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Warren MacKenzie (American, 1924-2018). Large studio pottery ceramic charger. Glazed stoneware with brown splash decoration. Double stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 18 1/4 in.

Warren MacKenzie (American, 1924-2018). Massive studio pottery ceramic vase. Glazed stoneware with incised decoration along the sides. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 12 1/2 in x diameter: 11 1/2 in.

Warren MacKenzie (1924-2018). Group of three studio pottery ceramics including one lidded vessel, one plate, and one bowl. Glazed stoneware. Each marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 1 1/4 in to 6 in; diameter ranges from 5 3/4 in to 8 1/4 in.

Bernard Leach CH CBE, (British 1887-1979), an hexagonal stoneware vase for Leach Pottery,c.1960, impressed with 'BL' potter's seal and St. Ives pottery seal on one side near foot,Of hexagonal form with inverted circular rim, in deep blue and green glaze,20.5cm high (ARR)minimal light surface wear, in generally good overall condition

A large Studio Pottery pitcher, impressed B mark to base, by repute made at the Bernard Leach pottery H36cm Condition Report: Chip to the rim has been broken and repaired. Some crazing to the base and would benefit from a clean. Some scratches and rubbing but generally in good condition.

KENYA: A RARE CERAMIC-INLAID WOOD INRO DEPICTING YAMAYURI (MOUNTAIN LILY)By Ogata Kenya (1853-1923), signed Kenya 乾也Japan, Meiji period (1868-1912)Of rounded rectangular form and oval section, decorated in gold and black takamaki-e as well as inlays of glazed ceramic to depict a mountain lily (yamayuri) borne on a leafy stalk, the interior left plain, the natural wood of an attractive color and grain. The reverse signed KENYA within an inlaid green-glazed ceramic reserve.HEIGHT 8.4 cmCondition: One ceramic inlay with two small cracks with associated old repair, otherwise in very good condition with minor wear. Provenance: French private collection.Miura Kenya (1825-1889), known as Kenya I, led a versatile life: first as a maker of clay dolls, then travelling to Nagasaki in 1854 to work on the first Japanese steamboat, in 1869 producing the first Japanese bricks, and from 1875 producing pottery at the Chomeiji in Tokyo. In an inscription on one of his inro he calls himself the last pupil of Ritsuo, and he was also strongly influenced by the style of Kenzan. Ogata Kenya (1853-1923), known as Kenya II, learned the art of pottery from Kenya I. Later he was adopted into the Ogata family as Kenzan VI, in which capacity he was the master of Bernard Leach. While it is not easy to distinguish between the work of Kenya I and Kenya II, the signature and style of the present inro suggest the latter. See Earle, Joe [ed.] (1995) The Index of Inro Artists, p. 125.

λ BERNARD LEACH (BRITISH 1887-1979)THREE ST. IVES POTTERY BOWLS,Variously glazed in shades of green glazeImpressed seal marks24.5cm, 23.5cm, and 10cm diameter respectively Condition Report: No damage detected.See images available for marks.Condition Report Disclaimer

A Bernard Leach framed poster, 69 x 49cm

Manner of Bernard Leach, a stoneware studio pottery teapot and cover, with cane handle, decorated with abstract leaf forms. 18cm (handle down)

A St. Ives pottery stoneware jug of ribbed bottle kiln form with applied strap handle, pale olive-green glaze, impressed St Ives mark, 19cms; and a copy of Bernard Leach, A Potter's Book, published by Faber and Faber. (2)

A set of six Bernard Leach (St Ives) stoneware paté pots with celadon-glazed linings, stamped L*, 6.7 cm diam

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a yellow matte glaze. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 7 in x diameter: 7 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery covered jar. Stoneware with a white matte glaze with brown speckles. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 1/2 in x diameter: 10 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery lipped platter. Stoneware with a tan matte glaze with brown speckles. A nine-sided form sits just inside the larger round platter. Incised with curved slashes along the face of the plate. Marked along the footrim. With a round metal plate adhered along the underside reading "CEE 20 Years."Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 1/4 in x diameter: 13 3/4 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery bowl. Stoneware with a yellow drip glaze. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 3/4 in x diameter: 6 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a white glaze with brown speckles. Decorated with MacKenzie's iconic finger marks along the sides. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 11 1/2 in x diameter: 7 1/2 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery bowl. Stoneware with a blue glaze. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 3/4 in x diameter: 5 3/4 in.

