, standing below a towering, gnarled pine tree, a pavilion in the distance. The reverse with further rockwork. The translucent stone is of a fine celadon tone with distinct russet inclusions.Provenance: US trade, by repute from a private collection in Chicago, USA.Condition: Good condition with some old wear and few small nicks, the stone with natural fissures, some of which may have developed into small hairline cracks over time.Weight: 805 gDimensions: Height 12.8 cm The theme of longevity is clearly evident on the present boulder, with the depiction of Shoulao and the deer under a pine tree. The elongated form of the boulder and the layering of rockwork help to create a magical atmosphere, thereby contributing to the Daoist themes of mysticism and immortality.Auction result comparison: Compare a related jade boulder depicting Shoulao, dated to the 18th to 19th century, at Christie's New York in Fine Chinese Ceramics and Works of Art on 20 September 2013, lot 1751, sold for USD 10,000. 清代青玉留皮山子雕壽老中國,1644-1912年。深雕描繪壽老與其侍者及仙鹿立於一棵參天松樹下,遠處是一座樓閣。另一面,山石綿延。半透明的玉料呈現精美的青色調,帶有明顯的赤褐色內沁。 來源:美國古玩市場,據説購於美國芝加哥私人收藏。 品相:狀況良好,局部磨損和一些小刻痕,有天然紋理的玉料,隨著時間的推移,其中一些可能已經發展成細小的裂縫。 重量:805 克 尺寸:高12.8 厘米 拍賣結果比較: 比較一件相近的十八至十九世紀山子壽老,見紐約佳士得Fine Chinese Ceramics and Works of Art 2013年9月20日 lot 1751, 售價USD 10,000。
OPAL-ANHÄNGER MIT DIAMANTBESATZ Gelbgold. L. 3,7 cm, Ges.-Gew. ca. 8,9 g. Gest. 750, Caratangabe der Diamanten gemarkt. Ein Boulder-Opal mit Muttergestein, 33 Brillanten, zusammen 0,67 ct. Expertise: Beigefügtes Zertifikat W. Weber & Sohn, Diamantenschleiferei und Juwelenfabrikation GmbH, Schönenberg-Kübelberg.
A Chinese pale celadon jade ‘Sanqing’ boulder carving, 18th century,carved in high relief with the figures of the ‘Sanqing’ (Three Pure Ones) on a mountainside by a pine tree, the stone with some occasional small russet inclusions,9.5cm high, 12 with wood standNatural veining and inclusions to the stone, in good condition. The wood stand has shrunk a little so the carving does not fit perfectly.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 9.5cm high, 12 with wood stand
The Rolling StonesThree Hand-Coloured Door Signs Used On Tour, 1978each sign painted in gouache or coloured with felt-tip pen, all for different rooms backstage, these being Dressing Room, Make-Up Room and Tuning Room, now housed in plastic box frames, accompanied by a letter of provenance and three business cards from Art Collins, former Executive Vice President for Rolling Stones Records 1979 to 1986 35.5 x 28cm (14 x 11in) each, (3)Footnotes:ProvenanceArt Collins started work at Atlantic Records in the promotion department in 1975 before joining Rolling Stones Records. According to the letter of provenance, these were acquired by Art Collins after the band's show in Denver, Colorado in 1978, most likely referring to the band's concert in Boulder at the Folsom Field Stadium on the 16th July 1978.For further information on this lot please visit Bonhams.com
Harrison Schmitt Telephotographs of the moonscape at Taurus-Littrow site Apollo 17, 7-19 December 1972 Four vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA AS17-139-21226, NASA AS17-139-21265, NASA AS17-144-22015 and NASA AS17-144-22105 in top margin (NASA Manned Spacecraft Center) Footnotes: Large massifs are located on either side of Apollo 17's landing site in the 7-km wide valley of Taurus-Littrow, called the North and South Massifs, respective to their geographic location in relation to each other. The height of these massifs gives the valley a depth greater than that of the Grand Canyon in the United States. The crest of the highest mountain, the South Massif, rises 2,500 meters above the valley floor. Schmitt took the photographs with the Hasselblad equipped with the 500mm telephoto lens. The first two were taken from station 9 toward the North Massif, with the second showing boulder tracks; the third from station 2A toward the South Massif showing boulders and outcrops; the fourth from the LM toward the summit of the North Massif, just west of Wessex Cleft
