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Lot 410
‡ William Staite Murray (1881-1962) Geese by The Reeds a fine stoneware vase, shouldered form with cylindrical neck, slip decorated with three preening geese amongst tall grasses, impressed seal mark, 31cm. high Provenance Patterson's Gallery, Old Bond Street, London, Exhibited between 1st-28th November 1928, catalogue number 24, priced at 40 guineas. Contemporary Ceramics, Bonhams 16th November 1995 lot 1 Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003 catalogue number 78. British Studio Pottery from Bernard Leach, Chichester Cathedral/Pallant House, 2005 catalogue number 37. 30 Pots Woolley and Wallis Auctioneer's, catalogue number 29.
Lot 411
‡ William Staite Murray (1881-1962) a fine stoneware footed bowl, conical form, painted and incised to the interior with a series of wavy bands, in rust on an oatmeal glaze under white translucent splashes, the exterior oatmeal with translucent runs, impressed seal mark, incised N, 22cm. diam, 11cm. high Provenance Christopher Wood Gallery, 1980 Contemporary Ceramics, Bonhams, 16th November 1989, lot 4. Ed Wolfe Collection, purchased by Daryl in 2004. Exhibited British 20th Century Studio Ceramics, Christopher Wood Gallery, 1980, British Studio Pottery From Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, 2005, catalogue number 40. 30 Pots, Woolley and Wallis, 2019, catalogue number 8. Literature Things of Beauty Growing British Studio Pottery, Yale/Fitzwilliam, Museum, exhibition catalogue, page 250-251, catalogue number 50 for a comparable bowl entitled Vortex illustrated.
Lot 412
‡ William Staite Murray (1881-1962) a stoneware footed bowl, painted with a face to the well in iron and blue on a speckled tan ground impressed seal mark, 19.5cm. diam. Provenance Sotheby's Bond Street circa 1987 Richard Dennis Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery 2003 catalogue number 62. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, 2005, catalogue number 39.
Lot 417
‡ William Staite Murray (1881-1962) 'Sun and Air' a fine stoneware vase, painted with a hot-air balloon flying amongst seagulls and clouds, the reverse a large sunflower. rust on an oatmeal ground highlighted with blue, impressed seal mark, 22.5cm. high Provenance William Paterson Gallery, London exhibited 1-28th November 1928, priced at 25 guineas. Contemporary Ceramics, Bonhams, 13th November 1996 lot 5. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003 catalogue number 79. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House. 30 Pots, Woolley and Wallis, 2019, catalogue number 4, Literature Dr Jeffrey Jones, Studio Pottery in Britain 1900-2005, A & C Black,. page 57 this vase illustrated.
Lot 433
‡ Charles Vyse (1882-1971) a stoneware vase, dated 1933, shouldered form with collar rim, covered in a rose ash and iron glaze to the foot with grey splashes, incised CV 1933, paper lot label, 21cm. high Provenance 20th Century Decorative Arts, Christie's South Kensington, 26th May 1994 lot 240 (originally purchased from the Walker Gallery). Exhibited Gorgeously Grotesque, Worthing Museum & Art Gallery, 2003, catalogue number 129. British Studio Ceramics from Bernard Leach to Lucie Rie, Chichester Cathedral/Pallant House, catalogue number 35. Literature Terence Cartlidge, Charles & Nell Vyse, Dennis & Pascoe, page 55 and back cover this vase illustrated,
Lot 456
‡ William 'Bill' Marshall (1923-2007) a stoneware vase and cover, ovoid, the shouldered vessel with inset cover, the body with impressed hatched geometric panels, covered in a translucent white glaze, impressed seal mark to base, 27cm. high Literature Marion Whybrow Leach Pottery St Ives The Legacy of Bernard Leach, Beach Books, page 81 this actual vase and cover illustrated.
Lot 457
‡ William 'Bill' Marshall (1923-2007) a stoneware footed bowl, brushed grey Hakeme glaze splashed with iron spots to the interior, the exterior with simple painted grasses in iron, impressed seal mark, 17.5cm. diam. Literature Marion Whybrow Leach Pottery St Ives The Legacy of Bernard Leach, Beach Books, page 105 for a comparable bowl illustrated.
