Pamela Greenwood and Simone Sardett, a collage of Joseph leading a donkey with Mary and the baby Jesus, 115cm square, together with a further twelve religious scenes, all stitch signed, wool, fabric, hessian (13) Pamela Greenwood studied under Bernard Leach at St. Ives and subsequently set up a pottery and fabric workshop with Simone Sardett,- 'Manoir-St.-Leger' in France. Visit www.sworder.co.uk for larger image and condition reports.
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A St Ives porcelain vase and cover by Bernard Leach incised with a hatch mark, the cover surmounted with an elephant finial, covered in a celadon glaze impressed seal marks 8.5cm. high. Literature: Bernard Leach Potter and Artist Crafts Council, page 62 catalogue number 54 for a comparable form.
A Bernard Leach St. Ives studio stoneware tile with incised decoration of a single snake's head fritillary, signed with initials "B L" to the front, and the back with four impressed St. Ives seals, 10 cm x 10 cm, and a small blue and white pottery bowl in the Oriental studio manner decorated with coastal landscapes to the interior and exterior in the early Bernard Leach manner, 14 cm diameter x 5.25 cm high (2)
A Bernard Leach framed monochrome postcard depicting a pilgrim dish to the front, the reverse with facsimile script plus handwritten additions including address to "Miss. Marian Hocken, Meadow Studio, St. Ives, C, England", signed Bernard Leach and also inscribed "Shoji Hamada" and "Soetsu Yamagi", postmarked "Shibuya, Tokyo, Japan 11/12/1953", approx. 10 cm x 13.5 cm
Bernard Leach (1897-1978) and Michael Ambrose Cardew (1901-1983): A Rare Earthenware Pitcher, rich toffee-brown glaze with old Cornish inscription "EVEUGH TOS DHO GERNOW TEG" and "One & All", St Ives seal, circa 1926, 23cm See illustration A similar example sold Bonhams International Contemporary Ceramics sale, 20 March 2007, lot 16. "If (Staite) Murray stands for the most cloistered virtue amongst our potters, Cardew is the most racy of the soil"-Wingfield Digby (George): The Work of the Modern Potter in England
Bernard Leach (1897-1978): A Stoneware Jar and Cover, tenmoku glaze with sloping facetted sides, St Ives seal and BL and St Ives, seals obscured by glaze, 27cm diameter, 28cm high See illustration With photograph inscribed on reverse in print and black ink "I, David Leach, confirm that the item illustrated overleaf was made and/or decorated by Bernard Leach, (signed) David Leach (printed) David Leach, Lot 253
Bernard Leach (1897-1978): A Stoneware Bowl, transparent, oatmeal and khaki glaze, the oatmeal exterior with iron spots, unglazed base showing contrasting rough textured body and turned foot, BL and St Ives seals, circa 1952, 14cm diameter, 7cm high, including catalogue description from George Wingfield Digby See illustration Made by Bernard Leach and fired during the Dartington Conference from which Bernard Leach took Shoji Hamada, George Wingfield Digby and others to see the opening on a day? trip. This bowl explifies what Bernard Leach told George Wingfield Digby "The inside must come as a surprise after looking at the exterior". He liked it best of the firing and refused to part with it for some years. The footrim is poor!. Given to the present owner Michael (M J) and Xandra (A L) Webb from George and Nelly Wingfield Digby Exhibited: Beaux Arts Gallery Exhibition 10 October 1952 "Bernard Leach Fifty Years a Potter" No.82 The Arts Council 1961
Bernard Leach (1897-1978): An Earthenware Mug, inscribed "S.S.White Heather 1921", and decorated with a view of the boat with "X4", brown glaze, incised BL and St Ives, 10.5cm (chipped) See illustration The S.S.White Heather was a herring boat.. This mug was made by Bernard Leach, as part of a set. Purchased by Reg Singh from the Beaux Arts Gallery 1983 for £300, who had bought it in St Ives from widow of crew member (Nance?). For description of trip made by Bernard Leach, Michael Cardrew and Michael Leach see Leach (Bernard): Beyond East and West Memoirs, Portraits and Essays, Faber & Faber 1978, pg.149
Katharine Pleydell-Bouverie (1895-1985): A Stoneware Vase, box ash glaze reveals the throwing lines, KPB seal, circa 1930, 30cm See illustration Katharine was nicknamed Beano. "...I want my pots to make people think, not of the Chinese, but of things like pebbles and shells and birds' eggs and the stones over which moss grows. Flowers stand out of them more pleasantly, so it seems to me. And that seems to matter most"-Letter to Bernard Leach from Katharine Pleydell-Bouverie. 29 June 1930.
Studio Pottery Reference Books Birks (Tony) & Digby (Cornelia Wingfield) Bernard Leach, Hamada & Their Circle, 1990, 4to., first edition, presentation copy from the authors to Michael & Xandra Webb (M.W. having written the intro.), dust wrapper; Digby (George Wingfield) The Work of the Modern Potter in England, 1952, first edition, presentation copy to Michael and Xandra Webb from George and Nelly Wingfield Digby, dust wrapper; Pleydell-Bouverie (Katharine) A Potter's Life 1895-1985, 1986, first edition, inscribed by George and Nelly Wingfield Digby, card wraps; with twenty related volumes (23) See illustration
BARBARA HEPWORTH Her exhibitions at St. Ives with Bernard Leach 1968. Three pages from her sketch book, framed as one. The first page lists, in her hand, 14 works to be shown at The Guildhall with their dimensions, the second sketches the arrangement of her works, the third lists these works to be shown at the church.

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