Tenor Banjo, The OME Company, Boulder Colorado, Modell Gold Mogul (Custom), USA 1991, Seriennummer ST3597GMG, Ahorn, klares Kunststoff-Fell, vergoldete und gravierte Hardware, übersetzte Stimmwirbel, geschnitzte Ferse, Resonatorrückseite, One Piece Flansch, spielbereit mit geprägtem Leder-Koffer und Gurt „Jim Smith“, L. 85,5cm, Mensur 56,6cm, Ø Kessel 28 cm, minimale Alters- und Gebrauchsspuren, Videolink: https://youtu.be/rQyG8F4AaWA?list=PLU6NqUlcFJ_lyro7XsatCw-JlaiO_ni1y
James IrwinThree views taken at station 2 at St George Crater, the first (showing Dave Scott with the Rover) in the first B&W panoramic sequence taken at station 2, the second and third in the second B&W panoramic sequence taken at station 2, photographs from a black and white film magazine 85/LLApollo 15, 31 July 1971Three vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), two BLACK NUMBERED NASA AS15-85-11426 (b) and AS15-85-11461 (c), and one (a) with NASA Kennedy Space Centre caption numbered AS15-85-11451 on the versoFootnotes: Station 2 near St George Crater was one of the most spectacular stations traversed during the Apollo missions. The Rover was parked near a meter-sized boulder sitting on the hillside about fifty meters above the Hadley-Apennine valley floor and offering a perfect site for sampling (first photograph). The location, on the edge of Hadley Rille, provided an extraordinary panorama toward the lunar canyon. Thanks to the Rover-mounted TV camera, Scott and Irwin could share the view with watchers back on Earth, exulting over scenery long characterized as barren and drab. Condition Report: AS1585-11426 small restoration in the white marginCondition Report Disclaimer
Four silver rings to include a three stone Boulder Opal set ring, a two stone crossover style ring set with yellow Ethiopian opal, a five stone ring set with a central emerald cut Fire Opal & little round white topaz stones to either side and a silver flower cluster style ring set with tanzanite & yellow Ethiopian Opals & white topaz, all from Gemporia and come with Certificates of Authenticity and gift pouches, (4).
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a nude woman reclining against a boulder in a wooded environment. A dramatically silhouetted tree is superimposed over the left side of the composition in the artist's iconic composite photography technique. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 1/2 in x width: 10 5/8 in. Matted; height: 20 in x width: 16 in.
A GRAY AND RUSSET JADE BOULDER WITH IMMORTALS, LATE QING TO REPUBLICChina, late Qing dynasty (1644-1912) to Republic period (1912-1949). Boldly carved with an immortal seated on a rocky outpost, a second immortal and his young attendant carrying sticks looking on from below, all under towering pine trees, the reverse subtly carved to convey a mountain range and further enhanced by the appealing interplay of russet and gray shadings to the opaque stone. With a fitted wood base.Condition: Very good condition with minor wear. Provenance: US private collection in California.Weight: 1,235 g (excl. base)Dimensions: Height 17 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Large group of NASA objects and Wright Brothers ephemera. This wonderful group includes:One matted dual photograph group of the Wright Brothers plane and an American Flag on the lunar surface from the Apollo 16 Mission. Height: 12 in x width: 24 in. The Wright Bros photograph is signed by Charlie Duke with a pen made from the Summerseat Mulberry Revolutionary War witness tree.NASA Apollo mission postcards.Twenty Fifth Anniversary of the Wright Brothers flight envelope with stamp.Wright Brothers contemporary photograph with envelope. Height: 9 in x width: 12 in.Framed Apollo 16 patch. Height: 7 1/2 in x width: 7 1/2 in.Matted photograph of Charlie Duke's family photo on the Lunar surface. Height: 8 in x width: 10 in.Matted sepia toned photograph of the Wright Brothers boulder. Height: 11 in x width: 14 in.Several photographs of plaques from the Apollo 16 Mission.