Lot 3
BERNARD LEACH (1887-1979) for Leach Pottery; a early slipware 'leaping deer' dish, impressed BL and pottery marks, diameter 18.5cm. (D)Additional InformationRoughness to unglazed edge in one place probably due to firing, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 4
BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware 'leaping salmon' baluster vase, iron brushwork on pale grey ground, impressed BL and pottery marks (partially glaze filled), height 28.5cm. (D)Additional InformationGlaze miss (not flake) to rim, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 97
Bernard Leach (British 1887-1979): a bottle vaseStoneware, covered in a dark brown tenmoku glaze, 42cm high, impressed BL and Leach pottery sealsThis lot is subject to the following lot symbols: AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 61
Charlotte Epton (1902-1970) at Leach Pottery Jug, circa 1927-1930 treacle glaze, the jug with incised bands of decoration impressed potter's and pottery seals 25.5cm high. Information: Charlotte Epton was a potter who worked with Bernard Leach in St. Ives between 1927 and 1930, and with Michael Cardew at the Winchcombe Pottery. A fire at the Leach Pottery meant most of her work from the St. Ives period was destroyed. She exhibited at the Beaux Arts Gallery in Bond Street in 1928. She was married to Edward Bawden after meeting at the Royal College of Art.
Lot 738
Michael Canney (1923-1999) - Abstract composition, inscribed with the artist's name verso, pencil and gouache, possibly on tinted paper, 4.5" x 4.25" - ** The artist was born in Falmouth, Cornwall in 1923 and studied extensively throughout the county, in the early 1940s, he encountered the primitive painter Alfred Wallis and 'The St. Ives School', including the artist Barbara Hepworth (with whom he worked in 1959), Ben Nicholson, Naum Gabo and Bernard Leach. His work progressed through a variety of styles during his life from traditional landscapes to abstract works. He became curator of The Newlyn Art Gallery and was later invited by Paul Feiler to become a lecturer at The Royal West of England College of Art in Bristol. The artist eventually settled in Devizes, Wiltshire where he continued to paint and make constructions and reliefs. He has exhibited with The Redfern Gallery, in Cork Street, London
Lot 13
A tall Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1900, shouldered form, modelled with vertical ribs and incised veins, covered in a sage green and mushroom glaze, incised 7-1900 Martin Bros, London & Southall, Christie's lot label, 26.5cm. high Provenance Frank Trier, friend and financial supporter of the Martin Brothers, thence by descent British Decorative Arts, Christie's South Kensington, 10th June 1997 lot 176, purchased by Daryl. Exhibited The South London Pottery Exhibition, Camberwell Art Gallery, 1922, loaned by Frank Trier for the exhibition. Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue number 7. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral exhibition/Pallant House, catalogue number 2.
Lot 169
Bernard Leach, attributed a Leach Pottery stoneware pot and cover, circular form, the cover incised with a simple Japanese character, covered in a celadon glaze impressed Leach Pottery seal mark, annotated in pencil Bernard Leach, 9.5cm. diam. (2) Provenance The George Twyman Collection of Martin Ware
Lot 17
A tall and impressive Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1905 shouldered form, modelled in relief, with incised veins, glazed blue and green on a tan ground, incised 2 1905 Martin Bros London & Southall, 22cm. high Provenance Charles de Grunchy. De Grunchy was one time architect master at the Royal Academy Schools and is listed as a patron on the Martin Brothers. He loaned pots (probably gourds) to the Fulham exhibition of pots and prints, 1929. John Radcliffe Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue no. 9. British Studio Pottery From Bernard Leach to Lucie Rie, Chichester Cathedral (Pallant House), 2005, catalogue number 1. Fantasies in Clay, Martin Brothers Art Pottery (1873-1923), Blackwell The Arts and Crafts House, Bowness, 2008. Literature Dr Jeffrey Jones Studio Pottery in Britain 1900-2005, A & C Black Publishers, page 34 this vase illustrated. Page 35 includes an identical vase, in unfired state, is shown in a portrait photograph of Walter Martin in the studio, circa 1900.