Warren MacKenzie (American, 1924-2018). Large studio ceramic pottery bowl. Stoneware with a white glaze with brown speckles. Marked along the footrim with MacKenzie's mark and studio mark.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 5 1/2 in x diameter: 13 3/4 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery tri-color vase. Stoneware with three different colored glazes in white, yellow, and brown. The artist's original price tag is adhered along the side.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 13 3/4 in x diameter: 7 1/2 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery bowl. Stoneware with a white glaze and brown spots. The artist's original price tag is adhered along the interior of the bowl.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 1/4 in x diameter: 10 1/4 in.

Warren MacKenzie (American, 1924-2018). Two large studio ceramic pottery bowls. One low bowl with a dark brown glaze. One bowl with a yellow glaze and a double rim with three decorations "holding" the two rims together.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Double Rim Bowl; Height: 3 3/4 in x diameter: 7 in. Bowl; Height: 3 1/4 in x diameter: 8 in.

Warren MacKenzie (American, 1924-2018). Large studio ceramic pottery platter. Stoneware with spotted and slashed decorations.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 3/4 in x diameter: 16 1/2 in.

Warren MacKenzie (American, 1924-2018). Two large studio ceramic pottery tea bowls. One bowl with a dark green glaze and the other bowl with a white glaze.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.White Bowl; Height: 3 3/4 in x diameter: 6 in. Blue Bowl; Height: 4 in x diameter: 6 in.

Warren MacKenzie (American, 1924-2018). Studio ceramic pottery platter. Stoneware with a dark orange glaze and brown spotted decorations.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 in x diameter: 13 1/4 in.

Warren MacKenzie (American, 1924-2018). Massive studio ceramic pottery platter. Stoneware with spotted and slashed decorations. There are two areas along the rim of the platter where the outline of MacKenzie's fingers can be seen.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 19 1/2 in.

Michael Foreman, 'Footprints' signed limited edition 33/75, 15cm x 19cm, framed and glazed (figures include Alfred Wallace and Bernard Leach).

‡ Bernard Leach CBE (1887-1979) Night on the Thames aquatint on paper unsigned 19.7 x 15cm (image) Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 36 catalogue no.9 for an example of this print illustrated.

‡ Bernard Leach CBE (1887-1979) Hakone Lake (Hakone) soft ground etching on paper unsigned 25 x 24.5cm (image) Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 84 catalogue number 57 for an example of this etching illustrated,

‡ Bernard Leach CBE (1887-1979) Coastal Landscape, Japan etching on paper signed and dated Bernard Leach 1918 in the print 30 x 20cm. (image)

‡ David Leach OBE (1911-2005) a Leach Pottery stoneware vase made for the Dartington Exhibition, compressed ovoid form with collar rim, painted with a band of concentric circles in tenmoku, over blue, on a speckled ash glaze to the foot, sold with a copy of the Dartington 60 Years of Pottery 1933-1993 catalogue, impressed DL and Leach pottery seal marks, 13cm. high, 18cm wide. (2) Provenance Private collection Literature Dartington 60 Years of Pottery 1933-1993, page 28 for a comparable example illustrated, made in the 1950s for the Elmhirst collection). This painted design is taken from a plate in Bernard Leach's collection, an 18th or 19th century Seto ware dish with a horse eye or Una No Me abstract design.

‡ Bernard Leach, attributed a Leach Pottery plate, painted with a Willow tree motif in tenmoku and blue on a mottled ash glaze, and another smaller impressed Leach Pottery seal mark to both, chips to rim of smaller plate 26.5cm. diam. (2) Provenance Private collection.

Bernard Leach (1897-1979) A small square tile, painted with a snail, painted initial and pottery mark impressed sea; marks to verso, 10cm square.Condition report: Chip to one corner.

