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Bernard Leach: 'A Potter's Book', 1962 reprint in wrapper; plus 'The Wood Engravings of Robert Gibbings', Faber, 1959, 1st edition, illustrations throughout, original buckram; plus a bound volume of The Studio Magazine, vol 130, July-Dec 1945, content includes Ben Nicholson, Nevinson & Camden Town Group (3)
Bernard LeachBottle vase, circa 1960Stoneware, with tenmoku and iron glazes.19cm highImpressed with artist's BL seal and the St Ives mark.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Bernard LeachTiled table, circa 1945Glazed ceramic tiles, mounted in a wrought iron trivet, central tile with bird motif; together with two additional tiles.Central pictorial tile - 10 x 10 cmTable - 19.5 x 39 x 26.5 cmThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Bernard LeachLidded pot, circa 1960Porcelain, leaf design in blue glaze.9cm diameterImpressed with artist's BL and St Ives stamps. This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Bernard Howell Leach (1887-1979). A mustard-glazed slipware jug, 'one & all' and sgraffito decoration, St Ives and early 'BL' marks, 17cm highCONDITION: There are numerous glaze losses around the rim and the spout and there is a fine crackle to the glaze on the interior and exterior, wear to the base consistent with age otherwise in good condition.
A RARE JAPANESE LACQUER PILLAR HANGING BY KOMA YASUTADA, HASHIRA-KAKE EDO PERIOD, LATE 18TH CENTURY The tall rectangular panel decorated in gold, silver and red on a black roiro ground, depicting a beauty dressed in an ornate Western dress decorated with pearls and ribbons, a medal shaped as a Maltese cross in gold and silver tied at her waist, leaning over and smiling gently, with European-style cross-hatching executed in harigaki, a circular hanging hole above and signed Koma Yasutada saku on the edge of the panel, together with a fitted tomobako box and cover, 158cm x 11.4cm. (2) Provenance: formerly the collection of Mike and Hiroko Dean. Illustrated in M & H Dean, Nihon no Shikki, Japanese lacquer - an Exposition, no.109; also Barry Davies Oriental Art, Japanese lacquer, Nambokucho to Zeshin, The Collection of Mike and Hiroko Dean, pp.67-68, no. 67. Hashira-kake are tall panels which were used to decorate hashira, indoor pillars. Mike Dean (d.2013) was a recognised artist who, throughout his career, exhibited paintings in St Yves and across the UK. Together with his wife Hiroko, they built an important Japanese collection consisting of metalwork and lacquer wares. Mike opened Nihon Token (the Japanese sword) in Museum Street near the British Museum and worked for many years on a book dedicated to their lacquer pieces assembled over forty years. The book was published with Kyoto Shoin Publishers in the early 1980s and was entitled 'Japanese lacquer - an exhibition'. Mike and Hiroko were also close friends of Bernard Leach (1887-1979) and Shoji Hamada (1894-1978) and they loaned many of their own Leach and Hamada pieces to museums in Japan.
δ Various ArtistsThe Penwith PortfolioThe complete portfolio comprising eleven lithographs and one screenprint in colours, 1973, the Lanyon with a stamped signature, the others all signed in pencil, numbered from the edition of 90, printed by Stanley Jones at Curwen Studio, London, published by Penwith Galleries Ltd., St Ives, on TH Saunders wove paper, the sheets loose in the original paper folders and brown linen covered portfolio, each sheet circa 559 x 763mm (22 x 30in) (11) (unframed)Artist's include: Robert Adams (Screen Form); Alan Davie (Bird Through The Wall); Merlyn Evans (St Ives Beach); Duncan Grant (Interior); Dame Barbara Hepworth DBE (Moon Landscape); Peter Lanyon (The Returned Seaman); Bernard Leach (Drawing for a pot); F E McWilliam (Women of Belfast); Henry Moore (Silhouette Figures with Border Design); Ben Nicholson OM (Abstract 1936); John Piper (Annunciation to the Sheperds); Michael Rothenstein (Sunrise at 36,000 feet).δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Colin Pearson (1923-2007), a St Ives studio pottery bowl, circa 1954, footed and bowed cylindrical form, tenmoku glaze with celadon interior, impressed Pearson and Leach seal marks, 12.5cm diameter, 8cm high Note: although Pearson never officially worked at St Ives, he worked alongside and taught many other potters and it is likely he visited the Leach studio on several occasions. This pot shows the influence of Hamada and Bernard Leach