Ideal - A boxed vintage Superman 'Speeding' action figure by Ideal. The plastic battery operated figure which stands approximately 26cms in height, appears to be in Very Good condition overall with some signs of play, and still has its 'flying cord attached' and comes with red cape which has become detached from the figure. The figure is accompanied with a plastic 'glow in the dark Kryponite boulder', and its Superman 'S' ring. The figure is housed in a Fair Plus box with some creasing , detached flap, small tears and age related scuffing. The cellophane window is dusty but is not cracked. (This does not constitute a guarantee)
Anhänger mit großem Boulder-Opal und Brillanten zus. ca. 0,1 ct, gute Farbe u. Reinheit, GG 18K, 15,2 gr, Länge ca. 5 cm, 20./21. Jh., Opal mit kleinem Kratzer, ansonsten sehr guter Zustand. Handgearbeitetes Einzesltück mit Einhängeöse zum öffnen. (25) | Pendant with Boulder opal and brilliant-cut diamonds totalling ca. 0.1 ct, good colour a. clarity, 18K YGk, 15.2 gr, L: ca. 5 cm, 20th/21st century, opal with small scratch, otherwise very good condition. Handcrafted unique piece with loop to open.
A 19th century yellow metal and carved black onyx set signet ring, together with bloodstone set ring and one other hardstone ring, all unmarked and untested (3)Condition report: Onyx – tests as 9ct, worn head, intaglio worn, cracked on inside at shoulder, 4.7g, size P.Bloodstone – tests as 9ct, worn and heavily tarnished, signs of repair inside shank, 2.3g, size K1/2.Other hardstone – boulder opal in matrix, tests as 9ct, sizing join, approx. 4g, size E.
19th century Chinese vase, baluster form with applied Buddhist dogs to neck, decorated with blue figures under a pale blue glaze, 33cm high.Condition Report:Long hairline crack in the body, slight dents to base. Overall in good condition except for the hairline crack from lower boulder to figures midrift. See additional photographs.
Carved boulder opal brooch, depicting a man with an eagle on his head, brooch measurements 3.5 x 2.5 cm at widest points, with a emerald brooch, with eight round cut emeralds, in a claw setting, in a wirework mount, in tested 14 ct goldCondition Report: Carved opal brooch gross weight 10.8 grams Emerald brooch gross weight 4.9 grams
A gold Queensland boulder opal ring, by Mariusz Tomaszewski,with a freeform Queensland boulder opal, rub set to a stepped gallery, to split shoulders and a 'D' section shank. Marked 750, maker's mark. 4.31g.Finger size PCondition report: Purchased by the vendor from the Telopea Gallery Craft at The Rocks, Sydney, circa 2002.Very minor surface marks to gold.
US FDC Collection from 1930s. 50 USA first day covers in black binder, mainly Washington FDI and CDS postmarks. Includes 1934 Mother's Day, 1937 Navy Heroes, Virgin Islands, Northwest Territory, Army Heroes, Texas Centennial, Puerto Rico, Presidential series, Delaware Tercentenary, 1938 White House, Michigan Centennial, Boulder Dam, plus few Airmails. Interesting lot. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A VICTORIAN SCOTTISH SILVER GILT SUITE OF THREE MIRROR PLATEAUX BY GEORGE EDWARD & SONSGLASGOW 1879Chased with a boulder strewn wooded landscape, each with a wooden base and on three bun feet, one 41cm (16in) and two 30.5cm (12in) diameter, loadedCondition Report: Marks generally clearAll stand wellMirror plates moves in one of the smaller examplesLarge mirror plate has slippedWear to the feetWear to the the mirrored silver backingLight scratches and wear commensurate with age and useCondition Report Disclaimer
William Hair Haseler for Liberty & Co., an Art Nouveau silver, boulder opal cabochon brooch, with openwork surround and 9ct gold pin, maker's marks for William Hair Haseler, stamped SILVER, length 4cm, 4.6gCondition- Overall good condition- Some surface wear and scratches in keeping with age- Boulder opal is in good condition, with green violet play-of-colour and host rock visible- Fittings and pin assumed 9ct gold- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

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