BERNARD LEACH ''LANSCAPE WITH RUIN'' 4 X 5 SOFT GROUND ETCHING 3/25

Manner of Bernard Leach, a stoneware studio pottery teapot and cover, with cane handle, decorated with abstract leaf forms. 18cm (handle down)

A studio pottery ovoid vase with flared rim, decorated with fish, signed B L possibly Bernard Leach (1887-1979), and dated 1962 to the base, 34cm highCondition: no damage

Bernard Leach: a Leach Pottery St Ives preserve pot and lid with brush painted stylised leaf decoration on a dark oatmeal glaze - impressed St Ives seal mark England and painted BL monogram

A Leach Pottery St Ives studio pottery stoneware bowl in the manner of Bernard Leach decorated with brushwork zig zags on an oatmeal glaze with blue banded highlighting - impressed St Ives seal - sold with a Leach Pottery standard ware bowl

* Bernard Leach [1887-1979]-Tree Vase,:- photo-lithograph, signed and numbered 62/100 in pencil blindstamp bottom left marginsheet size 77 x 57cm.

* Bernard Leach [1887-1979] a stoneware vase: of tapering cylindrical form with incised and combed vertical decoration under a salt glaze, impressed personal and St. Ives seals near foot, 29.5cm high, [kiln adhesions verso].

* Bernard Leach [1887-1979]-Fish Vase,:- photo-lithograph, signed and numbered 74/100 in pencil blindstamp bottom left marginsheet size 77 x 57cm.

* Bernard Leach [1887-1979]-Cornish Coast Tile,:-photo-lithograph, signed and numbered 61/100 in pencil blindstamp bottom left marginsheet size 57 x 77cm.

* Bernard Leach [1887-1979]-Lion Tile,:- photo-lithograph, signed and numbered 63/100 in pencil blindstamp bottom left marginsheet size 57 x 77cm.

BERNARD LEACH (1887-1979), PORTRAIT OF RYUSEI KISHIDA, 1913, posthumously printed soft ground etching, signed in the plate Bernard Leach 1913 and numbered 2/25 in pencil in the margin, framed. Plate 30cm by 20cmARR charges apply to this lot

Barbara HEPWORTH booklet to 'commemorates the Honorary Freedom of the Borough to Bernard Leach and Barbara Hepworth'Together withBarbara Hepworth Centenary. TATE St Ives, 2003Together withHEPWORTH catalogue

Bernard LEACH 'Beyond East & West, Memoirs, Portraits & Essays'. Faber & Faber, 1978

Bernard Howell LEACH (1887-1979)A St Ives Pottery stoneware bowl by Bernard Leach with cut sides and tenmoku glazeImpressed seal marksHeight 10.5cm Diameter 22cmA private St Ives collectionCondition report: Repaired

Bernard Howell LEACH (1887-1979)The Lagoon at Taganuma, AbikoEtchingSigned to plateNumbered 2/5Plate size 20 x 13cmPrinted posthumously Illustrated on page 73 in 'The Etchings of Bernard Leach' by Simon Olding Purchased at The New Craftsman Gallery, St IvesCondition report: This is tastefully presented and in excellent condition

Bernard Howell LEACH (1887-1979)A Scene in Hota Village, Boshin, JapanEtchingSigned and inscribed to plateNumbered 2/5Plate size 15 x 18cmPrinted posthumously Illustrated on page 50 in 'The Etchings of Bernard Leach' by Simon Olding Purchased at The New Craftsman Gallery, St Ives Condition report: This is in excellent condition with a tastefull frame

'An Exhibition of the Art of Bernard Leach' 1980 catalogue printed in English and Japanese.

Bernard Howell LEACH (1887-1979)A St Ives Pottery stoneware bottle vase by Bernard Leach of square section, covered to the foot with a tenmoku glazeImpressed seal marks 35.5cmA private St Ives collectionCondition report: This impressive 1960s classic from the Leach pottery is as it was originally sold with a contact flaw high-up on one face and firing cracks to the underneath which have been repaired with black wax.