Attributed to BERNARD LEACH (1887-1979) for Leach Pottery; a porcelain bud vase, iron brushwork on celadon ground, impressed pottery marks, height 8.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
BERNARD LEACH (1887-1979) for Leach Pottery; a slipware ramekin/egg baker, impressed early BL mark, diameter 8.5cm (excluding handle), and a stoneware brush pot decorated with Viking long ships, impressed pottery mark only but attributed to Leach, height 11.5cm (2). (D)Additional InformationTight hairline to ramekin extending 2 cm from rim to well; glaze flake towards base and short firing crack to rim of brush pot, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Bernard Leach (1887-1979), a stoneware bottle vase c.1965, impressed partial seals to base A stoneware slab built bottle vase decorated to each side with an incised mountain and forest design underneath a running ash glaze 19.5cm high (ARR) Literature: For a similar vase see Tony Birks and Cornelia Wingfield Digby, Bernard Leach, Hamada and their circle p.51Please refer to department for condition report
Bernard Leach (1887-1979), a limited edition lithograph 1973/74, signed in pencil to margin and editioned 14/100 with CP embossed to the lower left corner A large lithographic print by the Curwen Press depicting a tree jar by Bernard Leach Image 44.5cm x 36.5cm, Page 77cm x 57cmPlease refer to department for condition report
§ BERNARD LEACH (1887-1979) ST IVES POTTERY STONEWARE TILE, MID 20TH CENTURYpainted initials and St. Ives mark, impressed St Ives marks verso, 10cm square; a MARTIN BROTHERS STONEWARE TILE, moulded maker's marks verso; 14.7cm square; and TWO FURTHER POTTERY TILES, one painted with a colt, the other with a squirrel, 15cm and 14cm squareFootnote: Exhibited: Hereford Museum & Art Gallery ‘Love and Labour are All: The Arts and Crafts Movement and Beyond’ 24th March-16th May 2012, no.94
FOLDING SCREEN - BERNARD LEACH INTEREST a fascinating folding screen with 6 panels, with 37 various cards including drawings, postcards and prints (including original woodcuts and wood engravings). With examples by David Jones, Eric Gill, Reginald Turvey, and others, many on a theme of Christmas and Winter trees and birds, all items pasted down and lightly varnished. Also with a signed drawing by Hein Heckroth (German film director), some signed and or inscribed and dated, circa 1940-1951. 79cms high *This screen was owned by Laurie Cookes, Bernard Leach's second wife.
LARGE CAMPHORWOOD TRUNK - BERNARD LEACH INTEREST a large camphorwood and brass bound trunk, with brass handles and carrying handles to each side. Marked inside, Kwong On, Shanghai St, Hong Kong. 104cms by 51cms, 49.5cms high *This trunk was owned by Laurie Cookes later Leach, who married Bernard in 1944 to become his second wife. Some of the following lots were stored in this trunk for many years.
STUDIO POTTERY - BERNARD LEACH INTEREST a fascinating collection of Studio Pottery and Artist programmes and booklets, including Shoji Hamada Exhibition of Pottery (1929 and 1931), Exhibition of Kenkichi Tomimoto and Bernard Leach, Artists of St Ives 1949, Penwith Society of Arts in Cornwall, Mark Tobey 1934. Also with some Penguin Modern Painters books (David Jones, Duncan Grant, Henry Moore, John Piper, Ben Nicholson etc), Canadian Eskimo Art, and various other ephemera including paper cuttings. *Formally owned by Laurie Cookes, Bernard Leach's second wife.
GEORG JENSEN SILVER BROOCH - BERNARD LEACH INTEREST a collection of jewellery including a small silver floral design brooch by Georg Jensen (stamped 8.30, 100), a Greek style necklace (possibly silver but unmarked) with various portraits on circular discs, a heavy eastern bangle (unmarked), silver brooches, pressed amber necklace, and other items. Jensen 3cms high *Formally owned by Laurie Cookes, Bernard Leach's second wife.
JAPANESE ITEMS - BERNARD LEACH INTEREST including a square wooden box with signature to the lid, 2 small lacquered boxes, a nest of 3 pottery dishes, 2 fans (1 with cover), folder and other items. Also with an English rosewood and brass bound sewing box, with various compartments and removable tray. *Formally owned by Laurie Cookes, second wife of Bernard Leach.