Lot 371
Bernard Leach CBE (1887-1979), attributed a Leach Pottery slip-ware bowl, rounded rectangular form, combed tan and brown glaze to well, impressed seal mark, 33.5 x 25cm. Literature Bernard Leach Potter and Artist, Crafts Council, page 103 catalogue number 105 for two comparable circular dishes.
Lot 408
‡ Bernard Leach CBE (1887-1979) a Leach Pottery shallow bowl, painted to the interior with two flowers in blue and tenmoku on an oatmeal ground, and a larger Leach Pottery bowl painted with Z brush stroke motif, painted BL to small bowl, repaired, 12cm. diam. (2) Provenance Mary Gibson-Horrocks
Lot 409
‡ Bernard Leach CBE (1887-1979) a large Leach Pottery tile, painted with a weeping willow tree, in blue and tenmoku on an off white ground, painted BL monogram and Leach Pottery mark to bottom corners, impressed seal marks to reverse, repaired damages, 15cm. square Provenance Mary Gibson-Horrocks
Lot 410
‡ Bernard Leach CBE (1887-1979) a large Leach Pottery tile, painted with a figure walking towards a hut, a range of rounded mountains in the background, in tenmoku on an off white ground, painted BL monogram and Leach Pottery mark to bottom corners, impressed seal marks to reverse, 15cm. square Literature Bernard Leach A Potter in Japan, Faber, page 58 for a drawing of a comparable farmer. Bernard Leach Potter and Artist, Crafts Council, page 128 figure 141 for a dish with a comparable landscape illustrated. Provenance Mary Gibson-Horrocks
Lot 412
‡ Bernard Leach CBE (1887-1979), attributed a Leach Pottery stoneware tile painted with a climbing kiln with smoking chimney, a farmer working the land in the foreground, impressed Leach Pottery seal marks to reverse, 10.2cm. square Provenance Mary Gibson-Horrocks, Literature Bernard Leach A Potter in Japan, Faber, page 107 for a pen and ink drawing by Bernard Leach of Hamada's small kiln, Mashiko, for comparison, and page 62 for illustrations of a Tamba Kiln.
Lot 413
‡ Bernard Leach CBE (1887-1979), attributed a Leach Pottery tile, painted with a Japanese well, in tenmoku on an oatmeal ground, impressed Leach Pottery seal marks to reverse, repaired corner, chip to base rim, 10cm. square Provenance Mary Gibson-Horrocks Literature Bernard Leach Potter and Artist exhibition, 11th December 1997-29th March 1998, Crafts Council Gallery, London, page 128 catalogue number 140 for a dish with a comparable image illustrated.
Lot 414
‡ Bernard Leach CBE (1887-1979) a Leach Pottery tile painted with a windswept tree in a Japanese mountain landscape, in tenmoku on an oatmeal ground, painted BL and Leach Pottery monogram, impressed Leach Pottery seal marks to reverse, minor chips to edges, 10cm. square Provenance Mary Gibson-Horrocks
Lot 416
‡ Bernard Leach CBE (1887-1979) a stoneware tile dated 1934, painted with an exotic flower in tenmoku on an oatmeal ground, painted 34 date and BL monogram, impressed M Pottery seal marks to reverse, 10.5cm. square Provenance Mary Gibson-Horrocks Literature Bernard Leach Potter and Artist, Crafts Council, page 125 catalogue number 137 for a comparable bird painted on a dish.
Lot 417
‡ Bernard Leach CBE (1887-1979) a tile dated 1934, painted with a stylised flying hawk, in circular border the corners dated 1934, in tenmoku on an oatmeal ground, painted BL monogram, 1934 date and impressed M pottery seal marks to reverse, 10.5cm. square Provenance Mary Gibson-Horrocks, Literature Bernard Leach Potter's Book, Faber & Faber, page 104 for a similar design of a dated tile with two swallows, illustrated.
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2162 item(s)/page