A catalogue for the 1966 Bernard Leach exhibition at the Ohara Museum of Art, Kurashiki, printed in Japan with text in both Japanese and English. Together with a Japanese 1981 Michiaki Kaneshige catalogue. (2)

Bernard Howell LEACH (1887-1979)A St Ives celadon glazed stoneware bottle vase, incised with two willow treesScript BL initials, pottery seal and impressed England8cm.Provenance: From the Estates of June Barrington Ward & Maggie Cameron Fraser‘Two Remarkable Ladies’June Barrington-Ward 1922-2002& Maggie Cameron Fraser 1923-2021 For several decades, two remarkable ladies lived contentedly in the remote farmhouse near Lanreath in Cornwall that they had restored and shared since the 1970s.June Barrington-Ward was a sculptor. She trained at Chelsea School of Art and exhibited widely during the 1960s & 70s. Her work featured in group shows in prestigious galleries and locations like the Royal Academy alongside artists such as Denis Mitchell, John Milne & Kim Lim. June was the daughter of Lancelot Barrington-Ward KCVO, a royal surgeon to King George VI and his family. He also played rugby for England. Her grandfather was the vicar of Duloe in Cornwall. Although her work was applauded by contemporary critics, she never pursued recognition. In the words of a family member “she didn’t seek fame and I believe she was simply happy to be left alone to make things.”We have over 30 pieces of June’s impressive sculpture in our March 10/11th sale.Maggie Cameron Fraser was an academic who specialised in antique glass, a subject on which she wrote extensively and lectured at the Victoria & Albert Museum. Some of the very fine pieces in this sale were part of her treasured collection.They met during the Second World War. June, in the WRNS, drove ambulances in London and Maggie worked at Bletchley Park. For many years they shared a large property in Chiswick with a studio, until making the move to Cornwall.Maggie bought their magical house in North East Cornwall from the Carlyon Family in 1978. After renovating their home, they settled happily into retirement, Maggie astutely playing the stock market and June continuing to create sculpture. June died in 2002 and Maggie followed her last year.The home they left, and their wonderful collection of art and antiques, stand as a celebration and testament to their happy life together.Condition report: No damage or restoration, it is 8.5cm.

Warren Mackenzie (American, 1924-2018). Studio pottery ceramic bowl. Blue glazed stoneware. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 1/2 in x diameter: 7 in.

Warren Mackenzie (American, 1924-2018). Studio pottery ceramic bowl. Glazed stoneware. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 1/4 in x diameter: 6 3/4 in.

Warren Mackenzie (American, 1924-2018). Studio pottery teapot with bamboo handle. Stoneware with speckled white glaze. The original price tag from the artist is adhered to the side of the teapot.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Not Including Handle; Height: 4 3/4 in x width: 8 in x depth: 6 in.

Warren MacKenzie (American, 1924-2018). Group of six studio pottery pieces, including one green glazed platter, one small pitcher, one lidded jar, and three matching dishes, all white stoneware with green glazed interiors.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Dishes; Height ranges from 1 1/2 in to 2 1/2 in. Diameter ranges from 7 3/4 in to 10 3/4 in. Pitcher; Height: 6 1/4 in x width: 6 in x depth: 4 1/4 in. Lidded Jar; Height: 4 1/2 in x diameter: 5 1/2 in.

Warren MacKenzie (American, 1924-2018). Group of three large studio pottery tea bowls. All glazed stoneware, two with MacKenzie's iconic glaze streak decoration.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Smallest Bowl; Height: 2 1/4 in x diameter: 4 1/4 in. Medium Bowl; Height: 3 1/4 in x diameter: 4 3/4 in. Largest Bowl; Height: 3 1/2 in x diameter: 5 1/2 in.

Warren MacKenzie (American, 1924-2018). Group of six studio pottery plates, including one matching set of two plates, decorated with MacKenzie's handprint, and one set of four plates, decorated with orange glaze and a starburst motif. All glazed stoneware.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Handprint Plates (Each); Height: 1 1/4 in x diameter: 6 3/4 in. Starburst Plates (Each); Height: 1 1/2 in x diameter: 7 1/4 in.

Warren MacKenzie (American, 1924-2018). Group of four studio pottery ceramic tea bowls. All glazed stoneware; two with matching orange, tan, and white glaze.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Four-sided Bowls (Each); Height: 2 1/2 in x diameter: 5 1/4 in. Drip-glaze Bowl; Height: 3 in x diameter: 5 in. Green Bowl; Height: 3 in x diameter: 6 1/2 in.

Warren MacKenzie (American, 1924-2018). Set of four studio pottery bowls, all with an applied lug handle along one side. All stoneware with a bicolor glaze.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Each; Height: 2 1/2 in x width: 5 3/4 in x depth: 5 in.