ETHEL M MAIRET"Vegetable Dyes, being a book of recipes and other information useful to the dyer." Fifth edition, cont cloth-backed hand-printed boards, ads including hand-printed cloth sample by Phyllis Barron and Dorothy Larcher of Painswick plus ad for Bernard Leach and Michael Carew at the New Handworkers Gallery, vg; PHILIPPE MAIRET "The Idea behind Craftsmanship." Handworkers' Pamphlets No 1, orig wraps, St Dominic's Press, 1928, good.
In the manner of Shoji Hamada - A rectangular slab vase from The Leach Pottery, with shallow collar neck, tenmoku glaze with sweeping brush work motifs in resist decoration, height 11.5cm, width 8.5cm.Provenance - This vase was purchased and owned by Gillian (Gill) Harrington who worked at the Leach Pottery on Kensington Church Walk in the early 1970s. Gill had originally worked for Bernard Stone at the Turret Bookshop which shared a space with The Leach Pottery. During her time working at The Turret Bookshop Gill became close friends with Sybil Hansen who worked for Leach at the Kensington Church Walk shop. From this friendship Gill began working at the shop covering shifts and selling the ceramics. Her daughter, who studied at St Mary Abbots School just down the road remembers sitting with her mother in the shop after school and also being taught how to pot by William (Bill) Marshall. Her diaries of the time make numerous mentions to her job at The Leach Pottery and her close friendship with both Sybil Hansen and Guy Worsdell. This piece and the other two examples were acquired by Gill at her time there.
Bernard Leach (1887-1979), a stoneware ovoid vase, with incised willow tree design and a green all over ash glaze impressed BL to base, with St Ives mark, 24cm x 13cm, provenance: accompanied by a Marjorie Parr receipt and handwritten Marjorie Parr Gallery letter 'it is approximately 1961-1962 and was originally bought at Primavera' *ARR may apply to this lot
Attributed to Jorge Lewinski (Polish 1921-2008), an original period portrait photograph of Barbara Hepworth, image 24.5cm x 19.5cm, framed and under glass, together with Borough of St.Ives, Cornwall - On the occasion of the conferment of the Honorary Freedom of the Borough on Bernard Leach, Barbara Hepworth - In recognition of their international contribution to the arts - 23rd September 1968, St.Ives Council, two booklets with photographs and biography, in clear plastic sleeve. (2)
A Studio Pottery Jar, St. Ives, Bernard Leach with Gold Kintsugi Repair. Bearing the impressed St.Ives mark and very likely decorated by Bernard Leach. With a Japanese gold lacquer (kintsugi) repair to a chip to the inner rim. Dating to the 1960s. Diameter 10.5cm, height 8.5cm.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton. Mr. Page was a great fan of Bernard Leach and met and had tea with him on more than one occasion during the 1960s.
Bernard Leach (British, 1887-1979) for Leach Potterystoneware, of waisted form, with a fusion of tenmoku and iron glazes22cm high, impressed seal marks for Bernard Leach and the Leach Pottery This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A Set of Five Japanese Lacquered Wood Dishes, Ex. Janet / Bernard Leach Collection. Each decorated with a floral pattern. Diameters 16.5 – 17cm. (5)Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.Brian was a great fan of Bernard Leach and met and had tea with him on more than one occasion during the 1960s. The Leach connection is provided by the paper label stuck to one dish in Brian’s handwriting. It is not know when these were purchased.
A collection of Kevin Francis character jugs and covers - limited editions, all artists or potters comprising 'Ralph Wood', 'Bernard Leach', 'Hannah Barlow', 'Charlotte Rhead', 'William Moorcroft', 'George Tinworth', 'Sir Henry Doulton', Clarice Cliff', 'David Winter', 'Peggy Davies', 'Josiah Wedgwood', 'Susie Cooper' and 'Lucie Rie' - each boxed (13)
BERNARD LEACH. An early bottle vase, c1930's, decorated with three motifs by Bernard Leach. Impressed personal script monogram (inverted) & small Leach Pottery marks. Height 19cm. Max. diameter 16cm. Condition: Minor restoration & some glaze loss to neck rim. Apparently no other faults or damage.WE CAN SHIP THIS LOT. PLEASE NOTE: Due to Covid-19 staff shielding, we are operating a queue system for dispatch based on payment completion. Therefore, our usual speed of dispatch will be slower than normal. Also there may be carrier delays beyond our control. : We reserve the right to not ship multiple lot purchases if they are too heavy or bulky.

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2162 item(s)/page